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Gradient Canvas: Celebrating over a decade of artistic collaborations with AI

Google has launched Gradient Canvas, an exhibition of 13 newly commissioned artworks from multidisciplinary artists that explore the co-evolving relationships between people, nature, and machines. Inspired by the Bay Area’s local ecology, the works were created using Google tools and AI, and are presented both online via Google Arts & Culture and in a physical installation at Google's Gradient Canopy office in Mountain View. The initiative celebrates over a decade of artistic experimentation with AI, tracing back to Google researcher Alex Mordvintsev's development of DeepDream in 2015 and earlier residency programs.

Maker's Mark: San Antonio ceramic artists unite for inaugural ClaySA exhibition and studio tour

San Antonio ceramic artists Michelle Hernandez, Hilary Rochow, and Rikkianne Van Kirk initiated ClaySA, a grassroots effort to unite the local ceramics community. The program includes a group exhibition titled "The Mark of the Hand," featuring 23 local artists working in clay, and 12 studio tours across two weekends in November. The exhibition, curated by Rochow, builds on a previous show called "Clay Symphony" and is supported by an all-volunteer committee including Contemporary Art Month Executive Director Roberta "Nina" Hassele and other artists.

See art come to life at Studio 18 exhibition in Pembroke Pines. Here are details

The annual resident artist exhibition, Collective Matter, will open at Studio 18 Art Complex in Pembroke Pines on November 14, 2025, from 7 to 9 p.m. The exhibition features 17 resident artists working in painting, sculpture, photography, ceramics, installation, and mixed media, and will run through February 6, 2026. During the opening reception, guests can explore open studios, meet the artists, and enjoy live entertainment and complimentary refreshments. Admission is free and open to the public.

‘D.I.Y. in the District’ at MLK Library: An exhibition that celebrates D.C.’s artist run spaces

The article reports on the exhibition 'D.I.Y. in the District' at the Martin Luther King Jr. Memorial Library (MLK Library) in Washington, D.C., which celebrates the city's artist-run spaces. The show highlights the grassroots, self-organized venues that have shaped D.C.'s visual art scene, featuring works and histories from collectives and alternative galleries that operated outside traditional institutions.

'All That Remains' faculty exhibition opens Oct. 21

A faculty exhibition titled 'All That Remains' opens Oct. 21 at Tyler Art Gallery on the SUNY Oswego campus, featuring works by art faculty members Peter Cardone and Christopher McEvoy. Cardone presents a photographic series of the Oswego West Pierhead Lighthouse, capturing empty interior spaces and lake views that evoke presence and absence. McEvoy contributes large abstract paintings with layered organic and geometric forms that explore perception, memory, and the construction of meaning. The exhibition includes related events on Oct. 28, such as a presentation by H. Lee White Maritime Museum curator Michael Pittavino, artist talks, and a poetry reading with faculty poets.

Art Galleries Debut Dynamic Exhibitions Showcasing Local and Western U.S. Artists

Four new exhibitions open at the TMCC Art Galleries on the Dandini Campus from October 13 to November 6, 2025. The TMCC Main Gallery presents "Beyond Printmaking: The Artistic Journey of Candace Nicol Garlock (2004–2025)," a retrospective curated by Tamara Scronce tracing Garlock's evolution from traditional printmaking into experimental forms. The Red Mountain Gallery and Student Gallery feature "Communities West VI," a collaborative print folio exchange co-curated by Andrew Rice and Sukha Worob, connecting printmakers across the western U.S. The Erik Lauritzen Gallery hosts two print exchanges: "MashUP!" organized by Candace Garlock and Sarah Whorf, and "Fear Factory: Technology and the Culture of Fear," organized by Jim McCormick and Candace Nicol Garlock, exploring media-driven fear.

Art exhibition preserves a moment in time using historical scientific research, microbiology and macabre curiosity

Artist Emily Mulvaney has opened her debut solo exhibition, "Preservation of Bodies," at Off-Site Art Space, exploring themes of preservation and degradation through a blend of art and science. The show features bioplastics, mold, vacuum-sealed bags, and synthetic organ-like forms, drawing on historical scientific research from the Kenneth Spencer Research Library and the Linda Hall Library. Mulvaney, who was the Lance Williams Art and Science Artist-in-Residence at the University of Kansas, uses materials like bioplastics to address ethical and environmental concerns, collaborating with PhD student Eryk Yarkosky on bacterial communication pieces.

