Betye Saar’s Birthday Present

Betye Saar, the iconic assemblage artist, is donating her collection of Black dolls to the New York Historical on the occasion of her 100th birthday. The article also covers strong performance art at the Venice Biennale, including works by Florentina Holzinger and Miet Warlop at the Austrian and Belgian pavilions, amidst a fraught edition marked by the death of artistic director Koyo Kouoh, canceled pavilions, and protests. Additional features include a review of Ceija Stojka's exhibition at the Drawing Center and a profile of sculptor Edmonia Lewis.

Celebrated in the 1970s, American artist Nancy Graves returns to the spotlight at Ceysson & Bénétière

Célébrée dans les années 1970, l’artiste américaine Nancy Graves retrouve la lumière chez Ceysson & Bénétière

Beaux Arts Magazine reports on a resurgence of interest in American artist Nancy Graves (1939–1995), highlighted by a new exhibition at Ceysson & Bénétière. Graves, who worked across painting, sculpture, film, and stage design, was a rising star in the 1970s—exhibiting at MoMA and the National Gallery of Art, and becoming the youngest artist to have a solo show at the Whitney Museum of American Art at age 29. The article traces her career from studying literature at Vassar and art at Yale, to her brief marriage to sculptor Richard Serra, and her pioneering use of NASA satellite imagery and natural history themes in works like her life-size camel sculptures.

Finalists for the Sobey Art Award, Canada’s top contemporary art prize, revealed

Six artists from across Canada have been shortlisted for the 2026 Sobey Art Award, the nation's top contemporary art prize. The finalists are Melaw Nakehk'o (Circumpolar), Samuel Roy-Bois (Pacific), Audie Murray (Prairies), Lotus L. Kang (Ontario), Caroline Monnet (Québec), and Shane Perley-Dutcher (Atlantic). Each finalist receives C$25,000 ($18,000), with a grand prize of C$100,000 ($72,000) to be announced at a ceremony in Ottawa on 14 November. An exhibition of their works will be held at the National Gallery of Canada later this year, and the 24 longlisted artists not among the finalists will each receive C$10,000 ($7,200).

Marianna Simnett’s Furry Friends

Marianna Simnett’s exhibition at Société, Berlin, features a provocative mix of film, painting, and sculpture that revels in grotesque, erotic, and fantastical transformations. Works like *Hyena and Swan in the Midst of Sexual Congress* (2019) and the films *Leda was a Swan* (2025) and *Blue Moon* (2022) reimagine classical myths and fairy tales through a feminist, body-horror lens, using AI-assisted visuals and stop-motion to explore themes of animality, abjection, and pleasure. The show includes taxidermy-inspired animations, BDSM-inflected live-action shorts, and sculptures that ensnare human figures in animal forms.

‘Shocking? It’s only what you see in ancient temples’: painter T Venkanna on his joyous carnivals of copulation

T Venkanna, an Indian painter known for his sexually explicit and mythologically-infused works, is the subject of his first institutional solo show. The exhibition features an altarpiece shaped like a juvenile phallus, populated with scenes of graphic copulation, including figures from Hindu mythology and Adam and Eve. Venkanna draws inspiration from ancient Indian temple sculptures, which he says depict similar acts, and his work challenges the disparity between puritanical religious doctrine and licentious reality. The artist, who grew up as the son of a Hindu priest, has faced death threats and accusations of blasphemy in India for his provocative imagery.

Photographer Catherine Opie is everywhere all at once this spring

Photographer Catherine Opie is experiencing an extraordinary year in 2026, with multiple major exhibitions opening simultaneously across Europe and Los Angeles. A career-spanning survey at London’s National Portrait Gallery will travel to Edinburgh’s Royal Scottish Academy, while other shows appear in Kassel, Germany, and Trondheim, Norway. In Los Angeles, her new exhibition “Holding Blue” opens May 28 at Regen Projects, featuring 44 images of Norwegian mountain landscapes shot over 20 days in early 2024, accompanied by nine ceramic sculptures. Her work also appears in group shows at the Autry Museum of the American West, Hauser & Wirth, and David Zwirner. Opie, who retired from UCLA after serving as chair of the art department and teaching photography for more than 20 years, describes this period as the “Catherine Opie World Tour 2026.”

Nancy Graves - En galerie

Nancy Graves (1939-1995), a major figure in American art who first gained recognition in 1969 at the Whitney Museum in New York, is the subject of a gallery exhibition presenting works from 1977 to 1990. Her multidisciplinary practice encompasses sculpture, painting, drawing, and film, drawing on scientific and cultural references. The featured works showcase an experimental approach based on layering, assemblage, and dynamic colors reminiscent of Abstract Expressionism, inspired by art history, archaeology, and her travels. Graves refused a fixed style, instead exploring the memory of forms and their reinterpretation in a free, layered visual language that is now being rediscovered.

