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The print market is experiencing a significant resurgence, defying the broader contraction seen in the global art market. Recent events like the IFPDA Print Fair in New York reported record-breaking attendance of 21,000 visitors, while auction data shows that over 54,000 print lots were sold in 2024—the highest volume in a decade. While total sales value dipped slightly, the decline was far less severe than the 27 percent drop seen in the general fine art sector.

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Artnet News has published its annual roundup of art world figures who died in 2025, honoring a diverse range of individuals including museum directors, painters, curators, philanthropists, and an archaeologist. Among those remembered are Julia Alexander, former director of the Yale Center for British Art; Sylvain Amic, recently appointed to lead the Musée d'Orsay; philanthropist Wallis Annenberg; abstract painters Timothy App and Jo Baer; curator Leonid Bazhanov; and Tony Bechara, painter and former director of El Museo del Barrio.

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Artnet News reports on the rising market for African American painter Bob Thompson, who died at 28 in 1966 but produced thousands of works in a five-year span. His vibrant, narrative paintings—inspired by Old Masters, Greek mythology, and Modernism—have long influenced artists and curators, yet only recently commanded high auction prices. In 2024, all 16 lots offered sold, totaling $4 million, with a record $1.26 million for *Music Lesson* (1962) at Christie’s. The article traces his career from Louisville to Europe, his estate history with dealer Michael Rosenfeld, and current interest from collectors and institutions like the Whitney Museum and Smithsonian American Art Museum.

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Frieze New York 2025 is set to take place at the Shed in Manhattan, bringing together over 65 contemporary art galleries from more than 25 countries. The fair coincides with major institutional shows at the Guggenheim, Whitney Museum, and the Metropolitan Museum of Art, as well as the recent reopening of the Frick Collection after a $220 million renovation. Notable galleries include Gagosian, Hauser & Wirth, Pace, and David Zwirner, alongside international dealers like Goodman Gallery and Kurimanzutto. The Focus section, curated by Lumi Tan, features 12 young galleries. On the eve of the fair, Frieze itself was sold by Endeavor to former CEO Ari Emanuel for a reported $200 million.

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This article from Artnet News recaps a series of holiday parties and galas in the New York art world during December 2016. Highlights include the New York Botanical Garden's 18th Annual Winter Wonderland Ball, attended by Anne Hathaway, Tinsley Mortimer, and Andrew Warren; artnet's own holiday party featuring the Bumbys and a magician; ACRIA's 21st Annual Holiday Dinner honoring the Robert Mapplethorpe Foundation and actress Judith Light; and Project for Empty Space's Winter Bacchanal Benefit, which presented the first Badass Art Woman Awards to curators Rujeko Hockley, Rocio Aranda-Alvarado, and Deana Haggag.

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This week's art industry roundup covers major auction activity, including Christie's $250 million sale of Barnes and Noble founder Len Riggio's collection, and Sotheby's postponement of an ancient Buddhist gemstone auction after criticism from academics and India's Ministry of Culture. Frieze New York, recently sold to Ari Emanuel, reported strong sales with a $3 million Jeff Koons sculpture at Gagosian, while Gagosian's TEFAF New York booth featuring Anna Weyant's jewelry-themed paintings sold out. Other news includes Céline Assimon's appointment as chief commercial officer at Bonhams, the Spring Break Art Show's return, and gallery representation changes.

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This edition of State of Play, part of Artnet Pro's Asia Pivot newsletter, reports on recent developments across Asia's art world. Taipei Dangdai Art and Ideas and Art Busan both concluded with slower sales and reduced attendance, citing economic and geopolitical uncertainty. Meanwhile, Art Basel announced a new fair in Doha for February 2026, and more Asian galleries are opening spaces in New York. In institutional news, philanthropist Yan Du is launching Yan Du Projects in London, the Simose Art Museum in Japan is hosting its first contemporary exhibition, and the Smithsonian's National Museum of Asian Art has repatriated looted Zidanku Silk Manuscripts to China.

Wet Paint Does Frieze Week: The Dinosaur Dealer Downtown, David Zwirner Tribeca, and More Juicy Art-World Gossip

Artnet News' gossip column 'Wet Paint' covers the opening week of Frieze New York, beginning with the group show 'Statics of an Egg' at David Zwirner's newly renamed Tribeca gallery (formerly 52 Walker). Curated by Martin Germann, the exhibition features Japanese artists gathered by Yu Nishimura and Kenji Ide, with Nishimura's painting 'in waiting' highlighted. The column also reports on a private party at the River art-world hangout and a visit to Amanita gallery for 'A Land Before Time: Three Dinosaurs and a Gondola,' which includes a John Chamberlain sculpture. Notable attendees include artists Sasha Gordon, Olivia van Kuiken, Calvin Marcus, and Josh Smith, as well as dealers Marlene Zwirner and Matthew Brown.

