New York City Mayor Zohran Mamdani has announced that the rooftop of the David N. Dinkins Municipal Building in Manhattan will open for free public tours starting in June. The initiative, part of a $6 million improvement project, will allow visitors to access the cupola directly beneath the building's iconic 25-foot-tall gilded statue, Civic Fate, and enjoy panoramic views of the city.
Thousands of documents released by the U.S. Department of Justice reveal that convicted sex offender Jeffrey Epstein was the hidden architect behind billionaire Leon Black's multi-billion dollar art investment and financial strategy from 2012 to 2017. Epstein managed Black's vast collection, valued at $2.7 billion in 2016, setting up LLCs, negotiating loans and commissions with major auction houses and galleries, and deploying the art for tax and estate planning.
A newly released tranche of documents from the US Department of Justice reveals a $5,000 donation from Jeffrey Epstein's foundation, Enhanced Education, to the Metropolitan Museum of Art's Costume Institute Benefit (the Met Gala) in 2014. The check was part of millions of pages made public under the Epstein Files Transparency Act.
The French Senate has unanimously passed a bill to streamline the process of returning artworks and artifacts looted from former colonies during the colonial era. The legislation, which now moves to the National Assembly for final approval, specifically targets items acquired between 1815 and 1972, aiming to remove legal hurdles that have previously required a separate parliamentary vote for each object's restitution.
The Wisconsin Artists Biennial exhibition opens at the Museum of Wisconsin Art (MOWA) in West Bend from February 7 to April 19, featuring 52 works by 50 Wisconsin artists. Selected from nearly 500 artists who submitted over 1,200 entries, the show was juried by Nicole Jacquard, Taylor Jasper, and Melissa Oresky. The biennial awards $10,000 in cash prizes, including the MOWA Prize of $5,000 and a solo museum exhibition. An opening party on February 7 includes a reception, juror talk, and award presentation.
Francis Irv, a young New York gallery known for showcasing an eclectic mix of established and emerging artists from the US and Europe, has closed after just over three years in business. Founded by Shane Rossi and Sam Marion Wilken, who met as studio assistants, the gallery launched in 2022 under the name Kinder in a Chinatown mall beneath the Manhattan Bridge before relocating to a TriBeCa space. Its inaugural exhibition was a group show in Los Angeles co-curated by artist and writer Aria Dean, featuring artists such as Hannah Black, Jordan Wolfson, and Benjamin Echeverria. The gallery never formally announced a roster but showed artists including Sophie Gogl, Karla Kaplun, Megan Marrin, Win McCarthy, Ahgharad Williams, and German sculptor Reinhard Mucha. In December, it helped mount an experimental play by Georgica Pettus. The founders posted a farewell on their website, reflecting on their run.
Two exhibitions in Sarasota trace the origins of the Sarasota Artist Colony, which flourished between 1945 and 1965. One is at Ringling College of Art and Design, titled “Origins: Sarasota Artist Colony, 1945-1965,” co-curated by Tim Jaeger and Bill Hartman. The other is at the downtown offices of Michael Saunders & Co. The Ringling College show features 36 works by colony artists, including Jon Corbino, Ben Stahl, Syd Solomon, and Craig Rubadoux, and places them in the context of post-World War II America, when the GI Bill and cheap rents attracted hundreds of artists to the small beach community.
London’s Courtauld Gallery will open two new contemporary art galleries at its Somerset House campus, funded by a £10 million ($13.8 million) gift from the Blavatnik Family Foundation. The top-floor spaces, originally built as a display area for the Royal Society in the 18th century, are expected to debut in 2029. The donation brings the foundation’s total support for the Courtauld to £20 million ($27.5 million), following earlier backing for the museum’s 2021 renovation. The new galleries will be programmed in part by students in the Courtauld’s curating master’s program and will host exhibitions connecting historical and contemporary art.
