U.K. Arts Center Lands Seismic $122.4M Gift

The Sainsbury Centre near Norwich, England, has received a landmark gift of £91.2 million ($122.4 million) from Lord David Sainsbury through his Gatsby Charitable Foundation. In other news, Art Basel has appointed Wassan Al-Khudhairi as artistic director for its 2027 Qatar edition; Christie's led New York's spring auction season with $1.3 billion, driven by the S.I. Newhouse collection; Sotheby's brought in $737 million; Phillips rebounded with $115.2 million; and Bonhams achieved $22 million. Pace now represents the Constantin Brancusi Estate, Yinka Shonibare joined Mennour, and several other gallery and museum appointments were announced, including Clarissa Morales as COO of the Modern Art Museum of Fort Worth and new interim leadership at Dallas Contemporary. The Museum für Moderne Kunst in Frankfurt will inherit Henrike Naumann's estate, Dubai announced a new Museum of Digital Art, and the Centre Pompidou partnered with Chanel.

How JR Transformed Paris’s Oldest Bridge Into a Massive Grotto

French artist JR has transformed Paris's Pont Neuf, the city's oldest bridge, into a massive inflatable grotto titled *La Caverne du Pont Neuf* (2026). The installation measures 120 meters long, 20 meters wide, and up to 18 meters tall, and will be open to the public from June 6 to June 28. It incorporates sound design by Thomas Bangalter of Daft Punk, augmented reality via Snap Inc., and a Bloomberg Connect guide. Over 800 people helped realize the project, which was fabricated from 18,900 square meters of fabric and 20,000 cubic meters of pressurized air by French firm Air Toiles Concept. The work concludes a five-year series of large-scale trompe l'oeil pieces by JR and pays homage to Christo and Jeanne-Claude's *The Pont Neuf Wrapped, Paris* (1975–85), with the blessing of their foundation.

Your Summer Guide: 20 Art World Highlights Not to Miss

ARTnews has published a summer guide highlighting 20 art world events and exhibitions not to miss in the coming months. Featured highlights include the opera 'El Último Sueño de Frida y Diego' at the Metropolitan Opera, the 'Costume Art' exhibition at the Metropolitan Museum of Art, a Björk show titled 'echolalia' at the National Gallery of Iceland, a book on the Venice Biennale by Massimiliano Gioni, Raven Halfmoon's 'Flags of Our Mothers' at Ballroom Marfa, a Pierre Huyghe exhibition at Fondation Beyeler Basel, a James McNeill Whistler retrospective at Tate Britain, and the inaugural Medina Triennial in New York.

46 Museum Shows and Biennials to See This Summer

ARTnews has published a guide to 46 museum shows and biennials to see this summer, highlighting major exhibitions across the globe. Featured artists include Laure Prouvost at Paris's Grand Palais with a quantum physics-themed show, Carsten Höller at Beijing's UCCA Center for Contemporary Art, Tomás Saraceno at Munich's Haus der Kunst, and a retrospective of Ana Mendieta at Tate Modern. The article also covers biennials such as the Venice Biennale and Manifesta in Germany's Ruhr region, as well as new biennial-style launches in the Northeastern US. Specific exhibitions detailed include Akinsanya Kambon's survey at SculptureCenter and CARA in New York, Cao Fei's European survey at Kunstmuseum Basel, and the group show "Youth Palace" at Rockbund Art Museum in Shanghai.

Husband of Gallerist Brent Sikkema Found Guilty of Ordering His Killing

A federal jury in Manhattan found Daniel Sikkema guilty of hiring a hit man to murder his estranged husband, esteemed New York gallerist Brent Sikkema. The killing occurred in January 2024, when Brent Sikkema was stabbed to death in his Rio de Janeiro vacation home. The hit man, Alejandro Triana Trevez, a former security guard for the couple, testified that Daniel paid him over $10,000 for the murder. Daniel Sikkema, who denied the charges, now faces a mandatory life sentence and has said he will appeal.