For the 9th edition of Printemps Asiatique Paris, K-art in the spotlight

Pour la 9e édition du Printemps Asiatique Paris, le K-art à l’honneur

The 9th edition of Printemps Asiatique Paris, running from June 3 to 12, 2026, places Korean art (K-art) at center stage, celebrating Franco-Korean friendship. The event moves from its previous location to the refined spaces of Galerie Charpentier and includes a "Parcours galeries" route featuring around twenty Parisian galleries. Participating galleries include Louis & Sack with Lee Hyun Joung's memorial landscapes, Magna Gallery with Hoon Moreau's oak sculptures, and Françoise Livinec with works by Bang Hai Ja. Other highlights include Jean-François Cazeau gallery showing major Asian artists like Zao Wou-Ki, Léonard Tsuguharu Foujita, and Yayoi Kusama; Mingei gallery presenting Japanese bamboo basketry from the 8th century to today; Sinapango gallery with lacquer objects including a Ming-dynasty erotic incense box; and Jacques Barrère gallery with a large Goryeo-dynasty bodhisattva sculpture. The Musée national des Arts asiatiques – Guimet mounts complementary exhibitions on Silla civilization treasures and K-beauty.

Get a taste of the beautiful game through art at exhibits across LA

The article highlights several art exhibitions and installations across Los Angeles that celebrate soccer and sports culture in anticipation of the World Cup. Featured works include Lyndon J. Barrois Sr.'s "Fútbol is Life" at LACMA, featuring miniature sculptures made from chewing gum wrappers depicting historic soccer moments; Pelle Cass's "Play!" at Union Station's Metro Art Passageway Gallery, showing densely layered timelapse photographs of athletes; and Mark Dean Veca's mural "Miracle of La Brea" at the new Wilshire/La Brea Metro Station, which traces the history of the Miracle Mile. The piece also notes the recent opening of the David Geffen Galleries at LACMA and upcoming museums like Refik Anadol's Dataland and the Lucas Museum of Narrative Art.

Economic growth supports the art market in Warsaw

The Warsaw art market is expanding rapidly, driven by Poland's strong economic growth (3.6% GDP in 2025). Two new art fairs have emerged: Art Warsaw (May 21–24), organized by Joanna Witek-Lipka and Michał Kaczyński, and the Hotel Warszawa Art Fair (September), organized by four galleries. These join the established Warsaw Gallery Weekend, now in its 15th year. The fairs cater to a growing collector base increasingly seeking international artists, while still featuring Polish talent. Notable participants include Ada gallery from Rome, Coulisse Gallery from Stockholm, and 52 galleries total, with booth fees ranging from €1,000 to €4,000. The venue, Villa Róż, a 19th-century palace with layered historical features, adds to the fair's appeal.

Tracing the Body Through Dust and Memory

South African artist Igshaan Adams presents 'Unsettling Dust: The Body’s Archive' at the Guggenheim Bilbao, an immersive exhibition that merges weaving, choreography, sculpture, and social history. The show features monumental woven tapestries derived from collaborative dance performances between South African and Greek dancers in Athens, transforming the gallery into a living archive of movement and memory. On view from 5 May to 1 November 2026, it is part of the museum's in situ series.

2026 Sobey Art Award shortlist revealed

The National Gallery of Canada and the Sobey Art Foundation have announced the six finalists for the 2026 Sobey Art Award, Canada's most prestigious contemporary visual arts prize. The shortlisted artists are Melaw Nakehk'o (Circumpolar region), Samuel Roy-Bois (Pacific), Audie Murray (Prairies), Lotus L. Kang (Ontario), Caroline Monnet (Quebec), and Shane Perley-Dutcher (Atlantic). Their practices range from land-based pedagogy and architectural sculpture to ancestral materiality and metal basketry.

Alma Allen on Representing the US at the 61st Venice Biennale

ArtReview published a questionnaire sent to artists and curators participating in the 61st Venice Biennale (2026), featuring responses from Alma Allen, who is representing the United States at the Giardini pavilion. Allen gave cryptic, philosophical answers, declined to answer several questions, and criticized the art world establishment, calling outsider artists the most important and refusing to provide a framework for interpreting her work. The article includes details about her bronze sculpture "Not Yet Titled" (2023) and her reflections on US identity, violence, and bureaucracy.

Rising Voices: Contemporary Art from Asia, Australia and the Pacific opens at the V&A

The Victoria & Albert Museum (V&A) in London has opened 'Rising Voices: Contemporary Art from Asia, Australia and the Pacific', a landmark exhibition drawn from the collection of the Queensland Art Gallery | Gallery of Modern Art (QAGOMA). Featuring over 70 works by more than 40 artists from 25 countries, the show is organized in three thematic sections—Re-Visioning History, Enduring Knowledge, and Evolving Faith—and includes sculpture, photography, painting, ceramics, weaving, and body adornment. Many works are on view outside their home region for the first time. The exhibition runs until 10 January 2027.

