Édouard Glissant’s Museum-as-Archipelago

The article reviews the exhibition "The Earth, the Fire, the Water, and the Winds: For a Museum of Errantry with Édouard Glissant" at the Center for Art, Research and Alliances (CARA) in New York, the first U.S. showing of works from the personal collection of Martinician philosopher and writer Édouard Glissant. Curated from his archive, the exhibition features artists such as Roberto Matta, Wifredo Lam, Etel Adnan, Irving Petlin, Antonio Seguí, Öyvind Fahlström, Jack Whitten, and Mel Edwards, reflecting Glissant's friendships and intellectual exchanges across Europe, Africa, and the Americas. Highlights include Antonio Seguí's large pastel works from his Titanic series.

Marcel Duchamp Was the Messenger of History

The Museum of Modern Art (MoMA) in New York is launching the first comprehensive U.S. exhibition of Marcel Duchamp’s work in over 50 years. In an interview regarding the opening, renowned scholar Thierry de Duve discusses the artist's enduring legacy, from his infamous readymades like "Fountain" to his complex, labor-intensive works like the "Large Glass." The exhibition seeks to reconcile Duchamp’s identity as both a conceptual provocateur and a meticulous craftsman.

It’s Gabriele Münter’s World, We’re Just Living in It

The Solomon R. Guggenheim Museum is hosting "Contours of a World," a retrospective dedicated to Gabriele Münter, a co-founder of the Blue Rider group. The exhibition moves beyond the shadow of her long-time partner Wassily Kandinsky, showcasing her distinct approach to German Expressionism through photography, intimate domestic scenes, and vibrant landscapes. Unlike her contemporaries who leaned toward total abstraction, Münter utilized bold outlines and layered compositions to create a dynamic, phenomenological experience of seeing.

The Unbearable Strangeness of Being

South African artist Cinga Samson makes his New York debut at White Cube with "Ukuphuthelwa," an exhibition of haunting, large-scale oil paintings. The works feature figures with distinctive white pupils engaged in enigmatic rituals within dark, crepuscular landscapes. Drawing from the isiXhosa concept of spiritual alertness during sleeplessness, Samson’s compositions blend the palpable with the unearthly, often depicting scenes that feel choreographed yet remain stubbornly illegible to the Western gaze.

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Alexandra Metcalf, a rising artist based in Berlin, is gaining attention for her multidisciplinary work that blends Victorian and psychedelic aesthetics with the dark history of women's psychiatric facilities. Her upcoming Art Basel debut with London's Ginny on Frederick features an installation titled "Assembly," consisting of four reclaimed grandfather clocks transformed into psychologically charged dioramas, which has been nominated for the Baloise Art Prize 2025. Metcalf also recently opened a solo exhibition "Gaaaaaaasp" at The Perimeter in London, an immersive installation evoking a 1960s doctor's waiting room and surgical theater, further exploring themes of madness, gendered labor, and Freudian psychology.

Maurizio Cattelan’s Latest Work is Hotline for People to Confess Their Sins… to Him

Italian conceptual artist Maurizio Cattelan has launched a new project: a hotline and WhatsApp service inviting the public to confess their sins. The project, timed to coincide with the Easter period and the 21st anniversary of Pope John Paul II's death, will culminate in a livestream on April 23 where Cattelan will offer a form of symbolic absolution to selected participants. Alongside the hotline, he is releasing a limited edition of 666 small-scale replicas of his controversial 1999 sculpture, *The Ninth Hour*, which depicts the late pope struck by a meteorite.

Lubaina Himid on Representing Great Britain at the 61st Venice Biennale

Lubaina Himid will represent Great Britain at the 61st Venice Biennale in 2026. She plans to exhibit a new installation of large, multi-panel paintings and works on found objects, accompanied by a sound piece by Magda Stawarska, all inspired by her lifelong exploration of belonging. The work aims to navigate melancholy and deep remembering, inviting visitors to bring their own experiences into the pavilion.

MoMA Plans a Retrospective for Marcel Duchamp, the Dada Artist Who Was Unimpressed With His Own Masterpieces

The Museum of Modern Art (MoMA) in New York will open a major retrospective of Marcel Duchamp in April 2026, marking the first U.S. retrospective for the artist in over 50 years. The exhibition will feature more than 200 works, including a 1968 replica of his infamous 'Fountain,' spanning his experiments in Cubism, Futurism, film, photography, and his pioneering readymades.

Venice Art Biennale: The Time of Nuances

Biennale d’art de Venise : le temps des nuances

The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.

Gae Aulenti's 'Tavolo con ruote': A Radical Icon on Wheels

La « Tavolo con ruote » de Gae Aulenti : une icône radicale comme sur des roulettes

Gae Aulenti’s 1980 'Tavolo con ruote' (Table with wheels) remains a definitive icon of postmodern design, characterized by its radical simplicity. Created during Aulenti's tenure as artistic director of FontanaArte, the piece features a thick glass slab bolted to four industrial trolley wheels, a concept inspired by the factory carts used to transport glass. The table's enduring popularity is highlighted by its recent corporate history, as FontanaArte was acquired by Nemo Lighting in 2024 and subsequently integrated into the Spanish group Kettal in early 2026.