At Frieze New York, Business Plunks Along, Leonardo DiCaprio Alights

At the VIP opening of Frieze New York, collectors were present but subdued, with galleries presenting modest displays and sales proceeding at a sensible, sedate pace. Despite the lack of urgency, business has improved since last year, buoyed by upcoming top-tier auctions. Thaddaeus Ropac confirmed four early sales, including a George Baselitz canvas for €1.4 million and an Alex Katz work for $400,000. David Zwirner’s booth of Joe Bradley paintings was among the buzziest, with all works on hold by early afternoon, while Cindy Sherman photographs at Hauser & Wirth sold steadily. Leonardo DiCaprio made visits, and Kelly Sinnapah Mary’s paintings at James Cohan Gallery sold out, the largest to a museum.

Chicago’s Obama Presidential Center has art at its core

The Obama Presidential Center is set to open on Chicago’s South Side on June 19, 2026. The $850m institution, designed by Tod Williams Billie Tsien Architects, features more than 25 site-specific contemporary art commissions integrated into its architecture and 19.3-acre campus. Ahead of the opening, the museum has partnered with Expo Chicago to preview these works, which include monumental contributions from artists such as Julie Mehretu, Mark Bradford, and Nick Cave.

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Artnet News published an alphabetical in memoriam list commemorating art world figures who died in 2024, including printmaker Norman Ackroyd, museum director Hope Alswang, sculptor Carl Andre, curator and writer David Anfam, painter Frank Auerbach, and gallerist Patti Astor. Each entry includes a brief tribute highlighting their key achievements and contributions, such as Ackroyd's meticulous printmaking techniques, Alswang's diversification of the Norton Museum of Art's collection, Andre's foundational role in Minimalism, Anfam's influential scholarship on Abstract Expressionism, Auerbach's distinctive painterly style, and Astor's pioneering East Village gallery.

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Selections from actor Gene Hackman's personal collection, including artworks and film memorabilia, were sold across a series of auctions at Bonhams in New York from November 19 to December 4. The three sales collectively realized $3 million, with all 400-plus lots finding new homes. Highlights included a Milton Avery painting that fetched $508,500, a Richard Diebenkorn etching that sold for $419,600, and Hackman's Golden Globe awards, with his trophy for *The Royal Tenenbaums* bringing in $51,200. Hackman, who died in February at age 95, was also an artist himself, having studied at the Art Students League of New York and maintained a studio in Santa Fe.

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Bonhams auctioned 29 lots from the collection of late musician and actor Marianne Faithfull in its recurring 'Sound & Cinema' online sale, which concluded on November 24. The lots included eight artworks personally owned by Faithfull, such as an intimate portrait by South African painter Marlene Dumas that sold for $5,806—exceeding its estimate—and works by Anita Pallenberg, Martin Sharp, and others. The entire Faithfull consignment brought in $85,723, with proceeds going to her son Nicholas Dunbar.

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The New York Gallery History Project, a partnership between Independent and Contemporary Art Library, has launched the digital archives of Jay Gorney Modern Art, a seminal New York gallery that operated from 1985 to 1998. The archive includes documentation of landmark exhibitions such as Lari Pittman's first New York solo show, Nan Goldin's first prints of "The Ballad of Sexual Dependency" (1985), and shows by Catherine Opie, Barbara Bloom, and others. The project also collects material from other closed galleries like Foxy Production, Off Vendome, and Paradise Garage to preserve art history that might otherwise be lost.

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Gagosian has partnered with filmmaker Wes Anderson to recreate the New York studio of Joseph Cornell at its Paris gallery space on 9 rue de Castiglione. The exhibition, curated by Jasper Sharp and titled “The House of Utopia Parkway,” will run from December 16 to March 14, 2026, transforming the gallery into a tableau that blends a time capsule with a life-size shadow box. It marks the first solo presentation of Cornell’s work in Paris in over four decades, featuring iconic glass-fronted “shadow boxes” such as *Pharmacy* (1943), *Untitled (Pinturicchio Boy)* (circa 1950), and *A Dressing Room for Gille* (1939).