A group of 21 artists, including Antony Gormley, Brian Eno, and Mona Hatoum, have donated works to “Seeds of Solidarity,” an art auction organized by Health Workers 4 Palestine to support medical professionals in Gaza. The sale will take place on February 1 at The Savoy in London, with proceeds benefiting the Gaza Medics Solidarity Fund, which provides stipends for doctors, supports mobile clinics, and helps rebuild maternity wards. Separately, the Courtauld in London announced plans for two new contemporary art galleries and a reading room at Somerset House, funded by a £10 million donation from the Blavatnik Family Foundation, as part of an £82 million redevelopment set to open in 2029.
NEXTpittsburgh's monthly art roundup highlights a packed schedule of openings and events in Pittsburgh from late January through May. Key shows include the Pittsburgh Cultural Trust Downtown Gallery Crawl on Jan. 30, featuring artists like Ben Schonberger and Stamatina Gregory; "Stuck in Saṃsāra" (Feb. 6–March 22), a group exhibition of 10 Asian American & Pacific Island artists curated by Brent Nakamoto; and "Lewis Hine Pictures America" (Feb. 21–May 17) at the Frick Museum & Gardens, showcasing the documentary photographer's iconic images of American workers. Additional exhibitions span ceramics, hand-colored photographs, and community shows at venues such as Concept Art Gallery, Bottom Feeder Books, and the John A. Hermann Memorial Art Museum.
Six opera gowns worn by Maria Callas onstage at La Scala in Milan are on display at the Luther W. Brady Art Gallery in Washington, D.C., as part of the exhibition “Callas at La Scala.” The exhibition, located within the Corcoran School of the Arts and Design, features costumes from roles including Anna Bolena and Ifigenia, alongside costume sketches by designers Nicola Benois and Piero Tosi and photographs of Callas. Students from the Corcoran School, guided by assistant professor Tanya Wetenhall, contributed by researching, writing labels, and installing the show, while ambassadors from Greece and Italy spoke at the opening.
A coalition called Health Workers 4 Palestine has organized an art auction, Seeds of Solidarity, to support medical professionals in Gaza. Taking place on 1 February at the Savoy hotel in London, the auction features works donated by 21 visual artists including Antony Gormley, Brian Eno, Mona Hatoum, Lisa Brice, Caroline Walker, and Hassan Hajjaj. Proceeds will benefit the Gaza Medics Solidarity Fund, which provides stipends to doctors, supports mobile clinics, and helps reconstruct maternity wards in the enclave. The sale is curated by Zayna Al-Saleh, known for her Voices of Palestine auctions that have raised over $1.4 million.
A group of artists led by Elise Engler, Joyce Kozloff, and Martha Rosler has circulated a letter urging the Jewish Museum in New York to intervene and save New Deal-era murals and sculptural reliefs from the Wilbur J. Cohen Federal Building in Washington, D.C. The artworks, created by Jewish artists including Ben Shahn, Philip Guston, and Seymour Fogel, are threatened with demolition after the U.S. government listed the building for accelerated disposal in November 2025 and began soliciting demolition bids in December. The letter, addressed to Jewish Museum board chair Shari Aronson, has been signed by hundreds of artists and art-world figures, including Joan Semmel, Rochelle Feinstein, Joan Snyder, Lucy Lippard, and Kay WalkingStick.
Francis Irv, an unconventional art space in New York known for its unpredictable programming, is closing after over three years. Founded by Sam Marion Wilken and Shane Rossi, the gallery operated first in a Chinatown mall beneath the Manhattan Bridge and later in a nondescript third-floor room nearby. It showcased a multigenerational mix of artists from the US and Europe, including Megan Marrin, Win McCarthy, and Reinhard Mucha, and participated in alternative art fairs like Basel Social Club and Paris Internationale rather than the mainstream circuit.
A Nobilified, a start-up that lets customers insert themselves into classic paintings for about $140, has created a series of artworks depicting Super Bowl heroes from the New England Patriots and Seattle Seahawks in historical masterpieces. Patriots quarterback Tom Brady appears as Prometheus (1868) by Gustave Moreau, tight end Rob Gronkowski as Abduction of Ganymede by Jupiter (ca. 1644) by Eustache Le Sueur, while Seahawks quarterback Russell Wilson is shown in Ideal portrait of a Spanish King (ca. 1643) by Alonso Cano, with other players featured in works by John Singleton Copley and Benjamin West.
