New museum dedicated to AI promises an ethical approach

Dataland, billed as the world's first museum dedicated to AI art, is set to open on June 20 in Los Angeles at The Grand LA, a Frank Gehry-designed complex. Co-founded by Turkish-American artist Refik Anadol, the 35,000-square-foot privately-funded museum will feature five immersive galleries. Its inaugural exhibition, *Machine Dreams: Rainforest*, is an audiovisual experience based on millions of images and sounds of nature, inspired by a visit Anadol and co-founder Efsun Erkılıç made to the Amazon rainforest. Anadol is known for his generative AI piece at MoMA in 2022 and a projection on the Walt Disney Concert Hall.

Review: “Maya Blue” at the San Antonio Museum of Art

The San Antonio Museum of Art is presenting "Maya Blue: Ancient Color, New Visions," an exhibition curated by Kristopher Driggers that explores the ancient Maya pigment known as Maya blue. The show features eight earthenware artworks and one stucco piece dating from 550 to 1,500 years ago, alongside five modernist and contemporary works that highlight the enduring influence of Indigenous knowledge. Objects on view include figurines, a censer, and jade pieces, many bearing traces of the distinctive blue pigment, which was difficult to produce and held sacred significance in Maya culture.

How Art Firms Are—or Should Be—Using A.I. Right Now

Art firms are increasingly experimenting with artificial intelligence, but concrete use cases remain limited and industry-specific tools are still in their infancy. A new partnership between Bonhams and tech company ARTDAI aims to apply AI to market analytics, valuation, and specialist research, while companies like Artsy and Artnet are integrating AI capabilities into their platforms. Industry experts, including former Art Basel chief Marc Spiegler, note that the art market's small size has historically discouraged tech development, but AI now makes high-performance tools accessible to smaller businesses.

Morto l’artista Tullio Brunone. Il ricordo

Italian artist Tullio Brunone died on April 21. Born in 1946 in Alexandria, Egypt, to an Italian family, he trained at the Accademia di Brera in Milan. A pioneer of video art and new media, Brunone was a key figure in the Laboratorio di Comunicazione Militante (1976-1978) and later co-founded the Scuola di Nuove Tecnologie at Brera in the 1990s. His work explored interaction, temporality, and the selfie phenomenon, anticipating contemporary digital culture. He was represented by Galleria Clivio in Milan, which dedicated part of its stand to him at the most recent miart fair.

There were gardens at King's Leap

King's Leap gallery in New York presents "There were gardens," a group exhibition running from April 3 to May 9, 2026, featuring works by Dara Birnbaum, Gina Folly, Collin Leitch, Chris Marker, Jeff Preiss, Julia Scher, Jason Simon, and Mira M. Yang. The show includes 37 images documented in the Contemporary Art Library, with photography by Stephen Faught.

Refik Anadol’s AI Art Museum DATALAND Will Open in Los Angeles in June

Refik Anadol and Efsun Erkılıç will open DATALAND, a museum dedicated to AI art, in Los Angeles on June 20, 2026. Located in the Grand LA complex designed by Frank Gehry, the 25,000-square-foot venue will feature five gallery spaces plus 10,000 square feet for supporting technology. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses AI trained on ecological datasets to generate sensory experiences, including a version of Anadol's Infinity Room with a 1987 recording of an extinct Hawaiian bird and AI-generated scents. Membership starts at $350 per year.

Exhibition | Nick DOYLE, 'Collective Hallucinations' at Perrotin, New York, United States

Perrotin gallery in New York presents 'Collective Hallcinations', an exhibition of new works by Brooklyn-based artist Nick Doyle. The show features wall-mounted denim collages and an immersive installation of a psychic parlor, including Doyle's first use of artificial intelligence. The works explore the fraught relationship between land and technology, progress and destruction, using denim as a material that evokes Americana, capitalism, and masculinity. The centerpiece, 'Mirror, Mirror', is a denim-clad structure housing an AI avatar named Ava, who offers sardonic commentary on the American dream and the digital frontier.

