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The sixth Aichi Triennale seeks to encompass destruction and renewal

The sixth edition of the Aichi Triennale, Japan's largest recurring contemporary art exhibition, opens under the title "A Time Between Ashes and Roses," featuring around 60 artists from 22 countries across venues in Nagoya. Artistic director Hoor Al Qasimi, president of the Sharjah Art Foundation, has curated a program that addresses themes of destruction and renewal, drawing on a poem by Syrian poet Adonis written after the 1967 Six-Day War. The exhibition references both the ongoing conflict in Gaza and the 80th anniversary of the atomic bombings of Hiroshima and Nagasaki, with participating artists including John Akomfrah, Simone Leigh, Wangechi Mutu, Michael Rakowitz, and Hiroshi Sugimoto.

Collector’s eye: the art Kyongho Kim has bought and why

Kyongho Kim, a Seoul-based dentist and art collector, discusses his journey into collecting contemporary art, which began in 2019 when he bought his first painting to fill bare walls in his new home. He now owns around 250 works, including pieces by Hernan Bas, Genieve Figgis, Scott Kahn, and Jack Kabangu, and describes his philosophy as stewardship rather than ownership. The interview, published by The Art Newspaper, covers his first purchase (Byung-Rock Yoon's *Scent of Autumn*), his regret over missing a George Condo piece, and his love for art fairs like Frieze Seoul, where he acquired a work by Marina Perez Simão.

Prospect, New Orleans’ international art exhibition, cancels its next big show in 2027

Prospect, New Orleans' international art exhibition, has canceled its next planned show in 2027. The decision was announced by the organization's most recent director, Nick Stillman, who cited the current political climate and cuts to government arts funding as making the financial outlook for the multi-million-dollar event "ominous." Stillman has since left the organization. Instead of mounting another exhibition, Prospect will publish a book titled "20 Years of Prospect" and shift focus to exploring sustainable models for presenting global art discourse while archiving its past work.

Exhibition in Abu Dhabi marks collaboration between Korean and Emirati institutions

A partnership exhibition titled "Layered Medium: We Are in Open Circuits" has opened at Manarat Al Saadiyat in Abu Dhabi, featuring 29 Korean contemporary artists from the Seoul Museum of Art (SeMA) collection. Organized with the Abu Dhabi Music & Arts Foundation (ADMAF), the show includes works by Nam June Paik, Haegue Yang, Lee Bul, and others, and runs until 30 June. A reciprocal exhibition of Emirati artists, "Intense Proximities," will open at SeMA in December 2025. The curators, Maya El Khalil and Kyung-hwan Yeo, chose to present each country's art scene separately to allow full appreciation on its own terms.

New Seoul art fair HIVE drops booth fees in market experiment

The inaugural HIVE Art Fair in Seoul, opening May 21 at COEX Magok, is testing an alternative business model that eliminates fixed booth fees. Instead, galleries can choose which services and installations to pay for through a "selective purchase system," with the fair relying on ticket sales, corporate partnerships, and promotional lounges for revenue. The fair features 48 galleries (36 South Korean, 12 international) and 158 artists, with no overlapping artists between galleries, and will display exhibition titles and curatorial statements alongside gallery names.

Saad Khan Archives the Detritus of Censored Culture

Saad Khan, a New York-based archivist, has developed Khajistan, an expansive digital and physical archive dedicated to preserving censored and overlooked mass media from South Asia to the Maghreb. The collection features a diverse array of ephemera, including homoerotic imagery, working-class street posters, and banned magazines that are often erased from official cultural records. By documenting everything from WhatsApp forwards to vintage film posters, Khan creates a space where the lived experiences of queer, trans, and working-class individuals in these regions are validated and archived.

Australian Indigenous Art Speaks to Contemporary Concerns

The National Gallery of Victoria (NGV) in Melbourne, in collaboration with the National Gallery (NGA) in Washington, D.C., has organized 'The Stars We Do Not See,' the largest and most comprehensive exhibition of Australian Indigenous art ever shown outside Australia. Opening in Washington on October 25 and running through March 1, 2026, the show features over 200 works from the 19th century to the present, including 130 of the NGV's most prized pieces by revered artists from across Australia. The title is inspired by late Yolŋu artist Gulumbu Yunupiŋu, known for her celestial mappings, and the exhibition will travel to several U.S. cities and Toronto over two and a half years.

