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È morto Bruno Bischofberger, il gallerista e collezionista svizzero che fece lavorare assieme Warhol e Basquiat

Bruno Bischofberger, the influential Swiss gallerist and collector, has died at age 86. A pivotal figure in the contemporary art market, he opened his first gallery in Zurich in 1963 and was instrumental in introducing American Pop Art to Europe, exhibiting Warhol, Lichtenstein, and Rauschenberg. He later championed Minimalism, Land Art, and Neo-Expressionism, representing artists like Sol LeWitt, Donald Judd, and Francesco Clemente. Most famously, Bischofberger discovered Jean-Michel Basquiat in 1981 and orchestrated the legendary collaboration between Warhol, Basquiat, and Clemente. His close relationship with Warhol included a first-refusal agreement on future works and the suggestion of standardized portrait commissions that became Warhol's primary income source.

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

Yu-Chi Lyra Kuo Shares a Vision for the Future of Art, Technology, and Creativity

Yu-Chi Lyra Kuo, an entrepreneur, investor, Harvard-educated lawyer, former Princeton academic, and board member of the Shed, shares her vision for integrating frontier technologies like artificial intelligence and robotics into the art world. She argues that these tools can enhance human creativity rather than replace it, drawing on her early experiences with Asian antiquities and her pioneering work in blockchain, including co-founding OpenSea 2.0. The article, based on an interview with CULTURED, traces her journey from collecting a jade gourd as a child to advising tech companies and joining the board of the Shed, a Bloomberg-backed cultural center in Hudson Yards.

At Birmingham's Ikon Gallery, Angela de la Cruz's audacious, visceral art takes no prisoners

Angela de la Cruz's exhibition "Upright" at Ikon Gallery in Birmingham (until 6 September) marks her first UK institutional show since her 2010 Camden Arts Centre survey, which earned her a Turner Prize nomination. The exhibition features her signature painterly sculptures and sculptural paintings that blur boundaries between mediums, including works like "Still Life with Table" (2000), "Limp" (2000), and "Bloated 111 (Blue)" (2012), which combine Minimalist language with anthropomorphic, emotional qualities. De la Cruz, who has been based in the UK since the late 1980s, continues to create work that channels influences from art history, literature, and personal experience, even after a paralyzing stroke in 2005.

Jes Chen Makes a Knock at the Door Feel Like an Accusation

London-based artist Jes Chen presents "Occupied" (2026), an interactive installation that strips AI technology down to a knock sensor, a screen, and a live AI system. Viewers knock on a door-like interface and receive varied responses—defensive, evasive, or silence—generated in real time. The work draws from Chen's childhood memory of having her bedroom door lock removed, transforming privacy and vulnerability into a behavioral system. Recent presentations at the London Design Festival, Edinburgh Fringe, and Generative Art Conference 2025 have showcased Chen's restrained, psychologically charged approach to AI art.

Antonia Papatzanaki: Unseen Brought to Light Exhibition Opens May 22

Mosaic ArtSpace in Long Island City, NY, presents Antonia Papatzanaki: Unseen Brought to Light, a solo exhibition running from May 22 to September 30, 2025. The show features Papatzanaki's stainless steel light sculptures, inspired by microscopic imagery such as cellular formations and plant tissues, creating immersive environments that blend art, science, and technology. The opening reception is on May 22, 5-8 PM.

Open Call for Artists: Gallery A3’s 11th Annual Juried Show

Gallery A3 in Amherst, Massachusetts, has announced an open call for its 11th Annual Juried Show, scheduled for August 6–29, 2026. Submissions will be accepted online from May 10 to June 7, 2026, with an entry fee of $38 for three entries. The theme for this year's show is 'Everyday Sublime,' inviting artists to explore how awe and wonder manifest in daily life. The juror is Andrew S. Yang, a professor at the School of the Art Institute Chicago whose work has been exhibited internationally, including at the 14th Istanbul Biennial and the Museum of Contemporary Art Chicago.

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.

Panel Discussion: Regeneration — Long Island’s History of Ecological Care at Parrish Art Museum

The Parrish Art Museum is hosting a panel discussion on May 24, 2026, featuring artist Sara Siestreem and members of the Shinnecock Kelp Farmers, moderated by Associate Curator Scout Hutchinson. The conversation celebrates their collaborative work in the exhibition "Regeneration: Long Island’s History of Ecological Art and Care," which runs through June 14, 2026. The Shinnecock Kelp Farmers, an intergenerational collective of Indigenous women, restore ancestral seaweed harvesting traditions to address water pollution, while Siestreem’s artistic practice incorporates abstract mark making, basket weaving, and Xerox transfers to highlight Indigenous land rights and ecological restoration.