Red Sea Museum Hosts Contemporary Art Exhibition to Showcase Marine Biodiversity

The King Abdulaziz Center for World Culture (Ithra), an Aramco initiative, is participating in Milan Design Week 2026 (April 20-26) by presenting the exhibition “Default is Not Universal” at the Isola Design Festival. The exhibition features works by eight designers from the Middle East and North Africa, including seven interactive stations that use artificial intelligence to collect visitor data and map cognitive patterns shaped by cultural influences. After its debut in Milan, the exhibition will travel to Saudi Arabia as the anchor international exhibition of Ithra Design Week later this year.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

Explore HKMoA's large-scale exhibition "Blooming: The Art of Gardens in East and West" Starting April 24

The Hong Kong Museum of Art (HKMoA) opens its large-scale exhibition "Blooming: The Art of Gardens in East and West" on April 24, featuring over 100 sets of paintings and artefacts from the Palace Museum in Beijing, the Art Institute of Chicago, the Palace of Versailles, and HKMoA's own collection. Works include paintings, prints, lacquerware, sculpture, ceramics, and glassware, with highlights such as Claude Monet's "Water Lilies" and "Water Lily Pond," Zhang Daqian's "Entrance of Bade Garden," and a Ming dynasty bowl with garden scenes. The exhibition also includes a scenographic recreation of the Orchid Pavilion Gathering enhanced with technology for an immersive experience.

‘Prolific V: The Lost Gallery’ Brings Immersive Art, Music, and Tech to St. Thomas

On Saturday, the Virgin Islands Council on the Arts on St. Thomas will host “Prolific V: The Lost Gallery,” an immersive exhibition blending visual art, music, and interactive technology presented by Eliana B. Artistry. Curated by St. Croix native and Air Force veteran Eliana L. Schuster-Brown, the event features augmented reality elements, an original animation co-produced with Kirk Rojas, and soundscapes by AJ Ventura. Artists include Lucien Downes, Elwin Joseph, Indira Lovely, Chunikwa George, Amy Gibbs, and Kanda Burges. The exhibition runs for two weeks afterward, with all artwork for sale and tickets available on Eventbrite.

Museum of the Moving Image announces record attendance

Museum of the Moving Image (MoMI) in Astoria, New York, announced record attendance of 311,000 visitors in 2025, a 105% increase from 2024 and a 147% increase from 2023. The opening day of the exhibition 'Stories and Set Design for the Sopranos' on February 14, 2026, marked the highest single-day attendance in the museum's history, with 3,600 visitors. Growth was driven by special programs like the 'Open Worlds' initiative, community events such as Lunar New Year and Iftar celebrations, and popular exhibitions including 'Mission: Impossible—Story and Spectacle,' which drew over 81,500 guests. The museum also hosted more than 500 screenings in its upgraded Sumner M. Redstone Theater.

L’inquinamento acustico diventa un percorso sonoro. L’installazione di Continental a Milano

Continental, the premium tire manufacturer, has commissioned WOA Studio, a creative studio founded by Davide Carioni and Giuliana Pajola, to create an immersive sound installation titled "The Sound of Premium" for the Fuorisalone design festival in Milan. Presented at BASE Milano, the installation transforms urban noise pollution into a three-part sonic journey—chaos, harmony, and quiet—using seventeen audio-luminous elements that abstract the city soundscape. The experience is designed to show how noise can be mitigated rather than eliminated, with sound data derived from real urban recordings, particularly tire rolling noise.

Harmony Korine Makes Sense of His Shape-Shifting Art: ‘It’s Really One Whole Work’

Harmony Korine's first-ever U.S. retrospective, titled "Perfect Nonsense," has opened at the Institute of Contemporary Art, Miami. The exhibition gathers over 50 pieces spanning his career, including adolescent writings, zines, collages from the 1990s, figurative paintings, and recent works using game engines. Korine, known for transgressive films like *Gummo* (1997) and *Spring Breakers* (2012), also founded EDGLRD, a studio producing experimental content with cutting-edge tech, such as his 2023 project *AGGRO DR1FT*, which premiered at the Venice International Film Festival.

