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London Art Exhibitions Not To Miss Opening Autumn 2025

London's major museums and galleries are preparing a packed autumn 2025 season with blockbuster exhibitions. Highlights include 'Radical Harmony: Helene Kröller-Müller’s Neo-Impressionists' at the National Gallery, 'Theatre Picasso' at Tate Modern, a Kerry James Marshall retrospective at the Royal Academy of Arts, Peter Doig at the Serpentine, Gilbert & George at the Hayward, and 'Encounters: Giacometti x Mona Hatoum' at the Barbican. The Barbican show pairs historic works by Alberto Giacometti with new and existing pieces by Mona Hatoum, including several UK debuts and site-specific large-scale sculptures.

Space, stadiums, poses and prizes: the best art and architecture of autumn 2025

This article is a seasonal preview of the best art and architecture exhibitions opening in autumn 2025, primarily in London and other UK venues. It highlights major shows including Mona Hatoum's dialogue with Giacometti at the Barbican, a Picasso exhibition at Tate Modern, Kerry James Marshall's first major European retrospective at the Royal Academy, and the Turner Prize 2025 at Cartwright Hall Art Gallery in Bradford. Other featured exhibitions cover Hilary Lloyd's work on Dennis Potter, Marie Antoinette's image through art and fashion at the V&A, Basel Abbas and Ruanne Abou-Rahme's new commission at Nottingham Contemporary, and a Lee Miller retrospective at Tate Britain.

15 Outstanding Artworks from the May 2025 New York Art Fairs

Artsy's editorial team curated a selection of 15 outstanding artworks from the seven art fairs taking place in New York during May 2025, including TEFAF, NADA, Esther II, Future Fair, Independent, and 1:54. The article highlights specific works such as Brandon Morris's "Teapot (Desire for No Tomorrow)" at Esther II, and notes that the fairs range from blue-chip offerings at TEFAF to emerging art at NADA, all compressed into a single week.

The 10 Exhibitions to See in May 2025

The article highlights ten exhibitions to see in May 2025, including the Venice Architecture Biennale curated by Carlo Ratti, which explores intelligence in natural, artificial, and collective forms, alongside a parallel show by AMO/OMA at Fondazione Prada. It also covers Gallery Weekend Berlin, featuring Sky Hopinka's new film and photographs at Tanya Leighton, an exhibition by exiled Russian journalists Meduza at Kunstraum Kreuzberg, and a study group on Palestinian agrarian initiatives at Spore Initiative.

New York auctions, James McNeill Whistler at Tate Britain, Edvard Munch—podcast

This episode of The Art Newspaper's podcast 'The Week in Art' covers three major stories: the spring auction results in New York, which saw record prices for works by Jackson Pollock, Constantin Brancusi, and Mark Rothko; the opening of the largest James McNeill Whistler exhibition in Europe in over 30 years at Tate Britain in London, which will later travel to the Van Gogh Museum and The Mesdag Collection in the Netherlands; and a feature on Edvard Munch's 1922 frieze from the Freia Chocolate Factory, currently on loan to the Munch museum in Oslo for the exhibition 'Edvard Munch and the Chocolate Factory.'

Two of Modernism’s Lesbian Icons Get the Novel Treatment

Deborah Levy's novel "My Year in Paris with Gertrude Stein" follows an unnamed narrator who travels to Paris to write an essay about Gertrude Stein, struggling with the weight of Stein's legacy while visiting her grave at Père Lachaise cemetery. The book explores Stein's life as a modernist icon, her relationship with Alice B. Toklas, and her role as a host to figures like Pablo Picasso and Ernest Hemingway, while the narrator grapples with Stein's defiant personality and literary style.

Fantastic visions and cosmic rhythms: how Whistler is making me see – and hear – differently

The article explores how the James McNeill Whistler exhibition at Tate in London prompts a reconsideration of the relationship between music and visual art. Whistler titled his works using musical terms like "Arrangement," "Symphony," and "Nocturne," arguing that painting should be abstract and independent of narrative, much like instrumental music. The exhibition, reviewed by Jonathan Jones, highlights Whistler's radical art-for-art's-sake philosophy, which influenced composer Claude Debussy, whose orchestral Nocturnes were directly inspired by Whistler's paintings of light and atmosphere.

