Congress has unveiled a bipartisan partial funding package that would keep the National Endowment for the Arts (NEA) and the National Endowment for the Humanities (NEH) budgets steady at $207 million each, despite President Donald Trump's proposal to eliminate both agencies. The three-bill "minibus" package faces a House vote and then Senate consideration, as the government seeks to avoid another shutdown after last year's record 43-day closure.
Egyptian archaeologist Zahi Hawass has renewed his demand for the return of the ancient bust of Nefertiti from Berlin's State Museums, citing the recent full opening of the Grand Egyptian Museum (GEM) near Giza as proof that Egypt can properly safeguard its artifacts. The bust, dating to ca. 1351–1334 BCE and discovered in 1912 by German Egyptologist Ludwig Borchardt, has been on display at the Neues Museum since 2009. Hawass, who has shifted his position over time—calling the bust not looted in 2010 but “brazenly stolen” in 2024—argues that Western museums can no longer claim Egyptian institutions lack adequate climate control and display standards.
The U.S. Senate has confirmed Mary Anne Carter as chair of the National Endowment for the Arts (NEA) by a 53–43 party-line vote, returning the same political operative to the post she held during Trump’s first term. Carter, who has no professional arts experience and previously worked for the Heritage Foundation (author of Project 2025), was nominated in May amid a tumultuous period when the Trump administration sought to defund the NEA, senior leaders left en masse, and hundreds of arts organizations had promised grants cut or delayed.
Billionaire couple Jeff Bezos and Lauren Sánchez Bezos are sponsoring the Metropolitan Museum of Art’s 2026 Met Gala, the annual benefit for the Costume Institute. The news has revived speculation that Bezos may buy Condé Nast, Vogue’s parent company, which organizes the gala. Sánchez Bezos, a former TV reporter and recent Vogue cover subject, has been increasingly active in fashion circles, attending Paris Fashion Week and sitting front row at Chanel and Balenciaga shows. The 2026 gala will be the first since Anna Wintour’s retirement, with Chloe Malle taking over Vogue, and will feature a new dedicated Costume Institute gallery and the theme “Costume Art.”
The Guggenheim Museum held its 2025 gala, titled "Under the Oculus: A Celebration of Visionaries," honoring artist Rashid Johnson, whose solo exhibition "A Poem for Deep Thinkers" is on view at the institution, alongside the National Basketball Association and National Basketball Players Association. The event featured a seated dinner by Chef Marcus Samuelsson, a performance by Questlove and the Roots, and drew a crowd of art-world figures, sports leaders, and patrons including Abigail and Joseph Baratta, Wendy Fisher, NBA Commissioner Adam Silver, and gallerist David Kordansky.
Pantone has named "Cloud Dancer," a shade of white, as its 2026 Color of the Year, describing it as a symbol of serenity and calm in a frenetic society. The announcement has sparked criticism for being tone-deaf amid ongoing political debates about whiteness, white supremacy, and conservative turns in the US and Europe, with wars and censorship fears also looming. Critics, including fashion correspondent Vanessa Friedman, have noted the choice's less salubrious associations, while Pantone executives insist skin tones did not factor into the decision.
The Museum of Fine Arts (MSK) in Ghent has refused to return Gaspar de Craye's Nazi-looted *Portrait of Bishop Triest* to the heirs of its original owner, Samuel Hartveld. An independent commission found the painting was sold under duress after the German occupation of Belgium in 1940, but concluded that Hartveld and his family were later financially compensated by the city, leading MSK to retain the work. Jewish groups EJA and JID are contesting the decision, arguing that international principles mandate restitution regardless of compensation.
The 14th LACMA Art+Film Gala took place this weekend, co-chaired by LACMA trustee Eva Chow and actor Leonardo DiCaprio. The event honored artist Mary Corse and filmmaker Ryan Coogler for their contributions to art and cinema, and raised a record $6.5 million to support LACMA's mission and film initiatives. The gala was held beneath Chris Burden's Urban Light and Michael Heizer's Levitated Mass, with dinner by chef David Shim of COTE, and featured a performance by Doja Cat introduced by SZA. Attendees included a constellation of Hollywood stars, models, musicians, and designers.
Precious Okoyomon, editor of CULTURED at Home gardens, selects five unconventional natural landscapes that thrive against difficult odds. These include Dumbarton Oaks in Washington DC with its ancient wisteria, the radioactive waste site Dead Horse Bay in Brooklyn where invasive species bloom, the childhood haven Glen Helen Nature Preserve in Ohio, the Persian-inspired Untermyer Gardens in Yonkers, and Derek Jarman's seaside garden beside a nuclear plant in Dungeness, UK. Each location is described through Okoyomon's personal reflections, illustrated by Erin Knutson.
Kim Sajet, director of the National Portrait Gallery in Washington, D.C., has resigned from her post after President Donald Trump claimed on social media that he had fired her. The Smithsonian Institution initially affirmed its independence, stating that only its secretary and Board of Regents control personnel decisions, and Sajet continued working. However, as of June 13, she departed the role she had held since 2013, citing her desire to put the museum first. Trump had criticized Sajet for being a supporter of DEI and for including a wall text with a portrait of him that mentioned his impeachments and the January 6 insurrection.
