The article discusses the newly opened David Geffen Galleries at the Los Angeles County Museum of Art (LACMA), describing the viewing experience as seductive. The galleries are a major component of LACMA's ongoing transformation, designed by architect Peter Zumthor.
New York City’s gallery scene is set for a major wave of activity between March 10 and March 15, 2026, with dozens of new exhibitions opening across Manhattan. High-profile showcases include Sam Gilliam and Chuck Close at Pace Gallery, Maria Lassnig at Petzel, and Paul Chan at Greene Naftali. The week features a diverse range of media, from David Armstrong’s portraiture at Artists Space to Bat-Ami Rivlin’s industrial installations at Management.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for January, highlighting exhibitions from coast to coast. Featured artists include Jeff Koons at Gagosian in New York, where he presents monumental stainless-steel sculptures of gods and goddesses alongside layered paintings, and Giorgio Griffa at Casey Kaplan, whose survey "Consistently Through Variation" spans five decades of his process-driven work. Other notable shows include Julian Schnabel at Mnuchin Gallery and Marisol at Matthew Marks Gallery in Los Angeles.
This article from The Art Newspaper, published as 2026 begins, memorializes key figures from the art world who died in 2025. The list includes artist and activist Jaune Quick-to-See Smith, filmmaker and artist David Lynch, conceptual artist Mel Bochner, collector and patron Guy Ullens (co-founder of Beijing's UCCA), curator Koyo Kouoh (the first African woman to curate the Venice Biennale), photographer Sebastião Salgado, broadcaster Alan Yentob, and sculptor Joel Shapiro. Each entry summarizes their career highlights and contributions.
Galerie magazine has curated a list of eight must-see solo gallery shows across the United States for December, highlighting exhibitions from New York to Los Angeles. Featured artists include Alex Da Corte, whose show at Matthew Marks Gallery presents 11 new sculptures in a narrative setting, including life-size self-portraits as the Pink Panther and Popeye; and Sylvia Snowden, whose exhibition "On the Verge" at White Cube in New York showcases 20 paintings from her career, exploring human struggles and joys through textured impasto works. Other notable shows include Marilyn Minter's portraits of celebrities at Regen Projects in Los Angeles.
Art Basel Miami Beach opened its 23rd edition with a surge of blue-chip sales, signaling renewed market confidence. Major galleries reported strong early results: David Zwirner sold a Gerhard Richter painting for $5.5m and an Alice Neel for $3.3m; Hauser & Wirth saw sales 40% higher than last year, including a George Condo for nearly $4m and a Louise Bourgeois for $3.2m. Other notable sales included works by Alex Katz, Pablo Picasso, Sam Gilliam, and Robert Rauschenberg, with 283 galleries participating at the Miami Beach Convention Center.
Art Basel Miami Beach returned for its 23rd edition on December 3, 2025, with VIP previews at the Miami Beach Convention Center. The fair features 283 galleries from 43 countries, alongside nearly 20 satellite fairs including NADA and Untitled Art. Notable sales include a $5.5 million Gerhard Richter painting at David Zwirner and a $15 million Frida Kahlo miniature self-portrait at Weinstein Gallery. Director Bridget Finn expressed optimism about the fair's energy and its role in connecting contemporary art with music, fashion, and film.
Art Basel Paris officially opened on October 22, 2024, with a new VIP tier called 'Avant-Première' granting early access to favored collectors. The fair saw a shift in mood from socializing to business-focused transactions, with multimillion-dollar works on offer, including a Gerhard Richter painting reportedly sold for over $20 million by Hauser & Wirth. Pre-fair events included dinners hosted by Marian Goodman for artist Paul Sietsema, gallery openings at Salon 94's new Palais-Royal space, and a VIP evening at the Musée d'Orsay for a Bridget Riley exhibition. American galleries and collectors dominated the week's parties, with events by David Zwirner, Gladstone, and others.
This episode of "A brush with…" podcast features an in-depth conversation with artist Christopher Wool, who discusses his career spanning painting, photography, and sculpture. Wool reflects on early influences including the Art Ensemble of Chicago, Dan Flavin, Jean-Michel Basquiat, Dieter Roth, and Toni Morrison's novel *The Bluest Eye*, which inspired one of his text paintings. He also explains the title of his recent exhibition "See Stop Run" and how jazz has consistently inspired his work. The podcast is sponsored by Bloomberg Connects, which highlights museums that have shown Wool's work, including the Guggenheim, MoCA Los Angeles, and SFMOMA.
MoMA is opening "Ruth Asawa: Retrospective" on October 19, 2025, running through February 7, 2026, featuring 275 works by the artist, including over 60 looped-wire sculptures, bronze casts, paper folds, and drawings. The exhibition, which previously appeared at SFMoMA, occupies 16,000 square feet on MoMA's sixth floor and is the largest show ever devoted to a woman artist at either institution by checklist count, though neither museum has emphasized this superlative.