Betye Saar’s Birthday Present

Betye Saar, the iconic assemblage artist, is donating her collection of Black dolls to the New York Historical on the occasion of her 100th birthday. The article also covers strong performance art at the Venice Biennale, including works by Florentina Holzinger and Miet Warlop at the Austrian and Belgian pavilions, amidst a fraught edition marked by the death of artistic director Koyo Kouoh, canceled pavilions, and protests. Additional features include a review of Ceija Stojka's exhibition at the Drawing Center and a profile of sculptor Edmonia Lewis.

Gabrielle Goliath, Richard Avedon, “Chicken Linda”

Hyperallergic editor-in-chief Hakim Bishara reflects on skipping the New York art fairs and a record-breaking $181 million Jackson Pollock sale at Christie's, instead focusing on a profile of pioneering performance artist Linda Montano (now 84) who welcomed a contributor in a chicken costume, and Gabrielle Goliath's exhibition "Elegy" which was banned from South Africa's Venice pavilion by the culture minister but is now on view in a church. The newsletter also announces Hyperallergic's New York Press Club journalism award for Noah Fischer's comic "A Prospect Heights Ghost Story," supported by the Economic Hardship Reporting Project, and rounds up other art news including a $1 billion Christie's sale, a Billie Holiday monument commission, and public sculptures by Sarah Lucas, Roberto Lugo, and Kyle Goen.

Five Questions for Five Advisors on the May Marquee Sales

The article reports on the May 2023 marquee auction sales at Christie's, Sotheby's, and Phillips, which collectively topped $2.5 billion—nearly double the $1.3 billion from the same period last year. The sales were headlined by the record-breaking $181.2 million sale of S. I. Newhouse's Jackson Pollock painting, Number 7A, 1948, and buoyed by the $630.8 million generated from Newhouse's 16-lot collection. ARTnews asked five art advisors for their takes on the sales, including insights on high attendance at previews, the performance of specific works like a Gerhard Richter painting from Marian Goodman's collection, and the emergence of millennial and Gen Z buyers.

Venice Biennale: The Must-Sees Off the Official Program

Biennale de Venise, les immanquables du off

The article highlights must-see exhibitions taking place in Venice alongside the official Biennale, curated by the magazine L'Œil. It features three major shows: "Le pli et le temps" at Fondazione dell’Albero d’Oro, exploring the fold as a material and temporal concept through the work of Patrick Saytour and Piero Manzoni; "Lorna Simpson. Third Person" at Punta della Dogana, a major European survey of Simpson's paintings, collages, and films organized by the Pinault Collection; and "Picasso, Morandi, Parmiggiani. Still Lifes" at Galleria di Piazza San Marco, a dialogue between three masters of still life, co-organized by Tornabuoni gallery and the Musée national Picasso-Paris.

Rocked on their heels: how exhibitions can change the course of artists’ lives

Alyce Mahon's new book, *Dorothea Tanning: A Surrealist World*, explores how the 1936 MoMA exhibition *Fantastic Art, Dada, Surrealism* profoundly transformed the young artist Dorothea Tanning, who described being "rocked on my run-over heels" by the experience. The article also recounts similar life-changing exhibition encounters for contemporary artists Lorna Simpson and Hurvin Anderson, as discussed on *The Week in Art* and *A brush with…* podcasts, highlighting how specific shows shaped their artistic trajectories.

When Beauty Appears: Lee Mingwei Interviewed by Rhana Devenport

Taiwanese American artist Lee Mingwei presents his largest non-museum exhibition to date, "Lorsque La Beauté Paraît (When Beauty Appears)," at Perrotin in Paris. The show brings together seven invitational projects, including works like *The Mending Project* (2009–) and *The Moving Garden* (2009–). In an interview with Australian curator Rhana Devenport, Lee discusses the political dimensions of beauty, the restorative power of gift-giving, and the courage required for small acts of kindness among strangers. The exhibition is curated by Thierry Raspail, co-founder of the Lyon Biennale and director of the Lyon Museum of Contemporary Art.

