The article is an interview with artist Kelly Wall, conducted by Olivia Gauthier, published in the February 2026 issue of Contemporary Art Review LA. It appears within a broader issue exploring themes like scent in art, tarot, and social urgencies in contemporary practice.
Christie’s London has announced that David Hockney’s monumental print 'Autour de la maison, été' (2019) will headline its spring prints season. Measuring nearly 40 feet long and printed on a single sheet of paper, the work depicts the artist’s Normandy estate with a high estimate of £300,000 ($400,000). The piece is noted for its cinematic scale and narrative structure, drawing direct inspiration from the medieval Bayeux Tapestry.
British portrait artist Jonathan Yeo is bringing his augmented reality exhibition, "Spectacular," to South by Southwest (SXSW) in Austin following its debut at the Centre Pompidou. Developed in collaboration with Snap Inc., the showcase utilizes AR glasses to animate Yeo’s traditional oil paintings, including his famous portrait of King Charles III and a depiction of Cara Delevingne. The experience allows viewers to interact with the works, such as having a digital butterfly from the King's portrait land on their hand, while exploring the intersection of static portraiture and immersive technology.
Aardman Animations is set to celebrate its 50th anniversary with a major immersive exhibition titled "Larger Than Life: Starring Wallace & Gromit, Shaun and More" at London’s Lightroom venue. Opening in October 2026, the 50-minute experience will utilize 36-foot-high projections to showcase the studio's claymation legacy, featuring archival footage, original sets, puppets, and newly created animation sequences. The show will be narrated by co-founders Peter Lord and David Sproxton alongside various voice actors, tracing the studio's history from its school-day origins to its status as an employee-owned powerhouse.
The article "Art as Memorial in Lotusland" by Aleina Grace Edwards appears in the February 2026 issue of Contemporary Art Review LA (CARLA). It is part of a larger issue exploring themes like scent in art, tarot, social urgencies in curation, and video art, positioning it within a critical discussion of contemporary art practices in Los Angeles.
Christie’s is launching its first New York auction dedicated to Japanese anime and manga, titled "Anime Starts Here: Japanese Subculture Reimagines Tradition." Scheduled for March 18–31 during Asian Art Week, the online sale features over 40 lots including original production cels from Hayao Miyazaki’s films, manga drawings by Tezuka Osamu, vintage Godzilla posters, and Hokusai prints. Most items are priced accessibly, with many estimates falling below $3,000.
The inaugural edition of Art Basel Qatar launched with a unique booth-less format, prioritizing single-artist presentations and regional connections over the typical high-speed frenzy of European fairs. While the pace of transactions was more measured, significant sales were reported, including a $250,000 video installation by Kutlug Ataman sold by Niru Ratnam to an institution and multiple works by regional stars like Ahmed Mater and Ali Cherri. High-value blue-chip items, including a $42 million Picasso, remained tucked away in private viewing rooms to accommodate the region's preference for discretionary collecting.
The U.S. Department of Justice has released approximately 3 million additional files related to the late financier Jeffrey Epstein, sparking a new wave of resignations and investigations across the global art world. The documents detail extensive connections between Epstein and high-profile figures, including museum leaders, major collectors, and artists. While inclusion in the files does not prove criminal wrongdoing, the public pressure following these revelations has forced several prominent individuals to step down from influential institutional roles.
London’s Lightroom venue has announced a major new immersive multimedia experience titled “David Bowie: You’re Not Alone,” scheduled to open in April 2026. Developed in partnership with the Bowie estate and designed by 59 Studio, the hour-long spectacle utilizes 36-foot walls to project rare performance footage, interviews, and never-before-seen archival material. The production is led by Mark Grimmer, who previously co-curated the Victoria & Albert Museum’s landmark 2013 retrospective of the artist.
The article is a table of contents for Issue 42 of Contemporary Art Review LA, which includes a review of an exhibition by artist Devin Troy Strother at ArtCenter. The review, written by Janelle Zara, is listed among other reviews, interviews, and features in the publication's November 2025 issue.
