The National Gallery of Canada in Ottawa has received a donation of 24 contemporary artworks from Vancouver-based collector and real estate tycoon Bob Rennie and his family. The gift includes works by American artists Kerry James Marshall and Christopher Williams, and Canadian artists Brian Jungen and Jin-me Yoon, bringing the total number of works donated by the Rennie family to the NGC since 2012 to 284.
Frieze Los Angeles 2026 opened amid concerns over the city's cooling art market, following a wave of gallery closures and a shift toward nomadic dealer models. Despite the economic downturn and the lingering shadow of previous regional fires, the fair week saw a resurgence of energy with 32,000 attendees and significant blue-chip sales, including a $3.75 million Ed Ruscha at Gagosian and a $2.8 million Njideka Akunyili Crosby at David Zwirner. The week was characterized by a mix of high-end commerce at the Santa Monica Airport and grassroots vitality at satellite events like Felix and the newly launched Post-Fair.
Artnet News staff reflects on the most impactful stories of 2025, covering a wide range of topics from institutional shifts and devastating wildfires to market sensations and conceptual art. Key pieces include Ben Davis's analysis of the art world's 'post-woke' turn, Sarah Cascone's report on Los Angeles artists losing homes in the Eaton Fire, Katya Kazakina's tale of a David Hockney painting yielding a 7,000 percent return at Christie's, Andrew Russeth's coverage of Richard Prince's seven-hour deposition video, Kate Brown's profile of Friedrich Kunath, and Annie Armstrong's introduction of the 'red-chip' art market driven by hype and crypto.
The article introduces and defines the concept of "red-chip art," a new category of art collecting that rejects traditional art-historical reverence in favor of aesthetics rooted in street art, graffiti, super-flat cartoons, multi-colored chrome, and crypto culture. It describes red-chip collectors as mysteriously affluent millennials, techies, hip-hop visionaries, and crypto aspirants who gravitate toward artworks that resemble toys, limited-edition dolls, NFTs, and memecoins, often consumed at venues like the Eden Fine Art gallery at the Wynn in Las Vegas or parties during Art Basel Miami Beach. Key artists associated with this movement include KAWS, George Condo, Virgil Abloh, Tom Sachs, Alex Israel, Damien Hirst, Harmony Korine, Yoshitomo Nara, and Banksy, with Jeff Koons and Takashi Murakami seen as transitional "purple chip" figures.
Shanghai Art Week 2025 featured two major art fairs, West Bund Art and Design and Art021 Shanghai, alongside numerous satellite exhibitions and events across the city. The author navigated the sprawling metropolis by public bike, visiting highlights including “Artist’s Treat,” a cluster of 11 exhibitions organized by artist Xu Zhen in a repurposed French school, and Blunt Society, an artist-run space showing works by Ma Lingli and Alex Müller. The week was marked by a cautiously optimistic market mood, with dealers reporting better-than-expected sales and new initiatives like Art021’s SVIP preview for serious collectors.
David Lynch, the acclaimed artist, filmmaker, and musician known for his surreal and unsettling aesthetic, has died at age 78. His family announced his passing on Facebook, noting he had been battling emphysema after a lifetime of smoking. Lynch's career spanned over four decades, producing iconic films like *Blue Velvet* (1986) and *Inland Empire* (2006), as well as the hit TV series *Twin Peaks* (1990–91). Beyond cinema, he maintained a rich visual art practice, creating figurative paintings, assemblages, and photographs that echoed his cinematic themes of home, light, and dream logic.
This article is a weekly entertainment guide from The Guardian, covering cinema, gigs, art, stage, streaming, games, albums, and brain food. In the art section, it highlights three upcoming exhibitions: Hulda Guzmán's first major European show at Turner Contemporary in Margate (23 May to 13 September), featuring her lush, mystical tropical paintings exploring Caribbean identity; Lewis Hammond's exhibition of dark, old master-inspired portraiture at The Hepworth in Wakefield (23 May to 1 November); and Joanna Piotrowska's show at The Common Guild in Glasgow (23 May to 18 July).