James McNeill Whistler review – a luscious, seductive blockbuster for the painter who scandalised Britain

Tate Britain has opened a major retrospective dedicated to James McNeill Whistler, the American painter who scandalized Victorian Britain. The exhibition centers on his iconic work *Arrangement in Grey and Black No. 1* (commonly known as *Whistler's Mother*), lent by the Musée d'Orsay, and traces his evolution from raw realist scenes of London's docks to radical, abstract celebrations of color and pattern. It includes a reconstruction of *The Peacock Room* and highlights his rivalry with critic John Ruskin, who accused him of 'flinging a pot of paint in the public's face.'

‘Depraved in all the right ways’: why forgotten no wave visionary Gordon Stevenson is about to take off

The article profiles Gordon Stevenson, a forgotten visionary of the no wave movement in late-1970s New York, who was an artist, jewelry designer, musician, and filmmaker best known for the notorious film *Ecstatic Stigmatic*. Decades after his death from AIDS, a storage unit full of his lost work has been discovered, including jewelry, mail-art collaborations with Ray Johnson, and clues to a surviving print of his film. His family has also recovered hundreds of letters he wrote to his parents, chronicling his life in downtown New York and his experiences as one of the city's first AIDS patients. The piece traces his journey from a small town in Georgia, where he met his wife Mirielle Cervenka (who later renamed Exene Cervenka), to their punk-era jewelry brand LHOOQ and his lasting influence on gothic fashion.

Printmaking skills of Manet, Van Gogh and more celebrated in Bath show

An exhibition titled *Beyond Impressionism* at the Holburne Museum in Bath showcases over 50 prints by artists such as Édouard Manet, Vincent van Gogh, Paul Gauguin, James McNeill Whistler, Henri de Toulouse-Lautrec, and Pablo Picasso. The show, running from 23 May to 13 September, highlights how impressionist, post-impressionist, and cubist painters revived printmaking in the late 19th and early 20th centuries, elevating it from commercial reproduction to a respected artistic medium. Works are drawn from public collections including the Courtauld Gallery and Ashmolean, as well as private collections.

Inside TEFAF New York’s Annual Wealth Pageant

The 12th annual TEFAF New York fair took place at the Park Avenue Armory from May 15 to 19, attracting wealthy collectors with a mix of blue-chip art, design objects, and jewelry. Highlights included Kathleen Ryan's bejeweled 'Bad Fruit' sculptures at Gagosian, Cai Guo-Qiang's gunpowder paintings at White Cube (which sold 11 of 12 works), Sheila Hicks's textiles at Demisch Danant, and a new David Hockney painting at Annely Juda Fine Art. The fair featured 88 galleries from 14 countries, with VIP previews drawing art advisors and high-net-worth clients.

Inside the Unlikely Bond Between Lucian Freud and Kate Moss

In 2002, Lucian Freud unveiled a portrait of a naked and pregnant Kate Moss, a rare celebrity subject for the artist who had turned down Princess Diana. A new film, *Moss & Freud*, dramatizes the unlikely friendship that developed between the aging painter and the supermodel during the creation of *Naked Portrait (2002)*. Directed by James Lucas, the film stars Ellie Bamber as Moss and Derek Jacobi as Freud, and explores their intense studio sessions, personal revelations, and the bond that formed despite their contrasting lifestyles.

Garment, body and space merge in Iris van Herpen’s first major New York show

The Brooklyn Museum is hosting Iris van Herpen's first major New York exhibition, featuring over 140 haute couture looks from the Dutch fashion designer. Van Herpen, who founded her house in 2007, pioneered 3D printing in fashion and uses unconventional materials like upcycled marine debris and fermented fibers. The touring show, which originated at Paris's Musée des Arts Décoratifs, includes contemporary art, scientific objects, and natural-history specimens alongside her garments. Curated by Matthew Yokobosky, the Brooklyn iteration draws on the museum's own collections and loans from the American Museum of Natural History, the Staten Island Museum, and the Yale Peabody Museum. Highlights include a dress made with living bioluminescent algae and a re-creation of Van Herpen's atelier.

Zineb Sedira review: A chic ode to revolutionary cinema, brainy boozers – and exceptional berets

Zineb Sedira's exhibition at Tate Britain presents a cinematic and sculptural homage to La Cinémathèque Algérienne, the Algerian film archive founded in 1965 that became a hub for leftist African filmmakers. The show recreates a 1970s Algerian cafe in Paris, complete with a jukebox, books on revolutionary cinema, and a model movie theater screening a documentary about the archive's director, Boudjemaâ Karèche. Sedira, born in Paris to Algerian parents and based in London, weaves personal and political narratives to explore identity, diaspora, and the role of art in social change.

