filter_list Showing 521 results for "RTL" close Clear
search
dashboard All 521 museum exhibitions 247article news 76article local 53trending_up market 48person people 37article culture 21article policy 17gavel restitution 8candle obituary 6rate_review review 6article museum 1article event 1
date_range Range Today This Week This Month All
Subscribe

‘The pictures are evil!’ The great art-quake of 1910

The article reviews David Boyd Haycock's slim new book 'Art-Quake, 1910,' which examines the explosive 1910 exhibition 'Manet and the Post-Impressionists' at London's Grafton Galleries. The show introduced British audiences to revolutionary artists like Cézanne, van Gogh, Gauguin, Matisse, and Picasso, provoking outrage from critics and the public, who called the works 'evil,' 'hysterical,' and a threat to civilization. The book is part of a series from Old Street publishing that also includes titles on the Degenerate Art exhibition and the Cultural Revolution.

Stories That Shape Us: Building Stories Reflections

Staff at the National Building Museum share their favorite children's books in celebration of World Book Day, as part of the exhibition 'Building Stories.' Each staff member selects a book that has influenced their imagination or professional work, ranging from century-old illustrated alphabets like C.B. Falls' 'ABC Book' to contemporary picture books such as Christian Robinson's 'Another' and Tony Hillery's 'Harlem Grown.' The selections highlight how storytelling and the built environment intersect, with books like 'Goodnight Moon,' 'Eloise,' and 'The Snowy Day' offering personal and professional insights.

All England shortlist revealed for Art Fund Museum of the Year 2026

The Art Fund has announced the five finalists for its Museum of the Year 2026 award, all of which are located in England. The shortlist includes The National Gallery and V&A East Storehouse in London, Norwich Castle, Cambridge’s Fitzwilliam Museum, and The Box in Plymouth. The winner will be announced at a ceremony at London's Cutty Sark on June 25.

Which of these five museums is the best in the UK?

The Art Fund has announced the shortlist for the 2024 Museum of the Year award, featuring the National Gallery, V&A East Storehouse, The Box in Plymouth, the Fitzwilliam Museum, and Norwich Castle Museum & Art Gallery. The finalists represent a diverse cross-section of British heritage, ranging from London’s "Goliath" institutions celebrating bicentenaries to regional hubs undergoing major architectural transformations. The winner, to be announced on June 25, will receive a £120,000 prize, while runners-up each receive £20,000.

A Berkeley couple’s collection of women artists showing at BAMPFA

Penny Cooper and Rena Rosenwasser, a Berkeley-based couple, are debuting their private collection of women artists at the Berkeley Art Museum and Pacific Film Archive (BAMPFA). Titled "Rhapsody: Works from the Cooper Rosenwasser Collection," the exhibition features highlights from a half-century of collecting, including works by Marlene Dumas, Nicole Eisenman, and Jacqueline Humphries. The show coincides with the couple's significant donation of nearly 150 artworks to the museum, marking the first time these pieces have been displayed outside their home.

Philadelphia Museum of Art and PAFA team up for a massive American art show

The Philadelphia Museum of Art (PMA) and the Pennsylvania Academy of the Fine Arts (PAFA) have launched "A Nation of Artists," a massive collaborative exhibition marking the United States' 250th anniversary. Spanning 20,000 square feet across both institutions, the show features over 1,000 works ranging from 18th-century portraiture and Hudson River School landscapes to contemporary pieces by local artists. The exhibition was catalyzed by significant loans from the private collection of Philadelphia Phillies owner John Middleton and his wife, Leigh, which filled critical gaps in the museums' permanent holdings.

Portland Japanese Garden debuts stunning new art exhibition through June 15th

The Portland Japanese Garden has launched its first major exhibition of 2026, "Enduring Impressions: Contemporary Woodblock Prints," running through June 16th. This showcase explores the evolution of mokuhanga, a traditional Japanese woodblock printing technique that originated in the 17th century as an accessible art form for the masses. The exhibition features a diverse array of works ranging from historical masterpieces to contemporary interpretations by artists from Portland, Japan, and across the United States.

With 'Normes Corps' at the Palais de Tokyo, vulnerable bodies unite their strength

The Palais de Tokyo in Paris has unveiled 'Normes Corps' (Body Norms), a major group exhibition that explores the intersection of vulnerability, disability, and physical resistance. The show brings together a diverse array of international artists who challenge traditional societal standards of the 'ideal' body, instead highlighting the strength found in fragility and the collective power of marginalized physicalities.

