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Fall River artist Brian Fox to unveil Vietnam exhibit. See what inspired his military series.

Fall River artist Brian Fox has completed a series of Vietnam War military paintings titled “In the Valley of the Shadow: The Cost of Walking with Death,” which will debut at the Narrows Center for the Arts from October 18 through December 27, 2025. Fox collaborated closely with U.S. military veterans, who provided technical guidance and honest critique, and the series includes about 25 pieces, mostly black-and-white paintings and sketches, with one color piece titled “Vietnam Nurse.” Notably, Fox used rusting metal sheets as canvas for paintings inspired by Agent Orange, intended to deteriorate over time like the veterans affected by the chemical.

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John Brandler, a British street art specialist, loaned three Banksy works to Metamorfosi, a Rome-based touring exhibition company, for shows in Italy and Switzerland. After a two-year contract expired and was extended with a monthly fee, Brandler claims Metamorfosi has fallen behind on payments and has not returned the artworks, including the mural "Season's Greetings" (2018), "Heart Boy," and "Computer Robot." Another Banksy dealer, Acoris Andipa, says he is owed £45,000 for curatorial services. Metamorfosi disputes the claims, stating it has paid monthly installments and attempted to return the works, blaming storage issues for the delay.

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Donald Moffett's latest exhibition, "Snowflake," opened at Alexander Gray Associates in New York, marking his first solo show in the city since 2019. The exhibition features extruded oil paintings created with cake-decorating tools, including works like "Lot 052525 (nature cult, melt 1)" and "Lot 061625 (nature cult, melt A)," which depict melting snow as a metaphor for the climate crisis. Moffett draws a parallel between this show and his 1989 exhibition "I Love It When You Call Me Names" at Wessel O’Connor Gallery, both titles reclaiming derogatory terms—"homo art" then, "snowflake" now—as acts of defiance. The palette is predominantly black and white, reflecting what Moffett describes as "dark times" and the stark choices of the current political climate.

On Parkinson’s: Three Artists’ Journeys- Kristin Rehder, C. David Thomas, and Torrance York

The Richard F. Brush Art Gallery at St. Lawrence University is hosting an exhibition titled "On Parkinson’s: Three Artists’ Journeys" from October 20 to December 11, featuring works by Kristin Rehder, C. David Thomas, and Torrance York. Each artist uses photography and printmaking to explore their personal experiences with Parkinson’s disease: York’s "Semaphore" project uses metaphorical photographs to document her diagnosis in 2015; Thomas’s "FINDING PARKINSON’S, Doing Battle with My Brain" combines MRI scans, selfies, and lithographs; and Rehder’s "TREMOR" employs a slow shutter to transform her body’s tremors into creative energy.

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The article reviews Stephen Shore's book *Early Work*, which collects photographs he took between the ages of 13 and 18, from 1960 to 1965. Despite his youth, the images display remarkable sophistication, a feat Shore attributes to an atypical childhood that included early access to cameras and a copy of Walker Evans's *American Photographs*. The book includes a "pre-history" essay in which Shore reflects on his formative influences, including time spent at Andy Warhol's Factory and a friendship with headmaster William Dexter, who deepened his interest in photography. The earliest image in the book is a portrait of Dexter taking a photograph, which Shore describes as a metanarrative of a photographer photographing a photographer.

34 Luxembourgish artists take over Larochette Castle

More than 30 Luxembourgish artists have taken over Larochette Castle for the L’Art-Rochette exhibition, running until 14 September. The show features wood, marble, scrap metal sculptures, pottery, photography, paintings, and jewellery, with most works available for purchase. Highlights include wooden sculptures by Jean-Paul Thielfels, scrap metal works by Karin Mayer, marble sculpture by Eck Lunkes, pottery by Mady Roef, and photography by Marc Barthelemy. Organisers Laurence Anciaux and Ren Spautz launched the event in 2020, and it has grown into a biannual art and photo show.

Taipei's new art exhibitions highlight diversity and cultural power

Taipei's art scene presents a diverse fall lineup of exhibitions in September and October, featuring internationally recognized figures such as Anthony McCall, whose 'Solid Light' series debuts in Taiwan at the Fubon Art Museum, and a major retrospective of Finnish architect Alvar Aalto at the Jut Museum of Art. Local galleries also shine, with shows by Taiwanese artists Michael Lin, Shi Jin-hua (posthumous tribute), and Jenny Chen, alongside German artist Michael Muller at Gdm Gallery and Swiss artist Thierry Feuz at Bluerider Art. The season includes technology-focused exhibitions, pop culture offerings like a 'Ghost in the Shell' metal art show, and group shows exploring travel, memory, and contemporary Asian aesthetics.

