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Affaire Indiana : un éditeur d’art condamné à 102 millions de dollars

A federal jury in Manhattan has ordered Michael McKenzie and his company American Image Art to pay $102 million (€95 million) to the Morgan Art Foundation for unauthorized exploitation of works by artist Robert Indiana (1928-2018), including his iconic LOVE image. The case, filed in May 2018 just before Indiana's death, alleged that McKenzie—a former agent of the artist—produced and sold unauthorized editions, sculptures, and merchandise under Indiana's name, violating exclusive reproduction and commercialization rights granted to the foundation in the 1990s. The jury found McKenzie guilty of trademark infringement, copyright violation, and contractual interference, with $6.2 million specifically tied to 44 LOVE works. The defense, weakened by sanctions for hiding evidence and refusing to cooperate, plans to appeal.

Lina Lapelytė Fills Hamburger Bahnhof with 400,000 Wood Blocks for Communal Building

Lithuanian artist Lina Lapelytė has filled Berlin's Hamburger Bahnhof with 400,000 wooden blocks made of pine and spruce, creating a participatory installation titled “We Make Years Out of Hours.” Commissioned by Chanel, the work invites the public to build and rebuild structures from the 10-centimeter cubes. A series of weekly performances featuring a libretto by writers including Ocean Vuong, Etel Adnan, Forugh Farrokhzad, and Mahmoud Darwish will accompany the installation, which opens on May 1 and runs through January 10, 2027.

minnie evans legacy high museum whitney

The article reflects on the responsibility of critical art writing in the Southeast, sparked by the announcement that Art Papers, an international art magazine based in Atlanta, will sunset in 2026 after 50 years. The author recounts a debate among local art workers about reviewing the forthcoming Minnie Evans retrospective organized by the High Museum of Art and traveling to the Whitney Museum, which he initially declined due to a conflict of interest with curator Katherine Jentleson. He ultimately agrees to write, emphasizing the need for Black scholars to engage with self-taught Black artists. The piece examines how Evans's narrative has been mediated through the lens of white photographer and art historian Nina Howell Starr, questioning the power dynamics and what remains unknown about Evans's own agency.

digital art mile basel

The Digital Art Mile returns to Basel, Switzerland, from June 16 through 22, 2025, timed to coincide with Art Basel. Organized by Artmeta and staged at the historic Rebgasse, the event features a fair, exhibition, and public program showcasing a wide spectrum of digital and computer-based practices—from 1960s early computer art to humanoid robots and autonomous AI agents. This year's edition includes roughly 11 exhibitors, with solo presentations by Nigerian digital artist Osinachi (at Kate Vass Galerie) and generative artist Tyler Hobbs (via LaCollection), as well as group shows and a conference program exploring themes like the digital art market, AI in generative practices, and institutional engagement with new media. A central exhibition, Paintboxed—part of the Tezos World Tour—examines the legacy of the Paintbox, an early digital painting system.

louvre security cameras captured heist but guards werent watching

French investigators have revealed that security cameras at the Louvre did capture the $102 million jewelry heist on October 19, 2025, contradicting earlier claims by museum director Laurence des Cars that no video existed. The footage was discovered during a Senate hearing on December 10, showing that the control room lacked enough screens to monitor all cameras simultaneously, so guards did not see the break-in in real time. By the time they switched to the relevant feed, nearly eight minutes later, the thieves had already escaped. The investigation also found that security guards and police arrived just 30 seconds too late because staff miscommunicated the exact location of the break-in within the Apollo Gallery. All four members of the heist commando group have been arrested.

louvre security report

A 2018 security audit commissioned by the Louvre from Van Cleef and Arpels identified critical vulnerabilities in the museum's Apollo Gallery, including a balcony accessible via a lift platform—the exact entry point used by thieves in a daring October 19, 2025 heist. The audit, which included diagrams highlighting a window facing Quai François-Mitterrand as a major weakness, was not passed on to current Louvre president Laurence des Cars when she took over in 2021. The museum only discovered the document after the theft, prompting an internal review and referral to France's General Inspectorate of Cultural Affairs. French authorities have since arrested four more suspects, bringing the total to eight, as the investigation continues into the theft of eight valuable pieces including Napoleon Bonaparte's emerald-and-diamond necklace.

