Gabi Vidal-Irizarry, a guest writer for Artnet News's Wet Paint gossip column, recounts attending an "Artist Party" at the Museum of Modern Art featuring Arthur Jafa. The column then pivots to a profile of Jim Toth, the audio engineer behind the distinctive white pyramid speakers ubiquitous at New York art world events, tracing his career from the city's legendary 1980s nightlife scene to becoming the preferred sound provider for museums and elite patrons.
Jean-Marc Bottazzi, a Japanese bond trader and collector based in Hong Kong, discusses his philosophy of collecting in an interview with The Art Newspaper. He emphasizes deep, focused support of artists rather than acquiring a superficial variety, citing his extensive holdings of over 100 works by the 96-year-old Japanese artist A-Yo and deep collections of Abstract Expressionism, Gutai, and conceptual photography.
Bridget Finn, who became director of Art Basel Miami Beach in July 2023, has organized the 22nd edition of the fair from start to finish for the first time. In an interview days before the VIP opening at the Miami Beach Convention Center, she discussed welcoming 286 galleries, the importance of hospitality, and the fair's role in Miami's art scene. She highlighted 34 new galleries joining this year, notable works by Augusto Machado and Roberto Huarcaya, and the fair's efforts to engage diverse audiences including VIPs, institutions, and the general public.
Gladstone Gallery now represents British painter Celia Paul, known for her moody figurative works drawn from her life. Paintings by Paul are on view at Art Basel Paris this week, and the gallery plans a solo New York exhibition in 2026. Paul has long been represented by Victoria Miro in London but lacked a New York gallery presence since a 2015 show at Gallery Met. Her market has grown following a 2018 exhibition at the Yale Center for British Art and a recent profile in The New Yorker by Karl Ove Knausgaard. Her auction record was set in 2023 when Self-Portrait (2017) sold for $122,700 at Christie’s London.
Dan Nadel, a critic known for championing overlooked American artists, has been appointed curator of drawings and prints at the Whitney Museum in New York. His appointment comes ahead of the opening of his upcoming Whitney exhibition “Sixties Surreal,” which will explore Surrealism’s impact on American art from 1958 to 1972. Nadel previously organized acclaimed shows at Karma gallery, including a pivotal 2018 exhibition of Gertrude Abercrombie, and has held curatorial roles at the Lucas Museum of Narrative Art and the Jan Shrem and Maria Manetti Shrem Museum of Art. The Whitney also announced the appointments of Jennie Goldstein as curator of the collection and Roxanne Smith as assistant curator of the collection.
Actor Robert De Niro announced that artist R.H. Quaytman has won the 2016 Robert De Niro Sr. Prize, awarded to a mid-career painter for excellence and innovation. Quaytman, represented by Gladstone Gallery and Miguel Abreu Gallery, is known for mixed-media works on wood panels that blend photography, printmaking, and technology, often organized into series called "chapters." She will receive a $25,000 prize at a ceremony in New York on December 14. The selection committee included curators from the Metropolitan Museum of Art, the Guggenheim Museum, and the Whitney Museum.
Nacho Polo and Robert Onuska, co-founders of the design gallery Studiotwentyseven, discuss their art collection in an interview with The Art Newspaper. Housed in their Tribeca apartment, the collection spans painting, sculpture, and photography with an emphasis on materiality and sculptural form. They recount their first acquisition—Ron Gorchov's *Autolykos* (2019)—and their most recent purchase, Alex Katz's *Nine Women 5* (2009). The couple also shares their instinctive buying process, a regret over missing a Nick Cave sculpture, and their anticipation for the Jean and Terry de Gunzburg collection at Sotheby's this spring.
CULTURED magazine has published its 2026 list of 16 Power Advisors, highlighting the professionals who guide collectors in building influential art collections. The list includes established figures like Samy Ghiyati and Nicolas Nahab of the Paris-based advisory NG Partners, as well as Los Angeles-based advisor Nancy Gamboa, who worked with collector Jarl Mohn on the MAC3 donation to LACMA, MOCA, and the Hammer. The article notes that the number of art advisors has grown alongside the art market, with a 2020 survey finding that 30% of New York collectors had worked with one.
The article profiles Marta, a prominent art dealer in Los Angeles, highlighting her recent activities and influence within the contemporary art scene. It details her gallery's program, her relationships with artists, and her specific curatorial approach that has garnered significant attention.
The article is an interview with artist Kelly Wall, conducted by Olivia Gauthier, published in the February 2026 issue of Contemporary Art Review LA. It appears within a broader issue exploring themes like scent in art, tarot, and social urgencies in contemporary practice.
