‘How can nudity be so provocative?’ Florentina Holzinger on rocking Venice with naked jetskiers, human bells and urine divers

Florentina Holzinger, an Austrian dancer and choreographer known for provocative, physically extreme performances, is representing Austria at the Venice Biennale with a new work titled *Seaworld Venice*. The piece features naked performers on a barge in the lagoon, including a woman suspended upside down inside a cast-iron bell hoisted by a crane, a guitarist rocking at a vertiginous height, and a vocalist screaming like Yoko Ono. Holzinger’s previous opera *Sancta* included a climbing wall, nuns on roller skates, and a pregnant pope on a robot arm, and has toured European opera houses for two years.

A snapshot of the photographer Raghu Rai | Brief letters

A letter to the editor from Gabrielle Palmer recounts her experience contacting photographer Raghu Rai in 1987 to request permission to use one of his photographs in her book "The Politics of Breastfeeding." Unable to afford the £200 fee, Palmer called Rai in India, who generously waived the fee entirely and wished her well. The letter is a brief tribute published in response to Rai's obituary in The Guardian.

‘Touch the earth lightly’: the Australian home that floats above the landscape

The article profiles the Ball-Eastaway House, a home designed by pioneering Australian architect Glenn Murcutt in 1983 for artist Sydney Ball and his partner Lynne Eastaway. Located on a 10-hectare block of dry sclerophyll forest northwest of Sydney, the house is elevated on 14 steel columns sunk into a sandstone rock shelf, allowing it to float above the landscape and minimize its environmental impact. Murcutt, who later won the Pritzker Prize, incorporated sustainable design features such as natural ventilation, a gutter system inspired by eucalypt leaf patterns, and a structure that can be dismantled without trace.

The Most Provocative Performance in Venice

Florentina Holzinger, a performance artist known for extreme feminist works involving nudity, bodily fluids, and physical endurance, is representing Austria at the 2026 Venice Biennale with a pavilion titled “Seaworld Venice.” Opening May 9, the installation transforms the Austrian Pavilion in the Giardini into an underwater theme park and a functioning sewage treatment plant, where audience urine collected from portable toilets is cleaned and recycled into the tanks. The work explores themes of the human body, ecology, and Venice’s own struggles with sinking infrastructure and mass tourism.

With Nearly 30,000 Clay Earth Bricks, Dana Awartani Remakes History in the Saudi Arabia Pavilion

Dana Awartani, a Jeddah- and New York-based artist of mixed Palestinian, Saudi, Jordanian, and Syrian descent, has created the Saudi Arabia Pavilion at the Venice Biennale using nearly 30,000 clay earth bricks. The installation, titled "May your tears never dry, you who weep over stones," replicates traditional mosaic motifs sourced from over 20 cultural heritage sites across the Arab world that have been destroyed by human conflict. Awartani emphasizes collaboration, crediting numerous skilled craftsmen—economic migrants to Saudi Arabia—who worked alongside her, and her practice blends formal training at Central St. Martins with Islamic geometry and illumination studies in Turkey.

Trippy Film by British-Ethiopian Artist Theo Eshetu Hits the Venice Biennale

British-Ethiopian artist Theo Eshetu is presenting a new installation, *The Garden of the Broken-Hearted* (2026), at the Venice Biennale. The work features a live olive tree mounted on a rotating dais, with a video of the tree projected onto itself, marking a shift from his decades-long practice of multi-screen video installations. Eshetu discusses the project's origins in conversations with the late Biennale curator Koyo Kouoh, framing the tree as a space for mourning, human consciousness, and elemental storytelling.

Israel Addresses Venice Biennale Jury’s ‘Boycott’ of Pavilion: ‘A Contamination of the Art World’

Israel’s foreign ministry has condemned a statement by the Venice Biennale jury, in which the five curators declared they would not consider pavilions from countries charged with crimes against humanity by the International Criminal Court. The jury’s decision effectively boycotts Israel and Russia, whose leaders face ICC arrest warrants. Israel called the move a “contamination of the art world,” while the artist representing Israel, Belu-Simion Fainaru, also denounced the jury for creating a hostile environment. The Biennale’s organizers have distanced themselves from the jury, stating they cannot exclude any recognized state from the exhibition.

Sung Tieu on Representing Germany at the 61st Venice Biennale

Sung Tieu, who is co-representing Germany at the 61st Venice Biennale alongside Henrike Naumann, responds to a questionnaire from ArtReview about her plans for the German Pavilion. She describes her inspiration as her mother and childhood home, a site built for foreign contract workers in the GDR that later became a refuge for the diaspora. Tieu states that her work relates to the Biennale theme "In Minor Keys" through the lens of Gehrenseestrasse, a concrete record of collective memory. She also expresses skepticism about the Biennale's importance, noting that the German Pavilion's fascist architecture compels artists to work against it, and that national pavilions reveal how much work remains in undoing nationalism.

