New Frida Kahlo museum, focused on the artist's youth and family life, opens in Mexico City

Museo Casa Kahlo, a new museum dedicated to Frida Kahlo's youth and family life, opened on 27 September in Mexico City's Coyoacán neighborhood, a five-minute walk from the famous Casa Azul. Housed in the historic Kahlo family home acquired in 1930 and later owned by Frida's sister Cristina, the museum was created after over ten years of effort by descendants, led by Mara de Anda Romeo, Cristina's great-granddaughter. The collection draws from the private archive of Isolda Kahlo (Cristina's daughter), featuring letters, personal objects, pre-Hispanic necklaces, traditional dresses, and a few artworks including the early painting *Tray of Poppies* and Frida's only known mixed-media mural (c. 1949), which was uncovered during restoration. The museum emphasizes intimate domestic spaces, audiovisual elements, and the influence of Frida's father Guillermo and the women in her family.

Art Fund Launches ‘Empowering Curators’ Program for Global Majority Professionals

Art Fund, a British charity, launched the Empowering Curators program, a five-year initiative creating twenty multi-year curatorial roles for senior to mid-career professionals from global majority backgrounds. Ten initial fellows have been announced, with placements at major institutions including Tate Liverpool, the Whitworth Art Gallery, and Royal Museums Greenwich, where they will develop exhibitions, installations, and academic programs.

Artist Sid Pattni’s Dual Cultural Backgrounds Inspire His Exploration of Identity in Flux | Travel Insider

Melbourne-based artist Sid Pattni is gaining international recognition for his unique fusion of portraiture and traditional Indian embroidery. Following a transformative residency in New Delhi, Pattni has developed a practice that reclaims colonial-era imagery by framing figures within vivid, beaded borders inspired by Mughal miniatures. His work explores the complexities of the Indian diaspora and the fluid nature of identity, moving beyond conventional portraiture to incorporate ancestral craft techniques.

ART AGAINST COLLAPSE 193 ARTISTS IMAGINE ALTERNATIVE FUTURES

The Nevada Museum of Art has launched 'Into the Time Horizon,' a massive, multi-year exhibition occupying its entire 120,000-square-foot building. Featuring 193 artists from across the globe, the show is organized into seven thematic sections that survey environmental art and confront the climate crisis, while proposing hopeful pathways forward grounded in care and collective responsibility. It will be on view in full until September 2026, with parts remaining until 2027.

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The Belarus Free Theatre (BFT), an underground performance group currently in exile, has announced its first major visual art exhibition titled "Official. Unofficial. Belarus." as a collateral event for the 61st Venice Biennale. Staged at the historic La Chiesa di San Giovanni Evangelista, the show features site-specific works by exiled artists including Sergey Grinevich, Vladimir Tsesler, and Nicolai Khalezin. The installations range from paintings functioning as altar panels to a massive sphere of banned books and a crucifix made of CCTV cameras, all designed to critique the surveillance and censorship of the Lukashenko regime.

Gone too soon: A posthumous retrospective of the late Noah Davis at the Philadelphia Art Museum

The Philadelphia Art Museum (PAM) has opened "Noah Davis," the first solo retrospective of the late Los Angeles–based painter, who died at age 32 from a rare cancer. Davis's career spanned only six years, beginning with his first solo show at Tilton Gallery in New York in 2009. The exhibition, which originated at the Barbican in London, is the fourth and final stop of an international tour and the only North American venue. It features Davis's large-scale, abstract figurative paintings of Black life, including works like "You Are..." (2012) and "Untitled" (2015), and highlights his use of chemical solvents to degrade paint surfaces. The show also explores his role as founder of the Underground Museum in Arlington Heights, Los Angeles, a community-focused space where he once displayed fakes as "Imitations of Wealth."