Finalists for the Sobey Art Award, Canada’s top contemporary art prize, revealed

Six artists from across Canada have been shortlisted for the 2026 Sobey Art Award, the nation's top contemporary art prize. The finalists are Melaw Nakehk'o (Circumpolar), Samuel Roy-Bois (Pacific), Audie Murray (Prairies), Lotus L. Kang (Ontario), Caroline Monnet (Québec), and Shane Perley-Dutcher (Atlantic). Each finalist receives C$25,000 ($18,000), with a grand prize of C$100,000 ($72,000) to be announced at a ceremony in Ottawa on 14 November. An exhibition of their works will be held at the National Gallery of Canada later this year, and the 24 longlisted artists not among the finalists will each receive C$10,000 ($7,200).

We are in danger of losing our sense of community

"Wir drohen das Gespür für die Gemeinschaft zu verlieren"

Christophe Cherix, the new director of the Museum of Modern Art in New York, discusses his first months in the role, emphasizing museums as "safe social places" in an era of anxiety and screen-induced isolation. He advocates for collective vision-building with staff and defends the MoMA's independence against political pressure in Trump-era America. Separately, critic Paco Barragán argues in The Observer that biennials are in a structural crisis of repetition, tracing their history from instruments of national soft power to a "Global Neo-Liberal Biennial" system that co-opts diversity without changing its core logic. He introduces the concept of the "vibe-ennial," where discourse is replaced by atmosphere and critique by affect. Meanwhile, longtime Bonn museum director Stephan Berg critiques the boom in immersive art experiences like "Van Gogh – The Immersive Experience," calling them a "surrogate reality" tailored to the Instagram age that destroys the integrity of original works. Artforum reconstructs late-1960s debates on art criticism, focusing on Barbara Rose's challenge to formalists like Clement Greenberg and Rosalind Krauss, arguing that art must engage with societal conflicts such as Black Power and war resistance.

A modern Tower of Babel? Pope Leo XIV warns against artificial intelligence

Pope Leo XIV has issued his first encyclical, titled *Magnifica Humanitas*, warning that artificial intelligence poses a major threat to humanity and could lead to a modern Tower of Babel. In the 43,000-word letter, he calls for disarming AI, establishing robust legal frameworks, and regulating tech giants like Meta. He also references Picasso's *Guernica* (1937) as a prophetic work denouncing dehumanization, alongside Beethoven's Ninth Symphony and the novel *Schindler's List*. Separately, the Vatican is expanding its contemporary art program, with a new space called Conciliazone 5 currently showing works by British artist George Rouy, and future exhibitions planned for Yan Pei-Ming and Vivian Suter.

Christie’s Kiran Nadar Exhibition Is the Latest Indicator of the South Asian Art Market’s Growing Importance

Christie’s London will host “The Meeting Ground,” a non-selling exhibition of works from the Kiran Nadar Museum of Art (KNMA) in New Delhi, from July 16 to August 21, 2025. The show features Indian modernists such as M.F. Husain, S.H. Raza, K.G. Subramanyan, and F.N. Souza, alongside contemporary South Asian artists, Indigenous art practitioners, and diaspora artists. Admission is free. The exhibition follows a series of record-breaking auction sales for South Asian art, including Husain’s *Untitled (Gram Yatra)* (1954) sold at Christie’s New York for $13.8 million in March 2025 and Raja Ravi Varma’s *Yashoda and Krishna* (ca. 1890s) sold at Saffronart for $17.9 million.

India's Kiran Nadar Museum to take over Christie's London headquarters this summer

The Kiran Nadar Museum of Art (KNMA) in New Delhi will take over Christie’s London headquarters this summer for a month-long non-selling exhibition titled "The Meeting Ground: Scenes from the KNMA Collection" (16 July-21 August). The show will feature 180 works by 60 Indian, Pakistani, and Bangladeshi artists from the 1950s to the present, drawn from billionaire collector Kiran Nadar’s vast collection of South Asian Modern art. The exhibition anticipates the delayed relocation of KNMA to a new 100,000 sq. m building near Delhi airport, designed by David Adjaye and now about 60% complete, with former Louvre Abu Dhabi director Manuel Rabaté appointed to run the museum.

