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Cameron Art Museum to showcase Gullah Geechee culture in new Jonathan Green exhibition

The Cameron Art Museum in Wilmington, North Carolina, will host a new summer exhibition titled "Rooted in Memory: The Gullah Geechee Vision of Jonathan Green," opening June 19 and running through January 24, 2027. The show features vibrant paintings by acclaimed artist Jonathan Green, a native of Gardens Corner, South Carolina, whose work depicts family life, labor, celebration, and spirituality rooted in Gullah Geechee culture. The exhibition pairs Green's paintings with traditional crafts such as sweetgrass baskets, quilts, and Adinkra-printed cloth on loan from the Charleston Museum, the Gibbes Museum, and the South Carolina State Museum. The exhibition is part of the museum's summer season alongside "Fresh Air: Inflatable Sculptures" and "Andy Warhol: Silver Clouds."

Amoako Boafo Drew on Venice’s Rich Creative Heritage for His First Solo Show in Italy

Amoako Boafo, the Ghanaian artist known for his finger-painted portraits of stylish Black sitters, opened his first solo show in Italy at the Museo di Palazzo Grimani in Venice during the 61st Venice Biennale. Titled "It doesn’t have to always make sense" and produced by Gagosian, the exhibition runs through November 22 and features Boafo's paintings alongside works by friends and collaborators, including poems by Raphael Worlasi Langani and a sculpture made with Stephen Allotey. The show also includes a video documenting Boafo's life and a "heroine wall" of portraits honoring women he admires, such as curator Koyo Kouoh.

Liza Lou | FAQ

Liza Lou's latest body of work, presented in the exhibition "FAQ," combines glass beads and oil paint on canvas to create abstract paintings that interrogate mid-century abstraction and the heroics of the painted gesture. Lou translates fluid pigment into cell-like particles of color, juxtaposing spontaneity with painstaking precision, and explores fundamental questions about painting, such as when a painting is not a painting and what constitutes a paint body. The exhibition includes works like "Stanza" (2025) and "Alliteration" (2025), and features a video directed by Mick Haggerty.

A burned Altadena lot becomes an art exhibit, sourced from remnants and sounds of Eaton fire

Artist Kelly Akashi, whose Altadena home and studio were destroyed in the January 2025 Eaton fire, has transformed the burned lot at 2650 Highview Ave. into a two-day art exhibition titled "Field Set," held May 23–24, 2026. The exhibit features Akashi's sculptural works made from fire remnants and a sound installation by collaborator Phil Peters, who used custom microphones to record the ongoing demolition and rebuilding sounds. Visitors were invited to sit on speakers and feel the low-frequency vibrations, creating an immersive experience that blends art with the physical memory of the disaster.

Cardiff museum exhibit puts Valleys fashion project in spotlight

A 10th anniversary retrospective exhibition titled 'It's Called Ffashiwn!' has opened at National Museum Cardiff, celebrating a decade-long fashion photography project in the South Wales Valleys. The project was founded by French documentary photographer Clémentine Schneidermann and Welsh fashion editor Charlotte James, who began working with local youth groups in Blaina and Merthyr Tydfil in 2015. What started as a three-month residency evolved into an ongoing initiative that has involved young people in designing clothes, sewing, and participating in fashion photoshoots, including a notable collaboration with Alexander McQueen. The exhibition highlights the achievements of the participants, such as Nia Day, who discovered the fashion industry's realities during a cold mountain shoot with the legendary brand.

The Carnegie International Tests What “We” Still Means in a Fractured World

The 59th edition of the Carnegie International, the oldest survey of contemporary art in the United States, opens at the Carnegie Museum of Art in Pittsburgh, featuring 61 artists and collectives from around the world and 36 newly commissioned works. Curated by Ryan Inouye, Danielle A. Jackson, and Liz Park, the exhibition is titled “If the word we,” developed in collaboration with writer Haytham el-Wardany, and for the first time partners with local institutions including the Children’s Museum of Pittsburgh, Kamin Science Center, Mattress Factory, and the Thelma Lovette YMCA to engage different segments of the city’s community.