Portland Art Museum

The Portland Art Museum (PAM), the oldest art museum in the Pacific Northwest, has recently completed a significant 100,000-square-foot expansion to enhance its public and gallery spaces. The museum's diverse collection of over 50,000 objects is particularly noted for its holdings in Native American art, English silver, and graphic arts. Current highlights include the Joe and Shelley Voboril Gallery’s focus on Plains regional works and the 'Conductions: Black Imaginings II' series of in-gallery activations.

Celebrating Indigenous Vitality: MORE COLORS THAN THE EYE CAN SEE

The Portland Art Museum and SITE Santa Fe have launched "MORE COLORS THAN THE EYE CAN SEE," a national educational initiative based on Jeffrey Gibson’s historic solo exhibition for the U.S. Pavilion at the 60th Venice Biennale. Developed in collaboration with the Smithsonian National Museum of the American Indian and a cohort of ten educators, the project introduces 14 interdisciplinary K-12 lesson plans. These resources integrate Indigenous contemporary art into subjects ranging from mathematics to social studies, utilizing Gibson’s vibrant aesthetic to explore themes of identity, representation, and creative sovereignty.

Blanton show reimagines American modernism through private collection of H-E-B chairman Charles Butt

The Blanton Museum of Art has unveiled a new exhibition featuring approximately 80 works of American modernism drawn from the private collection of H-E-B chairman Charles Butt. Curated by Carter Foster, the show eschews a "trophy collection" approach in favor of intimate, transitional works by canonical artists such as Edward Hopper, Alice Neel, and Alma Thomas. The exhibition is organized thematically, focusing on urban life, precisionism, and the evolution toward abstraction, presenting these works together in a single gallery for the first time.

'If a work is meant to be mine, there’s always time': Mashonda Tifrere on the art she collects and why

Mashonda Tifrere, a former singer turned curator and art advisor, discusses her journey from the music industry to becoming a prominent figure in the visual arts. Through her organizations ArtLeadHER and Art Genesis, she has curated over 40 exhibitions focusing on women and underrepresented artists, including a recent Faith Ringgold show at the University of California, San Diego.

Shortlist announced for Prix Marcel Duchamp, France’s biggest art prize

The shortlist for the Prix Marcel Duchamp, France's most prestigious art prize, has been announced. The five nominees are Joël Andrianomearisoa, David Brognon and Stéphanie Rollin, Laura Henno, and Josèfa Ntjam. The winner receives €35,000 from a total prize fund of €90,000. Due to the closure of the Centre Pompidou for renovations, the accompanying exhibition will be held at the Musée d’Art Moderne de Paris from 2 October 2026 to 14 February 2027. The winner will be announced on 22 October.

Cleveland Museum of Art unveils exhibition schedule for 2026

The Cleveland Museum of Art has announced its full 2026 exhibition schedule, featuring four major shows: 'Manet & Morisot,' the first major exhibition dedicated to the artistic exchange between Édouard Manet and Berthe Morisot; 'Nexus,' showcasing works by American sculptor Martin Puryear; 'Spectacular Freedom,' exploring Andrew Wyeth's watercolors with over 100 works from his estate, most never before exhibited; and a Goryeo dynasty exhibition in partnership with the National Museum of Korea, centered on the reunification of ten 14th-century hanging scrolls depicting the 10 Kings of Hell. Additional exhibitions include 'still/emerging: Native American Works on Paper,' 'Epic of the Northwest Himalayas' featuring Pahari Ramayana paintings, and a photography show contextualizing Manet and Morisot's era.

This Gallery Has Championed Photography as Art for 50 Years

Blue Sky Gallery in Portland, Oregon, is celebrating its 50th anniversary as a nonprofit champion of photography as fine art. Founded in 1975 as the Oregon Center for the Photographic Arts by a collective of five co-founders—Ann Hughes, Bob DiFranco, Craig Hickman, Terry Toedtemeier, and Chris Rauschenberg—the gallery opened in a small storefront on Lovejoy Street when photography was not yet widely recognized in institutional spaces. It has never charged admission or application fees, relying on volunteer labor and a philosophy of free access. Over five decades, the gallery moved through three locations before settling in Portland's historic DeSoto Building, which it now owns.

Renovated Whitsell Auditorium reopens as a destination for PAM CUT programming in film, new media, and visual storytelling

The renovated Whitsell Auditorium at the Portland Art Museum will reopen on January 10, 2026, as PAM CUT @ The Whitsell, marking the final phase of the museum's $116 million campus transformation. The 293-seat auditorium features upgraded seating, cinema projection, sound, and streaming capabilities, and is paired with the new Blair Family Gallery, which opens with Marco Brambilla's exhibition "Maximalist Dreamscapes." The space will host weekly screenings curated by Amy Dotson and Joanna Sokolowski, with guest curators including Carrie Brownstein and Lance Bangs, and partnerships with Criterion.

