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ica san francisco to adopt citywide model

The Institute of Contemporary Art San Francisco (ICA SF) will leave its current home at The Cube in December 2025 to adopt a fully nomadic, citywide model, presenting exhibitions and programs at various sites across the Bay Area starting in early 2026. Its final shows at The Cube are solo exhibitions for Masako Miki and David Antonio Cruz, on view through December 7. The museum has already secured support from the Office of the Mayor of San Francisco and lined up programs for the next year, including exhibitions at the Transamerica Pyramid Center featuring Tara Donovan and Lily Kwong, and a two-person show for Dominique Fung and Heidi Lau at Pier 24 in 2026, with a partnership planned for 2027.

gladstone gallery celia paul art basel paris

Gladstone Gallery now represents British painter Celia Paul, known for her moody figurative works drawn from her life. Paintings by Paul are on view at Art Basel Paris this week, and the gallery plans a solo New York exhibition in 2026. Paul has long been represented by Victoria Miro in London but lacked a New York gallery presence since a 2015 show at Gallery Met. Her market has grown following a 2018 exhibition at the Yale Center for British Art and a recent profile in The New Yorker by Karl Ove Knausgaard. Her auction record was set in 2023 when Self-Portrait (2017) sold for $122,700 at Christie’s London.

berlin gallery societe represents edi rama prime minister albania

Berlin gallery Société has announced that it now represents Edi Rama, the Prime Minister of Albania, as an artist. Rama, who has been in office since 2013, studied at the Academy of Arts in Tirana, worked as an artist in Paris in the 1990s, and served as Albania's minister of culture before entering politics. His work includes boldly colored ceramic sculptures and abstract works on paper, often created on repurposed official documents during meetings. He previously exhibited at Marian Goodman's Paris space in 2024.

chicago gallery weekend dealers artists collaborate

Luke Agada, a Nigerian painter who completed his MFA at the School of the Art Institute of Chicago in 2023, chose to remain in Chicago rather than move to New York or Los Angeles, citing the city's balance of opportunities. He opened his solo exhibition "To Translate Is to Move Across" at Monique Meloche Gallery during the third edition of Chicago Exhibition Weekend (CXW), a four-day event involving over 70 galleries, talks, studio visits, and a tennis mixer. CXW was founded by Abby Pucker of the consultancy firm Gertie and co-organized with Expo Chicago, expanding this year to include the Chicago Architecture Biennial and a curated exhibition of conceptual art.

judy chicago pussy riot nadya tolakonnikova artwashing

A group of 50 artists and cultural figures has sent a letter to Judy Chicago and Pussy Riot founding member Nadya Tolokonnikova, accusing them of “artwashing” for their collaborative exhibition “What If Women Ruled the World?” scheduled to open September 25 at the Tel Aviv Museum of Art. The letter calls for the exhibition’s cancellation, arguing that it is hypocritical to present a feminist show at an Israeli institution while Israel’s military actions in Gaza have killed over 28,000 women and girls since October 2023, according to UN Women. Tolokonnikova has stated she is not involved in decisions about the work’s current venue, while museum director Tania Coen-Uzzielli rejected the idea that canceling exhibitions is a meaningful response to the conflict.

new york fair 2025 new buyers sales

Independent 20th Century, a New York art fair held September 4–7 at Casa Cipriani, reported that 74% of buyers were new clients of participating dealers, with 100 works sold—up from 87 in 2024. The highest sale was Ilya Kabakov's *Colourful Noise #2* for $650,000 at Galerie Brigitte Schenk, a 65% increase over last year's top sale. Nine of 30 exhibitors sold out their booths, and institutions acquired 18 works, compared to three in 2024. The fair also announced its 2026 edition will move to Sotheby's new headquarters in the Breuer building, marking a first-of-its-kind collaboration between a contemporary art fair and an auction house.

donald moffett artist profile

Donald Moffett's latest exhibition, "Snowflake," opened at Alexander Gray Associates in New York, marking his first solo show in the city since 2019. The exhibition features extruded oil paintings created with cake-decorating tools, including works like "Lot 052525 (nature cult, melt 1)" and "Lot 061625 (nature cult, melt A)," which depict melting snow as a metaphor for the climate crisis. Moffett draws a parallel between this show and his 1989 exhibition "I Love It When You Call Me Names" at Wessel O’Connor Gallery, both titles reclaiming derogatory terms—"homo art" then, "snowflake" now—as acts of defiance. The palette is predominantly black and white, reflecting what Moffett describes as "dark times" and the stark choices of the current political climate.

