Central Midtown Gallery is hosting an exhibition titled 'Putting the ‘Me’ in Anime: Self-Portrait in Iconic Anime and Manga Styles.' The show features contemporary artists creating self-portraits that emulate the distinctive visual languages of major anime and manga series, blending personal identity with iconic pop culture aesthetics.
The Narrows Center for the Arts in Fall River, Massachusetts, is preparing to host a group exhibition titled "Fall River: A Sense of Place" this autumn. The show will feature works by local artists exploring the city's unique identity, history, and community through various mediums.
The Olive Hyde Art Gallery in Fremont, California, has announced the return of its Open Biennial exhibition. The show is open to all artists living or working in the Bay Area, with submissions accepted through July 20. The exhibition itself will run from August 17 to September 28, 2024.
The Eli and Edythe Broad Art Museum at Michigan State University has opened a new exhibition titled "Embracing the Dark." The show explores themes of darkness, the nocturnal, and the unseen through a diverse range of contemporary artworks, inviting visitors to reconsider their perceptions of light and shadow.
A REINTERPRETATION OF THE FUENTES ANGARITA COLLECTION AT LA NEOMUDEJAR
Museo La Neomudéjar in Madrid is presenting a major exhibition titled '30 Years of Irreverence and Vision in the Fuentes Angarita Collection.' The show features over 130 works from the collection of Venezuelan artist and collector Andreína Fuentes Angarita, curated by Néstor Prieto and Omar Castañeda. It is structured as a living archive, mapping three decades of Latin American political art through four thematic stations: the collective self, diaspora, identity and gender, and the memory of the body.
Hamburger Galeristin Jenny Falckenberg unerwartet gestorben
The Hamburg art world is mourning the sudden passing of gallery owner and art agent Jenny Falckenberg, who died in her sleep at the age of 45. The daughter of the late legendary collector Harald Falckenberg, she had established herself as a significant force in the German contemporary art scene, known for her ability to bridge the gap between established figures and emerging talent.
Do you hate art museums? Why (and how) to take a 2nd look
The traditional art museum experience often leads to exhaustion and a sense of alienation due to the overwhelming abundance of artworks and the pressure to see everything quickly. This phenomenon, which affects even visitors to world-class institutions like the Vatican or the Uffizi, stems from a 'problem of abundance' rather than a lack of appreciation for the art itself. The author suggests that smaller, more intimate spaces and a slower approach to viewing would make art more accessible and less intimidating for the general public.
La recette d’art d’Alain Passard : un îlot de goûts emballé façon Christo et Jeanne-Claude
Michelin-starred chef Alain Passard pays tribute to the monumental environmental installations of Christo and Jeanne-Claude through a culinary creation. The article highlights the duo's 1983 project 'Surrounded Islands,' where they encircled eleven islands in Miami's Biscayne Bay with 600,000 square meters of floating pink polypropylene fabric, a work that exemplified their commitment to self-funded, accessible, and ephemeral public art.
Uzbekistan has launched a significant design exhibition in Milan, showcasing a collection that blends the nation's ancient cultural traditions with contemporary aesthetics. The showcase features works inspired by the arid landscapes and rich artisanal history of the Central Asian republic, marking a deliberate effort to export its unique creative identity to a global audience during a major international design moment.
The Bangkok Art and Culture Centre (BACC) has established itself as the primary hub for contemporary art in Thailand's capital. Located at the Pathum Wan intersection, the facility features a distinctive circular design with a spiral walkway that hosts a diverse range of programming, including contemporary art exhibitions, music, theater, and film screenings.
Northern Irish artist Robyn Ward has announced a major global exhibition titled 'Shards of Dawn,' set to premiere in 2026. The exhibition will debut at Mana Contemporary in New Jersey before traveling to Mana Contemporary Miami during Art Basel and concluding at the Modern Art Museum Shanghai in 2027. Curated by Shai Baitel, the body of work incorporates industrial fragments and discarded materials, marking the second installment of a trilogy that explores themes of memory, fracture, and resilience.