Leeum Museum Opens on Closing Day, Welcomes Over 200 Multicultural Families for Art Visit

On May 11, the Leeum Museum of Art in Seoul opened its entire museum on a Monday—its regular closing day—to host approximately 200 members of multicultural families. The event, organized in partnership with family centers and related organizations across Seoul, included exhibition tours of the permanent antique art collection, the special exhibition "Into Another Space: Synesthetic Environments by Women Artists 1956-1976," and the outdoor Orozco Garden. A curator provided explanations, and a magic show was held in celebration of Family Month. Participating organizations included the Yongsan-gu Family Center, Itaewon and Ichon Global Village Centers, the Mari Shelter for Migrant Women and Mari Community, and the Dongdaemun and Seocho Family Centers.

Hyeree Ro: What Bears

Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.

Fabian Perez Gallery Showcases 20 Artists in Neo-Emotionalism Exhibition

Fabian Perez Gallery in Los Angeles is hosting the Neo-Emotionalism Group Exhibition, featuring 20 artists working in painting, photography, and sculpture. The show, running through May 23, centers on feeling and memory, with artists like Shaylen Nelson, Awadé Wade, James Smith, and Martinos Aristidou presenting works that explore personal and cultural narratives. Nelson, an Afrocentric Realism painter, uses Black figures and music to place culture within traditional painting, while Wade’s piece "Abstract Love" draws on a Prince song and uses a tree as a symbol of life and transition.

Gimpo Transforms into an Exhibition Space... Gimpo Cultural Foundation Showcases Local Artists' Achievements

The Gimpo Cultural Foundation announced it will host a series of visual arts exhibitions through June as part of the '2026 Gimpo Arts Activity Support Project.' The program features solo and group shows across multiple genres—including crafts, painting, ceramics, installation, photography, and sculpture—at local venues such as the Gimpo Peace Culture Center, Boreumsan Museum of Art, Janggi Library Exhibition Hall, Willow Tree Gallery, and Bukbyeon Gallery. Artists include Kim Jiyong, Kim Wakon, Lee Kyooho, Yoon Jeonghye, Park Younggyun, and Choi Nakjun, along with groups like Gongbang Dowon-yo and Susaranghoe.

Franco Mazzucchelli, Champ Lacombe / Biarritz  by Gea Politi

Franco Mazzucchelli's exhibition at Champ Lacombe in Biarritz presents a medley of his public interventions from the 1970s, including inflatable sculptures like "Cono Rosso" (1973/2021), "Bieca Decorazione," and "Catena N.5 anelli." The show documents his practice of placing inflatables in public spaces without viewers knowing they were artworks, capturing reactions of curiosity, rage, and self-expression. The gallery space transforms these once-anti-monumental works into precarious monuments, now controlled within the art world's agenda.

For Another Buddhism, Against Byung-Chul Han

The article is a critical essay by Alex Taek-Gwang Lee challenging the philosophical approach of popular thinker Byung-Chul Han. It argues that Han's accessible, 'Sloterdijkian' style prioritizes rhetorical flair and immediate recognition over dialectical rigor and material political analysis, resulting in a critique that circulates comfortably within the very neoliberal attention economy it claims to oppose.

AKKA Venice Project: Beyond the Exhibition

Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.

Origins of Black Carnival Society: The Story of the Illinois Clubs at The Presbytère, New Orleans

An exhibition titled 'Origins of New Orleans Black Carnival Society: The Story of the Illinois Clubs' has opened at The Presbytère in New Orleans. It chronicles the history of The Original Illinois Club, the first Black Carnival club and the first to host a debutante cotillion, and coincides with the centennial of its offshoot, the Young Men Illinois Club. The show features regalia, gowns, photographs, and historical artifacts, including a segregated 'White Section' sign from the Municipal Auditorium.