Untitled Art fair displays new dimensions on Miami's South Beach

Untitled Art fair opened its 14th edition on Miami's South Beach, featuring 160 exhibitors and a strong focus on emerging talent through its Nest sector and new solo and non-profit booth sections. Notable works include Márton Nemes's multisensory Stereo Paintings 11b (2025), Siebren Versteeg's media-critique piece History (2003), and Tanya Aguiñiga's socially engaged cotton-rope sculpture. The fair saw institutional visitors like collectors Don and Mera Rubell and curator Hans Ulrich Obrist, with sales reported for works by Élise Peroi and Samuel Nnorom.

Temple Contemporary Takes Viewers Inside the Pyramid Club

Temple Contemporary, the exhibition space at Tyler School of Art and Architecture on Temple University's campus, has opened "Pyramid Club: 1937-2035," its first show under new curator and director Matthew Jordan-Miller Kenyatta. The exhibition explores the history of the Pyramid Club, a social club for Philadelphia's Black elite founded in 1937, highlighting its prestigious art shows organized by Humbert Howard from 1941 to 1957. It features works from the collection of Dr. William Dodd, photographs by John W. Mosley curated by Leslie Willis Lowry and artist Shawn Theodore, and contemporary multimedia installations by Theodore.

Frieze London's Artist-to-Artist section highlights talent emerging amid political tensions

At Frieze London 2025, the Artist-to-Artist section features emerging artists selected by established names, including René Treviño chosen by Amy Sherald and Ilana Harris-Babou nominated by Camille Henrot. Treviño's solo presentation centers on the sculpture 'Regalia, Moscas Brillantes (Rojo)' (2025), which addresses queer resistance and colonial histories through a fusion of Aztec and European aesthetics. Other presentations include Katherine Hubbard's photographs about her mother's dementia (nominated by Nicole Eisenman), T. Venkanna's delicate works on gender and patriarchy (picked by Bharti Kher), Ana Segovia's subversive cowboy paintings (selected by Abraham Cruzvillegas), and Neal Tait's paintings (chosen by Chris Ofili).

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Jonathon Sturgeon has been appointed deputy editor of Artnet News. Sturgeon brings nearly a decade of experience editing arts and culture coverage, having written for publications including Flavorwire, American Reader, n+1 Magazine, e-flux, the Guardian, the Paris Review, Frieze, and the Baffler. He will work closely with editor-in-chief Rozalia Jovanovic to guide the editorial process, handling both news stories and long-form features.

The soap opera continues. Minister Giuli will boycott the inauguration of the Venice Biennale

La telenovela continua. Il Ministro Giuli diserterà l’inaugurazione della Biennale di Venezia

Alessandro Giuli, Italy's Minister of Culture, has announced he will boycott the pre-opening and inauguration ceremony of the 61st Venice Biennale on May 9, 2026, escalating a political and cultural crisis. The dispute began when Biennale president Pietrangelo Buttafuoco allowed the Russian pavilion to reopen, absent since 2022 due to the Ukraine invasion, citing artistic freedom. Giuli demanded the removal of ministry representative Tamara Gregoretti from the Biennale board for failing to oppose the decision. Tensions flared during the Italy Pavilion press conference, where journalists were confined to a separate streaming room and questions were restricted. The European Commission condemned the Russian pavilion's reopening, cutting €2 million in funding and issuing a 30-day ultimatum, while 22 European countries signed a letter pressuring the institution. The Biennale's international jury, led by Solange Oliveira Farkas, then excluded Russia and Israel from award consideration, citing ethical guidelines against countries whose leaders face International Criminal Court charges for crimes against humanity.

The Jury of the 2026 Venice Art Biennale Will Be Completely Composed of Women

La giuria della Biennale d’Arte di Venezia 2026 sarà tutta composta da donne

The organizing body of the Venice Biennale has announced the international jury for its 61st International Art Exhibition, titled 'In Minor Keys.' For the first time, the five-member jury is composed entirely of women: Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi. They will award the prestigious Golden Lions and special mentions during the awards ceremony on May 9.