Andisheh Avini, a senior director at Gagosian who has been with the gallery for over 25 years, discusses his career trajectory and the gallery's evolution in an interview timed to the inaugural edition of Art Basel Qatar. Avini, who is also an artist, recounts key moments such as the post-9/11 global market expansion that led Gagosian to open spaces in Europe and Hong Kong, and his work with artists including Cy Twombly, Adam McEwen, Piero Golia, and Maurizio Cattelan. He also shares insights into the gallery's approach to art fairs, emphasizing tailored presentations based on location and audience.
Evan Beard, a former Navy intelligence officer and Oxford economics graduate, is launching a new secondary market gallery called Beard & Co. on New York's Upper East Side after leaving Masterworks, the $1 billion art-tech startup where he ran its secondary market gallery Level & Co. Beard's career path includes stints at Deloitte and Bank of America, where he managed art financing operations and worked with major U.S. collectors. His new gallery will employ a half-dozen staff and function as a discreet private bank for collectors, offering services such as art loans, auction guarantees, consignments, and estate planning.
The Aldrich Contemporary Art Museum in Ridgefield, Connecticut, has announced a new recurring exhibition series called the Aldrich Decennial, which will take place every ten years. The inaugural edition, titled “I am what is around me,” runs from June 7, 2026, to January 10, 2027, and features 40 artists living and working in Connecticut who have not previously exhibited in the state. Organized by chief curator Amy Smith-Stewart and curatorial and publications manager Caitlin Monachino, the survey spans the museum’s entire campus and includes high-profile names such as Dominic Chambers, Tammy Nguyen, Em Rooney, Aki Sasamoto, and Julia Wachtel, with artists ranging in age from Lucy Sallick (born 1937) to Remy Sosa (born 1995).
New York's Asia Society and Museum has been accused of censorship by Islamic art scholars after a virtual tour of its exhibition "Comparative Hell: Arts of Asian Underworlds" blurred two artworks depicting the Prophet Muhammad. The museum acknowledged the error, blaming an outside contractor and insufficient oversight, and announced plans to restore the images to the online tour. The blurred works include a folio from the Falnama (ca. 1555) on loan from the Arthur M. Sackler Museum at Harvard and a manuscript page from the David Collection in Copenhagen showing Muhammad ascending to heaven. The controversy follows a similar incident at Hamline University, where an adjunct professor lost her contract after showing images of Muhammad in an art history class.
The Wildenstein Plattner Institute (WPI) and the Romare Bearden Foundation have launched the first installment of a digital catalogue raisonné for the artist Romare Bearden, covering his work from 1964 to 1969. The project, which began in earnest in 2017, has so far documented 3,000 artworks, including 210 in this initial chapter, and has uncovered previously unknown works such as a portrait of artist Edmonia Lewis. The research builds on three decades of archival work by the foundation, which digitized Bearden's ephemera to aid in tracking down works he often gave away informally.
The San Francisco Museum of Modern Art (SFMOMA) has announced a major reinstallation of its Fisher Collection galleries, titled “Reimagined: The Fisher Collection at 10,” opening April 18, 2026. The overhaul will feature 250 artworks by 35 modern and contemporary artists across 60,000 square feet of gallery space, organized by thematic and monographic floors. The project is led by curator Ted Mann and chief education officer Gamynne Guillotte. The Fisher Collection, a 100-year loan from the Fisher Art Foundation, includes blue-chip works by Alexander Calder, Gerhard Richter, Andy Warhol, and others, assembled by Gap Inc. founders Donald and Doris Fisher.
