The Vancouver Art Gallery is opening a major exhibition titled 'That Green Ideal: Emily Carr and the Idea of Nature' on February 6. This is the most comprehensive show of Carr's work in over two decades, focusing on her evolving vision of nature and drawing primarily from the gallery's own collection of her paintings.
Students from Aldine ISD's Impact Leadership Academy will debut their collaborative artwork in the Shared Grounds exhibition, hosted by the Contemporary Arts Museum Houston (CAMH). The opening takes place on November 18, 2025, at the University of Houston's 3rd Space Art Gallery, featuring large-scale paintings created under the guidance of teaching artist Carlos Mendoza and art teacher Toby McCraw. The works explore themes of place, memory, and the future.
Toi Tauranga Art Gallery in Tauranga, New Zealand, will reopen to the public on November 15, 2025, after a three-year closure (2022–2025) for seismic upgrades and refurbishment. The gallery, originally opened in 2007, has been renovated to connect with the new council-led cultural precinct Te Manawataki o Te Papa, which includes a library, museum, performing arts centre, and council chambers. The reopening programme, titled "Rawe," features local and international artists including Kereama Taepa, Pusi Urale, and esteemed senior Māori painter Darcy Nicholas, who is exhibiting in Tauranga for the first time.
The Young Artists’ Project (YAP) exhibition returns to the KZNSA Gallery in Durban, South Africa, from August 22 to September 21. Initiated in 2002 by then-curator Storm Janse van Rensburg, the annual project mentors emerging artists in producing their first solo exhibitions. This year features two artists: N’lamwai Luntha Chithambo, a Malawian-born painter who earned degrees from Rhodes University and has shown at the National Arts Festival and Sasol New Signatures; and Zama Mwandla, a South African surrealist painter whose work confronts sexual violence and healing, with exhibitions at the African Feminisms show and the 54th Art & Antique Fair in Salzburg.
The article presents nine open calls for visual artists to apply to during summer 2025, including the Form Photo Award and the Arte Laguna Prize. The Form Photo Award, organized by Form institution, offers winners free participation in Scope Miami Beach 2025 and publication in Form Magazine, with a €35 submission fee and deadlines through July 30. The Arte Laguna Prize, now in its 20th edition, features an exhibition at the Arsenale Nord in Venice and special prizes including residencies at MoCA Art Residency, BigCi, Artorale, LITIX, and NY20+, with a €97 entry fee and a July 31 deadline.
Two East Carolina University professors have contributed to Smithsonian museum exhibits this summer. Photography professor Daniel Kariko from the School of Art and Design has a photograph titled "Last Camp on Isle Dernieres" (2017) on display in the Art x Climate exhibition at the Smithsonian National Museum of Natural History. The image documents a recreational fishing camp in South Louisiana that was completely gone by 2019, part of Kariko's ongoing 25-year project "Impermanence" capturing landscape changes in the Barataria-Terrebonne region. Additionally, Dr. Aleia Brown from the Thomas Harriot College of Arts and Sciences curated a collection of quilts by Black artists at the Smithsonian American Art Museum.
The article profiles Pietrasanta, a small town in Tuscany, Italy, that has evolved into a thriving international sculpture hub. It traces the town's artistic lineage back to Michelangelo, who sourced marble from local quarries in 1518, and highlights how today a dense network of workshops, foundries, and craftspeople attracts artists from around the world. The local government has established the Fondazione Centro Arti Visive di Pietrasanta to promote the town as a year-round art center, not just a seasonal destination. The piece features the Armenian-born artist Mikayel Ohanjanyan, who has seven sculptures on display in the town.
Lebanese-Australian artist Khaled Sabsabi was nearly removed from his commission for the Venice Biennale after being accused of supporting terrorism, but was later reinstated. He is now arriving in Venice to present not one but two works at the prestigious international exhibition.
A New York Times article examines the complex relationship between artist Andrea Fraser's career and her mother's unfulfilled artistic ambitions. It details how Fraser's mother, a talented painter, largely abandoned her own practice to support her daughter's education and early career, a sacrifice that Fraser has grappled with both personally and within her institutional critique-focused artwork.
The K-pop group BTS performed two songs from their new album 'ARIRANG' in the main lobby of the Guggenheim Museum in New York. The private, phone-free event for about 150 invited fans featured the tracks "SWIM" and "2.0," with leader RM performing seated for one song due to an ankle injury.