Pavel Brǎila on Representing Moldova at the 61st Venice Biennale

Pavel Brǎila is representing Moldova at the 61st Venice Biennale with an installation titled "Echoes of Harmony and Silent Cries" (2026), featuring flying carpets that fill the pavilion space at Santa Veneranda. In an interview with ArtReview, Brǎila explains that the work was driven by the constant presence of war in the news—Ukraine, Israel and Gaza, and other conflicts—and evolved into a sound installation as the propellers of the carpets created a minor-key resonance. He describes his first visit to the Biennale 25 years ago as a festive art festival, but now sees the platform as a crucial opportunity to represent his country's voice and express his urgent feelings about the world.

Next Episode of Art21’s Art in the Twenty-First Century to Premiere in June

Art21 has announced the premiere of "Human Nature," the next episode of its documentary series *Art in the Twenty-First Century*, set to air on PBS on June 10, 2026. The episode features artists Lenka Clayton, Josh Kline, Delcy Morelos, and Sin Wai Kin, and explores themes of humanity's impact on the environment, social and economic systems, and interpersonal relationships. Directed by Ian Forster and produced by Andrea Chung, the episode will also be available on Art21.org, YouTube, and PBS Digital Platforms, with an advance screening on May 28 at the SAG-AFTRA Foundation Robin Williams Center in Manhattan.

The Ukrainian Pavilion’s Deer Seen Around the World

Zhanna Kadyrova's concrete sculpture "The Origami Deer" (2019) is prominently displayed at the entrance to the Giardini during the 61st Venice Biennale, part of her project "Security Guarantees" in the Ukrainian Pavilion. Originally installed in Pokrovsk, eastern Ukraine, the work was removed in 2024 as Russian forces advanced, then traveled through Vienna, Warsaw, Prague, Berlin, and Paris before reaching Venice—a journey mirroring the displacement of millions of Ukrainians. The sculpture, shaped like a deer and evoking folded paper, references the 1994 Budapest Memorandum, in which Russia, the UK, and US guaranteed Ukraine's security in exchange for its nuclear disarmament—guarantees that proved worthless after Russia's invasions.

'ART FROM WAR TO WAR: CHASING BUTTERFLIES OVER THE VERGE OF A CLIFF' at Beck & Eggeling International Fine Art, Düsseldorf, Germany on 28 May–15 Aug 2026

An exhibition titled 'ART FROM WAR TO WAR: CHASING BUTTERFLIES OVER THE VERGE OF A CLIFF' is on view at Beck & Eggeling International Fine Art in Düsseldorf, Germany, from 28 May to 15 August 2026. Curated by Antonio Geusa and Kay Heymer, the show features selected works from the Valeria Rodnianski collection, spanning artists from Germany and the Soviet/post-Soviet space. It is structured around two historical turning points—the construction of the Berlin Wall in 1961 and Russia's full-scale invasion of Ukraine in 2022—and organized into three thematic sections: Topos, Anthropos, and Logos, exploring place, human experience, and language.

The 10 best pavilions to see at the 2026 Venice Art Biennale. Artribune's top ten

I 10 migliori padiglioni da vedere alla Biennale d’Arte di Venezia 2026. La top ten di Artribune

Artribune presents its top ten must-see national pavilions at the 2026 Venice Biennale, which features a record 100 participating countries. The article highlights standout projects including Greece's escape room by Andreas Angelidakis critiquing nationalist populism, Belgium's participatory dance installation by Miet Warloop, and Canada's greenhouse-like pavilion by Abbas Akhavan exploring colonial botany. The Biennale, curated by Koyo Kouoh under the theme "In Minor Keys," is marked by last-minute jury resignations leading to public voting for the Golden Lions, as well as protests over the participation of Russia and Israel.

Pamela Bryan and Julia Campbell Carter Bring New Orleans Rhythm to London

Pamela Bryan of Octavia Art Gallery in New Orleans and London-based curator Julia Campbell Carter have organized "Rhythm in the Blues," a contemporary group exhibition at 14 Percy Street, London, running from May 11 to 20. The show features five international artists—Alia Ali, Aigana Gali, Azadeh Ghotbi, Naomie Kremer, and Lucille Lewin—whose works in painting, sculpture, and mixed media explore themes of memory, migration, resilience, and identity, with music serving as an atmospheric and structural influence rather than a literal subject.