New art gallery 'The Vault' to open at Columbia Center Mall

A new fine art gallery called 'The Vault' is set to open this weekend inside Columbia Center Mall in Kennewick, Washington. The gallery will showcase metal sculptures and paintings, and will also feature an artisan storefront where visitors can purchase works by regional makers. The grand opening is scheduled for Saturday, September 6, from 10:00 a.m. to 8:00 p.m., with live music and other activities planned.

'Rhino World Order' to open Tyler Art Gallery season

SUNY Oswego's Tyler Art Gallery opens its fall season with 'Rhino World Order,' an exhibition of large-scale ceramic and plaster sculptures by Buffalo-based artist Richard Tomasello. The show runs from September 2 to October 8, with an opening reception on September 5. Tomasello's work draws inspiration from Eugène Ionesco's 1959 absurdist play 'Rhinoceros,' using the rhinoceros as a metaphor for fascism and conformity. His sculptures address themes of physical assault, school shootings, mob mentality, toxic masculinity, and systemic violence, emphasizing the power of individual resistance. Related events include a panel discussion with the artist and gallery director Davana Robedee, and a student reading of the play.

See ‘Shattered Glass: The Women Who Elevated American Art’ in Canton

The Canton Museum of Art in Ohio is presenting 'Shattered Glass: The Women Who Elevated American Art,' an exhibition running from November 25, 2025, through March 1, 2026. Curated by Christy Davis and Kaleigh Pisani, the show spans all museum galleries and features over 120 works by 76 female American artists from the 1780s to the present day. Highlights include Audrey Flack's 1977 photorealist painting 'Marilyn,' still-life trompe-l'oeil works by Claude Hirst (born Claudine in 1855), Sister Corita Kent's 'Circus Alphabet' print series, and a photograph of Lee Miller in Adolf Hitler's abandoned apartment. The exhibition aims to spotlight underrecognized women who persevered despite barriers in the art world.

Art group ‘think outside the square’ for annual show

A group of Southland artists from C.S Art Studio will present their annual exhibition titled "Circles" at Whare Taupua art space in Invercargill, New Zealand, from September 5-26. The show features paintings and sculptures by 43 artists with disabilities and lived experience with mental health or trauma, challenging them to create works within a circular format rather than traditional squares or rectangles.

New exhibit celebrates ceramics at CU Boulder

The CU Art Museum at the University of Colorado Boulder will host 'Shaping Time: CU Ceramics Alumni 2000–2020,' an exhibition opening September 5, 2025, celebrating the ceramics program's legacy. The show features works by alumni from the past two decades, curated by faculty Jeanne Quinn, Scott Chamberlin, and Kim Dickey, who have taught together for 25 years. The exhibition explores themes of environment, domesticity, and material meaning, and includes a symposium on September 5.

River Press Is Opening Its First Micro Exhibition

River Press, a new art studio and shop in Milwaukee's Riverwest neighborhood, is opening its first micro-exhibition on August 29. The inaugural show, titled "Life Should Make More Sense Than This," features a solo presentation by Milwaukee artist Sarah Jane Sutterfield, including metallic monotypes and three sculptural pieces exploring love, grief, and transformation. The exhibition runs through November, with a reception from 5-9 p.m. on opening night.

LUMA’s Richard Hunt exhibition offers an inspiring message for young artists

Loyola University Museum of Art (LUMA) opened "Freedom in Form: Richard Hunt" on July 11, 2025, running through November 15, 2025. Originally planned as a celebration of the renowned Chicago sculptor's career while he was still alive, the exhibition became a posthumous tribute after Hunt died on December 16, 2023, at age 88. The show originated at the Abraham Lincoln Presidential Library and Museum (ALPLM) in Springfield, suggested by Illinois First Lady MK Pritzker, and was later brought to LUMA in Hunt's hometown. It features sculptures, maquettes, tools, his personal workbench, and over 250 books from his library of 5,000 volumes, highlighting his seven-decade career and his role as an adjunct faculty member at Loyola University Chicago.

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Walter Swennen, a Belgian artist who began his career as a poet before turning to painting, has died at age 79. His death was announced by his gallery, Xavier Hufkens, without specifying a cause. Swennen was known for his playful, language-infused paintings that combined cryptic phrases, comic-book-like figures, and unconventional materials such as found wood and metal. He rose to prominence in Belgium alongside other painters interested in materiality, but his work stood out for its freewheeling humor and destabilization of meaning. A major retrospective at WIELS Contemporary Art Centre in Brussels in 2013 helped revive his career, leading to later shows at Gladstone Gallery in New York and a growing international following.