This week's art news is dominated by the opening of Art Basel 2025, where dealers reported a strong start with numerous six-figure sales, including a David Hockney painting at Annely Juda Fine Art for $13–17 million and a $9.5 million Ruth Asawa sculpture at David Zwirner. Other major developments include the Museum of Modern Art announcing a major Marcel Duchamp survey for 2026, the reopening of a historic Paris building (temporary home for Centre Pompidou) after a £395 million rebuild, and the Studio Museum in Harlem receiving a significant gift from Vancouver real estate magnate Bob Rennie. The article also covers gallery representation changes, awards, and the passing of sculptor Joel Shapiro and businessman/art patron Leonard Lauder.
Art Basel's 2025 edition opened with a soft atmosphere that belied strong and swift sales across all price tiers. Major galleries reported significant transactions: David Zwirner sold 68 works including a $9.5 million Ruth Asawa sculpture and a $6.8 million Gerhard Richter painting; Gladstone placed a $3.5 million Keith Haring piece; and Thaddaeus Ropac sold a €1.8 million Georg Baselitz and a $1.8 million James Rosenquist painting to a European institution. White Cube, Hauser & Wirth, and Tina Kim Gallery also reported robust sales, with works by artists such as Dana Schutz, Marlene Dumas, Yayoi Kusama, and Ha Chong-Hyun moving quickly. However, mid-tier galleries like Marianne Boesky Gallery noted more cautious, eye-driven buying rather than the frenzied chasing of past years.
Frieze New York opened its VIP preview on May 7, with early sales indicating cautious but steady buyer confidence amid economic uncertainty and the recent acquisition of the fair by Endeavor's former CEO Ari Emanuel. American buyers dominated, while Asian and European collectors were largely absent. Mega-galleries like Gagosian and Pace reported significant sales, including Jeff Koons's Hulk Elvis sculptures and works by Adam Pendleton and Lynda Benglis, though the atmosphere was more subdued and negotiation-friendly than in previous years.
New York Art Week 2025 is underway as the international art world converges on the city for a series of major spring fairs. Galerie has surveyed six key fairs—Frieze New York, Independent, TEFAF New York, NADA New York, Future Fair, and Esther II—highlighting standout artworks and notable presentations. Highlights include Jeff Koons' Hulk sculptures at Gagosian, Claire Tabouret's new paintings at Perrotin, and Tuan Andrew Nguyen's kinetic sculptures at James Cohan. Independent returns to Spring Studios with its 16th edition, featuring a new curatorial initiative, Independent Debuts, showcasing 26 emerging artists including Shafei Xia, Laura Footes, and Lewis Brander.
New York Art Week 2025 is condensed into a single mega-week starting May 5, featuring major art fairs including Frieze New York, Independent, and TEFAF New York, alongside gallery openings, auction previews, and museum shows. The guide provides a day-by-day itinerary, fair overviews, and practical tips for navigating the week, emphasizing that many events are ticketed or free and do not require VIP passes.
This article lists 14 of the best art galleries to visit in New York City, highlighting major commercial spaces such as Hauser & Wirth, Gagosian Gallery, David Zwirner, Gladstone Gallery, Greene Naftali, Cavin-Morris Gallery, and Neue Galerie. It describes each gallery's location, specialty, and notable represented artists, from blue-chip contemporary stars to historical figures and self-taught visionaries.
Cultured magazine profiles 10 art collectors, sharing the stories of their first acquisitions. The article features collectors such as Miami real estate developer Craig Robins, hotelier Steve Wilson, Allison Sarofim, Brandon John Harrington, James Frey, and Rodrigo Padilla, recounting how they began their collections—from a Dalí sketch and a Matisse drawing to an Andy Warhol portrait and a late-night Instagram purchase. Each narrative highlights the personal, often serendipitous moments that sparked a lifelong passion for art.
The New York Academy of Art has donated $66,000 in funds originally received from convicted sex offender Jeffrey Epstein to Girls Educational and Mentoring Services (GEMS), a nonprofit supporting sexually exploited girls. The move redirects all donations the school accepted from Epstein after his 2008 conviction. The academy's board chair, Eileen Guggenheim, who solicited the funds, will retire from her role a month early on April 1, following renewed scrutiny of the institution's Epstein ties.
Hazel Knapp, a self-taught artist with Charcot-Marie-Tooth disease, painted Vermont landscapes from her wheelchair between the 1930s and 1940s, often with her mother Elsie by her side describing the terrain. Knapp exhibited at the 1939 Museum of Modern Art show alongside Grandma Moses and Morris Hirshfield, was profiled in Sidney Janis's book *They Taught Themselves*, and sold ten paintings to Gertrude Stein, who planned an unrealized Paris exhibition. Despite this promising start, Knapp fell into obscurity after her mother's death.