PinchukArtCentre opens new exhibition at the Venice Biennale

The PinchukArtCentre has opened a new exhibition titled "Still Joy — From Ukraine Into the World" as part of the official parallel program of the 61st Venice Biennale. The show, which opened on May 7 at Palazzo Contarini Polignac and runs through August 1, features works by over 20 international and Ukrainian artists exploring joy as an act of resilience and humanity. Central to the exhibition are testimonies from Hlib Stryzhko, a marine veteran who returned from Russian captivity, which are transformed into sculptural elements. Notable works include a protest performance by Yurii Hruzinov at the Russian pavilion, a video installation of Kyiv rave parties by Malashchuk and Khimei, and installations by Future Generation Art Prize laureates Ashfika Rahman and Zhanna Kadyrova.

Canadian Museum of Human Rights Threatened With Legal Action Over Palestinian Nakba Show

The Canadian Museum for Human Rights in Winnipeg has been threatened with legal action by Shurat HaDin – Israel Law Center over an upcoming exhibition titled "Palestine Uprooted: Nakba Past and Present," scheduled to open June 27. The exhibition focuses on the 1948 expulsion of approximately 750,000 Palestinians, known as the Nakba, and features video testimonies, photography, visual art, and text exploring human rights violations and forced displacement. Shurat HaDin's letter, sent to the museum's board and senior leadership, argues the exhibition omits Jewish historical ties to the region, politicizes history, and could fuel hostility against the Jewish community. The organization demands the museum halt work on the show, commission an independent review, and retract statements about Israeli human rights violations, threatening litigation if the museum does not respond within 14 days. The museum has confirmed the letter is under review but stated the exhibition is still expected to open as scheduled.

Oxford Festival Of The Arts brings world famous artists, free exhibitions and silent films to the city centre

The Oxford Festival of the Arts is bringing a major visual art component to its 2025 program, featuring free exhibitions by world-renowned artists across multiple venues in Oxford city centre. Highlights include James Gemmill's cinematic paintings at St John's College, a collaborative installation by Chinese artist Qu Lei Lei and Caroline Deane at OVADA examining humanity and geopolitics, a retrospective of Ukrainian artist Oleksandr Dubovyk's 'White Bouquet' series, and a charitable project supporting Ukrainian children through art. All exhibitions are free and require no booking.

Venice exhibition rethinks curating and creativity in the AI era

A new exhibition titled *Metamorphosis: Beyond the Real. Searching for Victoria Lu – When Humans and AI Think Together, the Story Begins* has opened at Ca' Foscari Esposizioni in Venice, running parallel to the 2026 Venice Biennale. The show centers on Victoria Lu, a pioneering Chinese curator whose five-decade career helped shape contemporary Asian art. It features archival materials, AI-generated works, and collaborative experiments exploring the intersection of human creativity and artificial intelligence.

Currents of the 61st Biennale: Inside Venice’s Flow of Art and Power

The 61st Venice Biennale jury, composed of five curators—Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—resigned on April 30th amid internal tensions over decisions that conflicted with the late Koyo Kouoh's curatorial vision. The jury had previously stated it would refrain from considering countries whose leaders are charged with crimes against humanity by the International Criminal Court. Meanwhile, Filipino artist Jon Cuyson prepares to present his installation at the Philippine Pavilion, featuring works shipped 60 days before geopolitical conflict escalated, navigating unstable maritime routes. His project includes the film series "Sea of Love (Dagat ng Pag-ibig)" and a new fourth film, "Sea of Echoes," exploring themes of migration, queer experience, and ecological resilience through mussels as non-human protagonists.

Met Inaugurates ‘Costume Art’ for the Spring 2026 Exhibition

The Metropolitan Museum of Art will open 'Costume Art' in spring 2026, a major exhibition that positions fashion as a lens for examining the human body across cultures and history. Housed in a new 12,000-square-foot gallery adjacent to the Great Hall, the show pairs garments from The Costume Institute with ancient statues, artworks, and paintings, organized around thematic body types such as idealized, distorted, exposed, and reclaimed. The exhibition design by Peterson Rich Office uses sheer scrims and varied ceiling heights to create an immersive, interconnected experience.

First Look at the Met’s ‘Costume Art’ Where Every Body Matters, Really

The Metropolitan Museum of Art has unveiled its spring exhibition "Costume Art" in the Condé M. Nast Galleries, featuring around 200 pairings of garments and artworks that trace connections across centuries. The show prioritizes fashion over art, displaying dresses, jeans, body stockings, and bustiers to explore the human form through sections like "Naked and Nude Body," "Corpulent Body," and "Disabled Boy." Chief curator Andrew Bolton emphasizes celebrating body diversity amid threats from AI and politics, with nine individuals—including fashion designer Michaela Stark—scanned to create more realistic mannequins.