The Kiran Nadar Museum of Art and Christie's Unveil 'The Meeting Ground: Scenes from the KNMA Collection' - Christie's

The Kiran Nadar Museum of Art (KNMA) in New Delhi and Christie's London have announced a major institutional exhibition titled 'The Meeting Ground: Scenes from the KNMA Collection,' running from 16 July to 21 August 2026 at Christie's King Street. The show brings together modern and contemporary works alongside folk and indigenous art from South Asia, curated by Akansha Rastogi with a team of curators. It features artists such as M.F. Husain, S.H. Raza, Zarina Hashmi, and Jangarh Singh Shyam, and is part of KNMA's ongoing international programme.

Biennale Arte 2026: which national pavilions strike us and why

The 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys" and curated by Koyo Kouoh (who passed away in May 2025), opened amid intense controversy over its artist list and geopolitical tensions. Protests erupted against the participation of Israel and Russia, with a petition signed by 22 countries to exclude Russia, threats from the European Commission to suspend funding, and the resignation of the international jury. Around 18 national pavilions staged strikes and partial closures to denounce the normalization of Israel's presence and precarious labor in the art world. The Austria Pavilion's performance by Florentina Holzinger, featuring a girl hanging upside down inside a tilting bell, became a viral symbol refocusing attention on art itself.

Panel Discussion: Regeneration — Long Island’s History of Ecological Care at Parrish Art Museum

The Parrish Art Museum is hosting a panel discussion on May 24, 2026, featuring artist Sara Siestreem and members of the Shinnecock Kelp Farmers, moderated by Associate Curator Scout Hutchinson. The conversation celebrates their collaborative work in the exhibition "Regeneration: Long Island’s History of Ecological Art and Care," which runs through June 14, 2026. The Shinnecock Kelp Farmers, an intergenerational collective of Indigenous women, restore ancestral seaweed harvesting traditions to address water pollution, while Siestreem’s artistic practice incorporates abstract mark making, basket weaving, and Xerox transfers to highlight Indigenous land rights and ecological restoration.

Christie's presents SLG Forever a special selling exhibition in partnership with the South London Gallery raising vital funds in its 135th anniversary - Christie's

Christie's is partnering with the South London Gallery (SLG) for a special selling exhibition titled 'SLG Forever,' running at Christie's London from 5 to 25 June 2026 and online until 30 September. Over 25 renowned artists—including Firelei Báez, Tracey Emin, Frank Bowling, Antony Gormley, and Yinka Shonibare—have donated works to raise funds for the SLG's 135th anniversary campaign, which aims to collect £2 million. The exhibition coincides with London Gallery Weekend and features artists with strong ties to the SLG, many of whom have had solo shows or studios nearby.

Isamu Noguchi was never a designer, affirms High Museum of Art, Atlanta

The High Museum of Art in Atlanta presents "Isamu Noguchi: 'I am not a designer'," the first design retrospective of the Japanese-American sculptor in 25 years. Co-curated by Monica Obniski and Marin R. Sullivan, the exhibition features nearly 200 objects, including sculptural models, furniture for Herman Miller and Knoll, Akari light fixtures, and large-scale installations like Martha Graham's stage set for "Seraphic Dialogue" (1955). The show challenges Noguchi's own resistance to categorization by framing his multidisciplinary practice—spanning sculpture, design, architecture, and public art—through a design lens.

In Minor Keys A Cacophony At 61st Venice Biennale – Miranda Carroll

The 61st Venice Biennale, titled 'In Minor Keys,' opened with a central exhibition curated by the late Koyo Kouoh, who died in 2025. The show features 110 artists and collectives, realized by a team of five curators known as 'la squadra di Koyo.' The exhibition spans the Giardini and Arsenale venues, with works including Otobong Nkanga's living facade installation, Theo Eshetu's dying olive tree, and Nick Cave's vibrant sculptures. Poems and quotes by Refaat al-Areer, Etel Adnan, Toni Morrison, and Ben Okri punctuate the spaces, encouraging visitors to pause and reflect.