Museum Friends Tour of Pissarro's Impressionism

The Denver Art Museum and the Museum Barberini in Potsdam have co-organized "The Honest Eye: Camille Pissarro's Impressionism," an exhibition dedicated to the work of the pioneering Impressionist painter. The show is presented by a wide array of donors including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, and Craig Ponzio, with additional support from foundations, corporate sponsors, and the Scientific and Cultural Facilities District (SCFD).

Portland Art Museum’s Black Art and Experiences Galleries Are an Art World Game Changer

The Portland Art Museum has launched its new Black Art and Experiences Initiative, a permanent, multigallery project that debuts with the reopening of the Rothko Pavilion. The initiative includes four galleries dedicated to Black art, community reflection, artist residencies, and partnerships with Black-led organizations, guided by local Black artists, curators, and advocates. It follows a series of earlier exhibitions—including 'Constructing Identities' (2017), 'All Things Being Equal' (2018), and 'Black Artists of Oregon' (2023)—that built momentum toward this institutional commitment.

These 16 Miami Art Week 2025 Exhibitions Are Already Creating Buzz Among Collectors

Miami Art Week 2025 is set to take place December 3–7, headlined by Art Basel Miami Beach (public days December 5–7) and concurrent fairs including Design Miami (20th anniversary) and NADA Miami. The article highlights 16 must-see exhibitions across venues such as the Miami Beach Convention Center, Wynwood, and the Miami Design District. Featured galleries include Pace Gallery (presenting Alexander Calder, Elmgreen & Dragset, James Turrell), Locks Gallery (Louise Bourgeois, Isamu Noguchi), Southern Guild (debuting at Art Basel with Zizipho Poswa and others), and Leon Tovar Gallery (focusing on Latin American women modernists).

A Holistic and People-Centered Approach to Accessible Exhibition Design: Walker Art Center Case Study

The Walker Art Center in Minneapolis developed a holistic, people-centered set of guidelines for accessible exhibition design, moving beyond legal ADA compliance. The project involved collaboration across curatorial departments, artists, d/Deaf and disabled staff and community members, and the Institute for Human Centered Design (IHCD). The guidelines were created in three stages: identifying the need, drafting and revising, and implementing, with strategies including cross-departmental working groups, targeted interventions for bottlenecks, shared terminology, and embodied learning for staff.

Portland Art Museum to unveil $116m transformation with Mark Rothko at its heart

The Portland Art Museum (PAM) will unveil a $116 million expansion and renovation on November 20, the largest single-organization arts investment in Oregon history. The centerpiece is the new Mark Rothko Pavilion, a multi-story glass structure designed by Hennebery Eddy Architects and Vinci Hamp Architects, which bridges the museum's 1932 building with a former Masonic Temple. The project adds 100,000 square feet of renovated space, including new plazas with sculptures by Ugo Rondinone, Roy Lichtenstein, Anthony Caro, and Clement Meadmore. The Rothko family is lending major paintings from their private collection for display over two decades, with a promised gift at the end of that period, and made a six-figure donation to the museum's $146 million capital campaign.

With end of US government shutdown, National Gallery of Art and Smithsonian museums start reopening

Federal museums in Washington, DC, including the National Gallery of Art and multiple Smithsonian Institution branches, began reopening after the longest US government shutdown in history ended on Wednesday night (12 November). The National Gallery of Art reopened its West Building and sculpture garden on 14 November, with the rest of the campus following on 15 November. Its postponed exhibition *The Stars We Do Not See: Australian Indigenous Art* opened on 15 November instead of 18 October. Three Smithsonian museums reopened on 14 November, five more on 15 November, and all remaining venues—including the Cooper Hewitt, Smithsonian Design Museum in New York—by 17 November. The Smithsonian American Art Museum’s exhibition *Grandma Moses: A Good Day’s Work* was postponed from its original 24 October opening.

Portland exhibit shows off multifaceted artists’ personal narratives | Column - Portland Press Herald

Mauricio Muñoz and Andrew Roberts' installation "The Harvest" (2021) is featured in "otherwise," a thesis exhibition at the Institute of Contemporary Art at MECA&D in Portland, running through Dec. 13. The show also includes works by Ayana V. Jackson, whose project "From the Deep: In the Wake of Drexciya" was targeted by Donald Trump in his attacks on the Smithsonian Institution. The exhibition explores how artists use storytelling and worldbuilding to cope with difficult contemporary issues and imagine better futures, serving as a companion to the Ogunquit Museum of American Art's "Where the Real Lies."

