The 82nd Whitney Biennial has opened at the Whitney Museum of American Art, featuring 56 artists, duos, and collectives. Curated by Marcela Guerrero and Drew Sawyer, this edition eschews a formal theme in favor of a sprawling, material-diverse exhibition that emphasizes slow looking and political engagement. Early critical reception suggests a stronger, more cohesive showing than the previous 2024 edition, despite a notable absence of traditional painting.
Bottega Veneta unveiled its Winter 2025 collection at Milan Fashion Week, staged within the brand’s new headquarters at the historic Palazzo San Fedele. Creative director Louise Trotter collaborated with British designer Max Lamb to create a massive site-specific installation consisting of 421 sculptural white chairs for the audience. The set design drew inspiration from Lamb’s "60 Chairs" project, where he rapidly fabricated furniture from polystyrene slabs.
japans art market growth asian art news
Japan’s art market demonstrated remarkable resilience in 2024, growing by 2% to reach $692 million despite a 12% contraction in the global art market. A government-commissioned report by economist Clare McAndrew revealed that the Japanese market is characterized by high-volume, lower-value transactions, with 93% of sales occurring at price points under $10,000 and dealers accounting for the vast majority of trade.
Actor Josh Brolin recently appeared on the Felix Podcast to discuss his extensive journey as an art collector, revealing the challenges even Hollywood stars face when navigating the gallery system. Brolin shared anecdotes about being placed at the back of waiting lists for high-demand artists like Danielle Mckinney and the humbling experience of having to prove his sincere passion for works to dealers like Jeffrey Deitch. The conversation highlighted his collection, which includes works by George Condo, Shara Hughes, and Jammie Holmes.
The New York art scene is witnessing a shift in the Tribeca gallery landscape as 1969 Gallery, a fixture known for championing emerging painters, has shuttered its physical space at 39 White Street. Founder Quang Bao confirmed the closure following the building owner's decision to sell the property, noting that he is currently operating from Barcelona with plans to pivot toward collaborations and residencies rather than the traditional gallery model. Meanwhile, the itinerant Ward Gallery continues to gain traction by hosting pop-up symposia at institutions like the International Center for Photography, signaling a broader trend toward real-estate-free dealership.
The American Federation of the Arts (AFA) has launched a major touring exhibition titled "Abstract Expressionists: The Women," featuring nearly 50 works from the collection of Christian Levett. Currently on view at the Muscarelle Museum of Art in Virginia, the show highlights 32 artists who were pivotal to the movement but often overshadowed by their male peers. The exhibition includes masterpieces by celebrated figures like Helen Frankenthaler and Lee Krasner alongside rediscovered works by lesser-known painters such as Emiko Nakano and Yvonne Thomas.
The Reefline, a non-profit eco-art initiative, has launched its first phase of a seven-mile underwater sculpture park and artificial reef along Miami Beach. The project debuted with 'Concrete Coral' by Argentinian artist Leandro Erlich, a submerged sculpture depicting a traffic jam designed to provide a habitat for marine life. Future phases include works by Carlos Betancourt, Alberto Latorre, and Petroc Sesti, all overseen by the architecture firm OMA and founder Ximena Caminos.
Art Basel Hong Kong 2026 will feature 240 galleries and an expanded program, including the Asia debut of the digital-focused Zero 10 section and a reimagined Encounters section. The Encounters section, curated by a team led by Mami Kataoka, will feature 12 large-scale works based on the Five Elements theme, with pieces by artists like Suki Seokyeong Kang and Parag Tandel. The Film section is under new curation by Ellen Pau, and the fair coincides with major exhibitions at institutions like M+.
The Carnegie Museum of Art in Pittsburgh has announced the artist list for its 2026 Carnegie International exhibition. The largest edition to date features 61 artists from around the world, including the Indigenous Argentinian collective Silät, Indian artist Sanchayan Ghosh, and Peruvian painter Arturo Kameya. The show, titled "If the word we," will open on May 2 and includes 36 new commissions, organized by curators Ryan Inouye, Liz Park, and Danielle A. Jackson.
