New York City’s First Lady, Rama Duwaji, provided an exclusive look into her creative life during a studio visit at Gracie Mansion. The interview explores her dual identity as a ceramicist and illustrator and her transition into the political spotlight, showcasing the personal practice behind her public role.
The art world mourns the passing of Celeste Dupuy-Spencer, a prominent artist and activist known for her politically charged paintings and human rights advocacy, who died at the age of 46. Simultaneously, dissident artist Ai Weiwei has released a new book titled 'On Censorship,' which reflects on his career-long struggle against state persecution and the nuances of freedom of expression. Other notable developments include Gagosian's announcement of a new Upper Manhattan space dedicated to Marcel Duchamp and the detention of artist Criselda Vasquez’s father by ICE.
A feature article examines Salvador Dalí's controversial religious painting "Christ of Saint John of the Cross" (1951), which was physically attacked by vandals on two separate occasions—once with a rock in 1961 and later with an air rifle. The painting, part of Dalí's "Nuclear Mysticism" phase, depicts a floating, unblemished Christ from an aerial perspective, based on a drawing by the mystic St. John of the Cross and modeled by a Hollywood stunt double.
A new visitor experience survey at the Louvre Museum has revealed that 51% of male respondents believe Leonardo da Vinci's Mona Lisa "should smile more." The finding highlights a specific demographic's critique of the artwork's famously enigmatic expression.
New York City's spring art season is bustling with a diverse array of art fairs catering to different tastes and budgets. Major events include the contemporary art-focused Frieze at The Shed, the budget-conscious Affordable Art Fair, the Outsider Art Fair showcasing self-taught artists, the New York International Antiquarian Book Fair, and the IFPDA Print Fair.
A new exhibition at the Frick Collection, "Gainsborough: The Fashion of Portraiture," re-examines the 18th-century English painter's work. It focuses on how his portraits, from early Suffolk "conversation pieces" to later Bath society commissions, used landscape and lavish clothing to visually encode social status, ownership, and belonging.
Lee Miller en grand angle
The Musée d'Art moderne de Paris (MAM) has opened a major retrospective of photographer Lee Miller (1907-1977), featuring nearly 250 prints—many vintage and previously unseen. The exhibition originated at Tate Britain, where it drew over 250,000 visitors, and was co-organized with MAM and the Art Institute of Chicago. Curated by Michal Goldschmidt (former Tate Britain curator) and Fanny Schulmann of MAM, with new research led by Hilary Floe, the show emphasizes Miller's ties to Paris, her technical mastery, and her wartime reporting, including contact sheets from Dachau and Buchenwald never before shown in France.
Reuters has conducted an investigation that claims to have identified the famously anonymous street artist Banksy. The report's key evidence is a police report from Banksy's arrest in New York City approximately twenty years ago.
Ittai Gradel, the Israel-born Danish gem expert who alerted the British Museum to the theft of thousands of antiquities from its collection after discovering them for sale on eBay, died on April 28 of renal cancer at age 61. Days before his death, British Museum officials visited him in hospice and presented him with a rarely awarded medal for his service. Gradel first warned deputy director Jonathan Williams in 2021 that artifacts were being sold online, identified veteran curator Peter Higgs as the culprit, and provided detailed evidence. After the museum failed to act, Gradel contacted then-director Hartwig Fischer; two years later, Higgs was fired, and Fischer and Williams left the institution amid the scandal.
The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.
Artists Anne Imhof and Tyler Mitchell engage in a cross-disciplinary dialogue reflecting on their recent solo exhibitions, "Wish You Were Gay" at Kunsthaus Bregenz and "Wish This Was Real" at C/O Berlin. The conversation explores the intersection of performance, photography, and the choreography of space, with both artists discussing how they manipulate the viewer's physical and emotional presence within an installation.
Wohin am Wochenende?
This week's art tips from Monopol magazine highlight exhibitions and events across Germany and Europe. In Berlin, the Helmut Newton Museum reopens with a new immersive film space and a fresh presentation of its collection, while the Neue Nationalgalerie showcases Ernst Ludwig Kirchner's iconic painting "Potsdamer Platz" in the exhibition "Ruin und Rausch. Berlin 1910-1930." In Bozen, Chinese artist Evelyn Taocheng Wang presents new works at Museion, blending painting, textiles, and installation. The Art Brussels fair returns with a reduced lineup of 138 galleries, focusing on Belgian and neighboring markets. In Duisburg, Anish Kapoor receives the Wilhelm-Lehmbruck Prize, accompanied by a solo exhibition at the Lehmbruck Museum.
