peter zumthor's david geffen galleries open at LACMA as a sweeping glass-and-concrete arc

The Los Angeles County Museum of Art (LACMA) has officially opened the David Geffen Galleries, a massive glass-and-concrete structure designed by Pritzker Prize-winning architect Peter Zumthor. Elevated nine meters above the ground and spanning Wilshire Boulevard, the 275-meter-long building replaces several older structures to house the museum’s permanent collection. The inaugural installation, developed by a team of 45 curators, abandons traditional chronological displays in favor of a geographic framework organized around four major bodies of water: the Pacific, Indian, and Atlantic Oceans and the Mediterranean Sea.

untitled 2026 (a gathering of remarkable people)

The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.

Digital Art Exhibit Showcases Tech's Creative Potential in Austin

The Blanton Museum of Art in Austin has launched 'Run the Code: Data-Driven Art Decoded,' a major exhibition featuring over 20 digital artworks produced between 2004 and 2022. On loan from the Thoma Foundation, the collection includes pieces by prominent figures such as teamLab, Leo Villareal, and Marina Zurkow that utilize coding, real-time data, and generative AI. The show highlights the evolution of digital practice in the "post-social media era," ranging from interactive installations to algorithmic critiques of environmental and social issues.

This New Britain art exhibit is a call to decolonize Puerto Rico

Artist Pablo Delano has brought his provocative installation, “The Museum of the Old Colony,” to New Britain, Connecticut, a region with a significant Puerto Rican population. The exhibition utilizes enlarged archival photographs, historical texts, and consumer goods to document the United States' colonial relationship with Puerto Rico since 1898. By juxtaposing derogatory 19th-century media captions with images of mass sterilization, military enlistment, and the aftermath of Hurricane Maria, Delano challenges viewers to confront a legacy of systemic racism and exploitation.

'Rooted Strong' exhibition at New Mexico Museum of Art explores visions of America from New Mexico

The New Mexico Museum of Art has launched "Rooted Strong: Visions of America from New Mexico," an exhibition timed to coincide with the United States semiquincentennial in 2026. Co-curated by Alexandra Terry and Katie Doyle, the show features 86 objects primarily drawn from the museum’s permanent collection, supplemented by key loans. The exhibition is organized into four thematic sections—Community, Land, Domestic Life, and Celebration—and exclusively features artists who have lived in the state for at least a decade, including figures like Nikesha Breeze, Sabra Moore, and Luis Tapia.

Puerto Rico’s rainforest center reborn: in pictures

Puerto Rico’s El Yunque National Forest has unveiled the reconstructed El Portal visitor’s center, a $18 million project designed by Marvel Architects to withstand future climate disasters. Following the devastation of Hurricanes Maria and Irma, the new facility features elevated structures, advanced stormwater management, and solar capabilities, serving as both a sustainable tourism hub and an emergency command post.

A young but already highly competitive profession

Un métier jeune mais déjà très concurrentiel

The museum visitor services sector in France is undergoing rapid professionalization as specialized outsourcing firms compete for lucrative contracts. Companies like Marianne International, Pénélope, and City One—originally rooted in corporate reception and event management—are now managing front-of-house operations for major institutions including the Palais de Tokyo, MuCEM, and the Musée d'Orsay. This shift reflects a broader trend of museums treating visitors as customers and seeking the high-volume staffing expertise found in the corporate world.

A new watercolor by Marie-Désiré Bourgoin acquired by Orsay

Une nouvelle aquarelle de Marie-Désiré Bourgoin acquise par Orsay

The Musée d’Orsay has expanded its collection with the acquisition of a watercolor by Marie-Désiré Bourgoin. The work depicts a somber interior scene featuring an elderly woman in black seated before a commemorative display of the late painter Ernest Meissonier’s personal effects, including his Academician's sword, Legion of Honor insignia, and his final self-portrait on an easel.

Outsourcing a service is not prohibited, but managing the provider's employees is

Externaliser un service n’est pas interdit, diriger les salariés du prestataire l’est

A wave of legal complaints has been filed against several major French cultural institutions, including the Louvre, the Pinault Collection, and the MuCEM, alleging illegal labor practices. Labor unions Sud-Culture, SUD-PTT, and Solidaires claim these museums are engaging in "illicit lending of labor" and "bargaining" by exercising direct authority over outsourced staff from third-party agencies like Marianne International and Pénélope. While outsourcing services like ticketing and reception is legal in France, the lawsuits argue that museums are illegally managing these external employees' daily schedules, rotations, and disciplinary actions as if they were their own staff.

A young artist has designed exhaust pipes to be played like trumpets: A traveling concert in Milan

Un giovane artista ha progettato delle marmitte da suonare come trombe. A Milano il concerto itinerante

Emerging artist Aronne Pleuteri will debut a mobile performance titled "Mototrombe!" during Milan Art Week on April 17, 2026. The event features a parade of sound sculptures crafted from salvaged automotive exhaust pipes, which have been welded and reconfigured into hybrid instruments. Led by composer Dario Buccino, the procession will travel from Milan’s Central Station to the Church of Santa Maria degli Angeli, where the sculptures will remain on display through April 26.

New dates, new venue, and a new theme: Here is what the Moncalieri emerging photography festival will look like

Nuove date, nuova sede e nuovo tema. Ecco come sarà il festival di fotografia emergente di Moncalieri

Liquida Photofestival has announced the details for its fifth edition, scheduled to take place from April 17 to 19, 2026. The independent festival dedicated to emerging contemporary photography is moving to a new venue at the Real Collegio Carlo Alberto in Moncalieri, near Turin. Under the artistic direction of Laura Tota, the upcoming edition will center on the theme "Learning and Unlearning – (re)writing the rules," featuring a program of exhibitions, talks, and publishing events built primarily through open calls.

Philanthropist and Patron Emmanuele Emanuele Dies; Creator of Rome's Palazzo Sciarra and Palazzo Cipolla Museum Spaces

È morto il filantropo e mecenate Emmanuele Emanuele. Fautore a Roma degli spazi museali di Palazzo Sciarra e Palazzo Cipolla

Emmanuele Francesco Maria Emanuele, a prominent Italian philanthropist, jurist, and patron of the arts, has passed away in Rome at the age of 86. Born in Palermo, Emanuele dedicated the latter half of his life to cultural promotion, most notably serving as the President of Fondazione Roma and the Fondazione Terzo Pilastro – Internazionale. His leadership was instrumental in transforming Rome's Palazzo Sciarra and Palazzo Cipolla into significant museum spaces, hosting both permanent collections and major temporary exhibitions.

Wahlburgers in Fenway marked World Art Day on Wednesday with a one-day community-driven event.

Wahlburgers in Fenway celebrated World Art Day this past Wednesday by hosting a one-day community-driven event. The gathering focused on local engagement and creative expression within the Fenway neighborhood.

Gina Blickenstaff Brings Bold Color Home To Fort Collins

Artist Gina Blickenstaff is set to present her second annual solo exhibition, "The Method and the Madness," at the Center for Creativity in Fort Collins. Spanning all three of the venue's galleries, the five-day event coincides with Fort Collins Art Week and features an artist talk alongside a showcase of her vibrant, color-focused paintings. Blickenstaff, a recipient of the Dame JaCkie Erickson Creative Catalyst Award, is transitioning from a primarily digital presence to deeper local engagement through this immersive physical installation.

Art exhibit review: Fowler’s ‘Mountain Spirits’ highlights indigenous culture in the Philippines

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