donald locke spike island exhibition review

A major survey of Donald Locke's work, titled "Resistant Forms," has opened at Spike Island in Bristol, England, in collaboration with Ikon Gallery in Birmingham and Camden Art Centre in London. Featuring over 80 works spanning five decades, the exhibition includes early biomorphic ceramics, monochromatic black paintings from the 1970s, collage paintings, mixed-media sculptures, and personal writings and photographs. Highlights include the black paintings series addressing colonial subjugation, such as "The Cage" (1976–79), and later whimsical works like "Reconstructed Bottle with Pearls #11 (Pearls for Mahalia)" (2008). The show traces Locke's journey from his birth in Guyana, his time in the UK as part of the Windrush Generation, and his eventual move to the US, where he lived until his death in 2010.

sam gilliam foundation david kordansky gallery sued over disavowed drape painting

Drax Fine Art, LLC has filed a lawsuit against David Kordansky Gallery, the Sam Gilliam Foundation, and the late artist's widow Annie Gawlak, alleging they conspired to disavow and defame an authentic Sam Gilliam drape painting from 1972. Drax claims the work was acquired from Carl Solway Gallery in Cincinnati, installed in an architectural firm's lobby, and later purchased by Drax. The plaintiff seeks $6 million in damages, accusing the defendants of blocking an auction sale by claiming restoration efforts constituted irreparable damage. The defendants call the claims "absolutely frivolous," asserting the unsigned, undated piece does not conform to Gilliam's practice and may be a studio remnant.

solange pessoa brazilian sculptor aspen art museum glasgow

Brazilian sculptor Solange Pessoa is the subject of a solo exhibition at the Aspen Art Museum, featuring her evolving installation *Bags – Aspen version* (1994–2025). The work, originally created in 1994, consists of burlap sacks filled with organic materials such as coffee beans, seeds, feathers, dried peppers, and records by Brazilian musicians, arranged in towers on a dirt-covered floor. Pessoa, who has long been based in Belo Horizonte, has recreated the piece in various locations over three decades, and this iteration marks one of her few solo museum shows outside Brazil.

asia pivot art news july

Art Collaboration Kyoto announced 72 exhibitors for its fifth edition, with 25 first-time participants. Patti Wong, former Sotheby's executive, launched New Perspectives Art Partners with Ed Dolman, Brett Gorvy, and others. Art Fair Tokyo's 20th edition saw sales of ¥2.86 billion, down 10% from last year. Lisa Horikawa and Mizuki Takahashi were appointed co-curators of Japan's pavilion at the Venice Biennale. The Sharjah Art Foundation named Angela Harutyunyan and Paula Nascimento curators of the 17th Sharjah Biennial. YDP, a new non-profit space in London, will open with a solo show by Duan Jianyu. At Sotheby's London, Yu Nishimura's painting sold for £292,100. Hong Kong collector Adrian Cheng resigned from New World Development's board.

toyin ojih odutola

Toyin Ojih Odutola is presenting two major solo exhibitions simultaneously—one at Jack Shainman Gallery in New York and one at the Hamburger Bahnhof in Berlin—marking a pivotal moment in her career. The New York show, titled "Ilé Oriaku," features recent works that build on themes from her 2024 Kunsthalle Basel exhibition and the Nigerian Pavilion at the 60th Venice Biennale, incorporating personal loss, ancestral memory, and layered storytelling. The artist describes a need for freedom and resists tidy conclusions, instead embracing flux and experimentation.

maja ruznic site santa fe

Artist Maja Ruznic has created a suite of large, luminous canvases responding to early 20th-century paintings glorifying Spanish colonization at the St. Francis Auditorium in the New Mexico Museum of Art, as part of the 12th Site Santa Fe International. The exhibition, curated by Cecelia Alemani and titled "Once Within a Time," opened last week. Ruznic, a Bosnian war refugee living in Placitas, New Mexico, confronts the problematic history depicted by artist Donald Beauregard, who died at 29 before completing the commission, which was later finished by uncredited artists Carlos Vierra and Kenneth Chapman.

suzanne duchamp kunsthaus zurich

A small Berlin auction house sold a 1930 gouache by Suzanne Duchamp for just €1,500 in 2024, and a Chicago-area firm moved a 1940 painting for only $1,000 in 2004—prices far below those of unknown emerging artists today. These works are now featured in the first-ever retrospective devoted to Duchamp at the Kunsthaus Zurich, highlighting her long neglect in favor of her more famous siblings Marcel Duchamp, Raymond Duchamp-Villon, and Jacques Villon. The exhibition traces her career from Cubist beginnings through superb Dadaist creations like "Arietta of Oblivion of the Dazed Chapel" (1920) to later, more decorative works that have divided critics.