RAD Rendezvous opens with ribbon-cutting, music and celebration in Asheville

RAD Rendezvous, a new art event in Asheville's River Arts District, held its grand opening on September 16, 2025, featuring a ribbon-cutting ceremony, live music by DJ Rob Gray / CPT Hyperdrive, and a celebration with local artists. The event showcased works by numerous artists including Lori Jusino, Rob Czar, Katt Naz, Betsy Kendrick, Pamela Miller, Mara Viksnins, Fernand Poulin, Louise Genetti, Brian Luzader, and Susan Sinyai, with The Radical owner Amy Michaelson Kelly officiating the ribbon-cutting.

New art exhibition by local neurodivergent artists

A new exhibition titled "Mindscapes" has opened in St Helier, featuring the work of two local neurodivergent artists, Emilie Knight and Chris Addy. Knight explores identity, crisis, and transformation through mixed media paintings following her recent autism diagnosis, while Addy uses etching, woodcut, and acrylic to depict a darker, disorientating inner world. The exhibition is held in a multi-sensory space at the Connect With Art gallery (formerly Studio 18), owned by multidisciplinary artist Yulia Makeyeva, and runs until 2 October.

Exhibition review: Relic at 28 Broad Street - Nottingham Culture

An immersive pop-up exhibition titled 'Relic' is on display at 28 Broad Street in Nottingham City Centre, led by local street artist Kid30 and featuring collaborators Detail, Ging, Boaster, Grim Finga, Dizzy Ink, Lambhorse, and 2 Foot. The exhibition transforms a partially renovated building into a dystopian 'museum of found objects from the after years 2035-2055,' combining sculpture, audio production, and parody to critique consumer culture and envision a bleak future. Highlights include a pirate radio soundtrack, a model village by Roadman Rails, and satirical reimaginings of brands like Apple, Netflix, and Coca-Cola.

A World Reshaped by A.I. Needs Museums More Than Ever

The New York Times article argues that as artificial intelligence rapidly transforms society, museums have become more essential than ever. It contends that museums offer a crucial counterbalance to the speed and abstraction of AI by providing spaces for slow, embodied, and critical engagement with history, culture, and human creativity. The piece emphasizes that museums are not just repositories of the past but vital institutions for fostering the kind of deep thinking, empathy, and perspective needed to navigate an AI-driven world.

“Lessons in Expression” Local Teacher Art Show now on display

The Woodlands Arts Council has opened a new exhibition titled “Lessons in Expression,” a teacher art show featuring works by 20 local art educators. The exhibition, curated by artist Annette Palmer, includes a range of media from ceramics to paintings and had its opening reception on August 21, 2025. The show runs from August 12 to October 23, 2025, at the TWAC Exhibition Space in The Woodlands, Texas.

Blue Fern Artists Collective Gallery will host grand opening in Peterborough on Sept. 5

Blue Fern Artists Collective Gallery will hold its grand opening and ribbon-cutting on Friday, Sept. 5, from 6 to 8 p.m. at 40B Main St. in Peterborough, N.H., in a space formerly occupied by Grey Horse Candles. The gallery, founded by Deborah Caplan and a group of local artists, had a soft opening during the Aug. 8 Night Market. It features 18 artists working in diverse media including paintings, drawings, collage, multimedia, ceramics, felting, jewelry, leather work, and photography. The collective is collaboratively owned and run, with each artist paying a nonrefundable buy-in and monthly dues, and working two shifts per month. Artists receive 82% of sales profits, far above the typical 40-50% gallery commission. The gallery is also partnering with MAXT Makerspace to showcase makers’ work and plans to host classes, art history lectures, poetry readings, and evening events in the adjacent alley.

Weisman Explores What Makes a City in New Exhibition

The Weisman Art Museum in Minneapolis has opened a new exhibition titled "Imagining Future Cities: Global and Minnesota Visions, Past and Present," running through September 14. Curated by Dingliang Yang, an urban designer and McKnight Land-Grant Professor at the University of Minnesota, the show features architectural drawings, diagrams, and models that examine the history and meaning of cities over the past 150 years. Yang collaborated with faculty members Thomas Fisher and Jennifer Yoos, research fellow Michael Keller, and 17 student research assistants over three years to create the exhibition, which is organized into three galleries exploring theoretical, experimental, and perceptual approaches to urban design.

