The Louvre Museum has announced a four-year restoration project for Peter Paul Rubens's monumental 'Marie de' Medici Cycle,' comprising 24 large-scale paintings. The works will be removed from public view starting this fall as the museum transforms their dedicated gallery into an on-site restoration studio to address yellowed varnishes and discordant past retouching.
India has announced its artist lineup for the 61st Venice Biennale, featuring Alwar Balasubramaniam, Sumakshi Singh, Ranjani Shettar, Asim Waqif, and Skarma Sonam Tashi. The national pavilion, located in the Arsenale, will showcase a diverse range of installations that explore themes of architectural memory, environmental sustainability, and the physical processes of nature. From Tashi’s recreations of Ladakhi homes using recycled materials to Singh’s spectral thread-based architectural fragments, the works collectively examine the fragility of heritage and the shifting relationship between humans and their environments.
The National Gallery of Australia has officially opened 'Ngura Puḻka — Epic Country,' a landmark exhibition featuring 30 large-scale paintings by 49 First Nations artists from the APY Lands. The show, which features works predominantly measuring three-by-three meters, highlights the Tjukurpa (lore and ceremony) of the Aṉangu Pitjantjatjara Yankunytjatjara regions. The opening follows a significant three-year delay caused by an independent investigation into allegations of improper interference by non-Indigenous staff.
The Senior Art Exhibition 2026 at Colby College Museum of Art's Joan Dignam Schmaltz Gallery of Art in Waterville showcases capstone projects from 17 graduating studio art majors. The works span painting, photography, printmaking, digital media, and sculpture, created after a yearlong capstone course coordinated by Associate Professor Bradley Borthwick. The exhibition runs through May 23 and includes a catalog with artist statements and critical essays.
Adrian Ghenie's exhibition "Roman Campagna" at a Paris gallery presents a series of paintings and charcoal drawings that subvert the romantic cliché of an artist's transformative encounter with Rome. Ghenie populates landscapes inspired by the Appian Way with grotesque, alien-headed figures hunched over smartphones, urinating on monuments, or weeping at sunsets, using brown and grey tones punctuated by bright colors. The works reference Francis Bacon and William S. Burroughs, and include direct allusions to Bacon's reinterpretation of van Gogh's self-portrait, as well as a copy of a Pompeii mosaic. The show also features large charcoal drawings on paper that reveal Ghenie's process of constructing his contemporary, alienated figures.
Two paintings by Claude Monet, hidden from public view for over a century, have resurfaced and been sold at Sotheby’s Paris. The works—*Les Îles de Port-Villez* (1883) and *Vétheuil, effet du matin* (1901)—represent distinct phases of Monet’s career, with the latter setting a record for a Monet sold at auction in France, fetching more than $12 million.
The Lindsay Museum and Gallery recently debuted "Still Point: Everything Moves, One Remains," an international contemporary exhibition curated by JunHwan Chang of Gallery Chang. The show features a cross-cultural dialogue between local California artist Shane Guffogg and four prominent Korean artists: Kim Miné, Kim Hongbin, Anon, and Shin Kiwoun. The works on display range from Guffogg’s layered abstract paintings and Kim Miné’s lenticular "Nobody" series to hand-dyed fabric installations and video art exploring historical currency.
The National Art Museum of Catalonia (MNAC) in Barcelona has failed to comply with a May 2025 Spanish Supreme Court ruling ordering the return of 13th-century Romanesque murals to the Sijena Monastery in Aragon. Despite the legal mandate ending a decade-long dispute, the museum continues to house the works, citing significant technical and conservation risks associated with transporting the delicate canvases.
A newly released document from the Department of Justice’s Jeffrey Epstein files has linked billionaire collector Leon Black to a $27.7 million inventory of Southeast Asian antiquities, some of which may be looted. The records indicate that Black acquired high-value Cambodian, Thai, and Vietnamese artifacts, including a $7 million bronze Shiva sculpture that matches the description of a piece handled by the late, indicted antiquities dealer Douglas Latchford. While Black’s representatives state he never dealt with Latchford directly and acquired the works through a reputable dealer, correspondence suggests Latchford was involved in facilitating sales to Black through intermediaries.
On December 11, the National Museum of Asian Art (NMAA), part of the Smithsonian Institution in Washington, D.C., announced it is returning three Khmer period sculptures to Cambodia. The works—a 10th-century Uma, a 10th-century Harihara, and a circa-1200 Prajnaparamita—were determined to have been likely looted during Cambodia’s civil war (1967–1975), based on research with Cambodian authorities, lack of export documentation, and links to dealers known for trafficking looted antiquities.
The Holocaust Museum Houston is currently hosting "Boris Lurie: Nothing To Do But To Try," an exhibition focusing on the early works of the Holocaust survivor and NO!art movement founder. Organized by the Museum of Jewish Heritage, the show highlights Lurie’s "War Series," featuring paintings, drawings, and never-before-seen ephemera created as a means of processing the trauma of his imprisonment in camps like Buchenwald. The works, ranging from the immediate post-war period to decades later, serve as a visceral record of memory and loss, including tributes to his family members murdered in the Rumbula Forest massacre.