Insetti, abiti e ribellione: perché “La legge di Lidia Poët” è diversa da tutte le altre serie in costume
The third and final season of the Netflix series "The Law of Lidia Poët" concludes the story of Italy's first female lawyer in 1880s Turin. While the narrative follows her legal battles and social defiance, the production distinguishes itself through a rigorous and symbolic approach to costume design led by Stefano Ciammitti. Rather than modernizing the past, the series uses historical aesthetics—specifically gothic literature and naturalistic obsessions—to construct a visual language of rebellion.
The African American Museum, Dallas has announced it will reopen on May 1 following extensive facility improvements, including HVAC upgrades, floor repairs, and technological enhancements. The reopening will be marked by the debut of a major exhibition titled "People Who Make the World Go ‘Round: The Legacy of Sepia Magazine," which showcases over 40,000 images from the museum’s archives featuring Black icons like Aretha Franklin and Dr. Martin Luther King Jr.
The Walters Art Museum in Baltimore has debuted "Douriean Fletcher: Jewelry of the Afrofuture," a major exhibition dedicated to the self-taught metalsmith known for her costume designs in the film Black Panther. The showcase features large-scale gold and brass pieces alongside a recreation of Fletcher’s original workbench and personal ephemera, such as family photos and her mother’s Bible. The exhibition highlights her journey from working at a social justice nonprofit to becoming an international figure in narrative jewelry.
The Leesburg Arts Center is launching its inaugural exhibition, "People, Places & Things," at its new permanent home in the historic Tropic Theatre. The reception, scheduled for April 17, debuts a diverse collection of works from the center’s artist membership, spanning various media. The exhibition will remain on view through July 11, marking a significant milestone for the organization as it establishes its presence in downtown Leesburg.
The 2026 IFPDA Print Fair concluded at the Park Avenue Armory with record-breaking attendance of over 21,000 visitors and robust sales across various price points. This edition marked a significant pivot for the fair following its formal expansion to include drawings dealers, rebranding as the International Fine Prints and Drawings Association. Notable sales included a sold-out edition of Cecily Brown etchings at Two Palms and six-figure works by David Hockney and Rashid Johnson at Galerie Maximillian.
Joshua Johnson, born into slavery in Maryland around 1763, emerged in the late 18th century as the first documented Black professional artist in the United States. After gaining his freedom in 1782, Johnson established himself in Baltimore as a self-taught portraitist, advertising his services in local newspapers and catering to the city's prominent families. His body of work, consisting of approximately 83 attributed paintings, is characterized by a distinct flatness and three-quarter profile compositions typical of early American folk art.
Barkley L. Hendricks was a transformative American portrait artist known for depicting ordinary Black men and women with the scale and technical mastery typically reserved for European Old Masters. After a pivotal trip to Europe in the 1960s where he noted the absence of Black subjects in museum collections, Hendricks dedicated his career to elevating Black identity through bold, life-sized oil paintings and photography. His work often featured vibrant monochromatic backgrounds and subjects drawn from his personal life, popular music, and urban culture.
The 15th edition of Expo Chicago, scheduled for April 9–12, marks a significant transition as the fair's first outing under new director Kate Sierzputowski and its third since being acquired by Frieze. The upcoming edition features a streamlined roster of approximately 130 galleries, a 25 percent decrease from previous years. While blue-chip giants like Gagosian and Zwirner are absent, the fair maintains a strong lineup including Karma, Michael Rosenfeld Gallery, and local mainstays like Monique Meloche, complemented by satellite events and a high-profile benefit directed by Maurizio Cattelan.
Kirkby Gallery has announced the opening of "ECHO," a solo exhibition by environmental artist Julie Dodd featuring sculptural works crafted from recycled and reclaimed materials. The show marks Dodd's first solo exhibition in a decade and showcases her practice of transforming discarded books and everyday objects into intricate forms that mimic natural patterns. Alongside the main event, the Entrance Gallery will feature "Supporting Households in Crisis," a research-based exhibition by Patricia McDonald-Holmes exploring food insecurity and community resilience in Knowsley.
Art Paris 2026 will return to the Grand Palais from April 9th to 12th, featuring 165 galleries from over twenty countries. This edition is anchored by two major curated themes: 'Babel: Art and Language in France,' led by Loïc Le Gall, and 'Réparation,' an exploration of healing and memory curated by Alexia Fabre. The fair maintains a strong focus on discovery through its 'Promesses' sector for young galleries and a dedicated 'Solo Show' section featuring 24 monographic presentations.