The Julia Stoschek Foundation will close its Berlin outpost at the end of October 2025, after a decade of operation. The Düsseldorf-based nonprofit, which holds one of the world's largest collections of time-based art, opened the Berlin space in 2016 and welcomed over 450,000 visitors across 22 exhibitions, including solo shows by Meriem Bennani, Stan Douglas, Arthur Jafa, and Mark Leckey. The foundation cited a "strategic realignment" that will shift focus to projects elsewhere in Germany and abroad. Its Düsseldorf space is currently closed for renovations and expected to reopen next year.
PINTA PANAMA ART WEEK 2026 REAFFIRMS THE COUNTRY AS A HUB FOR REGIONAL CONTEMPORARY ART
The second edition of Pinta Panamá Art Week will be held from March 18-22, 2026, featuring works by Panamanian artists like Cisco Merel, Lulu Molinares, Arístides Ureña Ramos, and Isabel de Obaldía. Their projects, ranging from sculpture and textiles to immersive installations and studio visits, explore themes of memory, territory, and everyday life through the manipulation of materials and space.
A new exhibition at Philadelphia's Institute of Contemporary Art, titled “The Shakers: A World in the Making,” brings historic Shaker objects into dialogue with contemporary art, including newly commissioned works. The show, a collaboration with the Vitra Design Museum, Milwaukee Art Museum, and Shaker Museum, coincides with the release of the film *The Testament of Ann Lee* and focuses on Shaker values such as craft, patience, and care rather than their more controversial principles like celibacy and gender segregation. Featured artists include Amie Cunat, who created a contemplative cardboard meetinghouse, and Christien Meindertsma, who uses Shaker basket-making techniques for willow burial vessels.
Two curatorial teams have won the Hyundai Blue Prize+ 2025, an award organized by Hyundai Motor Company to support curators addressing contemporary issues in an Asian context. The winners are Hyejin and Yoonyoung Park, a Seoul-based duo whose proposal examines AI's reliance on natural resources and labor, and Yifeng Wei and Penny Dan Xu, based in Dublin and London, who invite viewers to reimagine the future of modern technology. Selected from over 160 proposals, the teams participated in a mentorship program and research trip before being chosen by an international jury. Their exhibitions will be held at Hyundai Motorstudio Beijing between mid-2026 and early 2027, with each receiving 800,000 RMB (about $110,000) for production costs.
Tate Britain has announced the shortlist for the 2026 Turner Prize, featuring artists Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. Each shortlisted artist receives £10,000 ($13,500), and their work will be exhibited at Teesside University’s Middlesbrough Institute of Modern Art (MIMA) in North England from September 26, 2026 to March 29, 2027. The winner, to be announced at an awards ceremony at MIMA on December 10, 2026, will receive £25,000 ($33,760).
Salvador Dalí's 1936 painting 'Necrophiliac Spring' will be exhibited in the UK for the first time as part of the 'Schiaparelli: Fashion Becomes Art' exhibition at London's Victoria and Albert Museum. The show, dedicated to designer Elsa Schiaparelli, runs from March 28th to November 8th.
American artist Lauren Halsey’s “sister dreamer” sculpture park opens in Los Angeles.
American artist Lauren Halsey has opened a new public sculpture park titled "sister dreamer" in Los Angeles. The installation, located in the city's historic West Adams neighborhood, features a series of large-scale, fantastical architectural forms that draw on Afrofuturism and the visual culture of the local community.
Tate has announced its 2027 exhibition program across its four UK sites. Major shows include a Lynda Benglis exhibition and an Edvard Munch show at Tate Modern, a Sonia Boyce retrospective at Tate Britain, and two exhibitions celebrating David Hockney's 90th birthday. The program also features Tate Modern's first Monet exhibition, the UK's first solo show for Algerian artist Baya, a survey of Nalini Malani, and a major exhibition on Asian ink painting.