American Artist and Sonya Clark among Guggenheim Fellows 2026.

The John Simon Guggenheim Memorial Foundation has announced its 101st class of Guggenheim Fellows, awarding grants to 223 individuals across 55 disciplines. Among the 30 fine artists selected for the 2026 cohort are Brooklyn-based conceptual artist American Artist, textile artist and educator Sonya Clark, and interdisciplinary artist Allison Janae Hamilton. Each fellow receives a financial stipend designed to provide the creative and intellectual freedom necessary to pursue their work without restrictive conditions.

Glenn Ligon at Hauser & Wirth

Artist Glenn Ligon opened a solo exhibition titled 'Late at night, early in the morning, at noon' at Hauser & Wirth's New York gallery. The show runs from January 15 to April 11, 2026, and features new and recent works by the acclaimed conceptual artist.

Glenn Ligon at Aspen Art Museum

Artist Glenn Ligon opened a major solo exhibition titled "Break It Down" at the Aspen Art Museum. The show, curated by Daniel Merritt, will be on view from November 21, 2025, through March 15, 2026, and is extensively documented with 39 installation images.

Queer Horizon: “Spectrosynthesis Seoul” at Art Sonje Center

The fourth edition of "Spectrosynthesis," Sunpride Foundation's exhibition series dedicated to LGBTQ+ art in Asia, opens at Art Sonje Center in Seoul. Curated by Sunjung Kim and Youngwoo Lee, the show unfolds in two parts: "The Two-Sided Seashell" and "Tender: Invisibly Visible, Unlocatably Everywhere," featuring works by artists including Sin Wai Kin and Young-Jun Tak. The exhibition engages with queer theory, particularly José Esteban Muñoz's concept of queerness as a horizon of potentiality, and responds to South Korea's recent political turbulence, including the 2024 martial law declaration and presidential impeachment.

Aboriginal in the Alps: “ROOTS” at Fondation Opale

Fondation Opale in Lens, Switzerland, has unveiled "ROOTS," a major exhibition that bridges Australian Aboriginal art with Western contemporary masterpieces. Curated by Samuel Gross, the show juxtaposes works by Aboriginal artists like Keith Stevens and Clifford Possum Tjapaltjarri with global icons including Olafur Eliasson, Sheila Hicks, and Niki de Saint-Phalle. The exhibition utilizes the unique alpine setting to explore themes of materiality, ancestral territory, and the universal human creative impulse across different geographies and epochs.

Il mitico artista-ceramista italiano Nanni Valentini torna negli Stati Uniti con una mostra sulla sua storia. Le immagini

The Everson Museum of Art in Syracuse, New York, is hosting "Interspaces," a retrospective exhibition dedicated to Italian artist Nanni Valentini (1932–1985), a pivotal figure in ceramic art. Curated by Garth Johnson of the Everson Museum and Luca Bochicchio of the Museo della Ceramica di Savona, with oversight by art historian Flaminio Gualdoni, the show runs until September 6, 2026. It traces Valentini's evolution from functional pottery to conceptual wall works, featuring pieces like "I segni della terra" (1981) and "Impronta-totem" (1979), on loan from ABC-ARTE gallery. The exhibition marks Valentini's return to the U.S., where he first gained international recognition at the museum's 1958 Ceramic International, introduced by Lucio Fontana.

Theresa Hak Kyung Cha’s Art Speaks in a Language Left for Us to Translate

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is concluding "Multiple Offerings," the most comprehensive retrospective of Theresa Hak Kyung Cha’s work in 25 years. The exhibition traces the multidisciplinary career of the Korean American artist, who explored themes of exile, diaspora, and the fluidity of language through poetry, film, and performance before her tragic death in 1982. Curated by Victoria Sung, the show features over 100 works paired with pieces by mentors and contemporary artists influenced by her legacy.

A New Exhibition at the British Museum Dismantles the Popular Understanding of Samurai

The British Museum has opened a major exhibition titled 'Samurai,' which challenges the widespread, simplified portrayal of samurai as solely honor-bound, hyper-violent warriors. The show, curated by Rosina Buckland, presents them as a complex social class who were also bureaucrats, administrators, and cultural figures, emphasizing their roles during periods of peace and governance.

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Cannupa Hanska Luger collaborated with the filmmakers of the horror film *Him*, directed by Justin Tipping and produced by Jordan Peele, to create a sports mascot named “Tinsel Larry.” The mascot appears in the film as the symbol for the fictional San Antonio Saviors team. Luger worked with lead costume designer Dominique Dawson on the design, which evolved from a “Conquistador Larry” concept into a “razzle-dazzle rose gold glitter monster.” Luger explained on Instagram that the mascot incorporates Indigenous references as a deliberate commentary on the racist history of sports mascots, calling it “an act of reclamation.”