Husband of Prominent New York Gallerist Convicted in Murder-for-Hire Plot

Brent Sikkema, a prominent New York gallerist known for championing artists like Kara Walker, was found stabbed to death in his apartment in Brazil in 2024. His husband has now been convicted in a murder-for-hire plot connected to the killing, which occurred amid their divorce proceedings.

Newcastle Art Gallery’s stunning new exhibitions open up a multiverse

Newcastle Art Gallery has opened three new exhibitions following its February reopening with the blockbuster show 'Iconic Loved Unexpected'. The new presentations include Tiyan Baker's solo show 'Mouth Mnemonica', 'The Mordant Family Gift' featuring 25 works donated by philanthropists Simon and Catriona Mordant, and Brian Robinson's 'Multiverse'. The exhibitions collectively showcase a diverse range of national and international artistry, with works by artists such as Gemma Smith, Tim Silver, Alasdair Macintyre, and Rafael Lozano-Hemmer. Baker's solo exhibition focuses on preserving the Bidayǔh language through multimedia works including autostereograms and video installations.

8 Standout Shows at the Venice Biennale 2026

The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys" and curated by Artistic Director Koyo Kouoh, opened in Venice in 2026, running through November 22 at the Giardini, Arsenale, and various city locations. The main exhibition features 110 invited artists, collaborative duos, collectives, and artist-led organizations, realized by Kouoh's team after her passing in May 2025. Alongside 100 National Participations in historic pavilions, 31 Collateral Events and independent projects are on view. Art & Object highlights eight standout shows, including Lu Yang's immersive digital installation "DOKU The Illusion" at Espace Louis Vuitton, Oriol Vilanova's postcard-based "Los restos" at the Spanish Pavilion, and JR's photographic reinterpretation "Il Gesto" at The Venice Venice Hotel.

Five Whirlwind Days in Venice, at (and Beyond) the Biennale

The article recounts a whirlwind three-day visit to the 61st Venice Biennale, focusing on the main exhibition at the Giardini della Biennale curated by the late Koyo Kouoh, titled "In Minor Keys." The author highlights textile works by artists such as Thania Petersen, Billie Zangewa, and Annalee Davis, as well as Beverly Buchanan's "Spirit Jars" and Maria Magdalena Campos-Pons's portrait of Kouoh and Toni Morrison. The trip also includes visits to collateral events, a performance at Jordan Roth's palazzo, and a side trip to Gabriele D'Annunzio's estate on Lake Garda.

Vima 2026: Highlights From Cyprus’ Emerging International Art Fair

The second edition of Vima, Cyprus' emerging international art fair, took place in Limassol from May 15-17, 2026, drawing 5,200 visitors and featuring 26 invited galleries from over 20 countries. Artworks sold ranged from €550 to €90,000, reflecting increased sales from the inaugural 2025 edition. Highlights included a special exhibition curated by Kostas Stasinopoulos titled "The Crashing Waves," performances by Scottish choreographer Magnus Westwell, and notable presentations by galleries such as Cut Art Gallery (Riga) and Eins Gallery (Limassol). The fair also hosted 25 events including talks, live music, and off-site shows across Limassol and Nicosia.

Ho Tzu Nyen Wins 2026 Fukuoka Grand Prize

Ho Tzu Nyen has been named the 2026 Grand Prize laureate of the Fukuoka Prize, becoming the first Singaporean artist to receive the JPY five million (USD 31,500) award. The prize, announced on May 22 by the Fukuoka Prize Committee, honors individuals who have made significant contributions to Asian studies and arts and culture. Ho, born in 1976 in Singapore, creates films, performances, and video installations that explore Southeast Asian history and the legacy of Japanese imperialism, often blending folklore with reality. He has represented Singapore at the 54th Venice Biennale and participated in major exhibitions including the Shanghai Biennale, Aichi Triennale, and Sharjah Biennial. He co-curated the Asian Art Biennial in Taiwan and is currently artistic director of the 16th Gwangju Biennale.