The Wilkes Art Gallery in North Wilkesboro, North Carolina, is hosting a career-spanning exhibition titled “From Reality to Realism, A Lifetime Perspective,” featuring the works of veteran artist Ward Nichols. The opening reception on April 17 will include a jazz performance and an indoor/outdoor celebration that involves the closure of Ward Nichols Way, a street recently renamed in the artist's honor.
The Musée d’Art Moderne de Paris has launched "Estonian Realities," a significant cross-generational exhibition featuring the works of Olga Terri, Anu Põder, and Kris Lemsalu. Spanning nearly 90 years of artistic production, the show marks a major collaboration between the Art Museum of Estonia and the City of Paris, tracing the evolution of Estonian art from the psychological anxieties of the 1940s to the bold, performative installations of the contemporary era.
The Nanaimo Art Gallery is set to debut "An Animated Assembly," a collaborative exhibition by artists Richard Ibghy and Marilou Lemmens that explores the socio-economic consequences of resource extraction. Opening April 11, the show utilizes hand-painted murals, animations, and sculptures to critique the Global North's demand for energy transition materials, such as lithium, and the resulting impact on countries in the Global South. The works employ a satirical, "cartoonish" aesthetic to juxtapose cold, analytical data with the bold, often morally questionable rhetoric of corporate and political leaders.
The Art Museum of the University of Memphis (AMUM) has launched two concurrent exhibitions. One showcases recent acquisitions to the museum's permanent collection, while the other is a solo exhibition featuring the work of Memphis-based artist Maysey Craddock.
The Trenton City Museum at Ellarslie has launched "African American Abstractions," a major exhibition featuring the works of James E. Dupree, Femi J. Johnson, and Kenneth J. Lewis. Curated by Janis Purcell, the showcase spans three galleries and explores the intersection of vibrant color, form, and cultural narrative. The exhibition is supported by public programming, including an abstract art workshop and an artists' roundtable discussion.
Zimbabwean artist Option Dzikamai Nyahunzvi has launched a major solo exhibition titled 'Zvatiri' (Who We Are) at the National Gallery of Zimbabwe. The show features a multidisciplinary approach, combining installations, live-art performances, and paintings created with a unique technique of layering and etching Fabriano paper onto canvas. The works heavily reference Shona identity, specifically the 'hunhu' (or ubuntu) belief system and the artist's own Mbizi (zebra) totem, aiming to reconnect contemporary audiences with ancestral wisdom.
The Alfred Ceramic Art Museum will host “Fihankra,” an exhibition of ceramic sculptures by Eugene Ofori Agyei, opening February 12 and running through July 19. The works, created during Agyei’s tenure as Turner Teaching Fellow at Alfred University, incorporate Adinkra symbols from Ghana’s Akan ethnic group, wooden benches, batik fabric, yarn, and found objects to explore themes of diaspora, cultural adaptation, and belonging. A reception will be held from 5 to 7 pm on opening day, and the exhibition will be accompanied by the 2026 Perkins Lecture featuring a conversation between Agyei and independent curator Larry Ossei-Mensah.
The Wichita Art Museum (WAM) is presenting a new exhibition by an artist who recreates snapshots of a 1950s resort using colorful quilts and paintings. The works draw on vintage photographs to evoke the leisure and social life of mid-century American resort culture, rendered in textile and paint.
The Intuit Art Museum in Chicago has extended its exhibition “Catalyst: Im/migration and Self-Taught Art in Chicago” through March 22, 2026. Featuring nearly two dozen artists, the show highlights the creative contributions of migrants and immigrants alongside the rise of self-taught art in 20th-century Chicago. Among the works is Pooja Pittie’s interactive piece “What We Build to Belong,” a hand-knotted net-like structure where visitors can add notes, drawings, or string. The museum is hosting a free community day on Feb. 7, 2026. The exhibition includes artists from diverse backgrounds, such as the late Tae Kwon “Thomas” Kong, who made collages from packing materials at his convenience store, and Charles Warner, a carpenter who created wood-carved cathedral models. Three artists came to Chicago from the South as part of the Great Migration.
Artist Eric-Paul Riege presents 'ojo|-|ólǫ́,' a new exhibition at Brown University's David Winton Bell Gallery that combines fiber sculpture and performance art to explore Diné (Navajo) mythology and culture. The show, curated by Nina Bozicnik and Thea Quiray Tagle, runs through December 7 and features pieces borrowed from Brown's Haffenreffer Museum of Anthropology, which Riege felt were 'buried alive' and needed to be activated. Riege encourages visitors to touch the works and incorporates dance performances, including a recent opening where he carried a humanlike figure named Hólǫ́ through the gallery.