The Baltimore Museum of Art (BMA) has set a new attendance record with its current exhibition, 'Amy Sherald: American Sublime,' which has drawn 52,597 visitors since opening on November 2. The previous record was held by the 'Matisse/Diebenkorn' show in 2016-2017 with about 45,700 visitors. The exhibition, a mid-career survey of Sherald's work, runs through April 5 and is projected to reach 70,000 attendees. It originated at the San Francisco Museum of Modern Art and traveled to the Whitney Museum of American Art before arriving in Baltimore, after Sherald canceled its planned stop at the National Portrait Gallery due to censorship concerns.
Brafa, Belgium's premier art and antiques fair, has expanded for its 71st edition, now featuring 147 exhibitors across three halls in the Brussels Expo convention centre. Highlights include a newly rediscovered Peter Paul Rubens painting, *Portrait of an Old Man* (around 1609), priced at over €1 million, and a 50,000-year-old woolly mammoth head from Siberia that sold for €45,000. The fair runs from 25 February to 1 March, with a strong focus on painting from Old Masters to Modern art, and a notable presence of Belgian and early 20th-century French artists.
Nicolas Party's exhibition "Dead Fish" at Karma gallery in Chelsea, New York, features approximately 40 postcard-sized oil-on-copper works and a mural of three dead fish, a departure from his usual large-scale pastel paintings. Only 10 of the works were for sale, priced between $165,000 and $205,000, and all sold quickly. The show includes replicas of his earlier compositions, described as a "retrospective in miniature," with many pieces drawn from his archive and not available for purchase.
Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.
FOG Design + Art opened its 2026 edition on January 21 with a gala benefit for SFMOMA's education initiatives, drawing strong attendance and sales. The fair, which blends contemporary art and collectible design, featured 85 works acquired by SFMOMA, including pieces by Ruth Asawa, Michael Armitage, Firelei Báez, Dorothea Lange, Gabriel Orozco, and Indigenous artists such as Jaune Quick-to-See Smith and Kay WalkingStick. Galleries like Wendi Norris presented ambitious, institution-worthy works, with a focus on visionary artists and the intersection of art, science, and spirituality.
The latest episode of The Art Newspaper's 'The Week in Art' podcast, hosted by Ben Luke, covers three major stories. It features a discussion with co-curator Kevin Dumouchelle about 'Here: Pride and Belonging in African Art,' a new exhibition at the Smithsonian’s National Museum of African Art in Washington, D.C., focusing on LGBTQ+ artists from Africa and its diaspora. The episode also examines the cultural impact of the protests and brutal crackdown in Iran, with reporter Sarvy Garenpayeh, and highlights Louise Nevelson's 'Tropical Garden II (1957)' as the Work of the Week, tied to a new survey of the sculptor's work at the Centre Pompidou-Metz.
The Alfred Ceramic Art Museum will host “Fihankra,” an exhibition of ceramic sculptures by Eugene Ofori Agyei, opening February 12 and running through July 19. The works, created during Agyei’s tenure as Turner Teaching Fellow at Alfred University, incorporate Adinkra symbols from Ghana’s Akan ethnic group, wooden benches, batik fabric, yarn, and found objects to explore themes of diaspora, cultural adaptation, and belonging. A reception will be held from 5 to 7 pm on opening day, and the exhibition will be accompanied by the 2026 Perkins Lecture featuring a conversation between Agyei and independent curator Larry Ossei-Mensah.
Art critic Ben Davis reflects on the cultural landscape of early 2026, identifying a chaotic aesthetic defined by AI-generated imagery, esoteric Nazi dog whistles, internet trolling, and gaudy luxury, which he calls the "Chaotic Style." He also discusses the muted response to the 2025 Fall of Freedom initiative, the ongoing credibility crisis of liberal institutions over Gaza, and the need for serious AI criticism that moves beyond dismissing it as "slop."