Clive Chijioke Nwonka reviews Akinola Davies Jr.'s film *My Father's Shadow* (2025), a semi-autobiographical story of two adolescent brothers traveling through Lagos with their estranged father during the 1993 Nigerian presidential elections. The film, selected for the Cannes Official Selection, employs a metaphysical narrative style rooted in the Nigerian oral tradition, blending literal and spiritual worlds to explore diasporic identity, memory, and cultural preservation.
Izabella Scott's book *The Bed Trick* examines a British rape case in which Gayle Newland was convicted for pretending to be a man named Kai during a two-year relationship with a woman identified as Miss X. Drawing on court transcripts, Scott explores the legal concept of 'fraud vitiates consent' and traces the historical bed-trick trope from medieval folktales to *The Rocky Horror Picture Show*, questioning how much deception invalidates sexual consent.
Converge 45, a city-wide triennial based in Portland, Oregon, has announced the title and list of participating artists for its 2026 edition. The 10th edition, titled 'Here, To you, Now,' will take place from August 27–30 across 16 venues. Curated by Lumi Tan, the event draws inspiration from Ursula K. Le Guin's 1985 novel 'Always Coming Home,' emphasizing impermanence and spontaneous dialogue. The exhibition will feature works by 28 artists, including Trisha Baga, Gerald Clarke, and Rose Salane, among others.
Rafał Zajko's exhibition 'The Egg Egg' at Arsenal Gallery in Białystok, Poland, brings together 50 works from the past decade across two floors of a former power station, organized into nine 'acts'. The show features modular installations like 'Funny Games' (2025), a set of pastel-colored platforms on wheels with ceramic reliefs, and monumental sculptures such as 'Sisyphus' (2025), a suspended ceramic bobbin evoking textile factory tools. Performances by Agnieszka Szczotka, including 'Song to the Siren' (2026), activate works like 'Amber Chamber III Echo' (2025), blending archaism, futurism, and themes of labor and technology.
Artist Andreas Angelidakis will represent Greece at the 61st Venice Biennale in 2026 with a project titled 'Escape Room'. He plans to split the Greek Pavilion in two, referencing the National Schism in Greek history, and will create an immersive experience that explores the building's dual identities as a national symbol and an exhibition space, set to the soundtrack of Frankie Goes to Hollywood's 'Relax'.
The 18th edition of Biennale Jogja, titled 'KAWRUH: Land of Rooted Practices,' explores Javanese concepts of lived knowledge and alternative epistemologies to challenge Western, human-centric frameworks. The exhibition is split into two phases: a process-driven residency in Boro Hamlet and a larger presentation featuring 60 artists across 11 venues in Yogyakarta. While the show features standout works like Faisal Kamadobat’s mythological illustrations and Yuta Niwa’s cross-cultural mandalas, the physical experience is marred by unfinished venues and logistical hurdles.
Artist Delaine Le Bas is the featured guest on the fourth episode of the ArtReview Podcast, where she discusses her practice and influences with senior digital editor Chiara Wilkinson. Le Bas selects three works as lenses for the conversation: her own large-scale mural "Un-Fair-Ground" created at Glastonbury Festival, her installation "Witch House" at the Whitworth, and the 1969 film "The Color of Pomegranates."
San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.
M+, Hong Kong's premier art museum, has signed a multi-year strategic partnership with Paris's Centre Pompidou. The agreement, signed on May 15, 2026, by Centre Pompidou President Laurent Le Bon and M+ Museum Director Suhanya Raffel, covers joint curatorial research, exhibition development and sharing, co-commissions and artwork displays, and collection exchange. A major co-curated exhibition will be presented at both venues, with a series of jointly developed exhibitions staged at M+ from 2027 onwards, featuring works from both institutions' collections.
Fondazione Bvlgari scommette sulla Biennale di Venezia: oltre al padiglione ai Giardini, una mostra alla Biblioteca Marciana
Fondazione Bvlgari is making its debut at the Venice Biennale with a collateral exhibition at the Biblioteca Nazionale Marciana, featuring site-specific works by Monia Ben Hamouda and Lara Favaretto. The show runs from May 9 to November 22, 2025, alongside the 61st International Art Exhibition. Ben Hamouda presents 'Fragments of Fire Worship,' neon sculptures in the Vestibule that explore language and cultural heritage, while Favaretto installs the final edition of 'Momentary Monument – The Library' in the Salone Sansovino, inviting public consultation of donated books. Additionally, Bvlgari has a pavilion in the Giardini featuring Canadian artist Lotus L. Kang, as part of a three-edition partnership with the Biennale through 2030.