Before the Myth, There Was Yoko Ono

The Broad museum in Los Angeles has opened "Yoko Ono: Music of the Mind," the first solo museum exhibition in Southern California dedicated to the artist, musician, and activist. Spanning seven decades, the retrospective focuses on Ono's conceptual and participatory works—such as instruction pieces from her 1964 book "Grapefruit" and interactive installations like "Wish Tree" (1996)—rather than traditional art objects. Curators organized the show around themes of human responsibility, and deliberately delay the introduction of John Lennon until the exhibition's midpoint to emphasize Ono's independent career before her marriage.

"One of the most dramatic Biennales": 11 unmissable art shows to see at Venice

Theo Christelis reports from the opening week of the 2024 Venice Biennale, describing it as one of the most dramatic editions in recent memory. Key events include the death of main curator Koyo Kouoh and German Pavilion artist Henrike Naumann, the resignation of the prize jury over the participation of Israel and Russia, a protest by Pussy Riot, and a boycott by half the participating artists. Amid the turmoil, Christelis highlights unmissable shows including the Indian Pavilion (returning after seven years), Jenny Saville at Ca' Pesaro, Michael Armitage at Palazzo Grassi, and presentations at the British, Japanese, and Saudi Arabian Pavilions.

Venice Biennale 2026 Roundup

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opened in May 2026 amid significant turmoil. The Austrian Pavilion features Florentina Holzinger's performance piece "Seaworld Venice," centered on a giant bell that chimes hourly. The biennale has been marked by the death of its curator, the resignation of the international jury over the inclusion of Russia and Israel, protests by Pussy Riot and the Art Not Genocide Alliance, and the cancellation of the South African Pavilion over Gabrielle Goliath's "Elegy," which honors murdered women including a Palestinian poet. The US Pavilion's state-sponsored offerings have also drawn criticism.

Phantasmagoria review: digital sorcery at the Henry Moore Institute

The Henry Moore Institute in Leeds presents 'Phantasmagoria: Folkloric Sculpture for the Digital Age,' a major group exhibition exploring how digital technologies are reshaping contemporary sculpture. The show features works by artists including Joey Holder, Jürgen Baumann, and Danielle Brathwaite-Shirley, who fuse ancient folklore, occult practices, and modern digital tools such as AI, 3D printing, and video game mechanics. Highlights include Holder's immersive installation 'The Woosphere' with arcade-style consoles and Brathwaite-Shirley's interactive boat sculpture 'PIRATING BLACKNESS/BLACKTRANSSEA.COM.' The exhibition draws on the historical concept of phantasmagoria—18th-century theatrical spectacles using smoke and light—to critique the seductive illusions of digital capitalism.

KMSKA stages major Antony Gormley exhibition across museum and city

The Royal Museum of Fine Arts Antwerp (KMSKA) is opening 'Geestgrond', the largest solo exhibition by British sculptor Antony Gormley ever staged on the European mainland. Curated by Carolyn Christov-Bakargiev, the show spans all of the museum's modern galleries and extends to the roof, Museumplein, and Antwerp quays, featuring over 100 works including sculptures, installations, early sketches, notebooks, and new pieces. Highlights include 'The Heart', an intimate Wunderkammer of Gormley's process, and 'Cave', a monumental walk-in steel installation.

Don’t Miss: Giles Duley’s “Distortion / Memory / Resilience” at Sutton Tower

Photographer and storyteller Giles Duley has opened a two-week exhibition titled “Distortion / Memory / Resilience” at Sutton Tower on the Upper East Side of New York. The show features his powerful images documenting life during war, alongside artistic touches such as wooden school desks filled with artwork by Ukrainian children. Duley, who lost two legs and one arm after an I.E.D. injury in Afghanistan in 2011, continues to work actively in war zones including Sudan, Afghanistan, and Ukraine. Proceeds from the exhibition support his NGO, the Legacy of War Foundation, which has raised over $4 million since 2017 to help communities rebuild after conflict.

