Southern California-based artist Jo Ann Block will debut a new solo exhibition titled "The Meaning of Life: A Self Portrait" at the Studio Channel Islands Art Center on April 4, 2026. The multidisciplinary showcase features sculpture, video, and painting organized into immersive installations that trace the artist's personal history and lived experiences.
Joseph Beuys remains one of the most polarizing figures in 20th-century art, a former Nazi soldier who reinvented himself as a shamanic healer and a founding member of the Green Party. A new monographic study by art historian Daniel Spaulding, 'Joseph Beuys and History', re-evaluates the artist's legacy by confronting his refusal to apologize for his wartime past and his use of ambiguous materials like fat and felt. Spaulding argues that Beuys’s work should be read through the lens of 'bad faith,' where his utopian slogans masked a deep, unresolved engagement with the horrors of the Holocaust.
Patricia Marroquin Norby, the Metropolitan Museum of Art’s first-ever curator of Native American art, has stepped down from her role after a five-year tenure. While both Norby and the museum cited health reasons for her December 2025 departure, the exit follows intense public scrutiny regarding her claims of Indigenous heritage. A 2024 report by the Tribal Alliance Against Frauds (TAAF) alleged that Norby has no American Indian ancestry, leading to a public debate over her qualifications and identity.
The 27th edition of Art Rotterdam took place at the Rotterdam Ahoy, featuring over 150 galleries with a heavy emphasis on the Dutch art scene. This year’s fair was marked by a strategic integration with the photography fair Unseen and coincided with major local developments, including the relocation of the Nederlands Fotomuseum to its new 'Santos' home and the opening of the Fenix Museum of Migration. Notable presentations included Sakir Khader’s poignant photography of Palestinian resistance at No Man's Art Gallery and Shimon Kamada’s atmospheric oil paintings at Diez Gallery.
Archway Gallery, the longest-running artist-owned cooperative in Texas, is celebrating its 50th anniversary with a series of commemorative exhibitions. The festivities began with 'Homecoming' at the Jung Center—the site of the gallery's first show in 1976—and continue with 'Fifty Forward' at their main Houston space, featuring works and self-portraits by all 34 current members alongside contributions from founding artists.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has launched "Routed West: Twentieth-Century African American Quilts in California," the first major thematic exploration of the 3,000-piece Eli Leon bequest. Curated by Elaine Yau, the exhibition features over 100 quilts by approximately 80 artists, tracing the migration of improvisational textile traditions from the American South to the Bay Area. The show highlights how these portable objects served as both functional necessities and vital forms of self-expression for Black women during the mid-20th century Great Migration.
International artist Yaniv Edery has launched his first UK gallery in a Georgian townhouse on Picardy Place in Edinburgh. The venue showcases Edery’s signature style, which utilizes a unique technique of layering resin over injected acrylic and ink on brushed aluminum to create vibrant, pop-art-inspired works. The space is designed to function as both a contemporary art gallery and a luxury events venue, featuring a dedicated function room, bars, and boutique suites.
Mansfield Museum and Art Gallery has launched its Open Art 2026 exhibition, a showcase featuring the work of 27 local and regional artists. Selected by a community panel from over 50 submissions, the exhibition includes a diverse range of mediums such as painting, sculpture, photography, and textiles. The show features both established professionals and first-time exhibitors, including mixed media artist Abbi Olla and self-taught photographer Caitlin Bower.
The Portland Art Museum (PAM), the oldest art museum in the Pacific Northwest, has recently completed a significant 100,000-square-foot expansion to enhance its public and gallery spaces. The museum's diverse collection of over 50,000 objects is particularly noted for its holdings in Native American art, English silver, and graphic arts. Current highlights include the Joe and Shelley Voboril Gallery’s focus on Plains regional works and the 'Conductions: Black Imaginings II' series of in-gallery activations.
The Mississippi Museum of Art has launched "L.V. Hull: Love Is a Sensation," the first major museum retrospective dedicated to the late self-taught African American artist L.V. Hull. The exhibition showcases Hull’s vibrant, immersive practice of transforming her Kosciusko home and everyday found objects—ranging from sneakers and fan blades to television sets—into a dense, kaleidoscopic art environment. The show is presented in partnership with the L.V. Hull Legacy Center and features individual artworks, archival ephemera, and documentary footage.
