Elle Pérez Envisions New Residency Built on Family Legacy

Artist Elle Pérez is raising $100,000 to buy out relatives from a family home in Cabo Rojo, Puerto Rico, that has been in their family since the 1920s, with the goal of transforming it into an artist residency called Casa Pérez. To fund the project, Pérez is selling a portfolio of chromogenic studio prints for $1,795 each, produced in collaboration with the cultural office Public Relations. The artist’s work, known for intimate portraits and scenes of underground music, has been featured in the Whitney Biennial and solo exhibitions at the Baltimore Museum of Art and Carnegie Museum of Art.

How Edward Burtynsky Captures Humanity’s Uneasy Relationship With Nature

Canadian photographer Edward Burtynsky is the subject of a solo exhibition titled “Burtynsky: Human/Nature” at Paul Kyle Gallery in Vancouver, running from May 30 to August 1, 2026. The show brings together works from the early 1990s to the present, capturing landscapes that highlight the tension between natural environments and industrial development. Images include a stepwell in India, a granite quarry in Vermont, railcars in British Columbia, and a glowing stream of magma in Ontario. The exhibition is accompanied by a catalogue with an essay by the gallery’s assistant director, Diamond Zhou, who describes the title as naming a strained relationship rather than a reconciliation.

Julius von Bismarck “This is not the storm” at Australian Centre for Contemporary Art, Melbourne

Julius von Bismarck's first Australian solo exhibition, "This is not the storm," opens at the Australian Centre for Contemporary Art (ACCA) in Melbourne on Friday, 17 April. The Berlin-based artist blends art, science, and environmental themes to challenge conventional perceptions of nature as a social construct.

Paula Kamps, Painter of Rare Sensitivity, Dies at 36

Hyperallergic's weekly "In Memoriam" column honors seven recently deceased figures from the art world, including German painter Paula Kamps (1990–2026), who died at 36. Kamps was known for her delicate watercolor-like paintings of fragmented figures, flowers, and daily life, and had solo exhibitions at Galerie Christine Mayer in Munich, M. LeBlanc in Chicago, and Sans titre in Paris. The column also pays tribute to Miami graffiti legend Eric Alan Hirt ("ESON"), master ceramicist Lucy Edwards, Greek museum founder Anna Kafetsi, abstract painter Tess Jaray, Sotheby's auctioneer John Marion, and counterculture artist Ben Morea.

Paula Kamps, Painter of Tender Works About Memory, Dies at 36

Paula Kamps, a German painter known for her tender, softly hued works exploring memory and fleetingness, has died at age 36. Her Paris gallery, Sans Titre, confirmed her death on Tuesday but did not disclose a cause. Kamps used thin washes of watercolor and ink to create dreamlike portraits, landscapes, and still lifes in which figures and plants appear to blur or fade. She studied at the Kunstakademie Düsseldorf under Lucy McKenzie, Tomma Abts, and Elizabeth Peyton, and later debuted solo at M. LeBlanc Gallery in Chicago in 2021. She also showed with David Zwirner’s Platform, Mou Projects in Hong Kong, and Galerie Christine Mayer in Zurich, which held a solo exhibition earlier this year.

Harmony Hammond Wrote the Book on Lesbian Art 20 Years Ago. Here’s What Comes Next.

Harmony Hammond, the 82-year-old artist and writer, is preparing for her seventh solo exhibition with Alexander Gray Associates, titled "Rust Never Sleeps," opening June 5 in the gallery's new Tribeca space. A new volume dedicated to her writings, *Still Dangerous! The Harmony Hammond Reader*, will be published this fall by Duke University Press. In an interview, Hammond discusses her ongoing textile-based abstraction practice, her frustration with being pigeonholed to the 1970s, and the recent surge of interest in textile art as seen in exhibitions like "Woven Histories" and "Unravel."

Jonathas de Andrade - En galerie

Jonathas de Andrade's solo exhibition, titled "Ivresse d’une vie de bain de mer," is on view at Galleria Continua in Paris. The show brings together recent and never-before-seen works inspired by Brazilian Neo-Concretism and geometric abstraction. Andrade transforms vernacular forms into chromatic compositions, drawing from a project initiated after a 2025 commission from the Victoria and Albert Museum. The works engage with the materials and practices of maritime communities in northeastern Brazil, particularly canoeiros and jangadeiros (fishermen and raft sailors). The exhibition includes the film "Jangadeiros e Canoeiros" (2025), along with silkscreens, recycled sails, and paintings on wood, blending photography, abstraction, and readymade elements.

