A new book titled 'Trespass' introduces the work of photographer Mark Cohen, known for his invasive, close-quarters street photography primarily in Wilkes-Barre, Pennsylvania. Cohen's method involved using flash and fast color film to capture unsuspecting subjects, often leading to physical altercations, and his images are characterized by extreme blur and sudden points of sharp focus.
caravaggio class clothes street style elizabeth currie 1234751231
An excerpt from Elizabeth Currie's upcoming book "Street Style: Art and Dress in the Time of Caravaggio" analyzes the significance of clothing in Caravaggio's painting *The Cardsharps*. The author dissects the garments of the three figures—a finely dressed youth, a possibly liveried servant, and a disheveled card sharp—to reveal how their attire provides clues to their social status, professions, and the complex, often deceptive relationships between them.
A new exhibition titled 'This is Home' has opened at Gallery Main Street in downtown Tyler, Texas. The show, sponsored by the Rose City Art Gallery, features works by East Texas artists exploring themes of home, memory, and belonging through various media including painting and sculpture. It opened on January 9 with a reception and includes a juried award and a People's Choice Award, with voting ongoing until the show closes on March 2.
Glasgow's Centre for Contemporary Arts (CCA) is closing permanently and entering liquidation, effective January 30. The 33-year-old venue, a key hub for experimental art, has cancelled all programs and made its 39 staff redundant. The closure follows a series of financial and operational crises, including a fire-related closure, the pandemic, a staff dispute, and protests over its stance on Israel.
San Francisco’s first gallery dedicated entirely to Pan-African contemporary art, the Art of Contemporary Africa (AOCA), will open on February 12, 2026, at the Minnesota Street Project in the Dogpatch neighborhood. Founded by industry veteran Craig Mark and South African photographer Clint Strydom, the gallery represents both leading and emerging African artists working across various media. Its inaugural group exhibition, “Afropop,” features artists including Dr. Esther Mahlangu, Ayanda Mabulu, Noria Mabasa, Willie Bester, Clint Strydom, Médéric Turay, and Samuel Allerton. AOCA is the sister gallery to The Melrose Gallery in Johannesburg and has already participated in major art fairs such as Expo Chicago, 1-54 New York, the Seattle Art Fair, and the Atlanta Art Fair.
A new gallery called Art of Contemporary Africa (AOCA) will open on February 12, 2026, at San Francisco's Minnesota Street Project in the Dogpatch neighborhood. Founded by gallerist Craig Mark and artist Clint Strydom, it is the city's first and only gallery dedicated to contemporary Pan-African art. The inaugural exhibition, “Afropop,” will feature works by artists including Esther Mahlangu, Denis Mubiru, Ayanda Mabulu, Samuel Allerton, and Vusi Beauchamp. The gallery builds on the founders' decade of experience running The Melrose Gallery in South Africa, which will become AOCA's sister site.
A roundup of current and upcoming exhibitions at San Francisco museums in January 2026 highlights several shows closing soon, including "Manet and Morisot" at the Legion of Honor and "Suzanne Jackson: What is Love" at SFMOMA, both ending March 1. New exhibitions opening include "The art of Cece Carpio" at SOMArts on Jan. 30, and "Trina Michelle Robinson: Open Your Eyes to Water" at 500 Capp Street and Root Division in February. The de Young Museum features "Boom and Bust: Photographing Northern California" and artist Rose B. Simpson's show "LEXICON," part of the newly opened galleries dedicated to Arts of Indigenous America. The Museum of the African Diaspora presents "Unbound: Art, Blackness and the Universe" and "Continuum: MoAD Over Time," while the Asian Art Museum hosts "Jitish Kallat: Covering Letter (Terranum Nuncius)."
Spielzeug Gallery, a nomadic curatorial project founded by Evan Karas, opened a temporary brick-and-mortar space at 131 Chrystie Street in New York through a collaboration with 1 Day at a Time, an enterprise that helps nomadic creatives secure footholds in the city. The inaugural exhibition, “TOYS! TOYS! TOYS!”, featured works by Thomas Liu Le Lann, Josh Rabineau, and Michelle Im, exploring themes of control, psychosexuality, and the interplay of objects and space. The gallery’s model, described as an “itinerant fantasy,” has previously staged shows in venues including a Czech bunker, a party bus, and a Bushwick apartment.