The Serpentine Gallery in London has announced that Mexican architecture studio Lanza Atelier, founded by Isabel Abascal and Alessandro Arienzo, will design the 25th Serpentine Pavilion, titled "a serpentine," on view from June 6 to October 25. The pavilion draws inspiration from the English crinkle-crankle wall, featuring a translucent roof, brick columns, and a winding outdoor bench. To mark the anniversary, the Serpentine is collaborating with the Zaha Hadid Foundation on a dedicated architecture program at Serpentine South, exploring Hadid's legacy and contemporary architectural issues. The project is sponsored by Goldman Sachs, which has supported the pavilion for 12 years.
The British Museum announced that 2024 was a record year for archaeological discoveries made by the public in the UK, with 79,616 finds recorded. Of these, 1,540 were classified as "treasure" under the 1996 Treasure Act, the highest number ever in a single year and the third consecutive record-breaking year. Ninety-four percent of the discoveries were made by metal detectorists. The figures come from the Portable Antiquities Scheme (PAS), a project jointly managed by the British Museum and Amgueddfa Cymru–Museums Wales. Notable finds include a hoard of silver pennies from Harold II's reign, a Roman vehicle fitting with a panther and severed human head, and early medieval gold and silver objects.
Yasha Grobman, an architect and researcher, has been appointed director general of the Israel Museum in Jerusalem, ending a prolonged leadership crisis. He succeeds Suzanne Landau, who stepped down after serving as interim director since September 2023. Grobman, a former dean of the Faculty of Architecture and Town Planning at the Technion–Israel Institute of Technology, has been publicly critical of Prime Minister Benjamin Netanyahu’s government and has spoken at protests in Haifa opposing the war in Gaza. His appointment follows a discreet search by a board-appointed committee and comes as the museum faces financial strain, reduced hours, and a decline in international activity.
Two nearly identical portraits of George Washington by Charles Peale Polk, depicting him after the 1777 Battle of Princeton, will be auctioned on consecutive days in New York. Christie’s offers a 1793 version (number 53) on January 23, estimated at $200,000–$300,000, which was selected by Jackie Kennedy for the White House in 1962 and remained there until 1992. Sotheby’s offers a 1790–93 version (number 30) on January 24, estimated at $400,000–$600,000, previously sold at Christie’s in 1971 and at Sotheby’s in 2010 for $458,500. Both paintings have passed through Hirschl and Adler Galleries and depict Washington in uniform with Princeton’s Nassau Hall in the background.
Arts Council England announced the results of the 2024-25 Cultural Gifts Scheme and Acceptance in Lieu initiatives, through which 32 artworks valued at nearly $80 million entered public collections. Highlights include Edgar Degas's pastel *Danseuses roses* (ca. 1897–1901) donated to the National Gallery, paintings by Max Liebermann and Max Pechstein given to the Ashmolean Museum, a historic desk used by Prime Ministers Benjamin Disraeli and Winston Churchill acquired by the National Trust, and 77 photographs by Bill Brandt donated to Tate. The report covers transfers from April 2024 to March 2025.
Artist Nan Goldin is donating proceeds from the sale of her 2007 photograph *Ava twirling* to support children from Gaza, inspired by a benefit exhibition and sale titled “Colors That Survived.” The exhibition, curated by children’s educator and YouTube star Rachel Accurso (Ms. Rachel), features prints of drawings by children from Gaza, priced at $200 each in a limited edition of 20, and has already sold out, raising over $65,000. Goldin’s photograph is being auctioned online through January 19, with bidding starting at $15,000. The fundraiser is organized by Artists Support, a charitable initiative founded in 2020, and also involves the team behind the docudrama *The Voice of Hind Rajab*, which won the Grand Jury Prize at the Venice Film Festival.
Digital artist Mike Winkelmann, known as Beeple, joined Ben Davis on the Artnet News podcast "The Art Angle" to discuss his work and the evolving perception of digital art. Beeple first gained global attention in 2021 when his NFT artwork "Everydays, The First 5,000 Days" sold for $69 million at Christie's, making him a symbol of the NFT boom. Since then, he has continued to experiment with new media, including interactive video sculptures shown at LACMA and robot dogs with human heads displayed at Art Basel Miami Beach 2025.