Austrian-born, Netherlands-based performance artist Florentina Holzinger has joined the roster of blue-chip gallery Thaddaeus Ropac. This move comes just months before she is set to unveil her project "Seaworld Venice" for the Austrian Pavilion at the 2024 Venice Biennale, marking a significant shift of her boundary-pushing, interdisciplinary practice from the theater and dance worlds into the commercial art gallery system.
Nancy Holt (1938-2014), a pioneering land artist known for her monumental work *Sun Tunnels* (1976) in the Utah desert, is the subject of a new exhibition at the Goodwood Art Foundation in Sussex. Titled *MOONSUNSTAR EARTHSKYWATER*, the show is the first UK retrospective to bring together Holt's photographic works, films, poetry, indoor installations, and outdoor pieces, including *Hydra's Head*, a constellation-inspired installation of six circular pools in a chalk quarry. The exhibition highlights Holt's recurring motifs of circles and systems, tracing them from her early concrete poem to her large-scale cosmological works.
A gala performance at the Guggenheim Museum in New York marked what would have been Robert Rauschenberg's 100th birthday, featuring dancers performing Paul Taylor's 'Tracer' (1962), for which Rauschenberg created costumes and sets—including a spinning bicycle wheel that served as a portal to the exhibition above. The show, 'Robert Rauschenberg: Life Can’t Be Stopped,' opened in one of the museum's tower galleries and runs through May 3, presenting select works from the Guggenheim's collections and loans from the artist's foundation, including major pieces like 'Barge' (1962–63), the largest silkscreen painting Rauschenberg made in the early 1960s, back in New York for the first time in nearly 25 years.
The Brooklyn Museum opens "Iris Van Herpen: Sculpting the Senses," a mid-career retrospective of the Dutch fashion designer known for pioneering 3D-printed garments. The exhibition, which originated at the Musée des Arts Décoratifs in Paris in 2023, features over a decade of van Herpen's work, including her first 3D-printed garment from 2010, pieces worn by celebrities like Lady Gaga, Björk, and Beyoncé, and new works such as an algae dress grown from 125 million living organisms. Organized by senior curator Matthew Yokobosky, the show spans eleven themes exploring van Herpen's fusion of traditional craftsmanship with technology, science, and nature.
This podcast episode features artist Jeffrey Gibson, who discusses his interdisciplinary practice blending Indigenous histories, queer aesthetics, and contemporary visual culture. Gibson talks about his upcoming exhibitions, including his U.S. Pavilion presentation at the 2024 Venice Biennale, a show at Hauser & Wirth in Paris, and major museum commissions at the Metropolitan Museum of Art, MASS MoCA, The Broad, and Kunsthaus Zürich. He reflects on influences from Henri Matisse, Magdalena Abakanowicz, Frank Bowling, and David Hammons, as well as his connection to poet Layli Long Soldier and writer Hélène Cixous.
UN RECORRIDO POR LA OBRA DE LUCÍA PIZZANI A PROPÓSITO DE SU PRIMERA MUESTRA INSTITUCIONAL EN LONDRES
Venezuelan artist Lucía Pizzani presents her first institutional exhibition in the United Kingdom, titled "Faunal Succession," at Focal Point Gallery in London, running through May 30. The show features new works created in collaboration with artists Cecilia Bonilla, Jaime Gili, and Javier Weyler, as well as community groups and local schools, reimagining the Essex coastline through the concept of deep time. The exhibition links geological transformation with contemporary issues such as climate change, migration, and social change, as explored in an interview with curator Inês Costa.
A wave of exhibitions led by Polish women artists is set to sweep across global institutions in 2026, highlighting themes of feminism, digital capitalism, and cultural identity. Key upcoming shows include Karolina Wojtas’s first U.S. solo exhibition, "Made in Poland," at Light Work in Syracuse, and Agnieszka Kurant’s "RECURSION" at Marian Goodman Gallery in New York. These exhibitions span diverse media, from interactive soft sculptures and photography to complex installations involving bacteria and artificial intelligence.