Lower Manhattan is getting a new nonprofit art space called Times (styled in lowercase), founded by Summer Guthery and Francesca Sonara. Located on the fourth floor of 151 Lafayette Street above the Museum of Chinese in America, the 3,000-square-foot venue will operate for only three years. Its inaugural exhibition, featuring Danish artist Nina Beier, opens February 21 with a display of melting Cornetto ice cream cones. The space will officially open February 12 with a performance by Latvian choreographer Jana Jacuka. Guthery, previously founding artistic director of Canal Projects, and Sonara, former director of communications at Minnesota Street Project, met as graduate students at Bard College's Center for Curatorial Studies.
Marian Goodman, the revered contemporary art dealer who built one of the most influential galleries of the past half-century, died in Los Angeles on Thursday at age 97. Goodman launched Marian Goodman Gallery in New York in 1977 after 15 years running an editions business, and over six decades she championed a roster of challenging artists including Gerhard Richter, John Baldessari, Julie Mehretu, Tacita Dean, and Pierre Huyghe. Her gallery operated on West 57th Street in Manhattan with branches in London and Paris, and she was awarded the Commandeur of the Ordre des Arts et des Lettres and the Légion of Honor by France.
Marian Goodman, the revered art dealer known for her steadfast commitment to artists and resistance to market trends, died at 97 in a Los Angeles hospital. She opened her eponymous gallery in 1977 in Midtown Manhattan with a show of Marcel Broodthaers, and over five decades represented major figures including Gerhard Richter, Julie Mehretu, William Kentridge, and Steve McQueen. Goodman began her career by founding Multiples in 1965 to publish affordable editions, and she famously kept her gallery on 57th Street while peers moved to SoHo and Chelsea.
Howard University third-year architecture students traveled to New York City to see their work displayed in an exhibition at Leroy Street Studio in Chinatown. The exhibit features sun shading devices for window frames, designed in an environmental systems class led by Assistant Professor Nea Maloo and Associate Professor Danny Sagan of Norwich University, integrating biophilic design principles. Students also participated in a sketching exercise led by architect Danai Metoyer and networked with professionals like Natalka Khodarchenko.
Florida Atlantic University’s University Galleries opened a new exhibition titled “America 250: We Hold These Truths: We Walk These Grounds” at the Schmidt Art Gallery on its Boca Raton campus, marking the United States’ 250th anniversary. The show features work by six contemporary American artists—Carlos Betancourt, Daesha Harris, Doug Mills, John Hitchcock, Melissa Sclafani, and Yves Gabriel—and runs through March 29, 2026. The exhibition reinterprets familiar American symbols such as apple trees, wild horses, and presidential portraits, using objects and materials to explore themes of patriotism and American history.
Curator Summer Guthery, who left economics to found four non-profit experimental art spaces across the US, is launching a fifth venture called Times with fellow curator Francesca Sonara. Located in Manhattan’s Chinatown at 151 Lafayette Street, the 3,000-square-foot space will host up to three exhibitions simultaneously across two galleries and a screening room. The inaugural event on 12 February features Latvian performance artist Jana Jacuka, followed by a solo exhibition by Danish artist Nina Beier (21 February-9 May). Times rejects a permanent institutional model, planning a three-year obsolescence to remain nimble and responsive to artists’ needs.
On January 21, 2026, the 2.16 Contemporary art gallery opened at 325 Constitución Street in Puerto Vallarta's Zona Romántica with a gala event featuring the exhibition “Liberatio” by Guadalajara-based artist Victor Haro, celebrating his 40-year career. The ribbon-cutting ceremony included owners and gallerists Orlando Santamaría and Abrajam Romero, Culture Councilwoman Laurel Carrillo, and Haro himself, with the show presenting hyperrealistic works in acrylic paste and airbrushing that explore human liberation.
One Art Space in Tribeca presented “The Space Between Us,” a group exhibition curated by Mitchell Rodbell featuring 13 artists including Rodbell, Miyuki Fuji, Madhu Powar Garg, Marietta Gavaris, and others. The weeklong show ran from January 12 to January 18, 2026, with many works sold during the VIP opening night. Notable attendees included co-owner MaryAnn Giella McCulloh, Dr. Robi Ludwig, Melanie Goodreaux, and Bruce Morrow.