When a Palestinian Artist Asserts Her Own Humanity

Palestinian artist Basma al-Sharif faced a coordinated smear campaign and threats after being invited to screen her film "Morgenkreis" at the Kunstakademie Düsseldorf. The controversy erupted not over the film's content, but over her social media posts referencing Palestinian resistance and historical injustices, leading to demands from public officials and advocacy groups to cancel the event.

The Tiny Brooklyn Project Space Resisting the Gallery Machine

The Tiny Brooklyn Project Space Resisting the Gallery Machine

Subtitled NYC, a small non-commercial project space in Brooklyn's Greenpoint, is hosting the exhibition 'On Other Terms' by artists Pap Souleye Fall and Char Jeré. The immersive, multi-sensory installation, filled with intricate assemblages, analog objects, and digital elements, creates an overwhelming environment that mimics the friction and complexity of urban life.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

WURUS – Light catches before form does.

Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.

The Underrated Architect of the Avant-Garde

Der unterschätzte Architekt der Avantgarde

The Fondazione Antonio Dalle Nogare in Bolzano is hosting a comprehensive retrospective dedicated to Ilja Sdanewitsch, known as Iliazd, a Georgian-Russian-French avant-garde polymath. The exhibition, titled "Toutité Iliazd. Die Erforschung der Form," showcases his diverse output as a writer, designer, and publisher who viewed the book as a primary art object. The display includes architectural reliefs, textile designs for Coco Chanel, and his significant collaborations with icons like Picasso and Duchamp.

James Taylor-Foster to Lead Hong Kong’s Para Site

Para Site, a prominent Hong Kong art organization, has appointed James Taylor-Foster as its new executive director. The British Swedish curator and writer succeeds Billy Tang, concluding a leadership transition period managed by deputy director Junni Chen. Taylor-Foster will relocate from Stockholm, where he worked at ArkDes and Moderna Museet, to assume the role this summer.

The Groups and Other Artistic Revolts: Networks and Collectivities in Mexico, 1976-1985

LOS GRUPOS Y OTRAS REVUELTAS ARTÍSTICAS. REDES Y COLECTIVIDADES EN MÉXICO, 1976-1985

The Museo Universitario Arte Contemporáneo (MUAC) in Mexico City has launched a major exhibition titled "Los grupos y otras revueltas artísticas," which re-examines the surge of artist collectives in Mexico between 1976 and 1985. Drawing from the Arkheia Documentation Center, the show moves beyond a simple chronological survey to reconstruct emblematic works and document the radical shifts in artistic language that occurred during this era. It highlights key historical moments, such as the 1977 Paris Biennial and the formation of the Mexican Front of Cultural Workers' Groups, while exploring how these collectives navigated urban spaces and institutional boundaries.

Venice Biennale Breaks No Sanctions Over Russia Pavilion

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The Venice Biennale organizers have reaffirmed their decision to allow Russia to participate in the upcoming exhibition, despite intense pressure from the European Commission and Italy’s own Culture Minister, Alessandro Giuli. The Biennale maintains that it has fully complied with all international sanctions and that its mission is to reject censorship while providing a platform for artistic freedom. This stance has been bolstered by Italian Deputy Premier Matteo Salvini, who argued against "Russophobia" and stated that culture should serve as a bridge rather than a tool for division.

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A fragment of the tusk from Gian Lorenzo Bernini’s 17th-century elephant sculpture in Rome’s Piazza della Minerva was discovered broken off and lying on the ground. Local authorities and police are currently reviewing security footage to determine if the damage to the marble work was caused by intentional vandalism or recent heavy rainfall.

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Christie’s will auction a rare 68-million-year-old Caenagnathid dinosaur skeleton nicknamed 'Spike' at its inaugural 'Groundbreakers: Icons of Our Time' sale in London on December 11. Discovered in 2022, the sub-adult specimen is one of the most complete of its kind, with over 100 preserved fossil bones, and may represent a new species. It is estimated to fetch between £3 million and £5 million ($4 million to $6.6 million), marking the first time a Caenagnathid Oviraptorosaur has been offered at auction.