'Through the Veil' exhibition at Sarasota Art Museum an immersive labyrinth of mixed media hanging assemblages

Nassau-born, Atlanta-based artist Lillian Blades presents 'Through the Veil,' her first solo museum exhibition, at the Sarasota Art Museum. The show features suspended mixed-media assemblages called 'veils,' made from Plexiglas, wood, family photographs, and found objects, stitched together with a metallic knotting technique. Inspired by her mother, who was a quilter and died in childbirth, Blades creates immersive, tapestry-like works that envelop viewers and cast intricate shadows on the museum's walls and floors. The exhibition also includes earlier wall assemblages encrusted with three-dimensional materials like antique mirrors and empty picture frames.

'Abstract art is universal': Nanette Carter on her new career survey at the Wexner Center for the Arts

Nanette Carter, an abstract artist working since the 1970s, will present her solo exhibition *Nanette Carter: Afro Sentinels* at the Wexner Center for the Arts in Columbus, Ohio, opening August 22. The show includes a new three-dimensional metal commission, marking her first move off the wall, alongside collages, paintings, and sculptures that explore themes of balance, Black subjectivity, and political turmoil. Carter, born in Columbus in 1956, studied at Oberlin College and the Pratt Institute, where she taught for 20 years, and her work draws on jazz, Russian Constructivism, and her father's civil rights legacy.

De Bruyne to auction art from personal collection for charity

Kevin De Bruyne, the Napoli and Belgium midfielder, is auctioning a piece from his personal art collection to benefit Metabolic Diseases UZ Gent, a non-profit funding research into metabolic disorders. He announced the initiative on X, starting with an abstract painting by German artist Claus Bertermann, and called on other artists and collectors to contribute works to the auction.

Longtime Grounds for Sculpture resident artist Clifford Ward has first exhibition on view there

Clifford Ward, a longtime artist-in-residence at Grounds for Sculpture in Hamilton Township, New Jersey, has opened his first solo exhibition at the venue, titled 'I'll Make Me A World.' The show, on view in the Museum Building through January 11, 2026, features his 'Animism' series—24 large-scale figures standing six to nine feet tall, created over twelve years using plaster bandage. Ward, who began his art career around age 40 and has been at Grounds for Sculpture since 1997, draws inspiration from indigenous cultures, the African diaspora, Native American traditions, and the Māori people of New Zealand.

New book offers a suitably poetic vision of Blake and his legacy

A new book titled "William Blake and the Sea Monsters of Love" by biographer and critic Philip Hoare explores the life and work of William Blake, focusing on the three years the artist spent in Felpham, a coastal village in England, starting in 1800. Hoare argues that the ocean profoundly influenced Blake's art and poetry, using the sea as a metaphor to examine Blake's visionary prints, poems like "Milton," and his androgynous, fluid figures. The book also weaves in a cast of other historical figures—including Herman Melville, Paul Nash, and Nancy Cunard—whom Hoare dubs "sea monsters" for their rebellious, queer, and amphibious spirits.

Can Hauser & Wirth's new Palo Alto space achieve what its rivals failed to?

Hauser & Wirth announced on July 30 that it will open a new location in Palo Alto, California, in spring 2025. The 2,600-square-foot space, located in a former post office on Hamilton Avenue near Stanford University and tech giants like Meta and Google, will be the Swiss mega-gallery's 17th location worldwide and its third in California, joining two existing spaces in Los Angeles. The gallery's president, Marc Payot, cited the Bay Area's dedicated collector community and museums as key reasons for the expansion.

Column: New Richard Hunt exhibit takes the measure of the artist and the man

A new exhibition titled "Freedom in Form: Richard Hunt" is on view at the Loyola University Museum of Art (LUMA) in Chicago through November 15. The show features over 160 works, including intimate sculptures and maquettes, offering a personal look at the late sculptor Richard Hunt, who died in December 2023. It originated at the Abraham Lincoln Presidential Library in Springfield, inspired by Illinois first lady MK Pritzker. The exhibition highlights Hunt's early life, his self-taught welding skills, and his pivotal experience attending Emmett Till's funeral in 1955, which shaped his commitment to civil rights and social justice through art.