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Former New York governor Andrew Cuomo relaunched his New York mayoral campaign as a third-party candidate on July 14, after losing the Democratic primary to Zohran Mamdani by 12 points on June 24. A recent ARTnews data analysis reveals that prominent art world figures have donated to both campaigns, with Cuomo receiving contributions from Christie's executives, Phillips and Sotheby's staff, Gagosian directors, art dealers, and museum leaders, while Mamdani drew support from foundation directors, museum curators, gallery directors, and numerous artists. The pro-Cuomo super PAC Fix the City received $5 million from billionaire Michael Bloomberg and $250,000 from Top 200 collector Daniel Loeb, while the pro-Mamdani super PAC raised about $1.4 million.

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Seven works on paper by Egon Schiele have been restituted to the heirs of Fritz Grünbaum, a Jewish cabaret performer killed at Dachau concentration camp in 1941 after being forced to surrender his art collection to the Nazis. Six of these pieces will be auctioned at Christie’s New York in November 2024, with three watercolor portraits—including *Stehende Frau (Dirne)* (1912), *Selbstbildnis* (1910), and *Ich liebe Gegensätze* (1912)—headlining the 20th Century Evening Sale on November 9, and three more offered in the Impressionist and Modern Works on Paper Sale on November 11. Estimates range from $150,000 to $2.5 million per work, and proceeds will be split among Grünbaum’s heirs, who plan to fund a scholarship program for young musicians.

A Delayed Art Dubai Opens With Fewer Galleries—but Buyers Abound

Art Dubai opened its 20th edition at Madinat Jumeirah with a significantly reduced number of exhibitors—50 largely regional galleries, down from the originally expected 120—after being delayed from mid-April due to geopolitical tensions following the U.S.-Iran ceasefire on April 8. The fair, which offered free entry for the first time and refunded booth costs for participating galleries, saw strong attendance from Gulf and Middle Eastern collectors, with an upbeat mood and a more intimate atmosphere reminiscent of pre-Covid editions. Galleries from Lebanon and other conflict-affected regions were present, emphasizing art as a form of resilience and cultural identity.

A Smaller Art Brussels Represents a Shift in the Fair Ecosystem Toward a ‘Quality-First’ Approach

Art Brussels, now in its 42nd edition (April 23–26), has downsized from 164 to 138 participating galleries, a 15% reduction that allows the fair to fit entirely within one hall of Brussels Expo. Director Nele Verhaeren openly acknowledged the shift, framing it as a deliberate move toward a 'quality-first' approach that prioritizes visitor experience over sheer scale. The fair introduces a new section called Horizons, curated by Devrim Bayar of the upcoming Kanal-Pompidou museum, featuring seven large-scale works in the freed-up space. Dealers like Xavier Hufkens and Nadja Vilenne support the strategy, noting that galleries must now carefully choose which fairs to attend amid rising costs and geopolitical tensions.

14 Must-See Museum Shows in New York This Spring

New York museums are launching a significant slate of spring exhibitions, featuring major retrospectives and thematic surveys. Highlights include "Noguchi's New York" at the Noguchi Museum, exploring the sculptor's unrealized urban projects; "Raphael: Sublime Poetry" at the Metropolitan Museum of Art, a comprehensive look at the Renaissance master; and "Gothic by Design: The Dawn of Architectural Draftsmanship," also at the Met, focusing on medieval architectural drawings.

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The article explores the challenge of articulating olfactory experiences in art, focusing on Norwegian artist Sissel Tolaas, who has dedicated her career to scent as a medium. Tolaas has collected over 15,000 smell molecules for her SMELL RE_searchLab in Berlin and invented a language called NASALO to describe scents more precisely. The piece also highlights the Kunstpalast Düsseldorf's exhibition "The Secret Power of Scents," which integrates smell into its permanent collection display, and references historical and contemporary artists like Ernesto Neto, Mike Kelley, and Oswaldo Maciá who have used scent in their work.

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Arnulf Rainer, the Austrian artist known for his relentless experimentation and his signature "overpaintings" (Übermalungen), died on December 18 at age 96 at his home in Austria. His death was confirmed by his gallery, Thaddaeus Ropac. Over seven decades, Rainer produced abstract works tied to the Art Informel movement, layering dense pigment over existing images—first his own, then works by artists like Emilio Vedova. He also created "blind drawings" and overpainted photographic self-portraits in series such as "Face Farces" and "Body Poses." His career included major exhibitions at Documenta, the Venice Biennale, the Guggenheim Museum, and the Centre Pompidou, and he taught at the Academy of Fine Arts in Vienna from 1981 to 1995.