San Francisco Art Week is underway, anchored by the 12th edition of FOG Design and Art (January 21–25) on a historic former Army base. The event arrives amid flux for Northern California's art scene, with several prominent galleries closing and two major art schools—the San Francisco Art Institute and the California College of the Arts—recently shuttering. However, new free-admission fairs Atrium and Skylight Above (both January 22–25) signal fresh energy. The article highlights must-see museum shows across the city, including "Lee ShinJa: Drawing with Thread" at BAMPFA, "Rose B. Simpson: Lexicon" at the de Young Museum, "Rising Tides" at the Floating Art Museum, and "Earthseed Dome: Lily Kwong" at the Institute of Contemporary Art, San Francisco.
Volume Gallery, a Chicago gallery specializing in art and design, is tripling its size and moving to a new location in the West Town neighborhood. The gallery, founded by Claire Warner and Sam Vinz, will open a 3,500-square-foot space on February 13, marking its third location since its 2010 launch. The inaugural exhibition, "The Heresy of Legacy," will feature works by artists and designers including Selva Aparicio, Richard Artschwager, and Joyce Scott.
Rebecca Salsbury James, an artist who mastered reverse painting on glass and colcha embroidery, is gaining renewed attention. Born in 1891 in London to parents involved in the Buffalo Bill Wild West Show, she later moved to Taos, New Mexico, where she lived until her death in 1968. She was married to photographer Paul Strand, a close friend of Georgia O'Keeffe, and exhibited at Alfred Stieglitz's gallery. Recent milestones include her inclusion in the 2025 Site Santa Fe International, a new acquisition by the Georgia O'Keeffe Museum, and a record auction price for her work at Christie's in 2016.
This edition of State of Play, part of Artnet Pro's The Asia Pivot newsletter, reports on multiple developments across Asia's art scene. Highlights include the launch of Art Fairs Pavilion Taipei, a new alternative art fair co-founded by Hong Kong dealers Willem Molesworth and Ysabelle Cheung, with 13 galleries for its inaugural edition. Galleries Antenna Space and Kwai Fung Hin Art Gallery are expanding into Hong Kong and Singapore respectively, while veteran Beijing gallery Long March Space has closed its physical venue. The Taipei Fine Arts Museum announced Taiwan's collateral exhibition at the Venice Biennale, and the Hong Kong Museum of Art named artists for its collateral show. The Asia Society Museum in New York will open a 70th-anniversary exhibition, and the H+ Museum in Suzhou, designed by Tadao Ando, officially opened with two inaugural shows.
The Frick Collection reopens to the public on April 17 after a five-year closure and a $220 million expansion and renovation by Selldorf Architects. The project adds 18,000 square feet, including 10 new galleries in the family's original second-floor living quarters, a marble staircase, cafe, gift shop, and a new auditorium. The percentage of the collection on view has increased from 25% to 47%, and Ukrainian artist Vladimir Kanevsky has created porcelain floral arrangements for the reopening. New director Axel Rüger, who joined from London's Royal Academy of Arts, welcomed journalists at a press preview.
The United States invaded Venezuela in a military operation that seized President Nicolás Maduro and his wife Cilia Flores, who will face federal charges in New York. The Trump administration has stated it will run the country until a favored government is installed, while Vice President Delcy Rodriguez has been sworn in as interim president. The operation has sparked global protests and mixed reactions among Venezuelans, with some celebrating Maduro's ouster and others condemning the violation of international law.
John P. Axelrod, a prominent art collector and retired lawyer, was killed in a hit-and-run incident on January 3 in Boston's Back Bay neighborhood while walking his dog. The suspect, William Haney, 42, allegedly drove onto a pedestrian mall and struck Axelrod before fleeing; he has been charged with murder and animal cruelty. Axelrod, 79, was a longtime collector of American painting, African American and Latin American art, and decorative arts, and was listed on the ARTnews Top 200 Collectors list from 1997 to 2000.