A West Coast First: A Retrospective of SFMOMA’s KAWS Exhibit

The San Francisco Museum of Modern Art (SFMOMA) concluded its six-month exhibition "KAWS: FAMILY," the artist's first major museum retrospective on the West Coast. The show featured 30 years of Brian Donnelly's (KAWS) work, from early advertising recreations to monumental sculptures, with a central theme of kinship. It attracted a record influx of young adults and families, helping SFMOMA recover from a 30% drop in annual foot traffic between 2019 and 2024.

One Fine Show: “Beyond Mysticism, The Modern Northwest” at the Seattle Art Museum

A new exhibition at the Seattle Art Museum, “Beyond Mysticism: The Modern Northwest,” reexamines the legacy of a 1953 LIFE magazine feature that anointed four Seattle artists—Mark Tobey, Morris Graves, Kenneth Callahan, and Guy Anderson—as the faces of a distinct regional Modernism. The show expands the original narrative by including Asian artists like Kamekichi Tokita, whose work challenges the magazine's oversimplified framing, and features 150 works across painting, drawing, photography, and sculpture. It also connects the movement to Abstract Expressionism and contemporary environmental concerns, pairing pieces by artists such as Malcolm Roberts with works by Salvador Dalí and Georgia O'Keeffe.

Upcoming CAM exhibit celebrates Gullah Geechee culture

The Cameron Art Museum (CAM) in Wilmington will open "Rooted in Memory: The Gullah Geechee Vision of Jonathan Green" on June 19, 2025, running through January 24, 2027. The exhibition features vibrant paintings by Jonathan Green, a Gullah Geechee artist trained at the School of the Art Institute of Chicago, alongside traditional sweetgrass baskets, quilts, and Adinkra-printed cloth on loan from the Charleston Museum, the Gibbes Museum, and the South Carolina State Museum. A special opening night on June 18 will also include the exhibits "Fresh Air: Inflatable Sculptures" and "Andy Warhol: Silver Clouds," followed by a free community day on June 20.

Iris van Herpen’s Sculptural Couture Responds to Nature at the Brooklyn Museum

The article covers the exhibition "Iris van Herpen: Sculpting the Senses" at the Brooklyn Museum, the Dutch couturier's first major American show. It features 140 haute couture creations alongside works from the museum's collection, fossils from the American Museum of Natural History, and specimens from the Yale Peabody Museum and Staten Island Museum. The exhibition is organized into eleven themed chapters, from water to cosmos, and includes new works like the aerial sculpture "Weightlessness of the Unknown" (2024) and the living algae piece "Living Algae look" (2025). Van Herpen pushed for close proximity between viewers and garments, emphasizing an immersive experience.

'Fade' review: Studio Museum Harlem's 'F' series returns

The Studio Museum in Harlem has opened 'Fade,' the sixth installment of its influential 'F' series, featuring 17 emerging Black and Afro-Latinx artists. The exhibition includes works such as London Pierre Williams's large-scale oil painting 'The Stage: He that leaves me blue, a dream (2026)' and Antonio Darden's 'Untitled (Reclining Figure) (2025),' among others. Curated to feel like an unfolding conversation rather than a traditional group show, 'Fade' explores themes of ancestry, spirituality, grief, and transformation, with sculptures, paintings, and installations that hover between memory and dream.

Cameron Art Museum to showcase Gullah Geechee culture in new Jonathan Green exhibition

The Cameron Art Museum in Wilmington, North Carolina, will host a new summer exhibition titled "Rooted in Memory: The Gullah Geechee Vision of Jonathan Green," opening June 19 and running through January 24, 2027. The show features vibrant paintings by acclaimed artist Jonathan Green, a native of Gardens Corner, South Carolina, whose work depicts family life, labor, celebration, and spirituality rooted in Gullah Geechee culture. The exhibition pairs Green's paintings with traditional crafts such as sweetgrass baskets, quilts, and Adinkra-printed cloth on loan from the Charleston Museum, the Gibbes Museum, and the South Carolina State Museum. The exhibition is part of the museum's summer season alongside "Fresh Air: Inflatable Sculptures" and "Andy Warhol: Silver Clouds."

Art for hot days: Top 10 exhibitions to see this summer in Chicago

This article presents a curated list of ten must-see art exhibitions in Chicago for summer 2025, highlighting a diverse range of artists and venues. Featured shows include a rare solo exhibition of miniature figurines by 85-year-old Argentinian artist Liliana Porter at Secrist|Beach, a group show inspired by cosmology at the Renaissance Society, and a posthumous survey of Martin Wong's brick-focused paintings at Wrightwood 659. Other notable exhibitions include sculptural works by Oren Pinhassi and Leticia Pardo at the Arts Club of Chicago, Nathaniel Mary Quinn's emotionally charged portraits at the National Public Housing Museum, and Jeremiah Hulsebos-Spofford's monumental sculptures at the Elmhurst Art Museum.