Lubaina Himid and Magda Stawarska: Zanzibar

Lisson Gallery in London presents "Lubaina Himid and Magda Stawarska: Zanzibar," an immersive installation running from June 4 to August 22, 2026. The exhibition features nine diptychs painted by Himid in 1999, paired with a 38-minute multi-layered sound composition by Stawarska created in 2023. The works explore themes of memory, displacement, and belonging, drawing on Himid's birthplace in Zanzibar and her family's migration to London. The installation includes Taraab music, opera, archival BBC clips, and Himid's own voice, creating a multi-dimensional experience that reflects both artists' sense of loss and connection to their native countries.

One Fine Show: “Paula Rego, Dance Among Thorns” at MUNCH in Oslo

MUNCH in Oslo presents "Paula Rego: Dance Among Thorns," the first comprehensive museum survey of the Portuguese-British artist in the Nordic region and her largest since the 2021 Tate Britain retrospective. The exhibition brings together over 140 works spanning seven decades, from early abstract political collages to the grotesque papier-mâché tableaux of her final years. A central section traces previously undocumented links between Rego and Edvard Munch, including the discovery of a never-before-exhibited work by Rego's son, Nick Willing. Highlights include Rego's monumental "Oratorio" (2008-09) and "The Dance" (1988), which curator Kari J. Brandtzæg connects to Munch's "Dance of Life" (1898-1899).

Come, let's play human

Komm, wir spielen Mensch

The Kunsthaus Zürich is presenting a retrospective of Venezuelan-American artist Marisol (1930–2016), whose playful yet formally sophisticated sculptures blend abstraction, figuration, and everyday objects. The exhibition traces her career from early shows at Leo Castelli's gallery through her participation in the 1961 and 1963 Museum of Modern Art group exhibitions, her 1968 'European year' representing Venezuela at the Venice Biennale and featuring on the 4th documenta, to her subsequent decades-long disappearance from the European art scene.

Kiev bombardé

The Journal des Arts issue of May 15, 2026, covers multiple art-world stories: the Venice Biennale opening amid controversy, France's final adoption of a law on restitution of colonial-era looted cultural property, the new V&A East museum targeting younger audiences, tensions in Giverny where Monet's legacy does not benefit all, and the structuring of the Nabis art market.

IA et musées

This issue of Le Journal des Arts covers several major art news stories: the opening of the Venice Biennale amid a tense climate, the final adoption of a French law on the restitution of cultural property looted during colonization, the new V&A East museum targeting younger audiences, the uneven economic benefits of Monet's legacy in Giverny, and the structuring of the Nabis art market.

Relaxe pour le coupeur de tête

The latest issue of Le Journal des Arts (n°677, May 15, 2026) covers several major art-world stories: the Venice Biennale opening amid controversy, the final adoption of a French law on the restitution of cultural property looted during colonization, the V&A East museum's strategy to attract younger audiences, the uneven economic impact of Monet's legacy on the town of Giverny, and the structuring of the market for Nabis artists.

Venice show brings together two leading figures from the Polish avant-garde

A collateral exhibition at the 2024 Venice Biennale, titled "Tadeusz Kantor (1915-1990) Emballage Cricotage and Madame Jarema," brings together two towering figures of the Polish avant-garde: Tadeusz Kantor and Maria Jarema. Organized by the Starak Family Foundation at the Procuratie Vecchie, the show features over 60 works spanning paintings, monotypes, sculptures, theatre props, and costumes, culminating in a room dedicated to Kantor's seminal theatre piece "The Dead Class" (1975). Jarema's work was shown at the 1958 Venice Biennale, and Kantor exhibited in the Polish pavilion in 1960; the exhibition highlights their intertwined, interdisciplinary practice and their foundational role in post-war Polish avant-garde art.

Flash back: The artists creating new stories from archival photos

Nanina Guyer, curator of photography at Zurich's Museum Rietberg, has organized the exhibition "A Kind of Paradise: Colonial-Era Photography in Contemporary Art," which examines how contemporary artists repurpose archival colonial-era photographs. The show features 20 artists, including Sammy Baloji, Rosana Paulino, Sasha Huber, Dinh Q. Lê, Wendy Red Star, Omar Victor Diop, and Zenaéca Singh, who transform these historical images into sculptures, films, and recontextualized works. The exhibition is divided into four sections: artists as archivists, confronting stereotypes, healing, and a final section on repair.