Evan Beard, a former Navy intelligence officer and Oxford economics graduate, is launching a new secondary market gallery called Beard & Co. on New York's Upper East Side after leaving Masterworks, the $1 billion art-tech startup where he ran its secondary market gallery Level & Co. Beard's career path includes stints at Deloitte and Bank of America, where he managed art financing operations and worked with major U.S. collectors. His new gallery will employ a half-dozen staff and function as a discreet private bank for collectors, offering services such as art loans, auction guarantees, consignments, and estate planning.
A profile of 93-year-old artist Joan Semmel reveals her continued artistic vigor and rising market demand. The article details her recent studio visit, her philosophy of persistence, and her significant body of work focused on the female form.
I quasi sessant’anni di carriera del leggendario gallerista Enzo Cannaviello. Intervista a tutto campo
Legendary Italian gallerist Enzo Cannaviello reflects on a career spanning nearly sixty years, marked by the opening of his ninth gallery space in Milan. The interview traces his journey from founding his first space in Caserta in 1968 to his influential years in Rome and his ultimate establishment in Milan, which he considers the only true art market in Italy. Cannaviello discusses his unwavering commitment to painting, his pivotal role in promoting the German Neo-Expressionists (Neue Wilde), and the current exhibition dedicated to Mimmo Rotella.
The Solomon R. Guggenheim Museum has appointed Melissa Chiu as its next director, succeeding Richard Armstrong. Chiu joins the New York flagship institution after a twelve-year tenure at the Smithsonian’s Hirshhorn Museum and Sculpture Garden in Washington, D.C., and is expected to assume her new role this coming September.
The author recounts their personal journey to meet the self-taught sculptor Thaddeus Mosley, driven by a profound impression left by his 2004 New York debut exhibition. After a late-night phone call revealed Mosley's vibrant spirit, the author reflects on the artist's decades-long practice of carving salvaged wood into towering, abstract sculptures in Pittsburgh, inspired by jazz, African visual culture, and modernist art, yet operating largely outside the mainstream art world.
Talia Chetrit, a photographer known for her intimate and often provocative images, is profiled in her Brooklyn studio shortly after giving birth. The article explores her career spanning fashion editorial for brands like Phoebe Philo and Celine, as well as her personal art photography, including a notable portrait of Lorde for the single "What Was That" and a series of self-portraits and images of her partner Denis that explore themes of the female body, intimacy, and control.
Charisse Pearlina Weston, a rising artist known for transforming industrial materials like shattered glass and concrete into harmonious abstract works, is the subject of a profile highlighting her rapid ascent. Her first solo exhibition with Jack Shainman Gallery, titled "Mis-/Mé- (Squeeze)," opened in New York's Chelsea and runs through December 20, 2025. Weston, who gained attention with a solo presentation at Patron gallery during Frieze New York 2024, was awarded a Guggenheim Fellowship in April 2025 and has an installation at the Cecilia Alemani-curated SITE Santa Fe International. She will also have dual representation at Art Basel Miami Beach next month.
Matt Bangser, a longtime director at Blum gallery (formerly Blum & Poe), will join Art Intelligence Global (AIG) as senior director on September 8. Bangser spent 16 years at Blum overseeing global sales and securing major estates like Robert Colescott, and previously held senior posts at Van de Weghe Fine Art, Phillips, and Christie's. His move follows the closure of Blum's Los Angeles and Tokyo galleries last month, when founder Tim Blum announced he was leaving the traditional gallery model. AIG co-founder Amy Cappellazzo said Bangser's experience across galleries, auction houses, and artist studios made him a rare hire.
Catherine Walsh, a former cosmetics executive at Estée Lauder and Revlon who pioneered celebrity fragrances at Coty, recounts her journey from buying her first Harry Callahan photograph at age 22 to building a minimalist art collection. She commissioned architect John Pawson to design a house in Telluride, Colorado, after a lecture, and has since acquired works by Gerhard Richter, Donald Judd, Jenny Holzer, Josef Albers, and a 17th-century Dutch portrait, among others. Walsh now lives in a London apartment near the Victoria & Albert Museum, where she displays her carefully curated collection with minimal furniture.
This podcast episode features an in-depth conversation with artist Rudolf Stingel, who discusses his irreverent approach to painting, his influences including Pablo Picasso and Ernst Ludwig Kirchner, and his friendships with artists like Urs Fischer and Maurizio Cattelan. Stingel reflects on his career from the 1980s onward, his exploration of painting across abstraction and photorealism, and his expansion into sculpture and installation. The episode also covers his current exhibitions: 'Vineyard Paintings' at Gagosian in London and his inclusion in 'Les yeux dans les yeux' at the Couvent des Jacobins in Rennes.