Newcastle Art Gallery’s stunning new exhibitions open up a multiverse

Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.

Roni Horn Returns to London with Seizure of Hope at Hauser & Wirth

Roni Horn returns to London for her first solo exhibition in a decade, titled *Seizure of Hope*, at Hauser & Wirth. The show features over 45 works on paper centered on the repeated phrase "I am paralyzed with hope," drawn from a performance by comedian Maria Bamford, alongside a cast-glass sculpture *Untitled ("What happens to the hole when the cheese is gone?")* (2022). The drawings explore language, repetition, and the instability of meaning, with words shifting between clarity and abstraction through wax crayon layering. A limited-edition artist book of the same title will be released by Hauser & Wirth Publishers.

Lap-See Lam presented in major exhibition at Henie Onstad

Henie Onstad Kunstsenter in Oslo, Norway, is presenting a solo exhibition titled "Ombres" featuring Stockholm-based artist Lap-See Lam, the fourth recipient of The Lise Wilhelmsen Art Award. The exhibition showcases major works from Lam's career, including two shadow play installations brought together for the first time as a single immersive installation, alongside new glass-blown sculptures created during her residency at CIRVA in Marseille. Lam's work interprets traditional storytelling forms like Cantonese opera and shadow plays to explore the translation and mistranslation of cultural heritage, tracing histories from 18th-century Chinoiserie to Chinese restaurants in modern-day Sweden, reflecting her family's migration from Hong Kong.

Exhibition | Judith Murray, 'Pure Pleasure' at Sundaram Tagore Gallery, New York, New York, United States

Judith Murray's solo exhibition 'Pure Pleasure' is on view at Sundaram Tagore Gallery in New York. The show presents a selection of the artist's vibrant, abstract paintings that explore color, form, and sensory experience.

4 Must-See Shows at Gallery Weekend Beijing

Gallery Weekend Beijing (GWBJ) took place in the 798 Art District, drawing visitors who mingled art-viewing with shopping and leisure in a commercialized landscape. The 10th annual event featured solo exhibitions by younger Chinese artists, including Ouyang Chun's "Nirvana" and Yang Fudong's "Fragrant River," with collectors and patrons like Tian Jun and Zhu Zhu actively shaping the programming. Despite an economic downturn, veteran galleries such as Hive Center for Contemporary Art and Tang Contemporary Art maintained robust activity, while emerging artists explored themes of technological anxiety, bodily perception, and material systems.

Yu Ji’s Democratic Play

Yu Ji's solo exhibition at PPOW, New York, titled "Origin of the Tiger," presents sculptures and collages created after a residency she organized in Phnom Penh that offered art education to children. The show features works like reed mats with snail shells, a Sony Trinitron looping video, collaged drawings incorporating Cambodian children's art, and composite sculptures such as chairs with concrete knee casts and a figure inspired by a misattributed sixth-century Krishna statue. The exhibition draws on a Khmer folktale about transformation and includes audio of children reciting the story, though the children appear more as muses than collaborators.

Mark Manders at Tanya Bonakdar Gallery, New York

Mark Manders presents his sixth solo exhibition at Tanya Bonakdar Gallery in New York, featuring new works that include monumental bronze busts, abstract sculptural landscapes, and discrete paintings and works on paper. The pieces are described as dreamlike and fragmented, populating the gallery like a series of thoughts given form and frozen in time.

A Roma c’è la mostra di un’artista 40enne californiana che ci racconta il valore della lentezza

Erica Mahinay, a 40-year-old California-born artist based in Los Angeles, is the subject of a solo exhibition titled "Rhythms" at T293 gallery in Rome. The show presents 24 intimate-scale works that explore the artist's physical, process-driven approach to abstract painting, where she manipulates pigment through pouring, dripping, and erasing to create layered, luminous surfaces. Mahinay, who holds degrees from the Kansas City Art Institute and Cranbrook Academy of Art, has work in the Marciano Art Foundation and Pinault Collection, and was included in the Hammer Museum's 2023 biennial "Made in L.A.: Acts of Living."