30 portraits of queen elizabeth ii

On September 9, 2015, Queen Elizabeth II became the longest-reigning monarch in British history, surpassing Queen Victoria. To mark the occasion, the Royal Collection opened a photography exhibition titled “Long to Reign over Us,” featuring posed portraits and casual family shots of the Queen. Artnet News compiled 30 favorite photos and paintings of the monarch, including works by Cecil Beaton, Andy Warhol, and royal photographer Mark Stewart, highlighting her decades-long reign and her ease in front of the camera.

aspen art museum air werner herzog

Aspen Art Museum will launch its new flagship initiative AIR on July 29, 2025, a program combining a public festival and private retreat focused on the intersections of art and technology. The inaugural edition features filmmaker Werner Herzog as a keynote speaker, alongside architect Francis Kéré and artist Maya Lin. Other participants include artist Matthew Barney, who will debut a new performance piece titled "TACTICAL parallax," as well as Paul Chan, Mimi Park, Jota Mombaça, Cannupa Hanska Luger, and the duo of Apichatpong Weerasethakul and Rafiq Bhatia. The program includes site-specific art, dialogues, and conversations exploring themes such as ecstatic truth, artificial intelligence, and the origin of life.

kenny schachter art basel report

Kenny Schachter recounts his fraught journey from Newark to London for his curated Paul Thek exhibition at Thomas Dane Gallery and the 56th edition of Art Basel in Switzerland, describing a near-crash landing and widespread anxiety among U.S. attendees about returning home amid FAA cutbacks and immigration fears. He highlights Mary Lovelace O’Neal’s presence at Jenkins Johnson as his Basel highlight, dismisses panic over a single unsold Giacometti as overblown, and critiques art journalists for lacking real market experience, while sharing conversations with collectors Mera Rubell and Dakis Joannou.

rosalind fox solomon photographer dead

Rosalind Fox Solomon, a photographer known for her piercing black-and-white images of alienation, racism, and marginalization, died in New York at age 95. Her representative, Stephen Bulger Gallery, confirmed her passing. Over nearly six decades, she documented marginalized individuals—from Black Americans in the South to people with AIDS in New York to Palestinians in the West Bank—using a Hasselblad camera. Her work was marked by an empathetic yet distant approach, capturing the inner and outer realities of her subjects without close connection.

abstract artist rosemarie beck van doren waxter

Rosemarie Beck, a once-promising abstract painter celebrated in the 1940s and 1950s by the Whitney Museum and mentored by Robert Motherwell, abandoned abstraction in 1958 to pursue figuration. Despite early success and shows at prestigious venues like the Stable Gallery, her shift to mythological and literary themes caused her to fade from art historical memory. A new exhibition, "Rosemarie Beck: Earthly Paradise," at Van Doren Waxter in New York, showcases over 25 figurative works from 1959 to 2000, marking a major reappraisal of her career.

el greco paint drippings art industry news jun 20

This week's art industry roundup covers a range of developments: a new wave of younger, deliberate collectors is reshaping the art market, as reported from Art Basel; the Independent art fair will relocate to Pier 36 in New York in 2026; Riga Contemporary, a new fair, launches in Latvia; and the inaugural Arrival art fair took place in North Adams, Massachusetts. In auctions, seven never-before-seen Picasso ceramic plates sold in Geneva for nearly double their estimate, while a Giacometti sculpture made the top 10 sales list. Galleries news includes Nara Roesler now representing Asuka Anastasia Ogawa, a new gallery called Open Studio opening in New York, and Andrew Edlin Gallery relocating. In museums, a government watchdog found the Trump Administration broke the law by withholding funding for the Institute of Museum and Library Services, and UC Irvine and the Orange County Museum of Art plan to merge. A legal battle over an El Greco painting withdrawn from Christie's auction is advancing, with the owner revealed as Russian billionaire Dmitry Rybolovlev.

young collector habits

Maurice Mielcarek, a 43-year-old Zurich-based collector, exemplifies a new generation of younger art buyers who prioritize lasting engagement over speculation. At Zurich Art Weekend, he introduced friends to New York artist Travis Boyer, whose velvet paintings Mielcarek has collected for two years. This cohort, mostly in their 30s and 40s, takes a slower, research-driven approach to collecting, often building relationships with artists and galleries before purchasing. They focus on discovery, conceptual works, and supporting artists' visions beyond mere acquisition.

audemars piguet contemporary aspen art museum adrian villar rojas

Audemars Piguet Contemporary (APC) and the Aspen Art Museum have co-commissioned a new sculpture by Argentinian artist Adrián Villar Rojas, titled (Untitled) The Language of the Enemy. The work will debut in November in the Jura Mountains, near APC's hometown in the Vallée de Joux, before traveling to the Aspen Art Museum for a multi-floor exhibition in 2026. The sculpture draws a parallel between paleontology and speculative memory, imagining that an encounter with fossilized dinosaur remains might have sparked the earliest act of art-making. APC curator Audrey Teichmann emphasized the organization's role in supporting the artist through inception, research, fabrication, and project management, as well as providing continuous support for a second exhibition and storage of the work between shows.