Fractured Horizons Returns to NYCxDesign 2026 with Imaging After Images, Marking Its Second International Spotlight at the Festival

Fractured Horizons: Imaging After Images, the second edition of VSDesign's international exhibition series, returned to the NYCxDesign Festival in 2026, running for a week in New York. Organized by VSDesign in partnership with RAC Studio and Asia Design Week, the exhibition featured 60 works by artists and designers from across Asia and North America, spanning architecture, urbanism, product design, visual communication, and interactive media. The show explored how images no longer simply depict space but actively produce, operate, and regulate it, treating the image as a spatial mechanism rather than a neutral surface.

Chosun University Museum of Art Hosts 'Strolling Through the Garden' for 80th Anniversary

Chosun University Museum of Art in Gwangju, South Korea, is hosting a special exhibition titled 'Strolling Through the Garden' from May 7 to May 27 to celebrate the university's 80th anniversary. The show features 34 works by 13 contemporary artists working in Western painting, Korean painting, installation, and media art, organized around three themes: 'Garden of Imagination,' 'Garden of Senses,' and 'Garden of Metaphor.' Admission is free, and the exhibition coincides with the university's Rose Week (May 14–17), encouraging visitors to experience nature and art together on campus.

Kansong's Cultural Defense Exhibition Features National Treasure Vase

The Kansong Art Museum in Seoul has launched a special exhibition titled "Cultural Defense of the Nation: The Spirit of Our People Preserved Through Faith," showcasing 46 significant artifacts reclaimed by collector Chun Hyung-pil during the Japanese colonial period. The centerpiece of the show is a rare 18th-century white porcelain bottle decorated with underglaze blue, iron-red, and copper-red, which Chun famously acquired at the Gyeongseong Art Club auction in 1936. He outbid a prominent Japanese dealer with a record-breaking bid of 14,580 won—a sum equivalent to the price of 15 houses at the time—to prevent the treasure from leaving Korea.

Jordan Schnitzer Museum of Art WSU announces four spring exhibitions

The Jordan Schnitzer Museum of Art at Washington State University has unveiled its spring 2026 exhibition program, featuring four distinct showcases that emphasize sensory awareness and embodied perception. The lineup includes a solo exhibition of sculptural works by Montana-based artist Mimi Jung, a site-specific kinetic sound installation by Trimpin titled 'Ambiente432', a curated selection of photography from the permanent collection focused on light, and the annual MFA Thesis Exhibition featuring emerging artists Keegan Baatz, S. Camille Comer, and Kahyun Uhm.

Call for Artists: Join America, Unfinished?! in Providence, RI

WaterFire Providence has issued an open call for artists to participate in "America, Unfinished?!", a major group exhibition scheduled for the summer of 2026. Hosted at the 15,000-square-foot WaterFire Arts Center, the show seeks large-scale installations, multimedia works, and performances that explore the United States as an evolving and unresolved project. The curatorial framework focuses on themes of labor, migration, identity, and material culture within the context of the American landscape.

Led by £10.2m cheetah miniature, Aga Khan collection breaks all-time record for South Asian art sale

A single-owner sale of 95 lots from the collection of Prince Sadruddin Aga Khan at Christie's London achieved £45.8m ($61m), shattering the presale estimate of 'in excess of £8m' and setting a new all-time record for any South Asian art sale. The top lot, Basawan's miniature *A Family of Cheetahs in a Rocky Landscape* (circa 1575-80), sold for £10.2m ($13.6m), becoming the most expensive classical Indian or Islamic painting at auction. The sale also featured eight works from the Fraser Album, which together made £6.2m, and a portrait by Dust Muhammad that fetched £2.7m.

Seattle art exhibit centers immigrant histories, experiences

More than 20 local artists are showcasing works in the "Wildest Dreams" exhibit at Nino Studio & Gallery in Seattle's Pioneer Square, running through July 31. Curated by Seattle-based artist Rya Wu, the show honors the histories, experiences, and cultures of first-, second-, and third-generation immigrants. Artists like Yaminee Patel use grains and legumes to depict the journey of food, while Allan Carandang addresses U.S. colonialism and the legacy of Spam in Guam. The exhibit is an extension of Wu's larger series "Have You Eaten," which began in 2023 to explore identity and home for the Asian diaspora.