Jack Goldstein (1945–2003), a Canadian-born artist and CalArts graduate, is the subject of the exhibition "Pictures, Sounds and Movies" at Kunst Museum Winterthur. The show highlights his role in the Pictures Generation, a group that in the 1970s rejected traditional art forms by appropriating images from advertising, television, and popular culture, while Goldstein also explored the autonomy of Minimal Art objects.
A major retrospective exhibition dedicated to John Giorno, titled "The Performative Word," has opened at MAMbo, the Museum of Modern Art of Bologna. The show, curated by Andrea Bellini and Vincente Todolí, explores Giorno's multidisciplinary practice as a poet, artist, and activist, highlighting his collaborations and his innovative approach to making poetry a performative and visual experience.
A collateral exhibition at the 2024 Venice Biennale, titled "Tadeusz Kantor (1915-1990) Emballage Cricotage and Madame Jarema," brings together two towering figures of the Polish avant-garde: Tadeusz Kantor and Maria Jarema. Organized by the Starak Family Foundation at the Procuratie Vecchie, the show features over 60 works spanning paintings, monotypes, sculptures, theatre props, and costumes, culminating in a room dedicated to Kantor's seminal theatre piece "The Dead Class" (1975). Jarema's work was shown at the 1958 Venice Biennale, and Kantor exhibited in the Polish pavilion in 1960; the exhibition highlights their intertwined, interdisciplinary practice and their foundational role in post-war Polish avant-garde art.
Crystal Bridges Museum will present an exhibition dedicated to singer-songwriter Jewel during the Venice Biennale, running from May 10 to November 22 at the Salone Verde, near Fondazione Prada. Titled “Matriclysm: An Archeology of Connections Lost,” the show is organized by Crystal Bridges curator-at-large Joe Thompson and features paintings from Jewel's “Ceremony” series, a tapestry, and three large-scale sculptures—including “Heart of the Ocean,” an eight-foot-tall piece that uses live oceanic data from NASA and Stanford University to control 60,000 programmable lights. The exhibition explores themes of feminine memory, matriarchy, and connection.
Gozo Yoshimasu has been awarded the inaugural Serpentine x FLAG Art Foundation Prize, a new biennial award providing £200,000 per recipient over ten years, totaling £1 million in artist support. The jury included Michelle Kuo, Venus Lau, Hans Ulrich Obrist, Jonathan Rider, and Rirkrit Tiravanija. Yoshimasu, born in Tokyo in 1939, is known for his interdisciplinary practice spanning poetry, performance, photography, and experimental moving image. As part of the prize, he will stage a solo exhibition at Serpentine North in autumn 2027, traveling to The FLAG Art Foundation in New York in spring 2028—his first major solo institutional presentations in Europe and the United States.
Semiha Berksoy: l’artista turca che ha reso la sua vita un’opera totale
A major retrospective titled "Aria of All Colors" at the Istanbul Modern, running until September 6, celebrates the multifaceted Turkish artist Semiha Berksoy (1911–2004). Featuring over 200 works, the exhibition showcases her pioneering career as a painter, sculptor, opera singer, actress, costume designer, and performance artist. Berksoy became the first Turkish soprano to perform on European stages after studying in Berlin, and she helped found the Ankara State Opera. Her deeply personal paintings, often depicting her mother and cultural figures, are marked by a graphic, childlike style and a recurring "line of destiny." The show includes costumes, sketches, archival footage, and even a refrigerator door painted with her daughter's portrait.
The School of Visual Arts (SVA) in New York is hosting a series of exhibitions and events throughout December 2025 and into January 2026. Highlights include "Wavelengths," a juried alumni survey at SVA Chelsea Gallery; "Act 1: Geraldine Scott III," a solo exhibition by alumnus Lillian Ansell at SVA Gramercy Gallery; "The Book Show" featuring first-year MFA students; "Migrant Housing: Water as a Medium for Healing" at SVA Flatiron Gallery; and "fables for introverts, chapter iii: limbo" by Gerald Euhon Sheffield II at SVA Flatiron Project Space. Events include open studios, a lecture on the anti-Nazi "Red Orchestra" group, and an artists' roundtable with Samson Young.