nicole wittenberg maison la roche

Nicole Wittenberg's new painting series "Ain't Misbehavin'" is on view at Maison La Roche in Paris through July 19, 2025. The exhibition, a collaboration between Massimo De Carlo and Fondation Le Corbusier, features large floral works that eliminate depth and press blossoms against the picture plane, creating a dialogue with Le Corbusier's purist modernist architecture. Wittenberg, a San Francisco-born artist who studied at the San Francisco Art Institute, has work in the collections of the Solomon R. Guggenheim Museum, the Boston Museum of Fine Art, and the Albertina.

olga de amaral appraisal

Art advisor Naomi Baigell recalls that when she managed Prudential's corporate art collection in the late 1980s and 1990s, executives refused to hang textile works by Colombian-born artist Olga de Amaral, preferring abstract paintings instead. Now 93 and still working, Amaral is experiencing a major market and institutional renaissance: the Institute of Contemporary Art in Miami is hosting a solo show of her work (through October 12), her pieces are included in MoMA's "Woven Histories" exhibition, and she has been represented by Lisson Gallery since 2019. In 2025, her auction performance has been stellar, with a new record of $1.16 million set in May for *Imagen perdida 27* (1996) at Phillips New York, and total sales of $4.07 million as of June.

lana del rey group show ppow

P·P·O·W gallery in New York has opened a group exhibition titled "Hope is a Dangerous Thing," running from June 6 to July 12, 2025. Curated by director Eden Deering, the show features artists including Robin F. Williams, Marianna Simnett, Kyle Dunn, Kayode Ojo, Raque Ford, and Diane Severin Nguyen, all united by their devotion to singer Lana Del Rey. The exhibition explores themes of art and artifice, sincerity and spectacle, with works that reference Del Rey's persona and millennial nostalgia, incorporating elements like AI, pop culture, and fast fashion.

grace hartigan gift of attention exhibition nc museum of art

The article details the career of artist Grace Hartigan, who by 1954 had overcome self-doubt and gained critical and commercial success with her bold, figurative-abstraction paintings. It recounts her solo exhibitions at Tibor de Nagy, acquisitions by MoMA and the Whitney, and her defiance of critic Clement Greenberg. The piece then focuses on a new exhibition at the North Carolina Museum of Art, "Grace Hartigan: The Gift of Attention," curated by Jared Ledesma, which explores how her relationships with avant-garde poets like Frank O'Hara and Barbara Guest shaped her work and provided a sense of belonging in the downtown New York scene.

the white room gallery east hampton

Kat O’Neill and Andrea McCafferty, founders of the White Room Gallery, moved their business from Bridgehampton to East Hampton in late 2023. The gallery, known for showcasing contemporary art from Pop icons like Andy Warhol to street artists like Banksy, has a busy exhibition calendar year-round, with summer being especially active. Ahead of peak season, O’Neill and McCafferty discussed upcoming shows including “La Femme,” “Every Picture Tells A Story,” and solo exhibits by Nelson De La Nuez and Russell Young, as well as the gallery’s integration into the East Hampton community.

laurie simmons and carroll dunham

Husband-and-wife artists Laurie Simmons and Carroll Dunham, who met in 1977 and married in 1983, are holding their first-ever concurrent solo shows in New York City. Dunham is exhibiting new paintings of naked men wrestling at Gladstone Gallery, while Simmons presents photographic portraits of women in body paint at Salon 94 and a revisitation of her ventriloquism dummy photographs from the 1990s at Mary Boone Gallery. In an interview with artnet News, the couple discusses their contrasting work habits—Dunham works steadily over long periods, while Simmons works in intense, episodic bursts—and how they have balanced their careers and family life, including raising daughters Lena Dunham and Grace Dunham.

bona de mandiargues

The article profiles Bona de Mandiargues, an overlooked Italian Surrealist artist whose work is finally gaining international recognition. Her major debut occurred at the 2024 Venice Biennale, and her first U.K. solo show is now on view at Alison Jacques gallery in London through June 28. The exhibition focuses on her mature period (1975–1995), featuring dark, erotic, and occult-inspired collages and assemblages that challenge gender norms.

do ho suh tate

Artist Do Ho Suh presents his first solo exhibition at London's Tate Modern in two decades, titled "The Genesis Exhibition: Do Ho Suh: Walk the House." The show features his signature translucent fabric architectural sculptures, including the newly created installation "Nest/s" (2024), a collection of 1:1 scale replicas of spaces where Suh has lived and worked across Seoul, New York, London, and Berlin. The exhibition explores themes of home, memory, and migration, drawing from Suh's own experiences moving from Seoul to New York and later London.