Six years after announcing plans to deaccession its 1,600-work collection—the world's foremost trove of Post-war Northern California art—the di Rosa Center for Contemporary Art has reopened in a new downtown San Francisco space. The inaugural exhibition, "Far Out: Northern California Art," features artists such as Enrique Chagoya, Peter Saul, Viola Frey, Roy De Forest, and Jay DeFeo, celebrating the radical, countercultural ethos of the region. The space, located at the Minnesota Street Project in Dogpatch, had been vacant since the McEvoy Foundation for the Arts closed in 2023. Curator Twyla Ruby reports that visitors have been emotionally moved by seeing the collection reunited.
Marina Abramović has unveiled a new immersive work titled THE BUS at the World Economic Forum (WEF) in Davos, Switzerland, running until 23 January. The piece, part mobile sculpture and part meditation capsule, invites world leaders and participants to step away from the forum's intense schedule for a digital detox and inner reflection using the Abramović Method. The project was curated by Mirjam Varadinis, curator-at-large at the Kunsthaus Zürich, and developed through Abramović's institute (MAI). It marks Abramović's debut at the WEF, which this year also features eco-artist Thijs Biersteker, multimedia artist Ronen Tanchum, and street artist JR.
LANZA atelier, a Mexico City-based architecture studio founded by Isabel Abascal and Alessandro Arienzo, has been commissioned to design the 2025 Serpentine Pavilion in London’s Kensington Gardens. The pavilion, which will be unveiled on June 6, marks the 25th anniversary of the Serpentine Pavilion program. Inspired by the English serpentine or crinkle-crankle wall, the design features a brick wall of alternating curves, a translucent roof resting on brick columns, and a second wall that harmonizes with the tree canopy. This year’s pavilion will be accompanied by a dedicated architecture program at Serpentine South, honoring the legacy of Zaha Hadid, who designed the inaugural pavilion in 2000.
The Art Gallery of Hamilton (AGH) in Ontario, Canada, announced on January 20 that it has received nearly C$1 million ($684,000) in federal funding from the Canadian Heritage Cultural Spaces Fund for a major expansion. The project will add a 745-square-meter gallery, increasing exhibition space by 70%, and is expected to attract up to 300,000 visitors annually. AGH President and CEO Shelley Falconer stated the funding will launch the first phase, including hiring an architectural firm and creating schematic drawings for a new Main Street entrance and a gallery dedicated to Hamilton's industrial history. The gallery is also exploring adding affordable housing for creative workers in partnership with City Housing Hamilton.
Tend Space Art Center in Chauncey, Ohio, has opened a new group exhibition titled 'Caretaker,' featuring works by five artists—Chloe Sampson, Zelda Thayer-Hansen, Ellie Dale, Julia Weber, and Isabella DeRose—all of whom attended Ohio University for their undergraduate degrees. Curated by Selena 'Len' Loomis, who also runs the campus galleries at OU’s School of Art and Design, the show explores themes of personal growth, self-care, and responsibility to others. The exhibition includes ceramics, sculpture, and performance-based photography, and is on display until Saturday at 48 Converse Street.
Albany Center Gallery (ACG) celebrated the grand opening of its new location at 48 N Pearl Street on January 16, 2026, with a ribbon-cutting ceremony attended by local officials, artists, and community members. The event featured the 21st Annual Members’ Show, juried by Kayla Carlsen of the Albany Institute of History & Art, showcasing work from 276 artists, with $2,000 in cash prizes awarded. The move from its previous Arcade Building location marks ACG's sixth relocation since 1977, expanding to a 6,600-square-foot space that includes flexible exhibition areas and a doubled youth education space.
London-based artist Slawn has transformed Saatchi Yates gallery into a live working studio for his latest exhibition, titled *Slawn’s Studio*, running from 22 January to 22 February. The gallery functions as his day-to-day workspace, where paintings are produced and reworked, music is composed and recorded, and collaborators drift in and out, creating an atmosphere of spontaneity and shared energy. Most works were made during a residency in the space, and the exhibition evolves over the month. The project has attracted leading collectors and figures from music, sport, and public life.