The article explores the challenge of articulating olfactory experiences in art, focusing on Norwegian artist Sissel Tolaas, who has dedicated her career to scent as a medium. Tolaas has collected over 15,000 smell molecules for her SMELL RE_searchLab in Berlin and invented a language called NASALO to describe scents more precisely. The piece also highlights the Kunstpalast Düsseldorf's exhibition "The Secret Power of Scents," which integrates smell into its permanent collection display, and references historical and contemporary artists like Ernesto Neto, Mike Kelley, and Oswaldo Maciá who have used scent in their work.
Alma Allen, a Utah-born, Mexico-based sculptor, has been selected to represent the United States at the 2026 Venice Biennale, according to ARTnews sources. The pavilion's commissioning curator is Jeffrey Uslip, who previously curated the Malta Pavilion in 2022. The official announcement is pending the end of the government shutdown. Allen, known for large-scale stone, wood, and bronze sculptures, is in talks with Perrotin gallery for representation after his previous gallery, Kasmin, closed and rebranded as Olney Gleason.
Art world insiders share their predictions for 2026, anticipating a market rebound after a turbulent 2025 marked by gallery closures and tariff announcements. Key developments include the launch of new art fairs by Art Basel and Frieze in Qatar and Abu Dhabi, the return of the Whitney Biennial and Venice Biennale, and a surge in estate-driven sales as the Great Wealth Transfer accelerates. Experts note a revival of interest in Old Masters and classic taste, with collectors returning to bidding and galleries seeing renewed activity.
Galerie 1900-2000, a Parisian gallery specializing in Dada and Surrealism, has closed its New York branch on Madison Avenue, which opened in February 2023 as a joint venture with Galerie Georges-Philippe & Nathalie Vallois. The Manhattan outpost's last exhibition ended in September, with principal David Fleiss citing a slow market during difficult global times as the reason for the closure, though he did not rule out a future return to New York.
Uruguay's only art fair, Este Arte, is preparing for its 12th edition from January 4-7 at the Vik Pavilion in José Ignacio. Founded by curator Laura Bardier, the fair features just 14 galleries, including returnees like Galería del Paseo and Xippas Galleries, and newcomers such as Almeida & Dale and Galerie Jocelyn Wolff. Despite its small scale, with works priced from $500 to $400,000 (most under $20,000), the fair has intentionally reduced its exhibitor list since its inaugural edition, focusing on quality over quantity.
Artissima, Italy's only contemporary art fair, closed its 32nd edition on November 2, 2025, at the Oval Lingotto Fiere in Turin, drawing 34,500 visitors and 176 galleries from 36 countries. Directed by Luigi Fassi for the fourth year, the fair ran from October 30 to November 2, featuring 63 monographic presentations and 26 first-time exhibitors. The edition introduced a new 5% VAT rate on artworks in Italy, awarded 13 prizes including the new Vilnius Residency Prize, and saw the Fondazione Arte CRT Acquisition Fund acquire 26 works for GAM Torino and Castello di Rivoli, marking its 25th anniversary. Special projects included "From Japan: Anonymous Art Project" and a film screening by Basim Magdy at Parco Michelotti.
Arthur “Art” Green, a key Chicago Imagist painter and original member of the Hairy Who, died at age 83 in April. The news was announced by Garth Greenan Gallery in New York, which represented him. Green rose to prominence in the mid-1960s alongside five fellow School of the Art Institute of Chicago graduates, exhibiting together as the Hairy Who from 1966 to 1969. Their work offered a humorous, hallucinatory take on American culture, blending Surrealism, Art Brut, and advertising conventions. Green developed a rich personal iconography featuring ice cream cones, wood grain, flames, and fingernails, and taught for decades, influencing a generation of artists.
This week's art industry moves include South Arts appointing Doug Shipman as its next president and CEO, departing his role as Atlanta City Council president to lead the regional nonprofit across nine Southern states. London gallery Alison Jacques now represents Cape Town–born painter Gina Kuschke, with a debut solo exhibition opening January 15. Gallery Wendi Norris in San Francisco will represent the Marie Wilson estate, while Berlin's Galerie Judin adds Jorinde Voigt to its roster in partnership with David Nolan, Dirimart, and Sicardi | Ayers | Bacino. Thaddaeus Ropac appoints John Utterson as director in London, and Aperture secures $2 million in gifts toward its new permanent home. A record $31.4 million was paid for François-Xavier Lalanne's 'Hippopotame Bar' at Sotheby's New York, tripling its high estimate. The article also notes a growing trend of consultancies—mostly US- and European-based—being hired to help the UAE, Qatar, and Saudi Arabia build their cultural sectors.