The United States Holocaust Memorial Museum (USHMM) is facing allegations of preemptive self-censorship to avoid conflict with the Trump administration. Former employees report that the institution removed online educational resources linking Jim Crow laws to Nazi ideology, unlisted videos discussing American racism, and renamed or cancelled workshops focused on the "fragility of democracy." While a museum spokesperson denied these claims, internal emails suggest leadership was concerned about how certain terms might be interpreted in the current political climate.
Art collector David Nahmad has publicly denied allegations that Amedeo Modigliani’s "Seated Man with a Cane" (1918) is Nazi-looted property. Following revelations from the Panama Papers that Nahmad is the true owner of the painting via the International Art Center, he defended his provenance, claiming the work sought by the heirs of Jewish art dealer Oscar Stettiner is a different painting entirely. Nahmad asserted that if the work is definitively proven to be looted, he will return it, but he currently maintains that the historical documentation regarding a 1944 sale at Drouot refers to a self-portrait, not the work in his possession.
The United States Holocaust Memorial Museum (USHMM) has reportedly removed educational content and canceled programming to avoid potential conflict with the Trump administration. Former employees allege that the museum preemptively scrubbed web pages linking Jim Crow laws to Nazi-era policies and rebranded or canceled workshops on the "fragility of democracy" to avoid being labeled as "woke." While the museum claims these decisions were based on funding challenges, internal records show a significant increase in net assets during the same period.
Southern California-based artist Jo Ann Block will debut a new solo exhibition titled "The Meaning of Life: A Self Portrait" at the Studio Channel Islands Art Center on April 4, 2026. The multidisciplinary showcase features sculpture, video, and painting organized into immersive installations that trace the artist's personal history and lived experiences.
Joseph Beuys remains one of the most polarizing figures in 20th-century art, a former Nazi soldier who reinvented himself as a shamanic healer and a founding member of the Green Party. A new monographic study by art historian Daniel Spaulding, 'Joseph Beuys and History', re-evaluates the artist's legacy by confronting his refusal to apologize for his wartime past and his use of ambiguous materials like fat and felt. Spaulding argues that Beuys’s work should be read through the lens of 'bad faith,' where his utopian slogans masked a deep, unresolved engagement with the horrors of the Holocaust.
Patricia Marroquin Norby, the Metropolitan Museum of Art’s first-ever curator of Native American art, has stepped down from her role after a five-year tenure. While both Norby and the museum cited health reasons for her December 2025 departure, the exit follows intense public scrutiny regarding her claims of Indigenous heritage. A 2024 report by the Tribal Alliance Against Frauds (TAAF) alleged that Norby has no American Indian ancestry, leading to a public debate over her qualifications and identity.
The 27th edition of Art Rotterdam took place at the Rotterdam Ahoy, featuring over 150 galleries with a heavy emphasis on the Dutch art scene. This year’s fair was marked by a strategic integration with the photography fair Unseen and coincided with major local developments, including the relocation of the Nederlands Fotomuseum to its new 'Santos' home and the opening of the Fenix Museum of Migration. Notable presentations included Sakir Khader’s poignant photography of Palestinian resistance at No Man's Art Gallery and Shimon Kamada’s atmospheric oil paintings at Diez Gallery.
Archway Gallery, the longest-running artist-owned cooperative in Texas, is celebrating its 50th anniversary with a series of commemorative exhibitions. The festivities began with 'Homecoming' at the Jung Center—the site of the gallery's first show in 1976—and continue with 'Fifty Forward' at their main Houston space, featuring works and self-portraits by all 34 current members alongside contributions from founding artists.
The Berkeley Art Museum and Pacific Film Archive (BAMPFA) has launched "Routed West: Twentieth-Century African American Quilts in California," the first major thematic exploration of the 3,000-piece Eli Leon bequest. Curated by Elaine Yau, the exhibition features over 100 quilts by approximately 80 artists, tracing the migration of improvisational textile traditions from the American South to the Bay Area. The show highlights how these portable objects served as both functional necessities and vital forms of self-expression for Black women during the mid-20th century Great Migration.