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Hurricane Melissa has devastated Jamaica and Haiti, causing deadly floods and landslides before moving on to Cuba. The storm forced the closure of major cultural institutions in Kingston, including the National Gallery of Jamaica (closed since October 24) and the Bob Marley Museum, which announced it would remain shut until further notice. The National Gallery offered artists advice on protecting their work, such as removing art from walls, storing it above ground, and anchoring outdoor sculptures. At least 30 deaths have been reported across the region, with Jamaica declared a disaster area.

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A new exhibition at the Hispanic Society Museum & Library in New York, titled "Spanish Style: Fashion Illuminated, 1550–1700," explores how 17th-century Spanish fashion was governed by strict moral and legal codes. Curator Amanda Wunder highlights that garments like the guardainfante hoop skirt and the ruffled collar were regulated by kings and clergy, with women fined or barred from church for revealing shoulders or wearing lace, and men criticized for effeminate styles. The show features portraits and artifacts that reveal how clothing was used as a tool of social control, power, and gender policing in Habsburg Spain.

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New York Mayor-elect Zohran Mamdani visited President Donald Trump at the White House on November 21, where the two former online adversaries found common ground on issues like crime, rent, and affordable housing. They posed together in front of Frank O. Salisbury's portrait of Franklin D. Roosevelt, which Trump claimed to have rediscovered in White House vaults, though it was previously hung by President Joe Biden. The article traces the history of Salisbury's 1935 painting and its copies, including the official White House version commissioned by Harry S. Truman in 1947.

Chile's leading art fair foregrounds affordable works, often with a political edge

The 16th edition of Chile Arte Contemporáneo (Chaco), Chile's only international contemporary art fair, is underway in Santiago, featuring over 50 galleries. The fair emphasizes representation of the entire country, from the Atacama Desert to Patagonia, and includes galleries from 11 countries, with a focus on Chilean contemporary artists. Notable presentations include immersive installations by artists like Fernando Andreo Castro and politically engaged displays, such as a composite flag by Brazilian gallery Hermès and a stand by Mnwal, a space for artists from the Palestinian diaspora.

What can 160-million-year-old clay tell us about AI and ethics? Inside Es Devlin’s tech and pottery summit

Artist and stage designer Es Devlin convened a diverse group of AI researchers, tech experts, and academics at the Oxford Kilns for a unique summit blending pottery with ethical debate. Participants engaged in the tactile process of shaping 160-million-year-old Jurassic clay while discussing the moral implications of artificial intelligence, ranging from the Turing test to Isaac Asimov’s laws. This collaborative workshop serves as a precursor to Devlin’s upcoming installation, "360 Vessels," created in partnership with composer Nico Muhly.

Unbound Narratives: Embodied Language at Atlanta Contemporary, Atlanta

The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.

Tracking Down a Vase From ‘Bonjour Tristesse’

The New York Times has traced the whereabouts of a distinctive blue-and-white vase featured in the 1958 film 'Bonjour Tristesse,' directed by Otto Preminger. The vase, which played a prominent role in the film's set design, was discovered to be a piece by French ceramicist Georges Jouve and had been quietly residing in a private Los Angeles collection for decades.

Sasaoka Yuriko’s Violent Puppeteering

The Shiga Museum of Art is hosting "Paradise Dungeon," a comprehensive exhibition of Sasaoka Yuriko’s video and sculptural works. The show traces the artist's career from her 2011 response to the Tōhoku earthquake to her latest large-scale installations, characterized by a "grotesque" aesthetic involving marionettes with digitally superimposed human faces. Her work utilizes mediated artifice—including fairground-style soundtracks, repurposed toys, and violent puppetry—to explore themes of consumption, sacrifice, and the dehumanizing nature of digital observation.