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

MoMA PS1 chief curator has a vision for Art Basel’s outsized sector, Unlimited

Ruba Katrib, Chief Curator and Director of Curatorial Affairs at MoMA PS1, has been appointed curator of Art Basel's Unlimited sector for 2026. Unlimited is a dedicated platform for large-scale installations, sculptures, wall paintings, and video works. Katrib, a Syrian American curator known for bold exhibitions and amplifying emerging voices, will select around 69 projects from over 100 gallery proposals to create a coherent curatorial narrative within a 16,000 m² space. She succeeds Giovanni Carmine, director of the Kunst Halle Sankt Gallen.

The ultimate scavenger hunt for art: Check out this KDKA video of Carnegie International highlights that your family can visit

KDKA has released a video showcasing highlights of the Carnegie International exhibition, presented as an art scavenger hunt designed for families. The video encourages viewers to explore the exhibition together, turning the museum visit into an interactive experience for all ages.

Willie Birch: Stories to Tell

The California African American Museum presents 'Willie Birch: Stories to Tell,' a sweeping retrospective spanning over five decades of the artist's career, from the late 1960s to the present. The exhibition features Birch's paintings, papier-mâché sculptures, charcoal drawings, and installations, all rooted in his exploration of Black cultural memory, community life in New Orleans, and what he calls 'retentions'—fragments of African heritage persisting across generations. Organized chronologically, the show highlights Birch's evolving visual language and his commitment to storytelling as a form of social practice.

International encaustic art conference comes to Truro

The 19th International Encaustic Conference will take place May 29-31 at Edgewood Farm in Truro, Massachusetts, produced by the Truro Center for the Arts at Castle Hill. The three-day event brings together artists from around the world to celebrate encaustic painting, an ancient medium using pigmented wax, with technical demonstrations, educational programming, networking, juried exhibitions, and extended gallery hours in Wellfleet and Truro. Keynote speaker is artist Portia Munson, known for her maximalist installations exploring consumerism and identity. Pre- and post-conference workshops run May 26 to June 4.

“José de Jesús Rodríguez’s Back & Forth” New Art21 Film to Premiere May 27, 2026

Art21 has announced the release of a new documentary film titled “José de Jesús Rodríguez’s Back & Forth,” premiering online on May 27, 2026. Directed by Andrea Yu-Chieh Chung, the film follows painter José de Jesús Rodríguez as he transitions into new techniques like mosaic and relief sculpture, exploring themes of personal and collective identity through references ranging from Mexican muralists to popular culture. The film will be available on Art21.org and YouTube as part of Art21's ongoing series documenting contemporary artists.

An exhibition in Prato where some soft sculptures set the rhythm between presence and absence

Una mostra a Prato dove alcune sculture morbide dettano il ritmo tra presenza e assenza

The exhibition "Puzzle" by Daniela De Lorenzo is on view at Lottozero Kunsthalle in Prato, curated by Alessandra Tempesti and supported by Toscanaincontemporanea 2025. The show features felt sculptures and photographic prints on cotton paper, exploring the fragmentation and recomposition of the subject-object relationship through soft sculpture. De Lorenzo creates felt casts of her own body, using the material's technological and mechanical properties to produce a segmented high-relief work that follows an irregular, uncertain musical rhythm. The pieces appear and disappear against a monochrome background, evoking classical friezes and challenging natural anatomical laws. A photographic series dedicated to Cosmè Tura's "Madonna dello Zodiaco" (1459-1463) further extends her investigation into perception and the gaze.

Stitching a Mind of Peace

Rosy Simas, a Seneca artist, has unveiled a new commission at the Walker Art Center titled 'A:gajë:gwah dësa’nigöëwë:nye:' (i hope it will stir your mind). The work emerged from a two-year residency and blends performance, installation, sound, and sculpture. It centers on suspended handwoven vessels inspired by Haudenosaunee corn-husk twining traditions, which serve as both sculptural forms and familial presences, creating an immersive meditation on kinship and Indigenous knowledge.

See Inside the Belarus Free Theatre’s Venice Exhibition on Art Under Authoritarianism

The Belarus Free Theatre has opened an exhibition titled “Official. Unofficial. Belarus.” at La Chiesa di San Giovanni Evangelista di Venezia, marking Belarus's first presence at the Venice Biennale in six years and its first appearance not as a state but as a self-governing cultural body. Curated by Daniella Kaliada, the show features Belarusian artists working across painting, installations, and large-scale sculptures, aiming to make the experience of living under authoritarianism viscerally legible through works that explore surveillance, repression, and bodily experience.