From February 20 to May 31, 2026, Villa Arson art center in Nice presents "Mechanical Kurds," a video installation by German artist Hito Steyerl. The work blends fiction, documentary, and critical speculation to examine invisible micro-labor chains, the geopolitics of images, and the delegation mechanisms behind so-called autonomous technologies.
The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.
The New Museum's latest exhibition explores the evolving definition of humanity through the lens of technological advancement and ancestral wisdom. The show juxtaposes the anxieties of modern machine labor—exemplified by Simon Denny’s Amazon worker cage—with Indigenous epistemologies and animist traditions that offer alternative ways of inhabiting the world. By featuring artists like Jaider Esbell and Santiago Yahuarcani, the exhibition highlights how hybridity and relationality can resist the rigid hierarchies of Western modernity.
The New Museum has officially reopened its downtown New York campus following a significant expansion designed by the architectural firm OMA. The renovation introduces a massive internal staircase that connects all four floors, resolving long-standing circulation issues previously caused by a reliance on elevators. To mark the reopening, the museum debuted a site-specific facade sculpture by Tschabalala Self titled "Art Lovers" and a massive inaugural group exhibition, "New Humans: Memories of the Future," featuring over 150 international contributors.
San Francisco's Museum of the African Diaspora (MoAD) has reopened its renovated ground-floor lobby to mark its 20th anniversary, alongside two new exhibitions. The larger show, "Unbound: Art, Blackness & the Universe" (on view until 16 August 2026), explores Blackness and the cosmos through painting, photography, sculpture, and installation. Curated by MoAD's first full-time curator Key Jo Lee, the exhibition features 17 artists including Torkwase Dyson, Barkley L. Hendricks, Lorna Simpson, Oasa DuVerney, and Mikael Owunna, organized under three themes: "Geo-Cartographic," "Religio-Mythic," and "Techno-Cyborgian." The $500,000 renovation also upgraded lighting and HVAC systems.
The article announces "The Subtle Charm of Obsessions," a multidisciplinary exhibition opening April 25, 2025, at the City Museum of Wrocław – Royal Palace. Curated by Jerzy Zajączkowski, the show explores Sigmund Freud's concept of the compulsion to repeat through works by artists based in Wrocław and across Poland, including Tamara Berdowska, the collective Monomoka (Katarzyna and Monika Gwiazdowskie), and Michał Misiak. The exhibition features painting, glass, fabric, and crocheted works, emphasizing rhythm, memory, and the cyclical return to familiar motifs placed in new contexts.
The article is a critical essay analyzing Henrike Kohpeiß's new book, 'Bourgeois Coldness,' which examines the concept of coldness as an affective strategy of the bourgeois subject. Kohpeiß traces this subjectivity from its mythological roots in Homer's Odyssey to its modern manifestations, arguing that it is forged in and sustained by structures of racial exploitation and colonial power, despite claims of abolition.
Il Louvre cambia: scelto il progetto che traghetterà il museo nel suo nuovo Rinascimento
The Louvre has announced the winners of its "Nouvelle Renaissance" competition, selecting a team led by STUDIOS Architecture Paris, with Selldorf Architects for museography and BASE Landscape Architecture for landscaping. The jury, chaired by Marc Guillaume and composed of 21 experts, chose this proposal from five finalists for its respectful and contemporary approach, which elegantly connects the city, the palace, and the museum while improving visitor flow and security. The project addresses urgent needs including new underground entrances, a dedicated space for Leonardo da Vinci's Mona Lisa, enhanced circulation, and green spaces, following a period of difficulty for the museum including a high-profile theft in October.
Art Basel Hong Kong 2026 returned to the Hong Kong Convention and Exhibition Centre from March 25–27, featuring 240 galleries from 42 countries and territories. The 13th edition introduced new sectors including Echoes, dedicated to works made within the past five years, and Zero 10, a digital art initiative making its Asia debut. The fair also transformed its Encounters sector with a collective curatorial framework based on the Five Elements, led by Mami Kataoka and three other Asia-based curators. Robb Report India covered the event through the perspectives of Indian artists Siddharth Kerkar and Jayesh Sachdev.
Gideon Appah has launched his debut New York solo exhibition, 'Beneath Night and Day', at Pace Gallery. The show features a new body of work from his 'Swimmers and Surfers' series, which explores themes of leisure, vulnerability, and the psychological space between night and day. Inspired by the coastal life of Ghana’s Busua and Kokrobite beaches, the exhibition also includes archival materials like movie stills and newspaper clippings to provide insight into the artist's creative process.