La Fondation Beyeler di Basilea inaugura una grande mostra dell’artista francese Pierre Huyghe. Da vedere durante Art Basel

The Fondation Beyeler in Basel is opening a major solo exhibition of French artist Pierre Huyghe, running from May 24 to September 13, 2026. The show transforms Renzo Piano's museum spaces into a sensitive ecosystem inhabited by images, organisms, sounds, dust, algorithms, and presences suspended between the biological and artificial. Key works include "Apnea" (2026), an artificial organ submerged in water that breathes at a human rhythm; "Alchimia" (2026), featuring a worm on a threshold that reacts to air; "Liminals" (2026), a film depicting a faceless anthropomorphic figure in a state of radical uncertainty; "Adversary" (2026), a closed gate co-created by human and machine; and "Camata" (2024), a film set in the Atacama Desert that is continuously re-edited in real time based on sensors and audience presence.

New Exhibitions Unveiled At Expanded Art Gallery

Newcastle Art Gallery in Australia has unveiled the first three exhibitions from its 2026 program, marking the first changeover since its major expansion reopened in February. The shows include "Multiverse," a survey of Torres Strait Islander artist Brian Robinson featuring over 30 new and rarely seen works, including his first immersive installation; a debut solo exhibition by Newcastle-based artist Tiyan Baker; and "The Mordant Family Gift," presenting 25 works donated by philanthropists Simon Mordant AO and Catriona Mordant AM from artists including Ian Abdulla, María Fernanda Cardoso, and Rafael Lozano-Hemmer.

See exhibition by Erin Jane Nelson, ‘Living and Working,’ at UAB’s AEIVA through Sept. 26

The Abroms-Engel Institute for the Visual Arts (AEIVA) at the University of Alabama at Birmingham presents “Living and Working,” a survey exhibition of artist Erin Jane Nelson, running through September 26. This is Nelson’s largest solo exhibition to date and her first survey, spanning a decade of her practice across photography, textiles, and ceramics. The exhibition will travel to the Knoxville Museum of Art in August 2027, and AEIVA is co-publishing an exhibition catalog with Institute 193. The opening reception is May 21, and free community programming includes summer drop-in tours, a pinhole camera workshop, Science Nights in partnership with the Birmingham Zoo, and a chamber music event.

The Universe According to Sang Huoyao—and His Humanoid Robot

At the Museum of Art Pudong (MAP) in Shanghai, artist Sang Huoyao opened his solo exhibition “Brushstrokes of the Universe” with a performance titled *How to Explain Painting to a Living Robot* (2026), in which he walked a humanoid robot from Unitree through the galleries, explaining each painting. The show, curated by Jonas Stampe, features 52 works including silk paintings, aluminum panel installations, and new media pieces, centered on the monumental 46-foot-long silk painting *Birth under the Sky* (2025–26).

Newcastle Art Gallery unveils three new exhibitions

Newcastle Art Gallery in New South Wales, Australia, will open three new exhibitions on May 23, 2026, following its major expansion and reopening in February. The shows include the largest solo exhibition to date by Torres Strait Islander artist Brian Robinson, titled "Multiverse"; the first institutional solo show by Tiyan Baker, "Mouth Mnemonica"; and "The Mordant Family Gift," featuring 25 works donated by philanthropists Simon Mordant AO and Catriona Mordant AM. The gallery has already attracted over 80,000 visitors, surpassing its previous annual record.

Major summer exhibitions bring international artists to seaside gallery

Hastings Contemporary in the UK is hosting three major summer exhibitions until September 13, featuring international contemporary and modern artists. The shows include the first major UK solo exhibition of German-Brazilian artist Janaina Tschäpe, a solo show by Argentinian artist Miguel Rothschild with a new seascape installation, and "Moore / Freud," which brings together 20 works by Lucian Freud and Henry Moore exploring familial and personal connections.

Sophie Von Hellerman “After a Dream” at Greene Naftali, New York

Greene Naftali presents Sophie von Hellermann's eighth solo exhibition, "After a Dream," featuring pairs of figures drawn from literature, art history, the artist's personal acquaintances, and imaginative constructs. The show explores creative relationships through the charged dynamic of the couple, presenting narrative chimeras that examine different forms of alignment and connection.

François Bonnel Explores the Emotional Side of Geometry

François Bonnel, a former advertising executive of 25 years, pivoted to art in 2018 and now presents his latest solo exhibition, “François Bonnel: The Geometry of Joy,” at Maddox Gallery in Mayfair, London, from June 4 to July 2, 2026. The show features abstract paintings that blend geometric and hard-edge abstraction with playful, intuitive compositions, using color, line, and light to evoke emotions like joy and harmony. Works such as *Caught* (2026) and *I Really Like You* (2026) demonstrate his exploration of three-dimensional space and the suggestive power of abstraction.