Thirteen high schools from Massachusetts and Rhode Island are preparing installation artworks for the Attleboro Arts Museum's annual High Art exhibition, which runs May 12–18, 2026, under the theme 'Revolutionary Art.' Students from schools including Dedham High School, Hope High School in Providence, and Seekonk High School are creating pieces such as 'Americana' and 'Re-revolution,' with guidance from art instructors like Bridget O'Leary, Delsin Jean-Louis, and Elizabeth Machado-Cook.
Istanbul gallery Dirimart has opened a new space in London's Mayfair district, marking its first expansion outside Turkey. The gallery, founded in 2002, will present a program of international artists alongside its established roster of Turkish and regional names, beginning with a solo show by Turkish artist Burhan Doğançay.
第10回マックスマーラ・アート・プライズ・フォー・ウィメン
The 10th Max Mara Art Prize for Women has been awarded to Indonesian artist Dian Suci, marking the first time the prize has been held in Asia. Suci was selected from five finalists for her project "Crafting Spirit: Cultural Dialogues in Heritage and Practice," which examines the intersection of religious craftsmanship traditions and capitalist systems. The prize is organized in partnership with the Museum MACAN in Jakarta. Suci will undertake a six-month residency in Italy, followed by solo exhibitions in 2027 at both Museum MACAN and Collezione Maramotti in Reggio Emilia.
A new exhibition titled 'About Women' featuring seven decades of work by photographer Dorothy Bohm opens at Farleys House & Gallery, the former home of photographer Lee Miller. The show highlights Bohm's female-focused street photography, spanning from black-and-white to color work, and draws a direct connection to Miller's legacy.
Adam Golfer, the director of the short film "Camille Henrot: In Movement," reflects on the process of creating the documentary. He describes following the artist Camille Henrot over a full year in New York and Paris, capturing her wide-ranging creative process from sketches to paintings, model-making to large-scale sculptures, and the evolution of her film work.
Director’s Notes with Andrew Nadkarni | Trey Abdella’s Miserable Dream
Director Andrew Nadkarni created a short film about artist Trey Abdella, titled "Trey Abdella's Miserable Dream." The film uses the metaphor of a Coney Island roller coaster to explore Abdella's artistic process, moving between his studio and the amusement park to show how he transforms personal memories and Americana into art.
Art21 + DOC NYC Filmmaker Celebration
Art21 and DOC NYC co-hosted their third annual Filmmaker Celebration on November 18, 2025. The in-person event brought together over 140 independent filmmakers, producers, and other production professionals who have contributed to Art21's films over the past year, providing a social and networking opportunity at the close of a challenging year for the documentary community.
Farm Projects in Hudson, New York, will host two concurrent exhibitions from May 2 through 18, 2026: "Susan Carr: Little Happiness" and "Nancy Berlin: Considering Change." Carr's exhibition features colorful wooden sculptures that treat color as structure, while Berlin's show explores climate change and shifting knowledge through layered paintings and works from her series "Flight Patterns" and "Constant Revisions." An opening reception is scheduled for May 9.
The Bowdoin College Museum of Art (BCMA) will present two exhibitions this winter: "Josefina Auslender: Drawing Myself Free" (December 11, 2025–May 31, 2026), the first museum retrospective of Argentine-born, Maine-based artist Josefina Auslender, featuring over 90 drawings from the 1970s to the present; and "Hung Liu: Happy and Gay" (January 22–May 31, 2026), which examines how Hung Liu reinterpreted Chinese propaganda from her childhood during the Cultural Revolution through ten paintings, prints, archival materials, and a video. Both shows explore themes of immigration, history, memory, and personal experience.
The Institute of Contemporary Art (ICA) at the University of Pennsylvania has opened two new exhibitions. "Mavis Pusey: Mobile Images" (through December 7, 2025) is the first major museum survey dedicated to Jamaican-born geometric abstractionist Mavis Pusey (1928-2019), featuring over 60 works from her 50-year career, including her "Broken Construction" series. Co-organized with the Studio Museum in Harlem and curated by Hallie Ringle and Kiki Teshome, the show includes archival materials. The second exhibition, "Entryways: Xenobia Bailey" (through August 9, 2026), continues ICA's collaboration with textile studio Maharam, featuring a window installation by Philadelphia-based fiber artist Xenobia Bailey, curated by Denise Ryner.