Shanti Escalante-De Mattei launches a new column called "Link Rot" in ARTnews, exploring the intersection of art, technology, and the internet. The first edition focuses on the fragility of digital and new media art, which faces rapid obsolescence as hardware and software evolve. New media art dealer Kelani Nichole, founder of Transfer Art Gallery (2013), has launched the Transfer Data Trust, a data cooperative designed to preserve digital artworks for up to 100 years. The Trust uses a combination of network-attached storage, decentralized file storage (IPFS, Filecoin), and a user-friendly browser to archive artist intent and conservation data, with pooled sales proceeds funding conservation efforts.
This article marks the 100th anniversary of the Leica I camera, first unveiled in 1925 after Oskar Barnack's proposal to create a lightweight, portable camera using 35mm cinema film. It highlights seven era-defining photographs made with Leica cameras, including Alfred Eisenstaedt's iconic V-J Day in Times Square (1945) and Ilse Bing's Self-Portrait in Mirrors (1931), and notes that Leica is staging exhibitions across its 29 galleries worldwide to celebrate the centenary.
The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.
New York Art Week featured a range of exhibitions that blended banality with body horror, drawing comparisons to a malfunctioning theme park ride. The article highlights several shows that juxtapose mundane, everyday objects with grotesque, unsettling imagery, creating a disorienting experience for viewers. Artists presented works that explore the fragility and absurdity of the human body, often using visceral materials and jarring installations to provoke discomfort and reflection.
The Seoul Museum of Art (SeMA) has opened a major retrospective on Korean abstract artist Yoo Young-kuk titled "A Mountain Within Me" at its Seosomun main branch. The exhibition, marking the 110th anniversary of the artist's birth, is the largest ever mounted on Yoo, featuring 178 works including 115 oil paintings and 15 canvases from the artist's family's private holdings shown publicly for the first time. Curated by Yeo Kyung-hwan, the show defies chronology, beginning in 1964 and moving backward through Yoo's Tokyo years and the lost decade after Korea's liberation, then forward through his geometric abstractions of the 1960s and 1970s, culminating in his late "mind-image abstraction" phase after 1980.
The National Gallery of Australia in Canberra is currently presenting 'New Asian Art,' a permanent collection display featuring recent acquisitions and highlights from across Asia. The exhibition includes a significant suite of works by Thai-born artist Korakrit Arunanondchai, featuring video and sculptural elements, as well as pieces by Japanese fashion designer Issey Miyake, the artist collective teamLab, and painter Yoshitomo Nara, exploring themes of globalization and cultural exchange.
The Museum of Modern Art in New York has launched a major retrospective of Marcel Duchamp, marking the artist's first comprehensive North American survey in over half a century. The exhibition traces Duchamp’s evolution from his early satirical drawings and avant-garde paintings to his revolutionary experiments with movement and mechanization, featuring iconic works like "Nude Descending a Staircase" and "L.H.O.O.Q." alongside technical diagrams and studies for "The Large Glass."
Singapore is currently hosting a wide array of kid-friendly art exhibitions and museum installations across major cultural venues. Key highlights include the immersive 'Van Gogh Inside: Love Vincent' at Parkview Square, David Hockney’s 'Bigger & Closer' at the newly opened IMBA Theatre, and various interactive digital experiences at the revamped Keppel Centre for Art Education. These offerings range from high-tech multimedia nature zones like Exploria to traditional art museum settings tailored for younger audiences.
The M+ museum in Hong Kong has launched a major retrospective of South Korean artist Lee Bul, timed to coincide with Art Basel Hong Kong 2026. Titled 'Lee Bul: From 1998 to Now,' the exhibition features over 200 works, including her iconic 'Cyborg' and 'Anagram' series, as well as large-scale immersive installations like 'The City of the Sun.' Co-organized with the Leeum Museum of Art, this exhibition marks the artist's largest retrospective to date and traces her evolution from early body-centric performances to complex, sci-fi-inspired urban landscapes.
The Sarasota Art Museum is headlining a busy April art season in Southwest Florida with the opening of 'Something Borrowed, Something New.' This major exhibition features works by iconic modern and contemporary artists, including Louise Bourgeois, David Hockney, and Kara Walker, sourced from private collections across the region. The museum is also showcasing site-specific installations such as Molly Hatch’s 'Amalgam,' a 450-plate earthenware display, and Janet Echelman’s 'Radical Softness,' which explores the evolution of her monumental netted sculptures.