A new book titled *Hidden Portraits: The Untold Stories of Six Women Who Loved Picasso* by Sue Roe (published by Faber and W.W. Norton) examines the lives of Picasso's six most significant partners: Fernande Olivier, Olga Khokhlova, Marie-Thérèse Walter, Dora Maar, Françoise Gilot, and Jacqueline Roque. The book challenges the narrative that these women were passive muses, instead revealing their personal ambitions and reasons for entering relationships with the artist, drawing on journals and historical context to present their perspectives.
The Fondazione Sandretto Re Rebaudengo has opened a new art space on the island of San Giacomo in the northern Venetian lagoon, acquired in 2018 by Patrizia Sandretto Re Rebaudengo and Agostino Re Rebaudengo. The island, previously abandoned, has been transformed into a laboratory for art and sustainability, with a gradual opening plan that initially aligns with the Venice Biennale. The inaugural program launched on May 7, 2026, includes a solo exhibition by Matt Copson curated by Hans Ulrich Obrist, a group show titled 'Don’t have hope, be hope!', and a photographic documentation of the restoration process by Giovanna Silva and Antonio Fortugno.
Dietro ogni grande artista… c’è una grande galleria. Un punto sulla Biennale Arte 2026
The 61st Venice Biennale, titled "In Minor Keys" (May 9 – November 22, 2026), features over 90% living artists, a significant shift from recent editions focused on historical rediscoveries. Curated by the late Koyo Kouoh (1967–2025), the first African woman to lead the Biennale, the exhibition includes 111 artists, with a majority of women (64 vs. 48 men) and the highest percentage of African-born artists ever (20%). Notable participants include Nick Cave, Carsten Höller, Alfredo Jaar, and Kader Attia, with a focus on mid-career and established figures rather than emerging or deceased artists.
The Metropolitan Museum of Art has appointed Oluremi C. Onabanjo as its new curator of photographs, bringing her expertise in African and Black diasporic histories from MoMA. This announcement leads a series of industry shifts, including Melissa Chiu’s move from the Hirshhorn to direct the Guggenheim, and the relocation of the influential gallery 47 Canal to Chelsea. Additionally, the New York Foundation for the Arts distributed nearly $500,000 in grants to 129 artists and organizations in Queens.
Beverly Buchanan’s Architecture of Care
A major retrospective and a focused exhibition of artist Beverly Buchanan's work are now on view in Athens, Georgia, where she lived for many years. "Shacks, Stories, and Spirit: Beverly Buchanan’s Art of Home" at the Georgia Museum of Art features her canonical "Medicine Woman" sculpture, while "Beverly’s Athens" at the University of Georgia’s Athenaeum presents a rich archive of her ephemera, sketches, and community-focused works, marking the city's first institutional solo exhibitions of her art posthumously.
NEON, the Athens-based contemporary art initiative founded by collector Dimitris Daskalopoulos, will conclude its activities later this year after 14 years. Its final project is a trilogy of exhibitions by artist Michael Rakowitz at the Acropolis Museum, with the last installment set for 2026. The organization also announced it has fulfilled its cultural and social mission.
Gagosian has secured special permission from Art Basel Paris to exhibit a rediscovered Old Master painting by Peter Paul Rubens, titled "The Virgin and Christ Child, with Saints Elizabeth and John the Baptist" (c. 1611–14), at a fair that typically restricts its main sector to works created between 1900 and 2025. The painting, last sold at Sotheby’s New York in 2020 for just over $7 million, will be shown alongside modern and contemporary works by artists such as John Currin, Jenny Saville, and Pablo Picasso. The exception was granted by Art Basel’s management and Selection Committee due to the work's exceptional quality and its resonance with the gallery's booth.
The Peabody Essex Museum has launched "Edmonia Lewis: Said in Stone," the first-ever retrospective dedicated to the 19th-century sculptor who was the first Black and Indigenous American artist to achieve international fame. Curated by Shawnya L. Harris and Jeffrey Richmond-Moll, the exhibition is the culmination of seven years of research and detective work to locate surviving marble sculptures and archival fragments. The show tracks her journey from her early life as "Wildfire" to her education at Oberlin College and her eventual professional success in Boston and Rome.
The 16th Gwangju Biennale has revealed its theme, 'You must change your life,' a line from Rainer Maria Rilke's poem 'Archaic Torso of Apollo.' Artistic director Ho Tzu Nyen and curators Che Kyongfa, Park Gahee, and Brian Kuan Wood will lead an edition focused on art's transformative power during a time of multiple crises. The exhibition, running from September 5 to November 15, will feature the smallest number of artists in the biennale's history, emphasizing intensity over accumulation and tracking the evolution of individual artistic practices.
À la Tate Modern, la bouleversante renaissance de Tracey Emin
Tracey Emin has returned to the Tate Modern for a major retrospective titled "A Second Life," marking a poignant milestone in her career. The exhibition features over a hundred works, including the iconic and once-scandalous "My Bed," which first catapulted her to international fame during the 1999 Turner Prize. This survey explores her evolution from the "enfant terrible" of the Young British Artists to a Dame of the British Empire, showcasing her multidisciplinary practice across painting, sculpture, and installation.