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Independent has unveiled the exhibitor list for its 17th edition, scheduled for May 14–17, 2026. The fair is relocating to a new venue at Pier 36 in New York’s Lower East Side and will feature 76 exhibitors showcasing over 100 artists. Notably, more than 70 percent of the booths will be dedicated to solo presentations, including a special solo project by Rei Kawakubo for Comme des Garçons and sculptural installations by Gretchen Bender and Francis Upritchard.
The Laband Art Gallery at Loyola Marymount University is hosting a retrospective titled "Noni Olabisi: When Lightning Strikes," showcasing over 40 works by the late Los Angeles muralist and painter. The exhibition, curated by Karen Rapp, spans Olabisi’s career from 1984 to 2022, featuring her powerful political murals and personal canvases that document Black culture and the struggle against systemic racism. This marks the first major posthumous survey of her work since her unexpected passing in 2022.
Eight preservation societies have filed a lawsuit against the Trump administration to halt a planned two-year closure and renovation of the Kennedy Center in Washington, D.C. The legal action alleges that the administration is bypassing federal historic preservation and environmental laws, as well as necessary Congressional approval, to fundamentally alter the modernist landmark. The suit specifically targets the administration's lack of transparency regarding the extent of the work, which plaintiffs fear could include demolition and reconstruction.
The 2026 Hong Kong International Cultural Summit convened global museum leaders and policymakers at the M+ museum and the Hong Kong Museum of Art to discuss the city's evolving role as a cultural hub. Amidst geopolitical shifts, the summit saw the signing of several memoranda of understanding between Hong Kong and international institutions, including the Misk Art Institute and the Czech Academy of Visual Arts. Key announcements included a five-year partnership renewal with Art Basel and the upcoming launch of the West Kowloon Academy, an incubator for arts professionals.
The Milwaukee Art Museum is hosting a major traveling retrospective of Gertrude Abercrombie, the Chicago-based painter known as the "jazz witch" of Hyde Park. Titled "Gertrude Abercrombie: The Whole World is a Mystery," the exhibition features nearly eighty paintings sourced from major museums and private collections, marking the largest survey of her work to date. The show highlights her unique brand of Surrealism, characterized by dreamlike interiors, stark landscapes, and enigmatic self-portraits.
The Palmer Museum of Art is hosting "Who Wears the Pants?! Fashion History One Leg at a Time," an exhibition exploring the intersection of gender, power, and mobility through the history of clothing. Curated by Charlene Gross and Keri Mongelluzzo, the show features 29 works from the museum's collection ranging from the seventh century to 2007. The display is organized into four thematic sections—gender, labor, mobility, and self-expression—and includes notable works such as Mary Beth Edelson’s feminist lithograph "Some Living American Women Artists/Last Supper."
The St. Petersburg and Gulfport art scenes are preparing for a busy spring season with several major installations and exhibition openings. Highlights include the unveiling of Yvette Mayorga’s 30-foot kinetic sculpture, "The Magic Grasshopper," at the Museum of Fine Arts St. Petersburg, and the 10th anniversary of the "Fresh Squeezed" emerging artist exhibition at the Morean Art Center. Other notable events include Ali Banisadr’s solo show at the MFA, an environmentally-themed group exhibition at Soft Water Gallery, and a unique video game installation exploring Native Alaskan culture at the James Museum.
The Weisman Art Museum is hosting "Never Spoken Again: Rogue Curatorial Strategies," a traveling exhibition that critically examines the history of institutional collecting. Curated by David Ayala-Alfonso, the show features works by international artists that investigate how objects are acquired, categorized, and displayed, often highlighting the colonial and exploitative practices embedded in museum traditions.
The Owensboro Art Guild recently held its 64th Annual Juried Exhibition at the Owensboro Museum of Fine Art, marking a record-breaking year for both participation and prize money. Juror Daniel Pfalzgraf selected 57 works from 81 entries across Kentucky, Indiana, and Tennessee, with over $8,000 in merit and purchase awards distributed. Local artist Vicki Hast secured the Best in Show title for her mixed-media sculpture "A Willow Orb," a non-utilitarian piece woven from willow she cultivates and harvests herself.
Perth-based multidisciplinary artist Lisa Principe launched her latest solo exhibition, "In Parallel Exhibition: An Atlas of Becoming," at Cleaver House in West Perth on March 13. The showcase features works that explore the evolving relationship between the self and the landscape, notably encouraging visitors to engage with the art through both touch and sight. The opening event featured a Welcome to Country by Dr. Noel Nannup, a speech by Ash Tower, and a musical performance by Tanaya Harper.