Picasso, the figure: Inside Louvre Abu Dhabi’s transformative exhibition

Louvre Abu Dhabi has opened "Picasso, the Figure," its first exhibition dedicated entirely to Pablo Picasso, running until May 31. The show brings together around 60 works exploring Picasso's fascination with the human figure, spanning his cubist experiments, neoclassical portraits, surrealist compositions, and late works. It is presented in collaboration with Musée National Picasso-Paris and France Muséums, housed within Jean Nouvel's iconic floating dome on Saadiyat Island.

‘Picasso-Klee-Matisse’ exhibit brings modernist masterpieces to the Museum of Fine Arts, Houston

The Museum of Fine Arts, Houston (MFAH) is hosting "Picasso-Klee-Matisse: Masterpieces from the Museum Berggruen" from May 20 to September 13, 2026. The exhibition features dozens of works by Pablo Picasso, Paul Klee, and Henri Matisse from the private collection of dealer and collector Heinz Berggruen, on loan from the Museum Berggruen – Neue Nationalgalerie in Berlin. The show is organized thematically—portraits, landscapes, still life, and the human figure—and includes paintings, drawings, collages, sculptures, and archival materials, alongside pieces from MFAH's own collection. It has already attracted over 1 million visitors on its international tour.

‘The Generative Universe’: Keith Tyson returns to LA with new exhibition at Hauser & Wirth

Keith Tyson, the Turner Prize-winning British artist, returns to Los Angeles with his first exhibition in the city since 2009, titled “The Generative Universe,” on view at Hauser & Wirth from May 28 to August 16. The show spans 30 years of his career, featuring paintings, sculptures, drawings, and mixed media works that explore generative systems—artworks created through rule-based structures shaped by mathematics, technology, nature, and the artist's own choices. Central to the exhibition is Tyson's early computer program “Artmachine,” which he developed in the 1990s to generate prompts for his own creative process, contrasting with today's AI image generators that respond to human prompts.

The pioneer of organic textile sculptures, Magdalena Abakanowicz, is taking over Helsinki Art Museum

Helsinki Art Museum (HAM) presents "Magdalena Abakanowicz: Crossing Boundaries," the first Finnish exhibition of the Polish artist's monumental fiber works, running from May 6 to August 30, 2026, at the Tennis Palace. The show features 58 works spanning six decades, including her iconic Abakans—suspended woven forms—and headless burlap figures, along with documentary screenings and a new Finnish-language publication.

Flesh and Bones: The Exhibition Turning the Art of Anatomy Into a Cultural Conversation

The exhibition "Flesh and Bones: The Art of Anatomy" at Singapore's ArtScience Museum explores the history of anatomical representation as a cultural construct rather than a universal scientific truth. It juxtaposes Western anatomical atlases from the Renaissance with Chinese meridian (jingluo) systems, featuring works by artist Chiharu Shiota and other historical pieces that reveal how different cultures have visualized the human body through both scientific and spiritual lenses.

Art as Collective Responsibility: Hestia Artistic Journey Grant Programme Winners

The Hestia Artistic Journey National Grant Programme (Artystyczna Podróż Hestii) has announced the winners of its third edition, selecting eight projects from nearly 200 applications across Poland. The programme, subtitled "Opening Time" (Czas otwarcia), supports artists and cultural institutions planning exhibitions that address collective responsibility for global issues. Winners include "Ślady pamięci" by Fundacja Szałfynster in Katowice, exploring memory and dementia; "Głodne drzewa/Thirsty Trees" by Przemek Branas at the Central Museum of Textiles in Łódź, critiquing human greed through eucalyptus metaphors; and "Tymczasowa pława" by Norbert Delman at the State Art Gallery in Sopot, an installation on ecocide using a sunken fishing boat and amber. Each project will present an exhibition between July 2026 and the last quarter of 2027, with increased funding due to exceptional submissions.

Ten Political Statements By Artists At The 2026 Venice Biennale

The 61st Venice Biennale opened with unprecedented political tension, set against the backdrop of the international jury's mass resignation, the death of curator Koyo Kouoh, Russia's closed pavilion, threats from the European Commission to withdraw funding, and Italy's culture minister boycotting the opening. The article highlights ten works and moments where art and power intersected most explicitly, including Alfredo Jaar's 'Red Room' installation in the Chilean pavilion confronting humanitarian crisis, and Ukraine's collateral event 'Still Joy' at Palazzo Contarini Polignac, which frames joy as an act of resistance amid war.