Venice Diary Day 3: Offsite Highlights Include Fleshy Films and Vegetarian Videos

The article reports on the author's third day at the Venice Biennale, focusing on offsite exhibitions. Highlights include Li Yi-Fan's animated video "Screen Melancholy" (2026) at the Taiwan Pavilion, described as chaotic, absurdist, and uncanny, featuring a naked CGI character interacting with ChatGPT. The author also praises Janis Rafa's video installation "Baby I'm Yours, Forever" (2026) at Fondazione In Between Art Film, which transforms scenes from a meat refrigeration plant into haunting surreal imagery. The piece notes the resurgence of video art, aided by LED screens that create immersive environments.

From The Sheep Detectives to Rivals: your complete entertainment guide to the week ahead

This week's entertainment guide from The Guardian includes a major outdoor sculpture exhibition of Henry Moore's monumental works at Kew Gardens, running from May 9, 2026 to January 31, 2027. The show features 30 of Moore's sculptures in the largest-ever presentation of outdoor works by the English modernist. Additionally, Parham Ghalamdar presents a solo exhibition of post-apocalyptic ceramic and glass works at Blenheim Walk Gallery in Leeds, and Photo London, the UK's leading photography fair, returns for its 11th year, moving to Kensington Olympia after a decade at Somerset House.

Brandywine Conservancy and Museum picks architects for $100m expansion project

The Brandywine Conservancy & Museum of Art in Chadds Ford, Pennsylvania, has selected Kengo Kuma & Associates, along with landscape architects Field Operations and Schwartz Silver Architects, to lead a $100 million expansion project. The plan includes a new 40,000-square-foot museum building, renovation of the existing 19th-century grist mill museum, and a ten-mile loop of walking trails connecting the two buildings to the historic studios of artists N.C. Wyeth and Andrew Wyeth. Construction is expected to begin in spring 2025, with completion in autumn 2029. Nearly half the funding has been raised, including contributions from the Wyeth Foundation for American Art and Wyeth family members.

‘A remarkably tenacious motif’: the many faces of Marilyn Monroe revealed in new book and show

The National Portrait Gallery in London will open "Marilyn Monroe: a Portrait" next month, accompanied by a book edited by curator Rosie Broadley in association with the Marilyn Monroe estate. The exhibition and book feature works by Andy Warhol, Pauline Boty, Marlene Dumas, James Gill, Rosalyn Drexler, and others, exploring Monroe as a persistent subject in visual art beyond film. Highlights include Warhol's 1962 silkscreen "Green Marilyn", de Kooning's 1954 portrait, and lesser-known works by Joseph Cornell and Alex Margo Arden.

The Met’s Costume Institute Needs an Art History Lesson

The Metropolitan Museum of Art's Costume Institute spring exhibition, "Costume Art," pairs fashion with artworks from the Met's collection, including ancient Greek statues and Andy Warhol screenprints, alongside garments by designers from Charles James to CFGNY. Curator Andrew Bolton aims to suggest that fashion can expand understanding of art, but the show's juxtapositions often feel vague and sloppy, with only occasional resonant pairings like a Jean Paul Gaultier shirt and Joe Brainard drawing linked by queer artist lineage.

Diedrick Brackens’s Tapestries Beckon the Light of Freedom

Diedrick Brackens presents his first solo exhibition in the Bay Area, "gather tender night," at Yerba Buena Center for the Arts in San Francisco. Guest-curated by Eungie Joo, the show features 15 tapestries from 2020 onward and three new works from 2026, including the immersive installation "clearing (2026)." Brackens, a Black queer artist and CCA professor, uses hand-dyed cotton and acrylic yarn to weave narratives of personal memory, myth, and the natural world, drawing from West African weaving, California fiber art, European tapestry, and Gee's Bend quilting. His approach, influenced by the "sloppy craft" ethos of his mentor Josh Faught, embraces unfinished edges and visible process as acts of refusal against polished traditions.

Archibald prize 2026 finalists: Virginia Trioli, Jan Fran, Ahmed al-Ahmed and more – in pictures

The Guardian has announced the finalists for the 2026 Archibald Prize, Australia's premier portraiture award, featuring 30 works including Loribelle Spirovski's 'Fingerpainting of Daniel Johns', Vincent Namatjira's self-portrait 'The Dust Bowl', and portraits of notable sitters such as Virginia Trioli, Jan Fran, Ahmed al-Ahmed, Layne Beachley, and Governor-General Sam Mostyn. The list also includes the Packing Room Prize winner, Sean Layh's 'The tragicall historie of Hamlet, Prince of Denmarke', and works by artists like Mitch Cairns, Marikit Santiago, and Michael Zavros, with all finalist images published in a photo gallery.

