Bel Ami gallery in Los Angeles has opened a new exhibition titled "Everything looks dark now," which takes its name and conceptual framework from Anton Chekhov's play *The Seagull*. The show features a diverse group of artists whose works collectively explore themes of melancholy, reflection, and existential uncertainty, mirroring the atmospheric and introspective mood of Chekhov's text.
Two French heritage associations, Sites & Monuments and SOS Paris, have filed legal challenges against the project to replace the stained-glass windows of Notre-Dame de Paris. The groups have submitted requests to an emergency judge and to the administrative court, seeking to suspend the works, which have already begun and threaten to remove the original windows by Viollet-le-Duc within days. The judge will rule on whether there is a serious doubt about the legality of the decision.
Yoann Cormier curates 'In Mali, When Animals Dance' at the Musée des Confluences, an exhibition dedicated to sogo bò, a Malian performance tradition blending theater, dance, music, and community. Rejecting static displays, Cormier uses immersive scenography—light, sound, film footage from the early 2000s by Sonia and Albert Loeb, and reconstructed masks made with the Lyon Opera costume workshop—to evoke the festive atmosphere of sogo bò, moving visitors through a simulated Malian day from afternoon to night.
The major retrospective ‘Out of Place’ at ART AFRICA showcases over 200 images by South African photographer Jo Ractliff, spanning four decades of her career. The exhibition traces Ractliff’s evolution from her early 1980s street photography to her mature, atmospheric landscapes that examine the scars of colonialism, apartheid, and regional conflicts in Southern Africa. By focusing on the 'afterlife' of violence rather than the events themselves, the collection highlights her unique ability to capture how history sediments within the physical terrain.
Museo Afro Casa Silvana in Humacao, Puerto Rico, is hosting 'Dim Light: Afro-Puerto Rican Photography,' the first collective exhibition dedicated exclusively to Afro-Puerto Rican photographers. Featuring ten artists from the island and its diaspora, the show explores themes of spirituality, family, and resistance through a lens of self-representation. The works were previously debuted at the 3rd Black Brazil Art Biennial before returning to Puerto Rico for this landmark presentation.
The article lists a series of art exhibitions and events opening in the Berkshire region. These include the Berkshire Art Association show at the Licht, a solo exhibition by Michelle Maher at Gallery North, a member show at Future Lab(s) Gallery, the Berkshire Grown exhibition at MOSAIC, a challenge exhibit at Art on Main, a 'Groundbreaking' show at the Berkshire Botanical Garden, and an exhibition by Dalila Sanabria.
Chilean artist Catalina Bauer presents her exhibition "El volcán, la ballena y otros mundos" at the Sala Capilla of Centro Cultural Montecarmelo in Santiago de Chile, 2026. The show features an immersive installation centered on a whale-like sculptural form that has beached inside the chapel, surrounded by cosmic and natural elements such as stars, ferns, and maranta plants, creating a dreamlike ecosystem that invites tactile and contemplative engagement.
ROCÍO SÁENZ: ORDEN SALVAJE
Mexican artist Rocío Sáenz presents "Orden salvaje" (Wild Order) at the Museo de las Artes de la Universidad de Guadalajara (MUSA), an exhibition featuring over 60 works created over three years. Spanning painting, ceramics, photography, and drawing, the collection explores the tension between beauty and horror, specifically addressing the harrowing reality of forced disappearances in Mexico. The exhibition is designed as an open studio, showcasing the artist's creative process alongside finished pieces that utilize black humor and satire to navigate themes of death and reconstruction.
The Other Art Fair returned for its 15th edition at ZeroSpace in Brooklyn, featuring 125 New York-based artists. Presented by Saatchi Art, the fair emphasized transparency with openly displayed prices and encouraged direct conversation between artists and attendees. Alongside traditional booths, the event included interactive elements such as hidden stamp stations, a self-portrait studio by guest artist Anna Marie Tendler, a whisky tasting counter, and workshops, creating a lively, block-party atmosphere rather than a conventional art fair.