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Luke Agada, a Nigerian painter who completed his MFA at the School of the Art Institute of Chicago in 2023, chose to remain in Chicago rather than move to New York or Los Angeles, citing the city's balance of opportunities. He opened his solo exhibition "To Translate Is to Move Across" at Monique Meloche Gallery during the third edition of Chicago Exhibition Weekend (CXW), a four-day event involving over 70 galleries, talks, studio visits, and a tennis mixer. CXW was founded by Abby Pucker of the consultancy firm Gertie and co-organized with Expo Chicago, expanding this year to include the Chicago Architecture Biennial and a curated exhibition of conceptual art.

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Gallery Weekend Berlin took place during the city's spring bloom, featuring exhibitions like Alvaro Urbano's melancholic installation "September and Lions" at ChertLüdde and Pamela Rosenkranz's flesh-toned water bottles at KaDeWe. The event kicked off on May Day and included expanded public tours, artist talks at the Neue Nationalgalerie, and a 24-hour window project. Notable attendees included collector Frédéric de Goldschmidt and celebrity Usher, who collected art. The weekend was marked by a mood of resilience despite political turmoil.

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Dara Birnbaum, a pioneering video artist known for subverting mainstream media through her re-edited television clips, has died at age 78. Her longtime representative, Marian Goodman Gallery, confirmed her death but did not disclose a cause. Birnbaum rose to prominence in the late 1970s and 1980s by pirating TV programs and resequencing their images to disrupt passive viewing. Her most famous work, *Technology/Transformation: Wonder Woman* (1978–79), loops clips of Lynda Carter as the superhero, exposing hidden politics and questioning the show's brand of feminism. The piece is now regarded as a landmark in both feminist art and video art.

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The New York art scene is witnessing a shift in the Tribeca gallery landscape as 1969 Gallery, a fixture known for championing emerging painters, has shuttered its physical space at 39 White Street. Founder Quang Bao confirmed the closure following the building owner's decision to sell the property, noting that he is currently operating from Barcelona with plans to pivot toward collaborations and residencies rather than the traditional gallery model. Meanwhile, the itinerant Ward Gallery continues to gain traction by hosting pop-up symposia at institutions like the International Center for Photography, signaling a broader trend toward real-estate-free dealership.

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Ki Smith Gallery in New York is hosting "50 years of PUNK," an exhibition honoring the seminal punk magazine that launched in 1975. Running through January 11, the show features ephemera, new artworks, and issues 24 and 25 of the magazine, which famously covered bands like the Ramones and Lou Reed. The exhibition opened on November 28, marking 50 years since PUNK interviewed Reed and the Ramones at CBGB's. Co-curated by gallery founder Ki Smith and PUNK co-founder John Holmstrom, the show celebrates the magazine's DIY spirit and its role in shaping punk culture.

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Kevin McGarry reviews the debut issue of *Even*, a new print art journal launched by *Guardian* contributor Jason Farago during Frieze New York. Named after a phrase from Marcel Duchamp's *The Bride Stripped Bare By Her Bachelors, Even*, the magazine is a small, paperback-sized publication that prioritizes text over images, positioning itself as an antidote to market-driven art discourse. The first issue features a lengthy essay on artist Joan Jonas by Elisabeth Lebovici, timed to Jonas's U.S. pavilion at the 56th Venice Biennale, and a piece by Zachary Woolfe on the Björk exhibition at MoMA. McGarry critiques the journal's ambition to revitalize art criticism, noting that while its goals are lofty, the content sometimes falls back on familiar artspeak.

While the world is ending outside

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The ninth edition of the art festival "Various Others" opened in Munich amid rain, with galleries, institutions, and off-spaces presenting their exhibitions. Highlights include Jana Schröder's large-format paintings at Jahn und Jahn, juxtaposed with Willem de Kooning's works on newspaper; André Butzer's solo show at Galerie Christine Mayer, featuring his transition from monochrome 'N-Bilder' back to color; and Anselm Reyle's solo exhibition at Walter Storms in collaboration with Galerie Dirimart. Two standout shows are inspired by Persian miniature painting: Elif Saydam's 'Glory' at Galerie Rüdiger Schöttle, where silver and gold leaf works will oxidize over centuries, and another exhibition exploring bodies in transitional states—pupating, oxidizing, and escaping fixed forms.

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Maurizio Cattelan has been awarded the 2026 Preis der Nationalgalerie, administered by Berlin’s Nationalgalerie. The prize, given every two years to an influential contemporary artist, includes a solo exhibition at the Neue Nationalgalerie. Cattelan was selected by a jury of international directors including Emma Lavigne, Sam Keller, and Klaus Biesenbach. His exhibition will open in September 2026 during Berlin Art Week, curated by Biesenbach and Lisa Botti. Cattelan previously co-curated the 4th Berlin Biennale in 2006.