The Trump administration laid off approximately 100 employees from the National Endowment for the Humanities (NEH) on June 10, part of a broader reduction in force that has left fewer than 60 staff remaining at the agency. The cuts follow earlier funding freezes and a $65 million budget reduction by the Department of Government Efficiency (DOGE), with funds redirected to President Trump’s National Garden of American Heroes. The NEH’s union, the American Federation of Government Employees Local 3403, has condemned the restructuring as an existential threat to institutions that rely on NEH grants for research, preservation, and education.
The Smithsonian Institution issued a statement asserting its independence after President Donald Trump claimed he fired National Portrait Gallery director Kim Sajet. The statement did not name Sajet or Trump directly but affirmed that all personnel decisions are made by the Secretary, Lonnie G. Bunch, with board oversight. It followed reports that Sajet continued working despite the supposed firing and that the Trump administration had compiled a 17-point list of grievances against her. The statement also noted the Board of Regents directed the Secretary to ensure unbiased content in Smithsonian museums.
A shooting outside the Capital Jewish Museum in Washington, D.C., on Wednesday night killed two Israeli embassy staff members, Yaron Lischinsky and Sarah Milgrim, in what authorities have called an antisemitic attack. The gunman, Elias Rodriguez of Chicago, opened fire as the victims exited a diplomatic event hosted by the American Jewish Committee, then entered the museum where he was detained by security. Police reported that Rodriguez shouted “free, free Palestine” after being taken into custody. The museum expressed heartbreak and condemned the violence, while the Israeli embassy mourned the loss of the couple, who were engaged to be married.
American painter Karyn Lyons explores the longing and desolation of adolescent girlhood in her solo exhibition “Day for Night” at Stems Gallery in Paris, which opened ahead of Art Basel Paris. The show features paintings of an adolescent girl in affluent yet lonely settings, which Lyons describes as metaphoric pages from her diary. After studying journalism and working in advertising and fashion, Lyons earned a post-baccalaureate degree from the School of the Museum of Fine Arts in Boston in 2003, but kept her work private for nearly two decades until a creative breakthrough during the pandemic led her to explore her own adolescence more psychologically.
Melissa Chiu has been appointed as the new director of the Solomon R. Guggenheim Museum in New York, effective September 1. She departs the Hirshhorn Museum and Sculpture Garden in Washington, D.C., where she has served as director since 2014. This leadership transition follows a decade of growth at the Hirshhorn under Chiu’s tenure and marks a significant shift for the Guggenheim’s administrative structure.
The article reports on several developments in the art world: the Centre des Monuments Nationaux (CMN) loses management of Mont-Saint-Michel; the Venice Biennale opens amid controversy; a law on the restitution of cultural property looted during colonization is definitively adopted; the V&A East museum targets younger audiences; in Giverny, the Monet legacy does not benefit everyone; and the market for the Nabis artists is becoming more structured.
Legislation to advance the construction of the Smithsonian American Women’s History Museum in Washington, DC, failed in the House on May 21 after Democrats rejected amendments added by Republicans. The bill, introduced by Republican Representative Nicole Malliotakis, was defeated 216-204, with six Republicans joining Democrats in opposition. Key changes included language specifying the museum would honor only “biological women” and explicitly barring the depiction of any “biological male as a female,” which critics said would exclude transgender women. Other provisions would have given President Donald Trump unilateral authority to choose an alternative site for the museum, originally planned for the National Mall, and granted approval power over design and construction to commissions controlled by Trump appointees.
D.B. Dowd's new book "Reading Pictures" offers a sweeping 400-page history of illustration, tracing the genre from the Diamond Sutra frontispiece in Tang China (AD868) to Molly Crabapple's Gaza reports in 2015. The book examines key works such as Jules Chéret's 1891 poster for the Alcazar d'Été Club, Stuart Davis's caustic covers for The Masses, and Duong Ngoc Canh's Vietnamese propaganda poster, arguing that illustrations are meant to be "read" rather than admired like museum paintings.
Former BBC New York correspondent Nick Bryant claims the BBC suppressed footage he captured of Banksy at a mural site in New York City in March 2018. In a Substack post, Bryant recounts being tipped off by Banksy's PR team about a new artwork at the Houston Bowery Wall, where he and his cameraman filmed the artist—described as a middle-aged man in a black beanie and grey coat—fleeing the scene with fresh paint on his fingers. Despite believing he had a world exclusive, Bryant says BBC editors in London decided not to air the footage, citing concerns about unmasking the artist and preserving the mystery for audiences, including a senior colleague's daughter who compared revealing Banksy's identity to telling children there is no Santa Claus.
Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.
Alexander Calder’s monumental sculpture "Mountains and Clouds," located in the Hart Senate Office Building in Washington, D.C., is finally undergoing a full restoration. The 75-foot-wide "clouds" component of the mobile was dismantled in 2016 due to structural safety concerns, leaving only the stationary "mountains" portion on display for nearly a decade. Supported by private funding secured by the Calder Foundation, the project will refabricate the suspended elements and reinstall the computer-controlled motor system that allows the sculpture to rotate.