Actress and comedian Ego Nwodim will co-chair the Whitney Museum of American Art’s annual Art Party on January 27, 2026. The event, hosted by the Whitney Contemporaries, will take place at the museum’s Gansevoort Street building and feature DJ sets by Raúl de Nieves and The Dare. Nwodim joins co-chairs including artists Martine Gutierrez and Emma Safir, as well as Whitney Contemporaries Steven Beltrani, Micaela Erlanger, and Alexander Hankin. The evening will offer after-hours gallery access, cocktails, and dancing, with proceeds supporting the Whitney’s exhibitions, education, and public programs.
Lehmann Maupin has secured a permanent space on the first floor of No. 9 Cork Street in London's Mayfair, the gallery hub operated by Frieze. The gallery will hold three to four exhibitions annually in the ground-floor gallery, starting with a show of British painter Freya Douglas-Morris on February 26, priced between £40,000 and £60,000. The upstairs viewing space opened with Billy Childish and will feature Catherine Opie later this year. The gallery also plans to develop its secondary market business from this London base.
The Mississippi Museum of Art in Jackson is presenting 'Joe Overstreet: Taking Flight,' a major exhibition featuring three collections of the late artist's work, including his 'Flight Patterns' series. The show, organized by The Menil Collection in Houston and running through Jan. 25, 2026, highlights Overstreet's abstract phase with works from the 1960s, 1970s, and 1990s that use ropes and metal grommets to create multi-dimensional pieces exploring themes of flight and movement. The exhibition includes loans from private collections, other museums, and the Eric Firestone Gallery, which represents Overstreet's estate.
Julien's Auctions has announced a 'STREET ART & CULTURE' auction featuring 70 lots that blend skate culture, street art, and music memorabilia. Highlights include Tony Hawk's personal T-shirt and signed poster from his historic 1999 X Games '900' trick (estimate $6,000-$8,000), a Banksy signed limited-edition 'Sale Ends' screenprint (estimate $20,000-$30,000), and boards from Powell-Peralta such as Steve Caballero's 'Half Cab Dragon'. The sale also includes works by Jean-Michel Basquiat, Jamie Reid, Shepard Fairey, and memorabilia from Gorillaz, Beastie Boys, and Wu-Tang Clan. The online auction is scheduled for February 4, 2026.
The Smithsonian’s National Museum of Asian Art will present “Into the Waters with Senju and Bingyi: Two Contemporary Paintings,” a new exhibition opening April 2 and running through Aug. 23. It features two recent paintings by Hiroshi Senju (born 1958) and Bingyi (born 1975), each offering hypnotic visualizations of water. Senju’s pair of folding screens reimagines waterfalls using traditional Japanese techniques and contemporary methods, while Bingyi’s hanging scrolls, created with cloth and paper wrapped around an uprooted tree, incorporate natural elements like sea breeze and humidity. The exhibition marks the first showing of these works, which were acquired to expand the museum’s contemporary collections.
The House Oversight Committee has released a crude drawing that President Donald Trump reportedly gave to convicted sex offender Jeffrey Epstein for his 50th birthday in 2003. The sketch, first reported by the Wall Street Journal, features a marker outline of a naked woman with Trump's apparent signature placed where her pubic hair would be. Trump has denied creating the drawing, claiming he has never drawn, and has filed a $10 billion libel lawsuit against the Wall Street Journal and its owner Rupert Murdoch. The New York Times compared Trump's signature on the drawing with his correspondence from 1987 to 2001 and found they "closely matched."
The Rijksmuseum in Amsterdam has announced plans to build a €60 million Modern sculpture garden, called the Don Quixote Pavilion and Garden, on a nearby triangular plot of land. The project is funded by an exceptional donation and long-term art loans from the Don Quixote Foundation, established by billionaire businessman Rolly van Rappard. The garden will feature three pavilions designed by Foster + Partners, with landscaping by Piet Blanckaert, and will display sculptures by Alberto Giacometti, Jean Arp, and Henry Moore. The museum aims to open the space free of charge this autumn, but planning permission has not yet been granted, and the project includes the restoration of three listed buildings.