Dataland, the world’s first museum of AI arts, sets opening date and first exhibition

Dataland, the world's first museum dedicated to AI arts, will open on June 20 in downtown Los Angeles. Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum anchors the $1-billion Frank Gehry-designed Grand LA complex. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses vast data sets from partners including the Smithsonian and London's Natural History Museum to immerse visitors in a machine-generated sensory experience of the Amazon rainforest. The museum features five immersive galleries, a 30-foot ceiling, and is powered by an open-access AI model called the Large Nature Model, which runs on Google Cloud servers using 87% carbon-free energy.

Ivan Cheng “Casemates” at Mudam, Luxembourg

Mudam Luxembourg—Musée d’Art Moderne Grand-Duc Jean will present "A Journey," a performance program running throughout 2026. The series features artist Ivan Cheng with his work "Casemates," which explores cultural memory, technological progress, and embodied interpretation through the concept of a journey as both method and metaphor.

Probing the Intergalactic Art Installations of Thai Artist Torlarp “Hern” Larpjaroensook

Thai artist Torlarp “Hern” Larpjaroensook creates immersive sci-fi sculptures and installations using found and ready-made objects. His recent work 'Cosmos of Nostalgia' was displayed at the NTU Museum in Singapore from January to April 2026, part of a campus-wide exhibition featuring three Southeast Asian artists. Earlier notable works include 'U.S.O. – Unidentified Standing Object' (2018) at Subhashok The Arts Centre in Bangkok and 'Spiritual Spaceship' (2018) at the Bangkok Art Biennale, which explored the contrast between modern technology and traditional Thai spirituality.

Pandolfini presents Julie Hamisky's "Alchemical Garden" at Design Week 2026

Pandolfini Auction House is hosting a solo exhibition titled "Giardino Alchemico" (Alchemical Garden) by French artist Julie Hamisky at its Milan office during Design Week 2026, from April 22 to 26. The exhibition, created in collaboration with Mitterrand gallery, features sculptures and botanical jewelry made through electroplating—a process that preserves organic matter like flowers and leaves in metal. Key works include "La Géante" (2024), an enlarged poppy sculpture, and "Aqua" (2024), a chandelier of galvanized plant elements, alongside wearable jewelry pieces.

Art for Our Age of Chaos

The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.

The Animals We Are. The New Metamorphosis of the Apartment-Showroom Casaornella in Milan

Gli animali che siamo. La nuova metamorfosi dell’appartamento-showroom Casaornella a Milano

Interior designer Maria Vittoria Paggini has unveiled the 2026 edition of Casaornella, her apartment-showroom in Milan's Via Conca del Naviglio 10, during Design Week. Titled "L'animale sociale" (The Social Animal) with the subtitle "Nessuno mi può giudicare" (Nobody Can Judge Me), the space is completely restructured each year. For this edition, Paggini removed all doors to create a fluid, open-plan layout, using curtains for privacy. The project explores themes of authenticity and human relationships in the digital age, inspired by Italian pop songs from Mina to Luigi Tenco, which form the exhibition's soundtrack.

Slags, bings and pipelines: Edinburgh landscape offers fitting backdrop for exhibition on fossil fuel extraction

Jupiter Artland, a sculpture park and gallery near Edinburgh, Scotland, is hosting the exhibition "Extraction" (through July 26), which examines the impact of fossil fuel extraction on landscapes and culture. Set against a backdrop of historic shale oil bings, North Sea oil pipelines, and modern wind farms, the show features five artists who explore energy histories through nuanced, non-polemical lenses. Glasgow-born painter Siobhan McLaughlin uses earth pigments gathered from the nearby Five Sisters Bing to create works like "Date of Exhaustion" (2025) and "Pioneer Species" (2025), turning mining waste into art that reflects on memory, ecology, and regeneration.

refik anadol's DATALAND opens june 2026 in los angeles as the first museum of AI arts

Refik Anadol Studio will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026, at The Grand LA in downtown Los Angeles. The 2,320-square-meter institution will feature five galleries, including the Infinity Room, and launch with the inaugural exhibition "Machine Dreams: Rainforest," running through January 31, 2027. The museum integrates AI systems into its architecture, powered by the studio's Large Nature Model trained on ecological data from the Smithsonian and Cornell Lab of Ornithology.