The Institute of Contemporary Art in Philadelphia has opened a new exhibition titled "A World in the Making: The Shakers," which places the work of seven contemporary artists alongside over 100 historical Shaker objects. The show, a collaboration with the Vitra Design Museum and the Milwaukee Art Museum, draws heavily from the collection of the Shaker Museum in New York to explore the community's legacy of radical simplicity, order, and purpose.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has launched "Routed West: Twentieth-Century African American Quilts in California," the first major thematic exploration of the 3,000-piece Eli Leon bequest. Curated by Elaine Yau, the exhibition features over 100 quilts by approximately 80 artists, tracing the migration of improvisational textile traditions from the American South to the Bay Area. The show highlights how these portable objects served as both functional necessities and vital forms of self-expression for Black women during the mid-20th century Great Migration.
A critical essay by Ayọ̀ Akínwándé performs a forensic 'autopsy' of the Tate Modern exhibition 'Nigerian Modernism: Art and Independence.' The review dissects the show's structure, arguing it fails in its curatorial framework by isolating Nigerian artists within a regional category, using ethnographic display methods, relying on incomplete research, and excluding key artists and historical context.
A major exhibition titled 'Let Us Gather In a Flourishing Way' has opened at the Buffalo AKG Art Museum, featuring 58 artists in a comprehensive survey of contemporary Latinx painting. The show, curated by Andrea Alvarez over several years, is organized into seven thematic sections and is designed as a fluid, conversational space that celebrates community and cultural convergence.
Art students at Dartmouth College installed a provocative piece titled "Something Rotten" in the Black Family Visual Arts Center, consisting of 20 moldy beef sticks arranged into a smiley face over the dedication wall honoring billionaire financier Leon Black and his family. The work, created by students Erik Siegel, Angeles Juarez-Ruiz, and Roan Wade, was removed one week after the exhibition "Storage Room" opened on April 14. The piece references Black's documented friendship and business dealings with convicted sex offender Jeffrey Epstein, with the wall label quoting an Epstein email mentioning "jerky." The installation is part of a broader student and alumni campaign to remove Black's name from the arts center, which was funded by a $48 million gift from Black and his wife Debra.
The Denver Art Museum has repatriated a 1,500-year-old marble head of a bearded man to Turkey, following a successful restitution claim. The sculpture, which dates back to the fifth century BCE, was originally unearthed in the agora of the ancient city of Smyrna (modern-day Izmir) and was likely trafficked illicitly before entering the museum's collection. The artifact is now on public display at the İzmir Archaeology Museum.
DeviantArt has undergone a significant resurgence, reaching over 108 million users by 2026 following a multi-year modernization effort. The platform has pivoted away from traditional advertising models to a creator-centric ecosystem that prioritizes artist monetization through subscriptions, digital tip jars, and low-fee sales. By removing third-party ads and implementing advanced image protection technology, the site has positioned itself as a secure alternative to mainstream social media for digital creators.
The 2026 Hong Kong International Cultural Summit convened global museum leaders and policymakers at the M+ museum and the Hong Kong Museum of Art to discuss the city's evolving role as a cultural hub. Amidst geopolitical shifts, the summit saw the signing of several memoranda of understanding between Hong Kong and international institutions, including the Misk Art Institute and the Czech Academy of Visual Arts. Key announcements included a five-year partnership renewal with Art Basel and the upcoming launch of the West Kowloon Academy, an incubator for arts professionals.
Brooklyn Museum director Anne Pasternak sparked a critical conversation at the Making Their Mark Forum in Washington, D.C., highlighting a gendered disparity in museum leadership exits. Pasternak observed that while male directors are typically permitted to retire with dignity, female leaders are increasingly being fired or forced out, calling on the press to investigate the lack of formal data on this trend.
Researchers at the Fitzwilliam Museum have discovered that ancient Egyptian scribes used a primitive form of correction fluid to amend errors on papyrus scrolls. While preparing a 3,300-year-old copy of the Book of the Dead for the tomb of the scribe Ramose, conservators noticed white lines of huntite and calcite mixed with yellow orpiment used to slim down a painted jackal. This 'ancient Wite-Out' was specifically blended to match the cream-colored tone of fresh papyrus, concealing revisions made during the artistic process.