How a Bangkok art show was censored following China's anger

Burmese artist Sai and his wife have fled to the UK to seek asylum after their exhibition at the Bangkok Arts and Cultural Centre was censored following complaints from Chinese embassy officials. The show, titled 'Constellation of Complicity: Visualising the Global Machine of Authoritarian Solidarity,' opened on 26 July 2025 and featured exiled artists from China, Russia, and Iran. Chinese representatives, accompanied by Bangkok city officials, demanded the removal of works by Tibetan, Uyghur, and Hong Kong artists, leading to the blacking out of artist names, removal of flags, and switching off of films. The couple alleges Thai police are looking for them, though police deny this.

San Francisco’s Trash Company Marks 35 Years of Stunning Art Made of Recycled Garbage With Free Gallery Opening

San Francisco's waste management company Recology is celebrating 35 years of its Artist-in-Residence program with a free retrospective exhibition featuring artworks made from recycled garbage. The show, held at the Minnesota Street Project in collaboration with Recology, includes pieces by 63 artists who have scavenged materials from the company's 47-acre recycling center since 1990. Notable works include Nemo Gould's 'Impala' sculpture, made from scavenged antlers, power tools, and household items. The exhibition runs through August 30, 2025, and a traveling version called 'Reclaimed: The Art of Recology' is touring the country.

Vandals attack a new South Shields art gallery just days before it was due to open

Vandals broke into The Market Gallery, a new community art space in South Shields, just days before its scheduled opening on July 31. Artists Laura Robertson and Theodore Godfrey-Cass had transformed a former Wilko store into studios and exhibition space with support from East Street Arts. The intruders graffitied walls, smashed glass, destroyed equipment, stole artwork, and urinated on remaining pieces, causing extensive damage after six months of preparation.

‘Fragile Earth’ art exhibit brings environmental awareness and activism to Livermore

Livermore Valley Arts has opened 'Fragile Earth: A Call to Action,' a new exhibition at the Bankhead Theater that blends visual art with scientific understanding and grassroots advocacy. Featuring local and regional artists such as Denson Karin, Maureen Langenbach, Bernice LaRosa, and Caroline Powers-Robinson, the show presents diverse media including painting, sculpture, photography, and interactive installations. A partnership with Quest Science Center adds 'Style Transfer,' an interactive photo booth using machine learning, alongside work from the Tri-Valley Youth Climate Action Program. The exhibition runs through Oct. 19.

Throughline Announces Artists Selected for “Future Forward” Exhibition

Throughline Collective in Houston has announced the 15 artists selected for "Future Forward," a group exhibition featuring graduate and undergraduate art students from across Texas. Guest curated by Madi Murphy, Associate Curator of FotoFest, the show opens with a public reception on August 8, 2025, at Throughline Gallery and runs through August 30. Selected artists include students from universities in Denton, Houston, Lubbock, and San Antonio, working in painting, drawing, photography, sculpture, and textile-based art.

Crowning AI-chievement: robot artist creates portrait of King Charles

Ai-Da, the AI humanoid robot artist, unveiled a portrait of King Charles III titled *Algorithm King* at the UK Mission in Geneva during the UN's 2025 'AI for Good Summit'. The robot, created by Oxford gallerist Aidan Meller, previously painted the late Queen Elizabeth II and set a record in November 2024 when her work *A.I. God. Portrait of Alan Turing* sold for over £1 million at Sotheby's New York.

No One Knows All It Takes // Haggerty

The Haggerty Museum of Art at Marquette University will present the exhibition "No One Knows All It Takes" from August 22 to December 20, 2025. Curated by Christopher Jobson and Grace Ebert of Colossal, the show features four artists—Bryana Bibbs, Raoul Deal, Maria Gaspar, and Swoon (Caledonia Curry)—whose work addresses the effects of concealed trauma, including addiction, incarceration, immigration, and lack of systemic support for caregivers. The exhibition aims to move beyond individual self-care to highlight root causes of trauma and systemic issues undermining collective well-being.

Eve Kahn

Eve Kahn has been appointed as a contributing editor at The Art Newspaper, where she will cover art market news, auctions, and collecting trends. Kahn brings extensive experience as an award-winning journalist specializing in art, design, and cultural history, having previously written for publications including The New York Times and Smithsonian Magazine.