The Metropolitan Museum of Art has unveiled its 2025 Roof Garden Commission, titled *Ensemble*, by artist Jennie C. Jones. The installation features three upright sculptures made from concrete travertine and powder-coated steel, whose angular forms are inspired by musical instruments—a zither, an Aeolian harp, and a one-string instrument. A fourth red floor piece acts as a "conductor." The works are equipped with frets and strings that vibrate in the wind, inviting viewers to engage with them as both visual and sonic objects. The exhibition also includes collaborative programming, performances, and a publication with contributions from curator Lauren Rosati and artist Glenn Ligon.
Preis erinnert an Henrike Naumann – MMK übernimmt Nachlass
A new prize named after the late artist Henrike Naumann has been established by the Institut für Auslandsbeziehungen (ifa) and the Zeit Stiftung Bucerius, coinciding with her posthumous presentation at the German Pavilion of the Venice Biennale. The €15,000 Henrike-Naumann-Preis für Bildende Kunst, plus €5,000 in production funds, will be awarded regularly starting this year to early- to mid-career artists whose work engages with social transformation, political fault lines, or transnational contexts. Meanwhile, the Museum für Moderne Kunst Frankfurt (MMK) has acquired Naumann's estate, which will be catalogued and made publicly accessible to ensure her work receives long-term scholarly and curatorial attention.
The Museum für Fotografie in Berlin is hosting a major exhibition titled "New Woman, New Vision," featuring approximately 300 photographs by 29 women associated with the Bauhaus. The show aims to dismantle the persistent myth that female students at the influential German school were restricted to the weaving workshop. By showcasing works from figures like Lucia Moholy, Ise Gropius, and Marianne Brandt, the exhibition highlights how women were integral to the school’s photographic documentation and its development as a standalone artistic medium.
British artist Simon Fujiwara has opened a major career survey, 'A Whole New World,' at Mudam Luxembourg. The exhibition features a reinterpretation of Picasso's *Guernica* using his cartoon character Who the Baer, alongside works addressing his personal experience with syphilis and a commemorative installation for Japanese gay porn star Koh Masaki. The show is structured as a thematic 'theme park' exploring contemporary issues.
Artist Sarah Meyohas and architect Ben Dobbin, lead of Foster + Partners' San Francisco office, discuss their creative processes in a conversation published by Cultured. Meyohas, known for her conceptual work exploring technology across film, cryptocurrency, and holograms, recently installed a serpentine wall at Desert X and served as an executive producer on the Oscar-winning film *The Brutalist*. Dobbin, whose portfolio includes Apple Park and Vivaldi Towers, collaborated with The Dalmore distillery on the third Luminary series masterpiece, creating a sculptural display for two rare 52-year-aged whisky bottles, one auctioned at Sotheby's. The pair compare notes on designing spaces that shape human experience, from Meyohas's Bell Labs-inspired film *Cloud of Petals* to Dobbin's intimate restaurants in Tuscany.
Kyle Stephan has been appointed the new Steven and Lisa Munster Tananbaum Curator of Modern and Contemporary Art at The Block Museum at Northwestern University. A curator, scholar, and educator with expertise in global contemporary art, time-based media, and interdisciplinary practice, Stephan was inspired to pursue curatorial work after witnessing art's power to activate people and communities while working as a studio manager for artist Lynn Hershman Leeson in the 1990s San Francisco Bay Area. She holds a Ph.D. in art and art history from Stanford University and previously curated the first U.S. survey of Fluxus artist Wolf Vostell at Harvard Art Museums.
Yancey Richardson Gallery in New York is celebrating its 30th anniversary with a group exhibition titled "Celebrating 30 Years," opening July 16. The show is co-curated by the gallery's represented artists and estates, featuring works that span traditional darkroom techniques to experimental and interdisciplinary practices, highlighting the gallery's long-standing focus on photography and lens-based media. The exhibition includes artists such as Hellen van Meene, Guanyu Xu, Kahn & Selesnick, Sandi Haber Fifield, Pello Irazu, Zanele Muholi, Mickalene Thomas, and Mark Steinmetz, with images courtesy of the gallery.
A Visit to Tomás Saraceno’s Berlin Studio Delves into a Deeply Empathetic Practice
A new documentary from Art21 offers an inside look into artist Tomás Saraceno's Berlin studio, highlighting his collaborative and interdisciplinary practice. The film explores several of his projects, from large-scale suspended installations to community-focused works, all centered on how humans inhabit space and relate to other species.