The National Museum of Oman has opened an exhibition titled "Pioneers of Omani Art" at the State Tretyakov Gallery in Moscow, Russia. Running until 16 August, the show features 23 works by 17 Omani artists, highlighting how they draw inspiration from their culture, heritage, history, and environment. The exhibition traces the journey of fine art in Oman, from prehistoric rock art to the modern art movement, shaped by historical commercial and cultural exchanges with European artists.
A new art exhibition titled 'SMASH! A Piñata Exhibition' has opened at Prism Art Gallery in Midtown, Sacramento, curated by Bridgett Rex and Vianne De Santiago. Running through May 30, the show features piñatas created by amateurs, professional makers, and multidisciplinary artists, exploring the cultural and emotional significance of piñatas beyond their role as party decorations. The exhibition will conclude with a public smashing of selected piñatas. Artists such as Andres Alvarez and Gilbert Rangel contributed works that incorporate personal and cultural narratives, using materials like corn husks and tissue paper to reflect on heritage, memory, and community.
An expansive exhibition at the Corning Museum of Glass highlights the women artists who were instrumental in the American Studio Glass Movement of the mid-20th century. The show, curated by Osman Can Yerebakan, brings together works that demonstrate the resilience and creative contributions of these often-overlooked figures.
Tatiana Malinovscaia's painting "Blue Distance in Quiet Light" (2026) is being offered for sale by Artseeker Gallery. The 100x130 cm acrylic on canvas work features a restrained abstract composition with muted blues, ivories, beiges, and charcoals, built through layered textures and tonal contrasts. Malinovscaia, a self-taught Moldovan artist, explores the interplay between architectural clarity and atmospheric abstraction, with light acting as a central structural element that reveals nuanced variations across the textured surface throughout the day.
The Smithsonian’s National Museum of Asian Art in Washington, D.C., has opened "Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms," an exhibition featuring 48 paintings and colored drawings that trace the evolution of Pahari painting across three key periods between 1620 and 1830. The show highlights the genre’s ties to the region’s landscapes, courtly life, and devotional practices, with works created using opaque watercolors, beetle wings, and gold, many of which have not been publicly displayed before. The exhibition runs until July 26.
The Peoria Riverfront Museum will host an exhibit featuring the world's largest Etch-A-Sketch and other retro toy attractions. The show, titled 'World’s most legendary toys,' is set to open in Peoria, Illinois, as reported by the Peoria Journal Star on May 8, 2026.
The National Centre for Contemporary Arts (NCCA) in Minsk, Belarus, has announced that its venue on Niakrasava Street will cease exhibition activities from June 22, 2026. The institution is set to be liquidated, with its premises and collections transferred to the National Art Museum, while the Niakrasava Street space will be taken over by the Belarusian State Academy of Arts. The closure is linked to the newly appointed chairman of the Union of Artists, Andrei Vasileuski, and reportedly supported by the Culture Ministry.
The Metropolitan Museum of Art has announced the opening of the Condé M. Nast Galleries, a new exhibition space within the museum. The galleries are named after the late publishing magnate Condé Montrose Nast, founder of Condé Nast Publications.
The 59th Carnegie International, titled 'if the word we,' is set to open this Saturday at the Carnegie Museum of Art in Pittsburgh. The exhibition, one of the oldest and most prestigious surveys of contemporary art in North America, will feature works by a diverse group of international artists, curated around themes of collective identity and language.
The five-member international jury of the 61st Venice Biennale, led by Brazilian curator Solange Farkas, has resigned effective April 30, 2026. The jury—comprising Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—announced their resignation in a written statement, referencing a prior Statement of Intention issued on April 22. In response, La Biennale di Venezia postponed the Awards Ceremony from May 9 to November 22, the final public day, and introduced two new "Visitors' Lions" awards—one for the Best Participant in the main exhibition "In Minor Keys" by Koyo Kouoh, and one for the Best National Participation—to be decided by ticket-holder vote.