ArtReview has compiled a running list of national pavilions for the 61st Venice Biennale, running from 9 May to 22 November 2026. The Biennale was set to be curated by Koyo Kouoh, who died on 10 May 2025. Recent announcements include Haitham Al Busafi representing Oman, Genti Korini representing Albania with a three-channel video installation titled 'A Place in The Sun (still)', and Matías Duville representing Argentina with an interactive salt-and-charcoal installation. The Australia Pavilion will feature artist Khaled Sabsabi and curator Michael Dagostino, who were initially dropped due to controversy over Sabsabi's 2007 film 'You' but later reinstated. Florentina Holzinger will represent Austria with a water-themed performance.
Massimiliano Gioni reveals that for nearly a decade, from 1997 to 2006, he acted as Maurizio Cattelan's ghostwriter and public impersonator, writing all of Cattelan's texts, press releases, and interviews, and even giving lectures and television appearances in his place. Gioni describes how he fabricated lies and half-truths, speaking as Cattelan at universities like Yale and NYU, on Vatican Radio, and during the media storm over Cattelan's sculpture of hanged children in Milan, all for a monthly fee of $500.
American artist Llyn Foulkes has died at age 91, as confirmed by Kent Fine Art. Known for defying stylistic categorization, Foulkes was an early pioneer of Pop art, showing at Fergus Gallery in the mid-1960s ahead of Andy Warhol. He won the painting prize at the Paris Biennale in 1967 and represented the United States at the IX São Paulo Art Biennial that same year. His work incorporated collaged elements and explored themes of photography, Americana, and commercial pop culture. Foulkes was also a jazz musician, performing with R. Crumb and forming the Rubber Band, which appeared on Johnny Carson's Tonight Show. He invented a one-man-band instrument called the Machine and participated in Documenta 13 in 2012, with a retrospective at the Hammer Museum in 2013.
Aardman Animations is set to celebrate its 50th anniversary with a major immersive exhibition titled "Larger Than Life: Starring Wallace & Gromit, Shaun and More" at London’s Lightroom venue. Opening in October 2026, the 50-minute experience will utilize 36-foot-high projections to showcase the studio's claymation legacy, featuring archival footage, original sets, puppets, and newly created animation sequences. The show will be narrated by co-founders Peter Lord and David Sproxton alongside various voice actors, tracing the studio's history from its school-day origins to its status as an employee-owned powerhouse.
The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has announced a new recurring exhibition series called the Aldrich Decennial, which will take place every ten years. The inaugural edition, titled “I am what is around me,” runs from June 7, 2026, to January 10, 2027, and features 40 artists living and working in Connecticut who have not previously exhibited in the state. Organized by chief curator Amy Smith-Stewart and curatorial and publications manager Caitlin Monachino, the survey spans the museum’s entire campus and includes high-profile names such as Dominic Chambers, Tammy Nguyen, Em Rooney, Aki Sasamoto, and Julia Wachtel, with artists ranging in age from Lucy Sallick (born 1937) to Remy Sosa (born 1995).
George Herms, a pioneering figure in the West Coast Assemblage movement, died on April 24 at age 90. Known for transforming found materials, rusted metal, and debris into poetic sculptures and collages, Herms emerged from the Beat scene in Topanga Canyon and was influenced by artist Wallace Berman. His first assemblage show, Secret Exhibition (1957), was held in a vacant lot, and he was later included in MoMA's landmark 1961 exhibition The Art of Assemblage. Over seven decades, he exhibited widely, including at the Museum of Contemporary Art, Los Angeles, and Morán Morán, and created public artworks in LA such as 'Portals to Poetry' and 'Clocktower: Monument to the Unknown.'
Digital art giants Artnet and Artsy have implemented significant layoffs following their recent merger under the investment firm Beowolff Capital. The cuts, which occurred on April 16, impacted dozens of employees across both organizations, including senior editorial staff such as Sarah Cascone and Eileen Kinsella. The restructuring follows a reported 12% revenue decline for Artnet in early 2025 and involves the shutdown of Artnet's German entity as the two companies consolidate into a single team led by CEO Jeffrey Yin.