The Haas Brothers, twin artists Simon Haas and Nikolai Haas, are the subject of a midcareer survey exhibition that is currently touring the United States. The show highlights their whimsical, colorful, and often functional sculptures and furniture pieces that blend craft, design, and fine art.
The New York-based Asian-American art and fashion collective CFGNY has opened a new exhibition, "Puddles into Pond," at the non-profit art space Amant in Brooklyn. The show features an immersive installation with a shaggy fur bridge, kinetic sculptures, and ceramic works, running until August 16. This exhibition is part of a significant season for the collective, which also includes a debut installation at the Whitney Biennial and participation in a group show at Pioneer Works.
An exhibition titled “ATLAS: Historical Works and Recent Journeys of Alberto Rey” is on view at the Marion Art Gallery through November 21. The show features 133 paintings, drawings, and ceramics by Alberto Rey, a SUNY Distinguished Professor Emeritus who taught at Fredonia from 1989 to 2022. The works were created during and after a five-month expedition to 14 countries and 22 UNESCO World Heritage Sites in 2024, alongside pivotal pieces from past series such as “Binary Forms,” “Extinct Birds,” and “Critically Endangered Palms of Cuba.” The exhibition also includes journal entries, sketchbooks, and art supplies from the voyage.
Hailey Becker, a Master of Fine Arts candidate at Michigan State University, has debuted a large-scale ecological sound sculpture at the Eli and Edythe Broad Art Museum. The installation features over 10,000 hand-cracked walnut shells suspended in a human-sized chime, which are struck by a mechanical arm to mimic the sound of water hitting a coastline. The project is the culmination of Becker’s interdisciplinary research, blending her background in engineering and material science with her current studies in forestry and fine arts.
Collective Gallery on Calton Hill in Edinburgh has announced its 2026 exhibition programme, featuring solo shows by Paloma Proudfoot and Katie Paterson in the City Dome Gallery. Proudfoot's exhibition, running from March to May 2026, will include new sculptures and a performance exploring the female voice and body, while Paterson's 'Afterlife' presents nearly 200 amulets made from endangered materials, previously shown at Folkestone Triennial 2025. The gallery also launched a new career-development programme called Time + Space, inviting early-career artists to apply by 14 December 2025, with the first edition featuring Alberta Whittle and Aqsa Arif.
Sara Stern, a 2017 alumna of the Visual and Environmental Studies program at Harvard, has opened her fifth solo exhibition, 'STALL,' at Turley Gallery in Hudson, New York. The installation transforms the gallery's interstitial space, The Light Well, into a horse stall featuring a toy theater that plays a video of horseshoe crabs spawning. The exhibition runs from July 19 to September 7, 2025, and includes elements such as straw, a velvet curtain, and an adorned horseshoe crab shell, creating a mise en abyme effect.
The exhibition "RTRU* (*Raudive Technoculture Research Unit)" is on view at KAJE in Brooklyn from April 4 to May 17, 2026. Curated by the Riga Technoculture Research Unit (Zane Onckule and Elizaveta Shneyderman), the show features works by Ka Baird, Scott Benzel, Valdis Celms, Cal Fish, Jason Isolini, Voldemārs Matvejs, Karlīna Mežecka, Adriana Ramić, Konstantīns Raudive, and Ieva Rubeze. The press release and checklist are available, and images of the exhibition are provided courtesy of the artists and the gallery.
Singer-songwriter Jewel has transformed into a multimedia artist, presenting a solo exhibition titled '24 Hours with Jewel' at the 2026 Venice Biennale. The show features 34 new works, including paintings, sculptures, and kinetic installations, with the centerpiece 'Heart of the Ocean'—an eight-foot kinetic sculpture created in collaboration with scientists from NASA, NOAA, Stanford, and UC Berkeley that translates real-time oceanographic data into light and sound. V Magazine followed Jewel for 24 hours as she prepared for her Biennale debut, documenting her day from rooftop meditations and water taxi rides with her son to private patron tours and an opening night performance in a custom Schiaparelli dress.