Camille Pissarro Member Preview Saturday

The Denver Art Museum and the Museum Barberini in Potsdam have co-organized a new exhibition titled 'The Honest Eye: Camille Pissarro's Impressionism,' which opens with a member preview on Saturday. The show is supported by a wide range of donors, including Jana and Fred Bartlit, Barbara Bridges, Bridget and John Grier, the Kristin and Charles Lohmiller Exhibitions Fund, Craig Ponzio, and many others, as well as by an indemnity from the Federal Council on the Arts and the Humanities and promotional support from CBS Colorado.

Pissarro Exhibition Guide At Home in Éragny

The article serves as an exhibition guide for 'The Honest Eye' show, focusing on Camille Pissarro's life and work after he moved to Éragny-sur-Epte, Normandy, in 1884. It details how Pissarro settled his family there after struggling to afford rent in Pontoise, painting in his garden, fields, and barn-turned-studio. The guide highlights specific paintings like 'The Delafolie Brickyard, Éragny' (1885), 'View from My Window in Cloudy Weather' (1886–88), and 'Vegetable Garden, Overcast Morning, Éragny' (1901), discussing his techniques, subjects, and personal challenges such as chronic eye infections. It also notes his relationships with neighbors like Delafolie and fellow Impressionist Claude Monet, as well as his role in his children's artistic education.

Portland Art Museum celebrates opening of major expansion with four days of free admission

The Portland Art Museum will celebrate the opening of its major expansion and renovation with four days of free admission and activities from November 20 to 23, 2025. The centerpiece is the new Mark Rothko Pavilion, a nearly 22,000-square-foot transparent entrance that connects the museum's two campus buildings, adding nearly 100,000 square feet of new or upgraded public and gallery space. The transformed museum features a complete reinstallation of its collection with nearly 300 major new acquisitions by artists including Marie Watt, Simone Leigh, and Carrie Mae Weems, alongside thematic displays that emphasize place, community, and identity. Free tickets are available for reservation starting November 1, and the museum will also expand its regular hours beginning November 25.

‘I don’t want to compare myself with these masters’: Giorgio Armani placed side by side with Raphael and Caravaggio in Milan exhibition

Milan's Pinacoteca di Brera has opened a major exhibition titled *Giorgio Armani: Milano, per amore*, juxtaposing over 120 garments designed by the legendary fashion designer Giorgio Armani—who died this month—with Renaissance masterpieces by Caravaggio, Bellini, Raphael, and Mantegna. Unveiled on September 24 during Milan Fashion Week, the show was planned by Armani until shortly before his death, making it his final project. The exhibition also includes a catwalk event in the museum's courtyard on September 28, originally conceived to celebrate 50 years since the Armani fashion house launched in the Brera district.

The first US solo exhibition of late Japanese artist Yoshida Chizuko comes to Portland Art Museum - Oregon Public Broadcasting

The Portland Art Museum has opened the first solo U.S. exhibition of late Japanese artist Yoshida Chizuko (1924-2017), featuring over 100 woodblock prints and paintings, many never before displayed publicly. The exhibition, curated by Asian art curator Jeannie Kenmotsu, highlights Yoshida's avant-garde work that pushed the boundaries of painting and printmaking within Japan's male-dominated postwar art world.

Comment | I used to think it wasn’t cool to like Andy Goldsworthy—now I see how he helps us appreciate the natural world

Mia maxima culpa. For many years I felt it wasn’t cool to like Andy Goldsworthy. The British artist’s interventions in and workings with nature, while highly skilful and often very beautiful, seemed out of kilter with an increasingly hardcore, conceptually underpinned and urban-orientated art world. It also didn’t help that most of his work could only be experienced at one remove. Books and photographs were the only record of the ephemeral pieces he’d created from ice, leaves, sticks and stones; as well as of the more lasting installations—walls, sheepfolds, cairn paths and giant arches—he’d make in situ, usually in remote locations across the world.

Dallas Museum of Art picks director wrapping up another institutional expansion to guide it through campus overhaul

The Dallas Museum of Art (DMA) has appointed Brian Ferriso, the longtime director of the Portland Art Museum (PAM), as its next director. Ferriso will oversee the inauguration of PAM's $111 million expansion on November 20 before starting his new role in Dallas on December 1. He succeeds Agustín Arteaga, who left the DMA last spring to lead the Crocker Art Museum in Sacramento. Ferriso brings nearly two decades of experience at PAM, where he increased the endowment by $40 million, doubled curatorial staff, eliminated $7 million in debt, and led a $140 million fundraising campaign for the museum's expansion and endowment.