Louise Fishman (1939–2021), a Queer Jewish abstract painter who deliberately distanced herself from the macho tradition of Abstract Expressionism, is the subject of a new exhibition at New York’s Van Doren Waxter. Titled “Louise Fishman: Always Stand Ajar,” the show features 10 late paintings from 2003 to 2013, all titled after verses by American poets Emily Dickinson and Wallace Stevens. The works, priced from $75,000 to $290,000, are part of an effort by Fishman’s widow, Ingrid Nyeboe, to cement the artist’s legacy as an unsung “Queer queen of abstraction.” The gallery began representing Fishman’s estate in 2024, and this is its first show dedicated to her.
An Artlyst guide highlights several major art exhibitions opening in London in May 2026. Key shows include 'Zurbarán' at the National Gallery (the UK's first major monographic exhibition of the Spanish master in over 30 years), 'Rising Voices: Contemporary Art from Asia, Australia and the Pacific' at the V&A (a collaboration with QAGOMA featuring 40 artists), a James McNeill Whistler retrospective at Tate Britain (the first major European show in 30 years), and 'Winston Churchill: The Painter' at the Wallace Collection. Photo London is also moving to Olympia this year.
Artlyst has published a comprehensive month-by-month guide to art exhibitions opening in London throughout 2026. Highlights include solo shows by Lucian Freud, David Hockney, and Anish Kapoor; surveys of women artists such as Tracey Emin, Frida Kahlo, Rose Wylie, Cecily Brown, and Chiharu Shiota; and historical exhibitions featuring Stubbs, Whistler, and Renoir. The guide also covers the opening of the new V&A East, a major samurai exhibition at the British Museum, a Freud drawing show at the National Portrait Gallery, an Aardman animation exhibition at Young V&A, a Lynda Benglis and Giacometti encounter at the Barbican Centre, and a Seurat seascape exhibition at the Courtauld Gallery.
Artist Glenn Brown discusses his personal art collection in an interview with The Art Newspaper, revealing his first purchase was a 1964 David Hockney drawing of Renée McDougal and his most recent acquisition was a group of Ann Churchill's Daily Drawings from 1974. Brown, who opened The Brown Collection in Marylebone three years ago, is extending its hours during Frieze Week for the exhibition 'Hoi Polloi,' which examines depictions of ordinary people from the 16th century onward. He also has an installation at Gagosian's Frieze Masters booth and a concurrent show at the Freud Museum.
This article is a seasonal preview of the best art and architecture exhibitions opening in autumn 2025, primarily in London and other UK venues. It highlights major shows including Mona Hatoum's dialogue with Giacometti at the Barbican, a Picasso exhibition at Tate Modern, Kerry James Marshall's first major European retrospective at the Royal Academy, and the Turner Prize 2025 at Cartwright Hall Art Gallery in Bradford. Other featured exhibitions cover Hilary Lloyd's work on Dennis Potter, Marie Antoinette's image through art and fashion at the V&A, Basel Abbas and Ruanne Abou-Rahme's new commission at Nottingham Contemporary, and a Lee Miller retrospective at Tate Britain.
The article highlights several must-see exhibitions and installations beyond the main Venice Biennale pavilions. Patrizia Sandretto Re Rebaudengo's redevelopment of the island of San Giacomo opens on 7 May, transforming abandoned Napoleonic-era powder magazines into exhibition spaces with a solo show by British artist Matt Copson and a group show from her collection. American artist Melissa McGill presents 'Marea', a street-spanning installation of 100 paintings created with local residents and students, addressing climate change and rising sea levels. Dale Chihuly returns to Venice with 'Chihuly: Venice 2026', featuring monumental glass installations along the Grand Canal, including 'Gold Tower' (2025). Wallace Chan unveils titanium sculptures at the Chapel of Santa Maria della Pietà, with a parallel exhibition at the Long Museum in Shanghai.
Sarah Miriam Peale, a member of the prominent Peale art dynasty and arguably the first professional woman artist in the United States, is finally receiving long-overdue institutional recognition. Despite a prolific sixty-year career painting portraits of political figures and still lifes in Baltimore and St. Louis, her legacy was largely overshadowed by her uncle Charles Willson Peale and her male cousins. Her independence as an unmarried woman who supported herself entirely through her craft marked a radical departure from the gender norms of the 19th century.