Artnet News has compiled a selection of artworks created in anticipation of Pope Francis's first visit to the United States. The works include Anthony VanArsdale's portrait for the North American College in Rome, a new addition to the 'Franks' mural at Philadelphia's Dirty Franks bar, a massive photo-realistic mural by Van Hecht-Nielsen overlooking Madison Square Garden in New York, a large-scale mural by Caesar Viveros for the Philadelphia Mural Arts Program, and a controversial, officially licensed portrait by Perry Milou. Other featured pieces include an illustration by Omkar Shivaprasad and a vandalized mural in Bolivia by William Luna and Guillermo Rodriguez.
The Washington Post laid off approximately 30% of its newsroom staff, including Pulitzer Prize-winning art critic Sebastian Smee, as part of broader cuts to sports, local news, and international coverage. Smee, who joined the Post in 2018 after working at the Boston Globe and The Australian, confirmed his departure in a statement to ARTnews, expressing gratitude to former editor Marty Baron and solidarity with affected colleagues. Another Pulitzer-winning critic, Philip Kennicott, reportedly remains on staff. The layoffs come shortly after the release of a documentary produced by Amazon MGM Studios, owned by Post owner Jeff Bezos.
Three paintings by Bob Ross sold for up to thirteen times their high estimates at a Bonhams Skinner auction, raising $1.3 million for American Public Television. The top lot, 'Change of Seasons' (1990), painted live on his TV show, fetched $787,900, setting a new high for Ross at a traditional auction house.
A group of artists led by Elise Engler, Joyce Kozloff, and Martha Rosler has circulated a letter urging the Jewish Museum in New York to intervene and save New Deal-era murals and sculptural reliefs from the Wilbur J. Cohen Federal Building in Washington, D.C. The artworks, created by Jewish artists including Ben Shahn, Philip Guston, and Seymour Fogel, are threatened with demolition after the U.S. government listed the building for accelerated disposal in November 2025 and began soliciting demolition bids in December. The letter, addressed to Jewish Museum board chair Shari Aronson, has been signed by hundreds of artists and art-world figures, including Joan Semmel, Rochelle Feinstein, Joan Snyder, Lucy Lippard, and Kay WalkingStick.
A retired General Services Administration official, Mydelle Wright, has accused the Trump administration of attempting to demolish four historic federal buildings in Washington, D.C., including the Wilbur J. Cohen Federal Building. The allegation was made in a supplemental declaration filed in a lawsuit brought by preservation groups. Wright claims the White House is soliciting demolition bids without GSA involvement, which she says has sole authority over such processes. The Cohen building houses significant New Deal-era murals by Ben Shahn, Philip Guston, and Seymour Fogel, and has been described as "the Sistine Chapel of the New Deal." The Trump administration has halted a planned green renovation and listed the building for accelerated disposition, raising fears of demolition and loss of the artworks.
Artnet News has published a roundup of the best art world movies of 2025, highlighting films that explore the anxieties, ambitions, and contradictions of the contemporary art scene. The selection includes Kelly Reichardt's heist film *The Mastermind*, about a man stealing Arthur Dove paintings from a museum; the satire *Auction*, which follows a Parisian auctioneer discovering a long-lost Egon Schiele; the documentary *Art for Everybody*, reexamining Thomas Kinkade's legacy; and Ira Sachs's *Peter Hujar's Day*, a gentle portrait of the photographer's daily life. Spike Lee's *Highest 2 Lowest* also features, marking his entry into the old-guard canon.
Pantone has announced 11-4201 Cloud Dancer, a soft shade of bright white, as its 2026 Color of the Year. This marks the first time the company has chosen a white hue since launching the initiative in 1999, following last year's Mocha Mousse. The decision, announced by Pantone Color Institute vice president Laurie Pressman, is framed as a symbol of calm and a desire for a fresh start in a frenetic society, drawing comparisons to Kazimir Malevich's Suprematist compositions and Robert Ryman's white paintings. The announcement has sparked debate over its cultural and political implications, with critics noting the choice's potential elitism and its resonance amid ongoing racial tensions.
Preservationists are petitioning to save Washington, D.C.'s Wilbur J. Cohen Federal Building, known as the 'Sistine Chapel of New Deal Art' for its 20th-century murals by Philip Guston and Ben Shahn. The Trump administration has listed the building for sale under an 'accelerated disposal' program, raising fears it could be demolished. The nonprofit Living New Deal launched a petition demanding transparency and public participation, as the building is one of 45 federal properties slated for swift sale. The structure, completed in 1940, houses ten New Deal-era artworks including frescoes, relief sculptures, and murals, and has been home to Voice of America since 1954.
A man was killed on the National Mall in Washington, D.C., while unloading a 1979 BMW Art Car custom-painted by Andy Warhol. The accident occurred when a winch securing the vehicle on a flatbed truck failed, pinning the unidentified man beneath the car. The sports car was to be featured in a pop-up exhibition called “Cars at the Capital,” organized by the Hagerty Drivers Foundation, which has since canceled the event out of respect for the deceased.