Tasmanian artist Adele Auchterlonie is set to debut her first solo exhibition, "Summer’s Rhythm," at the fortyfivedownstairs gallery in Melbourne. The self-taught painter, based in Lindisfarne, experienced a rapid surge in professional interest after her Instagram following grew from 400 to over 7,000 in just five months. The upcoming showcase features works inspired by the Australian outdoors and nostalgic summer memories, created primarily during her maternity leave.
The NewBridge Project in Newcastle’s Shieldfield neighborhood has established itself as a vital community hub and artist collective, housing 130 visual and cross-disciplinary artists across 90 studios. Beyond providing affordable workspace, the organization operates an independent bookshop, a youth program, and a memory cafe, positioning itself as a "third space" that bridges the gap between professional art production and local social engagement.
The Biennale of Sydney has officially denied allegations of discrimination and bias following claims from Australia’s Jewish community that the exhibition's selection process favored anti-Zionist artists. The controversy intensified when the NSW Jewish Board of Deputies declined a preview invitation, citing "objectionable social media activity" by participating artists rather than the artworks themselves. In response, the Biennale maintained that its selection process is based strictly on artistic merit and that the organization maintains a zero-tolerance policy toward all forms of racism, including antisemitism and Islamophobia.
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Internal communications from the University of North Texas (UNT) reveal that administrators canceled an exhibition featuring anti-ICE (Immigration and Customs Enforcement) artwork due to concerns over political backlash and potential funding threats. The text messages and emails show leadership discussing the "political sensitivity" of the work and the risk of alienating state legislators, leading to the abrupt closure of the show before its scheduled run.
Hollis Taggart is hosting a retrospective of Frank Diaz Escalet, a Puerto Rican-born artist whose unique practice involved creating intricate figurative compositions from inlaid leather. Raised in New York and later based in Maine, Escalet transitioned from a master leather craftsman catering to celebrities like the Rolling Stones to a fine artist focused on the lives of everyday people. The exhibition showcases his self-taught technique of cutting, dyeing, and conjoining leather shapes to create vibrant scenes of Puerto Rican culture and urban life.
Sotheby’s kicked off the spring auction season in London with a Modern and Contemporary Evening Sale that generated £131 million ($177.4 million) including fees. The auction saw a high 98 percent sell-through rate, bolstered by the sale of four significant works from the collection of financier Joe Lewis. The top lot was Francis Bacon’s 1972 "Self-Portrait," which fetched £16.03 million, while a new auction record was established for Leon Kossoff.
The Sonoma Valley Museum of Art (SVMA) has unveiled its 2026 exhibition schedule, themed "A Year of Joy Through Art." The lineup features four distinct solo presentations: a retrospective of Northern California Funk Art movement figure Maija Peeples-Bright, a portrait series exploring Puerto Rican identity by Norma I. Quintana, shimmering queer-themed tapestries by John Paul Morabito, and a narrative-driven survey of M. Louise Stanley’s humorous paintings and personal archives.
Studio Ghibli has donated over 120 rare production artifacts to the Academy Museum of Motion Pictures, marking the first time the legendary animation studio has gifted such materials to an external institution. The donation includes original Japanese release posters, artboards, and key animation drawings from the 2008 film 'Ponyo,' which were revealed to be hand-drawn by Hayao Miyazaki himself. These items are currently featured in the museum's new interactive exhibition, 'Studio Ghibli’s Ponyo.'
British self-taught artist Madge Gill has achieved a new auction record at Christie’s New York, where a rare 1930s embroidered textile work sold for $120,650. The sale price significantly exceeded the initial estimate of $60,000 to $80,000, marking the first time one of Gill’s rare textile pieces has ever appeared at auction. Previously, the artist was primarily known for her visionary ink drawings on calico and postcards, often created under the guidance of a spiritual entity she called “Myrninerest.”
Sculptor Alma Allen has officially joined Galerie Perrotin, a major international blue-chip gallery, ahead of his representation of the United States at the upcoming Venice Biennale. The move follows a period of representation turnover, as Allen was recently dropped by Olney Gleason and Mendes Wood DM after accepting the prestigious commission. Perrotin will provide essential logistical and operational support for the U.S. Pavilion, with Allen’s first solo exhibition at the gallery’s Paris location scheduled for this fall.