Chungnam Provincial Council Daum Art Hall to Hold Folk Painting Exhibition

The Chungnam Provincial Council is hosting a folk painting exhibition titled "Taking a Rest in Folk Paintings" at Daum Art Hall in its council building from July 1 to July 31. The exhibition features six artists from Hyuhyuhan Minhwa Studio—Kang Mi-ae, Kim Eung-mi, Kim Myung-sook, Koo Min-seo, Park Jin-sook, and Woo Soo-ji—displaying works such as Vase Paintings, Lotus Paintings, Ilwolobongdo, and Tiger Paintings that reflect traditional Korean folk art symbolism.

Newly opened Photography Museum of Seoul plans to become a ‘cultural anchor’ for the region

The Seoul Museum of Art (SeMA) has opened the Photography Museum of Seoul (Photo-SeMA) in Dobong-gu district, marking South Korea's first public museum dedicated to photography. Spanning 7,048 square meters, the new venue draws from SeMA's collection of over 20,000 photographs and archival materials from the 1920s to the 1990s. It launches with two exhibitions themed around 'light obsession'—'Storage Story,' featuring commissioned works by six contemporary artists, and 'The Radiance: Beginnings of Korean Art Photography,' showcasing five pioneering Korean art photographers. The museum will eventually become part of an eight-branch network run by SeMA.

BU Art Galleries Announces Summer 2025 Exhibitions

Boston University Art Galleries has announced its summer 2025 exhibitions, featuring two shows opening June 5 on BU's Charles River Campus. 'Boston Young Contemporaries 2025' is a cross-institutional exhibition showcasing work from current and recent MFA graduates of BU, Massachusetts College of Art and Design, and the School of the Museum of Fine Arts at Tufts University, juried by curator Selby Nimrod. The second exhibition, 'Nothing Matches Everything Shines,' presents multimedia installations by artist Loretta Park in the 808 Gallery windows, curated by Madeleine Delpha, using found objects and traditional handcraft to challenge conventional notions of beauty and value.

Korean Artists Today 2025

The article titled 'Korean Artists Today 2025' appears to be a placeholder or incomplete piece from The Art Newspaper, lacking substantive content beyond a subscription prompt and footer. No specific events, artists, or exhibitions are described in the provided text.

‘A homage to heritage’: first-of-its kind collaboration between museum and football team celebrated with documentary

A new documentary titled 'Made in Walthamstow,' directed by Xaymaca Awoyungbo, chronicles the creation of the first-ever football kit designed in collaboration with a museum. The shirts were produced by north east London team Walthamstow FC together with the William Morris Gallery, arts organization Wood Street Walls, and brand Admiral Sportswear. Worn by the team since 2023, the kits feature floral designs by 19th-century designer William Morris, who lived in the building that now houses the gallery.

BIOGRAPHICAL GEOLOGY GISELA COLON PRESENTS HER FIRST RETROSPECTIVE IN PUERTO RICO

Artist Gisela Colón has opened her first retrospective exhibition, 'La montaña, el monolito (The Mountain, the Monolith),' at the Museo de Arte Contemporáneo de Puerto Rico. The show, curated by Abdiel Segarra Ríos and Alexandra Méndez, features sculptures, paintings, video, and installations spanning over three decades of her career, with a focus on the organic forms of monoliths and mountains.

yunnGold | The Opening (2024) | Available for Sale

Japanese contemporary artist yunnGold has released a new unique painting titled "The Opening" (2024) for sale through Kyoto Art Gallery. The work, characterized by its use of acrylic, fluorescent paint, and glitter, depicts a serene mountain landscape under a night sky with a shooting star. The piece is part of the artist's broader practice of creating luminous, hope-centered works that often incorporate elements of feng shui and personal resilience.

Topkapı Palace opens new Tile Art Gallery in Mabeyn section

Topkapı Palace in Istanbul has opened a new Tile Art Gallery in its Mabeyn section, featuring a restored historic passage that connects the Mabeyn area with the Harem-i Hümayun. The gallery, called the Mabeyn Yolu (Route) Tile Art Gallery, showcases the stylistic and technical evolution of Ottoman tile art from Iznik to Kütahya, displaying tiles that were previously kept in storage. National Palaces President Professor Yasin Yıldız announced that the project took nearly three years and includes tiles bearing the names of Ottoman sultans from Osman Gazi to Sultan Selim II, as well as couplets from the 11th-century poem "Qasida al-Munfarija."