Concrete sun tunnels and shimmering pools of water: the monumental land art of Nancy Holt

Nancy Holt (1938-2014), a pioneering land artist known for her monumental work *Sun Tunnels* (1976) in the Utah desert, is the subject of a new exhibition at the Goodwood Art Foundation in Sussex. Titled *MOONSUNSTAR EARTHSKYWATER*, the show is the first UK retrospective to bring together Holt's photographic works, films, poetry, indoor installations, and outdoor pieces, including *Hydra's Head*, a constellation-inspired installation of six circular pools in a chalk quarry. The exhibition highlights Holt's recurring motifs of circles and systems, tracing them from her early concrete poem to her large-scale cosmological works.

$60 M. Lichtenstein Comes to the Block at Christie’s, Potentially Joining His Priciest Works at Auction

Christie’s will offer Roy Lichtenstein’s 1964 painting *Anxious Girl* from the collection of legendary New York collector-dealer Holly Solomon and her husband Horace, with an estimate of $40–60 million. If it reaches its high estimate, it will become the artist’s second-priciest work at auction, trailing only *Nurse* (1964), which sold for $95.4 million in 2015. The work leads Christie’s 20th-century evening sale on May 18, amid a flurry of high-value consignments as both Christie’s and Sotheby’s aim to sustain momentum after posting improved 2025 results.

A Long-Running Case Centering on Alleged Robert Indiana Forgeries Is Resolved with a $102 M. Settlement

A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.

New catalogues reveal Royal Collection's vast sculpture holdings—and Queen Victoria's acquisition spree

A new four-volume catalogue, authored by former royal surveyor Jonathan Marsden, documents approximately 1,800 sculptures in the Royal Collection. The publication reveals the unsystematic nature of the collection's growth, driven by royal tastes and historical opportunities, and highlights significant discoveries like a previously unknown bronze satyr by Benvenuto Cellini.

Lorna Simpson’s David Adjaye–Designed Brooklyn Home and Studio Remains On the Market—At a Much-Reduced Price

Artist Lorna Simpson has significantly reduced the asking price for her Brooklyn home and studio, located at 208 Vanderbilt Avenue in Fort Greene. Originally listed for $6.5 million in August 2025, the 3,300-square-foot townhouse is now priced at $5 million following months on the market. The property, which features a double-height great room and floor-to-ceiling windows, was custom-built in 2006 for Simpson and her then-husband, artist James Casebere.

2026 Guggenheim Fellowships Go to Sonya Clark, John Miller, and American Artist

The John Simon Guggenheim Memorial Foundation has announced its 101st class of fellows, awarding 223 scholars and artists across 55 disciplines for 2026. Selected from a pool of nearly 5,000 applicants, the new cohort includes prominent visual artists such as Sonya Clark, John Miller, American Artist, and Kota Ezawa. The fellowships provide significant financial grants to individuals who have demonstrated exceptional capacity for productive scholarship or exceptional creative ability in the arts.

epstein files leon black antiquities smuggler douglas latchford

Newly released documents from the Jeffrey Epstein files suggest a direct link between billionaire collector Leon Black and the disgraced late antiquities dealer Douglas Latchford. An inventory titled "Leon Black/ Narrows South East Asian Art Inventory" found in Epstein’s emails lists 12 Southeast Asian works purchased by Black for $23.85 million. Among these is a $7 million bronze Shiva that matches the description of a piece featured in Latchford’s 2004 book, raising significant questions about the provenance of Black's collection.

They Painted the American West. History Painted Them Out

The exhibition "Women Artists of the American West: Colorado and Utah: 1885–1935" at History Jackson Hole spotlights seven forgotten female artists, including the adventurous mountaineer and painter Helen Henderson Chain. Curated by the founders of the Paris-based nonprofit AWARE, the show uncovers the lives of women who documented the Rocky Mountains and local communities while navigating the restrictive social norms of the late 19th century. Through paintings and photographs, the exhibition challenges the traditional, male-dominated "heroic" narrative of Western expansion.

david nahmad denies modigliani nazi loot

Art collector David Nahmad has publicly denied allegations that Amedeo Modigliani’s "Seated Man with a Cane" (1918) is Nazi-looted property. Following revelations from the Panama Papers that Nahmad is the true owner of the painting via the International Art Center, he defended his provenance, claiming the work sought by the heirs of Jewish art dealer Oscar Stettiner is a different painting entirely. Nahmad asserted that if the work is definitively proven to be looted, he will return it, but he currently maintains that the historical documentation regarding a 1944 sale at Drouot refers to a self-portrait, not the work in his possession.