the buzz in bucharest sammy loren on rad and the refreshing romanian art scene

The article reports on the fourth edition of Romanian Art Dealers (RAD), an art fair in Bucharest that exclusively features Romanian galleries and artists. The author, Sammy Loren, travels from Los Angeles to experience the fair, which is co-founded by dealer Catinca Tabacaru and artist-dealer Daniela Pălimariu. The fair includes 31 booths, a Curatorial Summit with 35 international curators, and a central installation titled "Donate a Word" (2025) by Romanian artist Victoria Zidaru. The author attends events like the 10-year anniversary party for Sandwich Gallery and notes the intimate, family-like atmosphere of the local art scene.

art alex foxton salon 94 dior interview

Alex Foxton presents his latest exhibition, “Knight of the Sorrowful Countenance,” at New York’s Salon 94 in partnership with Galerie Derouillon, opening September 10. The show features a new series of monumental canvases exploring modern masculinity, inspired by moments such as Volodymyr Zelensky’s suitless visit to the White House, British royalty, fascist armies, and prep school students. Foxton, trained in fashion design at Central Saint Martins and formerly at Louis Vuitton, Bottega Veneta, Maison Margiela, and Dior, employs a limited color palette drawn from military and 19th-century male dress norms, balancing desire and discipline. The exhibition includes works referencing figures like Yukio Mishima and bullfighter Manolete.

art casa tua aspen collection photography

Miky and Leticia Grendene, co-founders of the hospitality brand Casa Tua, discuss their photography-focused art collection and its integration into their properties in Miami, Aspen, New York, and Paris. In an interview with Cultured, they reveal plans to display a new series of works by artist Anastasia Samoylova at their Aspen location this summer, and reflect on three decades of collecting, their shift toward sculpture and painting, and how their children have developed their own visual language.

Art in Chicago: A Guide for Collectors, Curators and the Curious

This article introduces a comprehensive guide to Chicago's art world, published by a local outlet. The guide features multiple sections exploring the city's art history, key institutions, and lesser-known venues, including feature stories on the Hyde Park Art Center, the Arts Club of Chicago, the National Museum of Mexican Art, the South Side Community Art Center, the Renaissance Society, and the School of the Art Institute of Chicago. It also includes a massive 22-page "Art Geography" directory of museums, nonprofits, galleries, and alternative spaces, written by seasoned art critics. The editor, Brian Hieggelke, acknowledges the daunting task of covering a hometown art scene after forty years, but aims to provide both a resource for newcomers and fresh insights for longtime locals.

As old HQ comes down, Best Products’ design legacy is highlighted in Branch Museum exhibit

The Branch Museum of Design in Richmond has opened 'Imagining Best Products,' an exhibition exploring the architectural and graphic design legacy of the former retailer Best Products. The show, curated by architect Don O’Keefe with Harvard Graduate School of Design students, features original drawings by James Wines, items from a 1979 MoMA exhibition, and building models. It coincides with the demolition of Best Products' old headquarters in Henrico, which is being razed for a new arena-anchored development, though the timing is coincidental.

Art and authoritarianism in Auckland

Auckland Art Gallery is presenting 'Forever Tomorrow: Chinese Art Now,' a major survey of Chinese contemporary art featuring 67 works by 42 artists, running from May 2 to August 23, 2026. The exhibition includes Xiao Lu's iconic 1989 work 'Dialogue,' which she famously shot with a gun hours after its opening, an act later linked to the Tiananmen Square protests. Xiao Lu comments on the political resonance of the show in New Zealand amid global shifts in democracy and US-centric world order.

When the story has already been told -- ‘Gordon Parks: The South in Color’ at Jackson Fine Art

Gordon Parks: The South in Color, curated by Dawoud Bey, is on view at Jackson Fine Art in Atlanta through June 13. The exhibition celebrates the 20th anniversary of The Gordon Parks Foundation and the 70th anniversary of Parks’ 1956 Life magazine feature on segregation in the South. The show presents a broader selection of Parks’ photographs than the original magazine spread, including iconic works like In-Home Barbershop, Shady Grove, Alabama, 1956. The article, written by a photographer and writer for ArtsATL, reflects on the experience of seeing Parks’ work in person and contrasts the gallery presentation with the editorial framing of the Life feature.

Austin’s Blanton Museum uses coding, data, and AI to explore what it means to create art

The Blanton Museum of Art at the University of Texas at Austin has opened a new exhibition titled 'Coded: Art Enters the Computer Age, 1952–1982.' The show features over 100 works by 75 artists who used computers, algorithms, and data as creative tools, exploring the intersection of art and technology during a pivotal three-decade period.

Exhibition | Celia Paul, 'Innervisions' at Gladstone Gallery, 515 West 24th Street, New York, United States

British artist Celia Paul makes her debut at Gladstone Gallery with 'Innervisions,' a solo exhibition of new paintings in New York. The body of work continues Paul’s career-long exploration of her London studio—a space she has occupied for decades overlooking the British Museum—transforming the domestic environment into a vessel for temporal and psychological reflection.