The Art Newspaper's 2025 survey of the world's 100 most visited art museums reveals a strong but uneven recovery from the pandemic, with total visits reaching over 200 million. New museums in the Middle East, East Asia, and major Western cities have been major hits with the public, driving significant attendance.
The 2014 Whitney Biennial has debuted with a controversial three-curator structure, tasking Michelle Grabner, Stuart Comer, and Anthony Elms with organizing separate floors of the museum. This meta-review aggregates the initial critical reception from major publications, noting that the fragmented format has forced critics to evaluate the exhibition as three distinct shows rather than a unified vision.
President Donald Trump has initiated a controversial overhaul of the Kennedy Center in Washington, D.C., renaming it the 'Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts' and appointing himself chairman. Following the dismissal of long-time president Deborah Rutter and the installation of a board led by Richard Grenell, the institution has pivoted toward conservative programming, leading to a 93% to 57% drop in ticket sales and high-profile boycotts from artists like Philip Glass. The center is now slated for a two-year closure starting after July 4 for major renovations, a move that has sparked alarm among preservationists and political figures.
A new video game titled 'Relooted' has been released, casting players as vigilantes in an Afrofuturistic future who must reclaim looted African artifacts from Western museums before they are hidden away. Developed by South African studio Nyamakop, the game tasks players with repatriating up to 70 specific, real-world contested treasures, including the Bangwa Queen and the Maqdala Crown, through heist-style gameplay.
The article reveals little-known secrets about the Metropolitan Museum of Art, including that its first home was not on Fifth Avenue but at 681 Fifth Avenue, and later the Douglas Mansion, before moving to its current location in 1879. It also notes that the museum's original red-brick facade is barely visible today, hidden within the Robert Lehman Wing, and that its first director, Luigi Palma di Cesnola, controversially mixed and matched parts of ancient sculptures to create composite works, while also misrepresenting their provenance.
The J. Paul Getty Trust has appointed Glenn D. Lowry, former director of New York's Museum of Modern Art, and Lionel M. Sauvage, a French philanthropist and collector, to its board of trustees, effective in 2026. Lowry led MoMA for 30 years, overseeing major expansions and the integration of PS1, while Sauvage holds leadership roles at Les Arts Décoratifs and other cultural institutions.
The Brooklyn Museum has opened "Consuelo Kanaga: Catch the Spirit," a major solo exhibition dedicated to the pioneering American photographer Consuelo Kanaga (1894–1978). The show features nearly 200 works drawn from the museum's extensive collection of 2,000 negatives and 340 prints, gifted by Kanaga's third husband, artist Wallace Putnam. Kanaga, one of the nation's first women photojournalists, is celebrated for her socially conscious images capturing labor activists, the poor, and African Americans under Jim Crow laws, as well as cityscapes, portraits, and still lifes. The exhibition is organized with Madrid's Fundación MAPFRE and the San Francisco Museum of Modern Art, and curated by Drew Sawyer, formerly of the Brooklyn Museum and now at the Whitney Museum of American Art.
The Metropolitan Museum of Art in New York has unveiled the renovated Michael C. Rockefeller Wing, dedicated to the art of Africa, Oceania, and the ancient Americas. Designed by Kulapat Yantrasast of WHY Architecture with Beyer, Blinder, Belle Architects, the 40,000-square-foot wing opened to the public on May 31, showcasing 1,800 objects from 663 cultures across 90 countries. The collection originated from Nelson Aldrich Rockefeller, who began acquiring non-Western art in 1930 and later founded the Museum of Primitive Art in 1957 after the Met initially declined his donation.
Design Miami 2025 preview drew a bustling crowd with over 70 exhibitors under the theme "Make Believe." Highlights included Katie Stout's whimsical carousel featuring marine animals, Roham Shamekh's biomorphic "Roots" sofa with integrated headphones, and ATRA's futuristic "Intelligence of Evolution" seating system upholstered in Hermès fabric. The Spanish silver brand Garrido showcased collaborations with Peter Marino, while the fair's 20th anniversary edition embraced a carnivalesque atmosphere with popcorn and mirrored walls.