The Hyde Park Art Center in Chicago presents “Mark Me, Too: Five Artists,” a group exhibition curated by Dr. Rikki Byrd, the center’s inaugural Radicle Curatorial Resident. The show features works by Lisa DeAbreu, Lex Marie, Natasha Moustache, Lola Ayisha Ogbara, and Ciarra K. Walters, each exploring mark-making as a conceptual and material practice. Highlights include Walters’ video “Eileen’s Daughters,” which uses fragile eggshell-covered suits to evoke familial intimacy and vulnerability; DeAbreu’s textile works that transform household items into visual heirlooms; Ogbara’s sculptural piece “Hopscotch (A Safe Space to Land),” combining bronze and soil to address Black beauty and West African heritage; and Marie’s reimagined American flags made from hospital blankets and beads, critiquing the nation’s relationship with Black maternity and childhood.
Acclaimed Italian chef Giorgio Locatelli and his wife Plaxy have opened a new restaurant called 'Locatelli' and an espresso bar named 'Bar Giorgio' in the National Gallery's refurbished Sainsbury Wing in London. The openings on May 10 mark the completion of a two-and-a-half-year Bicentenary renovation project of the wing. The menu and decor draw inspiration from the gallery's surroundings and the works of Caravaggio, featuring Italian classics and seasonal dishes. Bar Giorgio offers Italian coffee and maritozzi pastries, aiming to bring Italian coffee culture to gallery visitors.
Nearly 200 Old Master treasures from the Schroder Collection, amassed by the late banker Bruno Schroder and his family over more than a century, will go on long-term display at the Holburne Museum in Bath, UK, starting 10 September. The collection includes silver, maiolica, and paintings by artists such as Lucas Cranach the Elder and Hans Holbein the Elder, many shown publicly for the first time. The loan was facilitated by Bruno’s daughter Leonie, who requested the works remain in the UK and be placed in a regional museum rather than London.
An exhibition at the National Museum of Contemporary Art in Bucharest (MNAC) features three purportedly long-lost paintings by Kazimir Malevich, valued between $160 million and $190 million. The works, loaned by Israeli businessman Yaniv Cohen, were allegedly stored under the mattress of his grandmother-in-law, Eva Levando, for decades. However, Ukrainian-American art historian Konstantin Akinsha has publicly questioned their authenticity, citing incomplete provenance and a lack of consensus from international experts. The museum has faced criticism for including the paintings without additional scholarly analysis in the show "Kazimir Malevich: Outliving History," curated by Mariana Dragu and sponsored by a dental clinic owned by Cohen.
An exhibition titled “ATLAS: Historical Works and Recent Journeys of Alberto Rey” is on view at the Marion Art Gallery through November 21. The show features 133 paintings, drawings, and ceramics by Alberto Rey, a SUNY Distinguished Professor Emeritus who taught at Fredonia from 1989 to 2022. The works were created during and after a five-month expedition to 14 countries and 22 UNESCO World Heritage Sites in 2024, alongside pivotal pieces from past series such as “Binary Forms,” “Extinct Birds,” and “Critically Endangered Palms of Cuba.” The exhibition also includes journal entries, sketchbooks, and art supplies from the voyage.
San Francisco's de Young Museum will unveil its newly reinstalled galleries of Native American art on August 26, following a years-long overhaul led by a group of predominantly Native curators. The reimagined spaces, called the Arts of Indigenous America galleries, feature contemporary works alongside historical pieces—some over 1,000 years old—as well as recent acquisitions and new commissions. One gallery focuses on Native California with rotating regional exhibits, while another covers all of North America, with ceramics, textiles, paintings, beadwork, and basketry arranged thematically. The museum consulted the communities of origin for historical pieces, as required by the Native American Graves Protection and Repatriation Act, and invited members to help interpret the works.
Studio DRIFT, the Dutch artist duo founded by Lonneke Gordijn and Ralph Nauta, presents their first solo exhibition in Spain at the Museo de Arte Contemporáneo de Castilla y León (MUSAC). Titled *Amplitude / Meadow*, the show runs from July 12 to October 19, 2025, and features two major kinetic installations: *Amplitude*, a choreographed network of glass tubes that sways in response to invisible energies, and *Meadow*, an upside-down garden of robotic flowers that react to human presence. The works blend art, technology, and nature to create immersive environments that explore biological patterns and human connection.
Nine studio arts students from Loyola Marymount University (LMU) have their poster designs featured in the Design Museum of Chicago's 2025 "Great Ideas of Humanity" exhibition. The students—Alfonzo Dave, Nicole Dressel, Olivia Giganti, John Leary, Jestene Passolt, Leila Walker, Dezia Washington, Lucien Weber, and Eddie Young—created the works as part of Professor Garland Kirkpatrick's Typography II course. The museum selected all nine student designs for the professional exhibition, where they are displayed alongside their professor's work, rather than in the museum's student showcase.
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King Charles and Queen Camilla held a reception on July 9, 2025, to celebrate a new exhibition at Buckingham Palace featuring 72 artworks from the monarch's personal collection. The works, created by artists who accompanied Charles on foreign tours over the past 40 years, include paintings, sketches, and even an iPad image. The exhibition, titled "The King’s Tour Artists," opens to the public from July 10 to September 28 and marks the summer opening of the palace. Charles began inviting artists on tours in 1985, and since then, 43 artists have joined him on 70 tours to 95 countries, with the King acquiring at least one piece from each artist.