Jussi Pylkkanen, former Christie's chairman, analyzes the upcoming New York 20th and 21st Century Art sales, noting a return to market confidence after strong European auctions in London and Paris aligned with Frieze and Art Basel Paris fairs. Christie's London posted its best October sales since 2018, Sotheby's had its most valuable Paris season, and a Picasso portrait sold for $37 million at Hôtel Drouot. The season shows a shift from speculative buying toward established artists like Bacon, Freud, Picasso, and Klimt, with 27 works valued over $10 million, led by Gustav Klimt's *Portrait of Elizabeth Lederer* from the Leonard Lauder collection, estimated to exceed $150 million at Sotheby's.
Sotheby's has relocated its New York headquarters to Marcel Breuer's iconic Brutalist building on Madison Avenue, formerly home to the Whitney Museum, the Met Breuer, and a Frick Collection outpost. After a renovation by Herzog & de Meuron that restored original gallery proportions and upgraded infrastructure, the auction house is inaugurating the space with a series of exhibitions featuring three major single-owner collections—Leonard A. Lauder, Cindy and Jay Pritzker, and Exquisite Corpus—estimated at over a billion dollars. Highlights include Gustav Klimts from the Lauder trove, a Van Gogh still life from the Pritzker collection, a Frida Kahlo painting expected to set a record for a woman artist, and a Basquiat work in the contemporary evening sale.
W magazine's current art issue features Academy Award-winning actress Jennifer Lawrence in a three-part collaboration with French filmmaker and artist Philippe Parreno, American painter Elizabeth Peyton, and German photographer Wolfgang Tillmans. Parreno shot a short film starring Lawrence, Tillmans photographed her at his London studio wearing a T-shirt referencing his Centre Pompidou exhibition, and Peyton painted a portrait of the actress in her signature loose, romantic style. The issue has three different covers, each dedicated to one collaborating artist's work.
Art Basel Paris opened its VIP preview on Wednesday, following a new invite-only preview called Avant Première on Tuesday. Major galleries reported strong sales, including Hauser & Wirth's $23 million Gerhard Richter abstract, the highest reported sale at the fair. Other notable sales included Julie Mehretu's $11.5 million painting at White Cube, a $4.7 million Bruce Nauman neon at Hauser & Wirth, and a $2.5 million Marlene Dumas painting at David Zwirner. Dealers noted that the staggered two-day opening helped spread out crowds and allowed collectors to return for the official VIP day, with many describing the fair as the most successful edition in Paris to date.
András Szántó has published the third volume of his trilogy on the future of museums and the art world, titled "The Future of the Art World." The book compiles 38 interviews conducted between April 2024 and June 2025 with a wide range of art-world stakeholders, including artists, curators, collectors, dealers, auctioneers, art fair directors, sociologists, philosophers, and policymakers. Unlike his previous books, which focused on museum directors and architects, this volume gives significant voice to artists, who offer provocative critiques and predictions about the future of museums, art education, and digital art.
V. Joy Simmons, a Los Angeles-based physician and longtime art collector, opened her Baldwin Hills home to ARTnews for a tour of her extensive collection. The house features over 150 objects, including stained-glass windows by Varnette Honeywood and Joyce Dudnick, a site-specific column installation by Lauren Halsey, and works by Elizabeth Catlett, Romare Bearden, Kerry James Marshall, Mark Bradford, Kehinde Wiley, and Carrie Mae Weems, among many others. Simmons began collecting in the 1970s with a $50 lithograph by Catlett and has since built a collection that spans generations of Black artists, often juxtaposing older and younger artists in her displays.
Agnes Gund, one of the most influential art patrons in the United States, has died at 87. Her collecting and philanthropy transformed the American art world, particularly at the Museum of Modern Art (MoMA), where she served as president from 1991 to 2002 and remained a life trustee. Gund helped fund MoMA's 2004 expansion, designed by Yoshio Taniguchi, and played a key role in bringing MoMA PS1 under the museum's aegis in 1999. She was a longtime donor of over 250 works to MoMA, including pieces by Jasper Johns, Elizabeth Murray, and Julie Mehretu, and appeared on the ARTnews Top 200 Collectors list every year from 1990 to 2018.