Media Artist Transforms Climate, AI Data into Immersive Art

Media artist Kang Lee-Yeon delivered an immersive lecture at the TED 2026 main stage in Vancouver, using a 30-meter screen to visualize climate change and AI data. She then opened her solo exhibition 'Illumination' at Fondation Fiminco in Paris for the 140th anniversary of Korea-France relations, while also debuting works at Milan Design Week and the Loop Plus media art fair in Busan. Her projects include 'Passage of Water', created with Google and NASA, which translates satellite data into an immersive experience about Earth's freshwater crisis.

Stories the Soil Remembers Exhibition by Jyoti Tyagi to Open at Shridharani Gallery in New Delhi

A solo exhibition titled "Stories the Soil Remembers" by Delhi-based artist Jyoti Tyagi will open from 8 May to 14 May 2026 at Shridharani Gallery, Triveni Kala Sangam, New Delhi. Curated by poet and art critic Prayag Shukla, the show features works in charcoal, acrylic, and mixed media on paper and canvas, exploring themes of nature, memory, and ecological sensitivity. Recurring motifs such as trees, birds, and landscapes reflect on the interdependence between humans and nature, while Tyagi's technique of scratching into painted surfaces evokes a sense of time and transformation.

Students Selected for Autry Museum's Arts Exhibition

Twenty-seven students from South Pasadena High School have been selected to exhibit their work in the Autry Museum of the American West's "Visions of Humanity" student show, marking the largest number of SPHS students ever accepted into the exhibition. The display runs through May 31 at the Autry Museum in Griffith Park, featuring fourteen students in painting and drawing and thirteen in photography, taught by teachers Rouzanna Berberian and Aimee Levie-Hultman.

Here's what's happening for First Friday in May

Juneau's First Friday in May 2026 features a diverse array of events, including a storytelling project called "Tambayan at Kwentuhan" that shares oral histories from Filipino elders, an exhibition titled "Dizzy Hooligan" by Kiyana Fonua recalling Kava gatherings in Anchorage, and a retrospective of Indigenous fashion designer Dorothy Grant at the Alaska State Museum. Other offerings include a chamber music concert by Taku Winds, a "Critter Trek" exhibition at the Juneau-Douglas City Museum featuring local wildlife art, planetarium explorations, a book release by author Corinna Cook, and displays of woodworking by Phil Paramore and jewelry by Colleen Goldrich.

Sculptures at The Bruce Explore the Energy of the Natural World

The Bruce Museum in Greenwich, Connecticut, will present "Gisela Colón: Radiant Earth" from January 24 to June 28, 2026. The exhibition features nine luminescent sculptures by internationally acclaimed artist Gisela Colón, exploring the forces and energies of the natural world through her signature use of light and form.

May First Friday: 8 shows to see this month around Missoula

Missoula artist Julia LaTray presents a solo exhibition titled "Animal Pleasures" at Bob's Your Uncle gallery in May, featuring paintings of animals on glitchy, digitized backgrounds alongside lighting and other works. The gallery is only open to the public on dedicated nights, so the exhibition is paired with performances, comedy, and readings on May 1, 8, 15, and 29. Separately, Hanis Coos artist Sara Siestreem brings her major exhibition "Acts of Love, Refusal and Resistance" to the Missoula Art Museum, filling the museum's main galleries with large-scale mixed-media paintings and sculpture, including handmade baskets and ceramic molded versions with gilded flourishes. The museum hosts a First Friday reception on May 1 and a "Coffee and Conversation" with the artist on May 2.

뉴뮤지엄 DEMO2026 Art, Design, and Technology Festival(6/3-5) - Lounge

NEW INC, the New Museum's cultural incubator, has announced the full schedule for DEMO2026, a three-day art, design, and technology festival running from June 3–5 at the New Museum's newly expanded OMA-designed building on the Bowery. The festival features keynote speakers including multimedia artist Lawrence Lek, cultural historian Dr. Sarah Elizabeth Lewis, artist and Ojas sound system founder Devon Turnbull, NTS Radio founder Femi Adeyemi, and artist-engineer Xin Liu. Public programming includes demonstrations, performances, workshops, and talks showcasing projects by 39 current NEW INC members, with a Track Showcase on view through June 10. This marks the first edition of DEMO held in the New Museum's expanded space since its reopening.

Anne Frank exhibit debuts Friday with rare artifacts in Chicago

A new exhibition titled "Anne Frank The Exhibition" opens Friday, May 1 at the Griffin Museum of Science and Industry in Chicago. It features 130 collection items from the Anne Frank House in Amsterdam, including artifacts from the Secret Annex where Anne Frank and her family hid during the Nazi occupation. Some of these items have never been displayed in the United States before. The exhibition offers a personal look at the Frank family's life in hiding, including a board game that helped pass the time.

Art of Manga

The Brooklyn Museum is presenting an exhibition titled "Art of Manga," showcasing the artistic and cultural significance of manga as a visual art form. The show explores the history, techniques, and global influence of manga, featuring original drawings, printed works, and immersive installations.