Readers react to LACMA’s new David Geffen Galleries: L.A. arts and culture this weekend

The Los Angeles County Museum of Art (LACMA) is preparing for the public debut of its $724-million David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor. Ahead of the April 19 member opening, public discourse has intensified following a series of reports detailing the building's architecture, the reinstallation of Alexander Calder’s "Three Quintains (Hello Girls)," and the project's massive budget. Reader reactions remain deeply polarized, reflecting a two-decade-long debate over the structure's unconventional design and its impact on the urban landscape.

Sophie Calle explores the stories we tell ourselves

The UC Irvine Langson Orange County Museum of Art is hosting "Overshare," the first major North American survey of French conceptual artist Sophie Calle. Organized by the Walker Art Center and curated by Henriette Huldisch, the exhibition spans five decades of Calle’s career, utilizing photography, text, and installation to explore the boundaries between public and private life. The show is organized into thematic sections—the Spy, the Protagonist, the End, and the Beginning—highlighting her voyeuristic projects and autobiographical narratives.

African LGBTQ+ art at the Smithsonian, the Iran crisis, Louise Nevelson at Pompidou Metz—podcast

The latest episode of The Art Newspaper's 'The Week in Art' podcast, hosted by Ben Luke, covers three major stories. It features a discussion with co-curator Kevin Dumouchelle about 'Here: Pride and Belonging in African Art,' a new exhibition at the Smithsonian’s National Museum of African Art in Washington, D.C., focusing on LGBTQ+ artists from Africa and its diaspora. The episode also examines the cultural impact of the protests and brutal crackdown in Iran, with reporter Sarvy Garenpayeh, and highlights Louise Nevelson's 'Tropical Garden II (1957)' as the Work of the Week, tied to a new survey of the sculptor's work at the Centre Pompidou-Metz.

The Sixteen Best Jersey City Art Shows of 2025

The article presents a curated list of the sixteen best art shows in Jersey City from 2025, written by a critic who made a concerted effort to attend every exhibition in town over the past year. The list includes highlights such as Sarah Mueller's solo show "Reconstructions" at Art House Productions, the 5.7 Sculptors Guild exhibition spread across MORA Museum and Firmament Gallery, and Anna Collevecchio's installation at 150 Bay Street. Each entry is accompanied by descriptive commentary on the artists' techniques and thematic concerns.

Collective builds on a century of art in Sarasota

Art Center Sarasota presents three concurrent exhibitions running through November 15: "SARTQ Collective: Legacy x Response: SARTQ Responds to a Century of ACS," featuring contemporary works by the local artist collective SARTQ that engage with the center's 100-year history; "Juan Alonso-Rodriguez: Earthly Glyphs," showcasing the Cuban-born artist's fictional microscopic views of Earth's strata; and "Njeri Kinuthia: Reconstruction: Mwacha Mila NiSi Mtumwa," a series of portraits exploring cultural identity through weaving, sewing, and embroidery. The exhibitions highlight the breadth of artistic practice in Southwest Florida, from established regional artists to emerging voices.

These 16 Artists Are the Biggest at U.S. Museums Right Now

This article presents a quarterly analysis of which living artists are most featured in temporary exhibitions across U.S. museums during September 2025. The author ranks artists based on the number and type of shows they appear in, prioritizing career retrospectives, dedicated exhibitions, and special commissions. The list is dominated by Black and Indigenous artists whose work addresses racism, colonialism, and nature, with Jeffrey Gibson topping the chart due to his Met facade commission, Broad show, and Venice Biennale U.S. Pavilion recreation. Other prominent artists include Firelei Báez, Rashid Johnson, Anila Quayyum Agha, and Ai Weiwei, the only non-U.S.-based artist on the list.

The Armory Show puts spotlight on the American South

The Armory Show, New York's premier art fair, is dedicating its 2025 Focus section to artists and galleries from the American South, running September 4-7. Curated by Jessica Bell Brown, executive director of the Institute for Contemporary Art at Virginia Commonwealth University, the section features 13 galleries, including Martha's from Austin and Wolfgang Gallery from Atlanta, with works exploring themes of queer identity, Black communities, and Southern cuisine. The fair, now under director Kyla McMillan and owned by Frieze, aims to amplify the region as a nexus for diasporas and challenge preconceived notions about the South.