New media art fair launches second edition in Busan, questions the genre's direction

The Loop Plus media art fair has launched its second edition in Busan, South Korea. The fair, dedicated exclusively to new media art, is confronting fundamental market challenges, specifically the public and collector uncertainty about whether such technologically dependent works can be owned and collected. It aims to build the market and ecosystem for the genre.

RC Foundation Project Space Exhibition Series 2025–27

The Hayward Gallery in London, in partnership with the RC Foundation in Taiwan, has announced a new exhibition series for its HENI Project Space running from October 2025 to March 2027. The series features five solo exhibitions by artists Val Lee, Samuel Laurence Cunnane, Kulpreet Singh, Musquiqui Chihying, and Andrius Arutiunian, each exploring themes ranging from political violence and surveillance to climate change, ritual, and alternative cosmologies. The exhibitions are curated by a team including Yung Ma, Rachel Thomas, and others.

MIT List Visual Arts Center celebrates 40 years

MIT's List Visual Arts Center celebrated its 40th anniversary on April 10, 2026, with performances, receptions, and the opening of a new exhibition titled "Performing Conditions," which explores work, debt, and labor. Housed in the Wiesner Building designed by I. M. Pei, the museum manages public art across MIT's campus, including works by Olafur Eliasson and Sanford Biggers, and runs a Student Lending Art Program that loans about 700 works annually. An anonymous donor has launched a $1 million matching challenge grant for conservation of the public art collection.

Seattle May art shows include speakeasy-style gallery attached to house

A series of diverse art exhibitions are opening across Seattle in May. Highlights include a show exploring the influence of Japanese woodblock prints on Northwest artists at the Cascadia Art Museum, a site-specific installation in a private garage gallery called Double Garage, and a large-scale display of drawings on sticky notes by Clare Johnson at Gallery 4Culture. Other featured shows include Emma Bergman's surreal multimedia installation at Specialist Gallery and a landmark retrospective of light artist Tom Lloyd at the Frye Art Museum.

This exhibition by Aurore Guez invites you to talk to the paintings—our photos.

Artist Aurore Guez presents 'LE CAFÉ,' a free, immersive exhibition at the Wilde Galerie in Paris on April 25-26, 2026. The installation transforms the gallery into a fictional café featuring interactive painted portraits that visitors can converse with via recorded voice clips and AI, alongside a fully designed environment that blurs the line between artwork, décor, and performance.

Within and beyond the gallery: Moody Center for the Arts brings artists into classroom and classroom into exhibition

The Moody Center for the Arts at Rice University organized the exhibition 'Imaging after Photography,' which explored how artificial intelligence is reshaping the medium. The show featured seven international artists, including Sofia Crespo and Gregory Chatonsky, and was curated by Alison Weaver and Noor Alé.

Centuries-Old Love Letter Deciphered With Help From A.I.

MyHeritage's new Scribe A.I. tool has successfully transcribed and translated the earliest surviving Valentine's letter written in English, a 1477 note from Margery Brews to her fiancé John Paston. The tool provides a full transcript, historical context, and research suggestions, making the dense Middle English script accessible.

The Photography Show fair’s 45th edition explores medium’s full history from its origins to AI

The Association of International Photography Art Dealers (Aipad) has opened the 45th edition of The Photography Show at New York's Park Avenue Armory. The fair features around 65 exhibitors in its main section, with a new Focal Point sector highlighting 13 solo presentations by boundary-pushing artists. Returning participants include major New York photography galleries, alongside first-time exhibitors and galleries returning after an absence.