The Sarasota Art Museum is headlining a busy month for the Southwest Florida art scene, featuring 35 exhibitions across the region this April. Key highlights include the opening of "Something Borrowed, Something New," a diverse group show featuring artists like William Villalongo, alongside major closing exhibitions such as Molly Hatch’s site-specific plate installation "Amalgam" and Janet Echelman’s career retrospective "Radical Softness." Other notable displays include Jillian Mayer’s interactive "Slumpies," which explores the physical impact of digital device usage.
The Portland Art Museum has opened a major retrospective of David Hockney's work, featuring over 200 pieces spanning six decades. The exhibition, drawn from the collection of philanthropist Jordan Schnitzer, includes iconic works like the swimming pool series, iPad drawings, and photographic collages, and is designed with immersive, perspective-shifting gallery spaces.
David A. Ross, chair of the Master of Fine Arts in art practice department at New York's School of Visual Arts (SVA), resigned from his position following the release of documents revealing his long-standing friendly correspondence with convicted sex offender Jeffrey Epstein. The emails, dating from 2009 to 2016, show Ross praising Epstein's ideas for controversial exhibitions and offering him personal sympathy, even after Epstein's 2008 criminal conviction.
The article highlights 11 major museum openings and expansions scheduled for 2026, including the Guggenheim Abu Dhabi (designed by Frank Gehry, focusing on modern and contemporary art from West Asia, North Africa, and South Asia), the New Museum in New York (reopening March 21 after a major expansion by OMA), the V&A East Museum in London (featuring a debut exhibition on Black British music history), and the Lucas Museum of Narrative Art in Los Angeles. Other notable projects include the Memphis Art Museum and the Drift Museum in Amsterdam, reflecting a global surge in cultural infrastructure.
The Oregonian/OregonLive's winter arts guide highlights 10 museum exhibits and events across Oregon designed to bring light and joy during the dark season. Featured exhibitions include "Psychedelicatessen: A Powerful Dose of Art by Steve Marcus" at the Oregon Jewish Museum and Center for Holocaust Education, "Minidoka on Our Minds" at the Japanese American Museum of Oregon, "David Hockney: Works from the Collections of Jordan D. Schnitzer and His Family Foundation" at the Portland Art Museum, and "From Highway 101: Images of Oregon's Most Iconic Highway" at the Oregon Historical Society, among others.
The MAXXI museum in Rome has opened a major exhibition titled "1+1. Relational Art," which examines the legacy of Nicolas Bourriaud's influential 1998 book "Relational Aesthetics." The show brings together works by artists from the 1990s generation—including Maurizio Cattelan, Douglas Gordon, Pierre Huyghe, Philippe Parreno, Liam Gillick, and Dominique González-Foerster—who pioneered art based on human interactions and social contexts rather than traditional autonomous objects. The exhibition reflects on how Bourriaud's theory, developed from studio visits with these young artists, redefined art criticism by proposing that artworks be judged by the interhuman relations they produce or evoke.
The Grand Rapids Art Museum (GRAM) has opened "David Hockney: Perspective Should Be Reversed," billed as the largest-ever retrospective of the British artist's prints. Featuring some 170 works across two floors, the exhibition spans six decades of Hockney's career, from early Xerox experiments to recent iPad drawings. The show is drawn from the collection of Jordan D. Schnitzer, a prominent Portland-based collector and philanthropist, and his Jordan Schnitzer Family Foundation. It opened on May 31 and is organized into five thematic sections including "Portraits of Self and Others" and "Tradition and Innovation."
The Grand Rapids Art Museum has opened "David Hockney: Perspective Should Be Reversed," a comprehensive exhibition of 145 prints and multiples spanning the British artist's six-decade career from 1954 to the present. Sourced from the Jordan Schnitzer Family Foundation's collection, the show is organized thematically rather than chronologically, highlighting Hockney's diaristic subjects and his restless experimentation with print and photographic technologies, from hand-colored lithographs to iPad drawings.
The Grand Rapids Art Museum (GRAM) has opened a new exhibition titled "David Hockney: Perspective Should Be Reversed," featuring over 160 works by the celebrated British artist David Hockney, spanning from 1954 to 2022. The prints on display come from the collection of Jordan D. Schnitzer and His Family Foundation. The exhibit runs from May 31 through November 2, with admission free for members and children under five, and $12 for adults. GRAM curator Jennifer Wcisel discussed the exhibition in a recent interview.
DeviantArt has undergone a significant resurgence, reaching over 108 million users by 2026 following a multi-year modernization effort. The platform has pivoted away from traditional advertising models to a creator-centric ecosystem that prioritizes artist monetization through subscriptions, digital tip jars, and low-fee sales. By removing third-party ads and implementing advanced image protection technology, the site has positioned itself as a secure alternative to mainstream social media for digital creators.