Virginia MOCA hosts free Community Day at new museum location

Virginia MOCA hosted a free Community Day on Saturday, May 9, at its new Virginia Beach location, in partnership with Virginia Humanities. The event featured inaugural exhibitions including Nina Chanel Abney: The Pursuit of Happiness and Seamless: Art and Design, along with hands-on art making, live performances, artist demonstrations, a U-Haul art gallery, food trucks, and workshops for all ages.

An exhibition of an artist who brought post-impressionism to England

The Museum of Somerset is hosting "A Life in Art: Roger Fry," an exhibition dedicated to the painter, critic, and curator Roger Fry, who introduced post-impressionism to England. The show features nearly 40 of Fry's paintings from a recent Charleston exhibition, alongside works by his wife, Arts & Crafts artist Helen Coombe, whose career and life have been largely overlooked. Through artwork, archival photos, and a film, the exhibition explores Fry's complex personal life, including Coombe's institutionalization for mental illness, and his role within the Bloomsbury Group.

in venice, erwin wurm probes bodily perception with soft, mutable forms

Austrian artist Erwin Wurm has opened a new exhibition titled "Dreamers" at Museo Fortuny in Venice, featuring soft, mutable sculptures that probe bodily perception. The installation transforms the historic space with pliable forms that challenge traditional notions of sculpture and the human figure, inviting viewers to reconsider their relationship with physical objects and space.

Inside The Met's New 'Costume Art' Exhibition

The Metropolitan Museum of Art's Costume Institute has announced a new exhibition titled 'Costume Art,' opening to the public on May 10 and running through January 10, 2027. The show inaugurates the Met's nearly 12,000-square-foot expansion adjacent to the Great Hall, providing a permanent home for the Costume Institute's annual spring exhibitions. Featuring nearly 400 objects—half garments and half traditional art like sculpture and painting—the exhibition explores how clothing alters and enhances the human body, dividing 'the body' into 13 types such as 'The Classical Body' and 'The Corpulent Body.' The show includes works from designers like Coco Chanel, Jean Paul Gaultier, Thom Browne, and Alexander McQueen, paired with historical artifacts and contemporary art. The exhibition follows this year's Met Gala, co-chaired by Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, which raised a record $42 million for the Costume Institute.

This Museum Show Will Make You Question Whether You’re Still Human

The New Museum in New York has opened "New Humans: Memories of the Future," an exhibition curated by Chief Curator Massimiliano Gioni that explores a century of art predicting the fusion of humans and machines. The show features works by artists including Anicka Yi, Francis Picabia, Constantin Brancusi, and Marcel Duchamp, alongside robots and technological artifacts that blur the boundaries between bodies and technology. The exhibition is housed within OMA's newly expanded museum space on the Bowery.

At the 2026 Met Gala, Black stars and socialites turned the human form into art

The 2026 Met Gala, held at the Metropolitan Museum of Art under the theme 'Costume Art,' featured Black celebrities and socialites interpreting the human form as art on the red carpet. Notable attendees included Beyoncé in a skeletal silver gown by Olivier Rousteing, Colman Domingo inspired by Jean-Michel Basquiat, Rihanna in a custom Maison Margiela 'living sculpture' by Glenn Martens, and Venus Williams co-chairing the event while wearing a look referencing her own portrait by Robert Pruitt. Others like SZA, Tschabalala Self, and Cardi B offered surreal or literal nods to art history and body imagery.

David Plowden’s Iowa Exhibit Opening Reception Today at 4:00 PM

The Sioux City Art Center is hosting an opening reception today at 4:00 PM for an exhibition of black-and-white photographs by David Plowden, titled "David Plowden’s Iowa." The show features 90 images taken from the 1960s through the 2000s, documenting Iowa’s rural communities, agricultural landscapes, barns, grain elevators, and small-town structures. The exhibition was organized by curator Christopher Atkins and originally toured the state from 2012–2014 via Humanities Iowa. The reception includes free margaritas in celebration of Cinco de Mayo.

at the MET's 'costume art', sculptural mannequins are scanned from real bodies

The Metropolitan Museum of Art's new exhibition 'Costume Art' features sculptural mannequins that are scanned from real bodies, including representations of corpulent and disabled bodies. The show uses 3D body scanning technology to create mannequins that accurately reflect diverse human forms, moving away from traditional idealized fashion mannequins.