Upcoming Art Exhibition at CACHE – A Look Back

The Center for Art, Culture, and History—Exeter (CACHE) will host a solo sculpture exhibition by Edward Brown Dobson titled "A Look Back," opening August 2025 with a reception on August 2. Dobson, a 90-year-old Exeter native, combines influences from Native American culture, Egyptian history, and his work with metal, bronze, and wood, shaped by his background as a U.S. Air Force helicopter pilot and his studies in archaeology, anthropology, and art.

Exhibition as Séance at Seoul Mediacity Biennale with Anton Vidokle, Hallie Ayres, and Lukas Brasiskis

The 13th Seoul Mediacity Biennale, titled “Séance: Technology of the Spirit,” will open in August 2025 at the Seoul Museum of Art. The exhibition is curated by Anton Vidokle, Hallie Ayres, and Lukas Brasiskis of e-flux, who previously organized the Shanghai Biennale in 2023. The curators aim to structure a film program as an extension of the exhibition, engaging with themes of Cosmism and spiritual séance. They have collaborated with the Hong Kong-based architecture firm COLLECTIVE to transform the museum’s white-wall space into a scenography evoking different metaphysical realms, using color and light to enhance the experience.

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Ari Aster's upcoming film *Eddington*, premiering at Cannes, uses David Wojnarowicz's 1988–89 artwork *Untitled (Buffalos)* as its poster image. The film, set in May 2020, follows a sheriff and mayor clashing over face masks during the COVID-19 pandemic. Wojnarowicz's work, originally a critique of U.S. government indifference during the AIDS crisis, depicts bison falling off a cliff—a metaphor for societal collapse. The poster slightly alters the image, and A24, the production company, has not commented on the design.

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The Museum of Modern Art (MoMA) in New York has acquired and put on display a capsule from the demolished Nagakin Capsule Tower in Tokyo. The capsule, designated A1305, is the centerpiece of a year-long exhibition titled "The Many Lives of the Nakagin Capsule Tower," which also includes archival materials such as photographs, models, films, and recordings. The tower, designed by Kisho Kurokawa and completed in 1972, was a landmark of the Metabolism movement, featuring 140 prefabricated modules. After years of decline, it was demolished in 2022, but 23 capsules were salvaged, with 16 finding homes in institutions including MoMA.

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Brazilian sculptor Solange Pessoa is the subject of a solo exhibition at the Aspen Art Museum, featuring her evolving installation *Bags – Aspen version* (1994–2025). The work, originally created in 1994, consists of burlap sacks filled with organic materials such as coffee beans, seeds, feathers, dried peppers, and records by Brazilian musicians, arranged in towers on a dirt-covered floor. Pessoa, who has long been based in Belo Horizonte, has recreated the piece in various locations over three decades, and this iteration marks one of her few solo museum shows outside Brazil.

Exhibition Tour—Arts of the Ancient Americas | Michael C. Rockefeller Wing

The Metropolitan Museum of Art celebrated the renovation and reopening of the Arts of the Ancient Americas galleries in the Michael C. Rockefeller Wing with a special exhibition tour. Curators Joanne Pillsbury and Laura Filloy Nadal, along with museum director Max Hollein and special guest Alejandro de Avila, led the event, highlighting new scholarship on the Mesoamerican ballgame, the roles of women of power, and Moche metalworking technology.

Baltimore-based artist Linling Lu on weaving color, culture, and music into her work

Baltimore-based artist Linling Lu, who trained as a classical pianist in southern China, discusses her work *Circle Dance* on view at the Frary Gallery in the Hopkins Bloomberg Center. The metal print features ten concentric orbs inspired by circle dances, geometry, and Renaissance tondos. Lu explains how her background in music informs her visual art, comparing color to a musical element and citing influences from Henri Matisse, Stravinsky, and tribal Miao circle dances. She also previews her upcoming solo exhibition *Fugue in 3 Voices* at Artis—Naples, The Baker Museum, which will respond to compositions by Dvořák, Stravinsky, and Beethoven.

Avignon becomes artist Jean-Michel Othoniel's gallery in his biggest ever exhibition

French artist Jean-Michel Othoniel has mounted his largest-ever exhibition across the city of Avignon, installing 270 artworks—140 of them new—in 10 locations including the Palais des Papes, city museums, public courtyards, building facades, and the medieval St Bénezet bridge. The show, commissioned to mark Avignon’s 25th anniversary as European Capital of Culture and 30th year as a UNESCO World Heritage site in 2025, took nearly six weeks to install and involved a team of hundreds, including glassblowers, metalworkers, gilders, and dancers. Othoniel took the 14th-century Italian poet Petrarch as his thematic starting point, exploring different facets of love across the venues.