The Robert Rauschenberg Foundation has announced the recipients of its one-time Rauschenberg Centennial Award, a $100,000 unrestricted prize honoring the artist's 100th birthday. Winners include artist Senga Nengudi, performer David Thomson, photographers Chandra McCormick and Keith Calhoun, and poet Patricia Spears Jones, all of whom were selected from past participants of the foundation's Captiva Residency program.
Larry Gagosian, the mega-dealer, has candidly discussed the failure of his San Francisco gallery, which operated from 2016 to 2021. He stated the gallery simply failed because "nobody showed up" to openings, describing the experience as depressing. The closure was part of a broader reflection on his career, prompted by the opening of a new Gagosian gallery on New York's Upper East Side.
Artist Tom Burckhardt discusses his creative process and upbringing in a studio interview, highlighting his upcoming work and the influence of his New York School lineage. The son of artists Yvonne Jacquette and Rudy Burckhardt, he explores the concept of "mouthfeel" in painting—a textural quality that parallels culinary experiences—while utilizing humor and skepticism to challenge artistic pretension.
Harvard University's Carpenter Center for the Visual Arts has officially appointed Kate McNamara as its John R. and Barbara Robinson Family Director. McNamara, who had been serving in the role on an interim basis since last year, is the founder of the experimental art space ODD-KIN and has held leadership positions at Providence College Galleries, Otis College of Art and Design, and Boston University Art Galleries.
Howardena Pindell, the 82-year-old artist known for her dot-based abstractions and incisive video works, was honored with a Cultural Leadership Award at the American Federation of Arts’s 2025 Gala. In an interview with Cultured, she discusses her current White Cube show “Off the Grid” in London, which spans her decades-long career from early figurative work to new abstract pieces. The exhibition runs through January 18, and Pindell also reveals upcoming projects: a 50-foot-tall stained-glass mural for the University of Texas at Austin, a Dia Beacon acquisition of her works for long-term display in 2026, and her inclusion as the only living artist in the AFA’s touring exhibition Abstract Expressionists: The Women.
Arne Glimcher, the 87-year-old founder of Pace Gallery, opened a satellite gallery called 125 Newbury in Tribeca in 2021 after his son Marc, Pace's CEO, told him he would have to wait three years for a show slot. The gallery, named after Pace's original Boston address, operates under Pace's umbrella but focuses on experimental, scholarly exhibitions that often feature artists not represented by Pace. Glimcher recently mounted a Kiki Smith show pairing her 1990s paper mannequins with bronze birds, and he continues to take risks, such as funding a pond for Max Hooper Schneider's exhibition. Despite the gallery not being self-sustaining, Glimcher remains committed to supporting original art and connoisseurship.
Glenn Ligon, the New York–based artist known for probing identity and language through neons, canvases, and essays, is featured on the cover of Cultured's 2025 Aspen issue. He will receive the 2025 Lewis Family Art Award at the Aspen Art Museum's ArtCrush gala this August, and a solo exhibition of his work focusing on self-portraiture and text will open at the Aspen Art Museum this winter. In an interview, Ligon discusses the current American psyche, his artist-driven institutional roots, and his creative process with curator Daniel Merritt.
Cultured magazine has published its first Young Dealers List, highlighting 23 galleries under five years old that are revitalizing the art world. The list was compiled from over 100 recommendations gathered from more than 40 collectors, advisors, and curators. The article profiles one of the selected gallerists, Adora Mba, founder of ADA Contemporary Art Gallery in Accra, Ghana, who opened her space in 2020 after working as a cultural news producer. Mba emphasizes supporting emerging African artists and has dedicated her 2025 program to women artists and curators.
This article profiles six visionary women shaping the art world in 2025, beginning with British designer Es Devlin, known for her immersive stagecraft and large-scale installations. It highlights her recent role as global artistic lead of the Women’s Pavilion at Expo 2025 in Osaka, where she created a participatory sound installation. The piece also features Tokini Peterside-Schwebig, founder of ART X Lagos, West Africa's leading international art fair, which celebrates its tenth anniversary in 2025. Peterside-Schwebig is a cultural entrepreneur and collector who has expanded the fair into initiatives like ART X Live!, the Access ART X Prize, and a school program for underprivileged children.
Louisa Buck, a prominent art critic and journalist, has been featured in a profile by The Art Newspaper, highlighting her career and contributions to art journalism. The article discusses her role as a columnist and critic, her insights into the contemporary art world, and her longstanding association with the publication.