Darren Bader's first exhibition with Matthew Brown Gallery in New York, titled "Youth," features his signature conceptual works that blur the line between humor and philosophical inquiry. The show includes pieces like "jam on It," a mound of fruit spread placed on a Stephen King novel, and a bin soliciting sock donations, including a pair printed with Edgar Allan Poe's face and injected with Botox. Gallery director Jack Eisenberg describes the challenges of sourcing jam in New York, highlighting the absurd yet meticulous nature of Bader's practice.
Frank Gehry, the visionary architect behind iconic cultural landmarks such as the Guggenheim Museum Bilbao, Fondation Louis Vuitton in Paris, and Walt Disney Concert Hall in Los Angeles, died on December 5 at age 96. Over the weekend, art and architecture figures including artist Rob Pruitt, Serpentine Galleries artistic director Hans Ulrich Obrist, and leaders of institutions like the Guggenheim Bilbao, LACMA, and the J. Paul Getty Trust shared personal remembrances and tributes, highlighting his groundbreaking designs, enduring friendships, and profound influence.
A deadly fire in Hong Kong's Tai Po district, which killed at least 159 people and left 31 missing, has sparked an online battle over the role of bamboo scaffolding in the blaze. Photographer Elaine Li and other artists, architects, and cultural historians are defending the centuries-old craft against early news reports that implicated it, fearing it may be unfairly blamed and regulated out of existence. Officials have ordered all scaffolding mesh removed and arrested 21 people on suspicion of manslaughter, but the conversation has grown into a broader fight to protect a cultural symbol of Hong Kong's identity.
Art Basel Miami Beach is set to open this week, and Artnet News highlights four emerging artists to watch. Among them are Nour Malas, a Syrian painter whose four-panel work for Dubai's Carbon 12 gallery reflects on her childhood and the fall of the regime, blending abstraction with political memory. Zé Tepedino, a Brazilian artist from Rio de Janeiro, creates eco-minded sculptures from beach detritus like flip-flops and umbrellas, riffing on Brazil's social history and consumer culture. Other featured artists include those working with ethereal staged worlds, memory-soaked abstraction, and sculptural experiments in Lycra, offering a vivid snapshot of new voices at the fair.
At Art Basel Miami Beach 2025, Los Angeles–based gallery Commonwealth and Council is distributing a stack of posters featuring Andrea Fraser's latest project, *Lexicon* (2025). The work reproduces a list of approximately 200 words that have been banned or censored under the Trump administration, originally published in the *New York Times* in March 2025. The list includes terms related to diversity, equity, and inclusion (DEI), such as “racial diversity,” “activism,” “women,” and “they/them.” Fraser, known for her institutional critique works like *Museum Highlights: A Gallery Talk* (1989), created *Lexicon* as a direct response to executive orders terminating DEI programs and the subsequent preemptive censorship by federal agencies. She describes the project as an affirmation of art's role in fighting censorship, and it is linked to her ongoing research on museum boards and political donations.
Alma Allen, a self-taught Utah-born sculptor based in Mexico, has been confirmed as the U.S. representative for the 61st Venice Biennale, opening in May. His pavilion exhibition, titled “Alma Allen: Call Me the Breeze,” will be curated by Jeffrey Uslip and commissioned by Jenni Parido of the American Arts Conservancy. Allen’s selection is notably unconventional: he has no major museum solo exhibitions and was dropped by his galleries, Mendes Wood and Olney Gleason, after accepting the commission. The U.S. State Department’s brief release frames the presentation as highlighting “alchemical transformation of matter” and “elevation,” aligning with the Trump Administration’s focus on “American excellence.”