Lionel Wendt: The Politics of the Male Nude

ArtReview publishes an essay by Qingyuan Deng analyzing the first US solo exhibition of Lionel Wendt's photographs at American Art Catalogues in Manhattan's West Village. The show presents Wendt's haunting gelatin silver prints of male nudes, still lifes, and solarized images, positioning him as a canonical figure of South Asian modernism. Deng argues that while the exhibition correctly identifies homoerotic desire in Wendt's work, it over-relies on queer theory's framework of opacity and fails to fully address the political radicality of Wendt's practice under British colonial rule in Ceylon, where homosexuality was criminalized under the 1883 Penal Code.

Art for hot days: Top 10 exhibitions to see this summer in Chicago

This article presents a curated list of ten must-see art exhibitions in Chicago for summer 2025, highlighting a diverse range of artists and venues. Featured shows include a rare solo exhibition of miniature figurines by 85-year-old Argentinian artist Liliana Porter at Secrist|Beach, a group show inspired by cosmology at the Renaissance Society, and a posthumous survey of Martin Wong's brick-focused paintings at Wrightwood 659. Other notable exhibitions include sculptural works by Oren Pinhassi and Leticia Pardo at the Arts Club of Chicago, Nathaniel Mary Quinn's emotionally charged portraits at the National Public Housing Museum, and Jeremiah Hulsebos-Spofford's monumental sculptures at the Elmhurst Art Museum.

Exhibition | Hayv Kahraman, 'What cannot be said will be wept' at Pilar Corrias, Conduit Street, London, United Kingdom

Hayv Kahraman presents her solo exhibition 'What cannot be said will be wept' at Pilar Corrias gallery on Conduit Street in London. The show features new works by the Iraqi-born artist, known for her figurative paintings that explore themes of displacement, memory, and the female body.

Multidisciplinary Exhibition Opens at The Parrish

A multidisciplinary solo exhibition titled "Sanford Biggers: Drift" has opened at the Parrish Art Museum in Watermill. The exhibition was organized by Chief Curator Corinne Erni and Curator Scout Hutchinson, and was marked by a public conversation between artist Sanford Biggers and Erni. The discussion focused on Biggers' use of textiles, symbolism, and layered cultural references.

The In-Between Worlds of Larissa Borteh

Hyperallergic reviews Larissa Borteh's solo exhibition "In the Wind" at Devening Projects in Chicago, featuring a dozen oil paintings that blur the line between still life and ethereal abstraction. The works, including "Glass House" (2025) and "Tending and Receiving" (2026), use thinned, viscous oil paint to create tactile surfaces that evoke plants in decay, ghosts, deities, or dreamlike visions. The review highlights Borteh's distinctive merging of image and elongated mark, reminiscent of fingerpainting, and her exploration of the spectrum between legibility and opacity.

I Am Not an Anacronista Painter: The Misunderstood Research of Artist Carlo Maria Mariani

“Io non sono Un Pittore Anacronista”. La ricerca fraintesa dell’artista Carlo Maria Mariani

The Fondazione Carlo Maria Mariani issues a corrective statement defending the late artist Carlo Maria Mariani (1931–2021) against persistent misclassification as an "Anacronista" or "Postmodern" painter. The foundation argues that critics and institutions have superficially lumped Mariani into the anachronistic movement of 1970s–80s Italy, ignoring the conceptual and cerebral foundations of his work. Currently, a solo exhibition titled *I Segni dei Tempi* is on view at the Museo e Real Bosco di Capodimonte in Naples until July 14, curated by Andrea Viliani and Antonio Martino. This follows a 2024 show at the Galleria degli Uffizi in Florence and precedes a major retrospective at Palazzo Citterio in Milan in 2026, curated by Eike Schmidt.

Arghavan Khosravi Brings Diasporic Narratives to ‘What Remains’

Uffner & Liu in New York is presenting 'What Remains,' a solo exhibition by Iranian artist Arghavan Khosravi, running through July 2, 2026. The show features multi-paneled sculptural canvases, a freestanding sculpture, and intimate mixed-media works, including the debut of her 'Altar Series,' which reimagines medieval devotional altarpieces through a contemporary political and psychological lens.