How AI Will Change Art, According to Arthur Jafa, Marilyn Minter, and Other Artists

Emily McDermott's article, published July 15, 2025, gathers perspectives from artists including Refik Anadol, Arthur Jafa, Marilyn Minter, and others on how AI will change art. It references the controversial Christie's 'Augmented Intelligence' auction in February-March 2025, which generated nearly $730,000 despite an open letter signed by nearly 4,000 individuals urging cancellation over claims that AI models exploit copyrighted material. The artists quoted offer varied views, from Anadol seeing AI as a collaborator that augments creativity to Jafa dismissing most AI-generated work as generic.

Ed Atkins

Tate Britain presents a major retrospective of British artist Ed Atkins, running from 2 April to 25 August 2025. The exhibition features over 60 works across eight rooms, including video installations, embroideries, and sculptural pieces such as 'Death Mask II: The Scent' (2010), 'Hisser' (2015), 'Old Food' (2017-18), and 'Pianowork 2' (2023). Atkins, known for exploring existential dread through digital and handmade media, wrote the exhibition labels himself—a device curator Polly Staple says questions the authority of museum text. The show traces Atkins' evolution alongside advancing technology, from early post-art-school works to CGI self-portraits and installations incorporating costumes from Berlin's Deutsche Oper.

Michaelina Wautier review – an astounding lost artist steps out of her male contemporaries’ shadows

A major exhibition at the Royal Academy is presenting the work of 17th-century Flemish painter Michaelina Wautier, an artist whose significant oeuvre was long misattributed to her male contemporaries, including her brother Charles. The show acts as a real-time art historical investigation, using scientific analysis, scholarship, and connoisseurship to reconstruct her career and assert her authorship of ambitious works like the monumental 'The Triumph of Bacchus'.

The Painted Book Cover Is Back

The article reports on a growing trend in book cover design: the use of painted, figurative artwork instead of stock photos or digital renderings. Publishers are increasingly licensing paintings by artists from Hilma af Klint to Shannon Cartier Lucy, seeing them as a way to signal cultural authority and intellectual rigor. The trend is discussed through examples like Victoria Redel's *I Am You* (2025) and Kyung-Ran Jo's *Blowfish* (2025), with insights from LiteraryHub Managing Editor Emily Temple and Astra House publisher Benjamin Schrank.

The Carnegie International Makes Its Mark

The 59th Carnegie International opens in Pittsburgh, featuring 61 artists from around the world in the oldest survey of its kind in the United States. Critic Ed Simon reviews the exhibition, noting it captures the excitement of earlier editions while providing vital commentary on authoritarianism and militarism. In other news, activists protested Jeff Bezos's co-chair role at the Met Gala with a costumed action and guerrilla projections on his penthouse; Iran withdrew from its national pavilion at the Venice Biennale; MoMA PS1 announced the first US survey of Mexican artist Teresa Margolles; and Hakim Bishara reflects on MoMA's Marcel Duchamp exhibition.

The Carnegie International Looks Back at Itself

The 58th Carnegie International at the Carnegie Museum of Art in Pittsburgh looks back at its own 130-year history, featuring a gallery dedicated to past iterations. The exhibition includes Chris Ofili's "The Adoration of Captain Shit and the Legend of the Black Stars" (1998), which was originally shown in the 53rd International in 1999, the same year Ofili's more notorious "The Holy Virgin Mary" sparked controversy at the Brooklyn Museum. The article reviews how the current iteration captures the excitement of earlier exhibitions while providing commentary on authoritarianism and militarism.

The Enigma of Alison Knowles

Lauren Moya Ford reviews the only book dedicated to Fluxus artist Alison Knowles, who died six months ago. The book, "Performing Chance: The Art of Alison Knowles In/Out of Fluxus" by Nicole L. Woods (2026), attempts to illuminate Knowles's life and work, but Ford notes that much of her personal life remains mysterious despite the author's efforts. The article is part of a broader books newsletter that also features new tomes on Hans Holbein’s portraits, Jan Staller’s photographs of Manhattan construction sites, and a discussion of a Black Panther family album at the Studio Museum in Harlem.

I’ve Got the Post-Duchamp Blues

The article is a review of the Marcel Duchamp retrospective at the Museum of Modern Art (MoMA) in New York, the first such show since 1973. Featuring around 300 works from Duchamp's six-decade career, the exhibition includes his iconic readymades like "Fountain" (1917) and early paintings such as "Nude Descending a Staircase, No. 2" (1912). Co-curated by MoMA's Ann Temkin and Michelle Kuo along with Matthew Affron of the Philadelphia Museum of Art, the show runs through August 22, 2026, before traveling to Philadelphia.