The article reports that the Solomon R. Guggenheim Museum has appointed a new director, referred to as "The Guggenheim’s New Boss." The specific identity of the appointee is not disclosed in the provided text, which is blocked by a security verification page. The article originates from Puck News, a media outlet known for insider coverage of the art world and cultural institutions.
Casa Ramos Art Gallery in Los Osos, California, will open a group exhibition titled “Happy” on May 2, featuring new works by eight Central Coast artists: John Ramos, Mike Golling, Phillip Lopez, George Jercich, Jon Miller, Adrianne Jenkins, Dan Rider, and Elena Ramos Peffly. The show is curated around themes of happiness, color, and optimism, with pieces spanning painting, ceramics, glass, and jewelry. John Ramos will also debut three new prints at the opening reception, which runs from 2 to 6 p.m. at 1034 Los Osos Valley Road and is free to the public.
The Everhart Museum in Scranton, Pennsylvania, is launching a major two-year immersive exhibition dedicated to the hit sitcom *The Office*. Opening on October 31, 2025, the four-room installation explores the show's evolution from a mockumentary into a global cultural phenomenon, featuring interactive displays, behind-the-scenes narratives, and fan tributes.
Singapore's art scene is hosting several diverse exhibitions this April, ranging from a cat-themed group show at Tokonoma to Chok Si Xuan’s solo exploration of technological materials at Starch. Other highlights include a collaborative exhibition at Fluxus House Gallery featuring emerging artists Tay Ying, Zhixin Sheng, and Winnie Chua, which examines the nuances of early adulthood through personal correspondence and imagery.
The Dallas Museum of Art has launched "The Samurai Collection, Dallas, Samurai to the Imperial Court," a comprehensive exhibition featuring over 90 works of art. The showcase includes a diverse array of traditional weaponry, armor, paintings, and decorative objects, drawing from the museum's permanent collection as well as international loans. Running through September 6, 2026, the display tracks the evolution of samurai culture from its military roots to its role within the Imperial Court.
The Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts (PAFA) are launching a major collaborative exhibition titled 'A Nation of Artists,' set to open on April 12. The exhibition explores the foundational role of Philadelphia in shaping American art history, drawing from the deep permanent collections of both historic institutions to showcase a diverse range of American creative expression.
The Saint Louis Art Museum (SLAM) is launching 'Ancient Splendor: Roman Art in the Time of Trajan,' a major exhibition featuring approximately 160 artifacts including imperial portraiture, mosaics, jewelry, and frescoes. Curated by Lucrezia Ungaro and Hannah Segrave, the show utilizes theatrical design and sensory elements like scents to immerse visitors in the Roman world. The exhibition is bolstered by significant loans from prestigious Italian institutions, including the Vatican Museums and the National Archaeological Museum of Naples.
Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.
Recent US-Israeli strikes in the Iranian city of Isfahan have caused significant damage to several UNESCO World Heritage sites and historic landmarks. Reports indicate that the 17th-century Chehel Sotoun Palace suffered shattered windows, broken doors, and a large crack in a major fresco depicting Shah Tahmasp and the Mughal Emperor Humayun. Nearby, in the historic Naqsh-e-Jahan Square, the Ali Qapu Palace and the Jame Abbasi Mosque also sustained damage, including the destruction of iconic turquoise tiles and intricate fretwork.
The Royal Ontario Museum (ROM) has appointed Nicholas R. Bell as its next director and chief executive, effective July 6. Bell, a Vancouver native, succeeds Joshua Basseches, who led the Toronto institution for a decade. Bell joins the ROM from the Glenbow Museum in Calgary, where he was recognized for overseeing a major $200 million renovation and implementing a free admission policy.
Staff at the Louvre museum in Paris staged another strike on Monday, January 19, the ninth such action in a month, forcing the museum to close completely for the third time since mid-December. The strike, voted unanimously by 350 employees, concerns pay, working conditions, and infrastructure, with unions demanding salary alignment with other national museums and monuments, and calling for the €666m new entrance project to be dropped in favor of basic maintenance. The closure costs the museum about €400,000 per day, and negotiations with France's culture ministry are scheduled for January 29.