Humanoid robot Ai-Da that sold first robot art at auction for over $1 million now says it's not aiming to ‘replace human artists’

The humanoid robot Ai-Da, one of the most advanced in the world, unveiled a new oil painting titled "Algorithm King" at the United Nations' AI for Good summit in Geneva. The portrait depicts King Charles III and was created using artificial intelligence algorithms. Late last year, Ai-Da made history when its portrait of Alan Turing became the first artwork by a humanoid robot sold at auction, fetching over $1 million. The robot, created in 2019 by a team led by Aidan Meller with specialists from the universities of Oxford and Birmingham, is designed to resemble a human woman with interchangeable robotic arms.

South Jersey artists — including a celebrity favorite — are showcased in West Deptford

Four South Jersey artists—Sydnei Smith Jordan, Gloria Gammage Davis, Quinton Greene, and Robyn Huber—are featured in a collective exhibition at the RiverWinds Community Center in West Deptford, running through August 30. Award-winning artist Sydnei Smith Jordan, a Cape May resident, will attend an artists' reception on July 10; her work is owned by celebrities including Whoopi Goldberg, Sylvester Stallone, and Denzel Washington.

Sawtell Art Gallery’s 37th show a success

Sawtell Art Gallery's 37th Annual Show opened on June 28 with a celebratory party attended by exhibitors and community members. The exhibition featured nine prize categories, each with a $500 award, plus a $100 Youth category, sponsored by local businesses and organizations. Winners included Jordanna Hinton, Jayden Whitton, Bronwyn Fife, Helen Goldsmith, Andrea Hitchcock, Willie Berkof-Ober, Nico Reynolds, Shellie Kelly, Sharon Sykes, Lachlan Wainwright, Max Greenaway, and Stella Dodd. The People's Choice Award is pending announcement at the exhibition's close.

New exhibition at Palmer Museum through July 27 calls for community response

The Palmer Museum of Art at Penn State has opened a new exhibition titled “Shaping American Histories, Dreaming American Futures,” on view through July 27. The show features works that explore diverse American histories, including Billy Morrow Jackson's lithograph “The Tattooed Man,” which references the 1963 Birmingham church bombing. Visitors are invited to contribute reflections on a community response wall, answering questions about the nation's past, present, and future via sticky notes.

Norman Teague: Love Reigns Supreme

Norman Teague is the subject of a documentary film produced by Firelight Media in association with The WNET Group for the PBS series 'American Masters.' The film, directed by Adewole A. Abioye and produced by Aderemi Abioye, explores Teague's life and creative journey as a visual artist. The program is part of the 'In the Making' series and is funded by multiple foundations including the Corporation for Public Broadcasting and the Rosalind P. Walter Foundation.

Valley Center Art Gallery announces winners of ‘Western Ways’ Art Exhibition

The Valley Center Art Gallery announced the winners of its 'Western Ways' art exhibition, celebrating the spirit, landscapes, and traditions of the American West. Sandy Zelasko won Best of Show for her piece 'Ladies First!', while category winners included Robert Cording (Oils), Connie Luizzi (Photography), Gloria Warren (Watercolor & Gouache), Craia Reesor (Pastel & Charcoal), and Barbara Scharnau (Mixed Media and Acrylic). The exhibition featured photography, painting, and mixed media from regional artists.

Independent spaces in Palermo, the new path of art

The article explores the rise of independent art spaces in Palermo, Italy, where artists have formed collaborative, non-commercial studios and exhibition venues outside the official art system. These spaces prioritize shared research, community growth, and collective projects over individual achievement or market goals, creating a unique artistic ecosystem rooted in the city's social fabric.

Byungjun Kwon: ‘I want to break away from the passive, one-sided way of experiencing performances’

Byungjun Kwon, a South Korean artist whose practice spans sound, technology, and performance, has been selected for the 2025 Korean Artists Today project. Kwon began his career as a singer-songwriter in the 1990s, later earning a degree in Art Science from the Royal Conservatoire in The Hague and working as a hardware engineer at the Studio for Electro-Instrumental Music in Amsterdam. His works include immersive sound installations, custom-built instruments, and robotic stage machinery, with pieces such as 'Self-sounding Town Resonant Village' (2019) exhibited at the Museum of Contemporary Art in Busan. He is currently preparing a new project, 'Speak Slowly, and It Will Become a Song', for the Aichi Triennale in Japan.