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Art Basel Paris has announced the 203 galleries participating in its 2025 edition, set to take place at the Grand Palais from October 24–26, with VIP previews on October 22–23. The fair is divided into three sections: the main Galeries section with 177 dealers, Emergence featuring 16 solo booths for emerging artists, and Premise with nine presentations from 10 galleries challenging the art historical canon. Notable blue-chip participants include Gagosian, Hauser & Wirth, Pace Gallery, David Zwirner, and top Parisian galleries such as Balice Hertling, Galerie Chantal Crousel, and Mennour. The fair will also bring back its Oh La La! Initiative and public art exhibition in the Jardin des Tuileries.

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Yale University’s Beinecke Rare Book and Manuscript Library is hosting a new exhibition titled "'Beauties of My Style,'" which explores 500 years of printed errors and errata sheets. Curated by Rachel Churner and Geoff Kaplan, the show features approximately 30 artifacts ranging from James Joyce’s error-riddled first edition of Ulysses to the infamous 1631 "Wicked Bible," which accidentally commanded readers to commit adultery. The exhibition highlights how these slips of paper serve as more than just corrections, acting as sites of humor, legal maneuvering, and poetic reinterpretation.

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Chinese American artist Hudson Shaoxia Zhang has been named the inaugural recipient of the U.S. Golf Art Foundation Fellowship Award, a distinction recognizing his prolific career dedicated to the intersection of sport and landscape painting. Zhang, a former art historian who authored over 40 books before returning to a dedicated studio practice, has produced more than a thousand paintings of golf courses. His work has gained significant international traction recently, with four solo exhibitions across Europe in 2024 and a major museum retrospective at the Art Museum of Nanjing University of the Arts in 2023.

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The 2026 Whitney Biennial marks a shift in contemporary art from literal messaging toward atmospheric 'mood.' This edition is characterized by an immersive aural landscape of drones and whispers, moving away from the overt identity politics of previous years in favor of a 'sincerity first' credo. Key works include Emilie Louise Gosslaux’s emotional tribute to her guide dog, Mo Costello’s community-focused binders, and Nour Mobarak’s intimate recordings of internal bodily sounds.

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The estate of movie poster artist John Alvin is seeking a single buyer for his entire archive of over 1,000 pieces, including original posters, sketches, and illustrations from the 1970s through the 1990s. The collection, stewarded by his widow Andrea Alvin since his death in 2008, features iconic work for films like E.T., The Lion King, and Blade Runner.

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The Las Vegas Museum of Art (LVMA) has unveiled architectural designs by Pritzker Prize-winning architect Francis Kéré for its first standalone museum, a 60,000-square-foot building at Symphony Park in downtown Las Vegas. The design incorporates local stone, baobab trees, and a canopy for shade, drawing inspiration from the Mojave Desert and the city's culture, with a central staircase evoking a canyon. The museum, supported by a land donation from the city and a partnership with the Los Angeles County Museum of Art (LACMA), has raised over half of its $200 million goal and is slated to open in 2029.

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This article explores the history and significance of illuminated manuscripts, correcting the common misconception that they were exclusively produced by medieval European monks. It highlights five standout examples, including the Très Riches Heures du Duc de Berry, made for Jean I, Duke of Berry around 1411 by the Limbourg brothers, and the Book of Kells, created around 800 C.E. by monks of Iona Abbey. The article notes that illuminated manuscripts, defined by the decorative use of gold or silver, date back to the 4th century B.C.E. and span cultures from the Middle East to Africa and Mesoamerica, serving primarily as status symbols rather than reading material.

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The article examines how gender pay disparities and the fear of a "pink-collar" profession persist in the art museum world, triggered by comments from Meta CEO Mark Zuckerberg about "masculine energy" in the workplace. It recounts a 2020 forum where National Gallery of Art director Kaywin Feldman expressed concern that art museums becoming predominantly female could lower salaries, a remark initially seen as sexist but later contextualized by the author's investigation into the origins of such fears. The author traces the concept to a 2016 New York Times article citing research on how female-dominated fields see pay drops, and explores how even progressive leaders like Feldman can inadvertently perpetuate gender bias.

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The article examines the recurring theme of unhappy brides in 19th-century painting, focusing on works like Vasily Pukirev's *The Unequal Marriage* (1862) and Auguste Toulmouche's *The Reluctant Bride* (1866). It notes how these depictions of devastated brides and depressing nuptials have gone viral on social media, with 21st-century audiences—especially women—relating to the emotional tenor of the images despite the historical distance.

Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

The Sense of Touch at Billboard Scale

Conceptual artist Ann Hamilton has debuted a new series of large-scale scanner photography installations at the Cleveland Museum of Art. Moving from her signature immersive environments to high-resolution digital captures, Hamilton utilizes a flatbed scanner to document the tactile qualities of various objects and figures, enlarging them to billboard proportions to emphasize the intimacy of touch.