Picasso, the figure: Inside Louvre Abu Dhabi’s transformative exhibition

Louvre Abu Dhabi has opened "Picasso, the Figure," its first exhibition dedicated entirely to Pablo Picasso, running until May 31. The show brings together around 60 works exploring Picasso's fascination with the human figure, spanning his cubist experiments, neoclassical portraits, surrealist compositions, and late works. It is presented in collaboration with Musée National Picasso-Paris and France Muséums, housed within Jean Nouvel's iconic floating dome on Saadiyat Island.

A Major Exhibition on Elsa Schiaparelli opens at the V&A

A major exhibition dedicated to the pioneering fashion designer Elsa Schiaparelli has opened at the Victoria and Albert Museum (V&A) in London. The show explores Schiaparelli's innovative designs, her collaborations with surrealist artists like Salvador Dalí, and her lasting influence on fashion and visual culture.

Taipei Fine Arts Museum unveils 'Surrealism: The World in Dialogue'

Taipei Fine Arts Museum (TFAM), in collaboration with the Institute for Cultural Exchange in Tübingen, Germany, has launched its major spring exhibition "Surrealism: The World in Dialogue." Featuring over 120 works by nearly 60 international artists, the exhibition marks a century since André Breton's 1924 "Surrealist Manifesto." It juxtaposes historical avant-garde works with contemporary practices, organized into sections such as "Collective Dreams," "Body of Desire," and "Absurd Play." Highlights include Yves Tanguy's dreamscapes, Lauren Moffatt's augmented reality installation, Max Ernst's scraping-method works, Patricia Piccinini's hybrid sculptures, and works by Man Ray, Meret Oppenheim, Sarah Lucas, Luis Buñuel, and Salvador Dalí.

‘The Generative Universe’: Keith Tyson returns to LA with new exhibition at Hauser & Wirth

Keith Tyson, the Turner Prize-winning British artist, returns to Los Angeles with his first exhibition in the city since 2009, titled “The Generative Universe,” on view at Hauser & Wirth from May 28 to August 16. The show spans 30 years of his career, featuring paintings, sculptures, drawings, and mixed media works that explore generative systems—artworks created through rule-based structures shaped by mathematics, technology, nature, and the artist's own choices. Central to the exhibition is Tyson's early computer program “Artmachine,” which he developed in the 1990s to generate prompts for his own creative process, contrasting with today's AI image generators that respond to human prompts.

The National Gallery x hololive DEV_IS ReGLOSS’s Juufuutei Raden Announce a World-First Crossover Collaboration, Launching May 20 | NEWS

COVER Corporation has announced a collaboration between hololive DEV_IS ReGLOSS VTuber Juufuutei Raden and The National Gallery, London, launching May 20, 2026. Titled “When Raden Meets Art – A Shared Art Journey”, the project features three masterpieces selected by Raden—J.M.W. Turner’s “Rain, Steam, and Speed – The Great Western Railway”, Vincent van Gogh’s “Sunflowers”, and Claude Monet’s “The Water-Lily Pond”—reimagined into exclusive merchandise including fragrance mists, scarves, and cup sets. Raden, a certified curator in Japan, also recorded an audio guide highlighting 20 works from the Gallery, and the entire ReGLOSS team visited the museum for a behind-the-scenes experience.

NGMA Delhi and Drents Museum bring Amrita Sher-Gil to the Netherlands

The National Gallery of Modern Art (NGMA) in Delhi has partnered with the Drents Museum in the Netherlands to present a landmark exhibition of works by modernist painter Amrita Sher-Gil. Titled "Amrita Sher-Gil – Europe Belongs to Picasso, India Belongs to Me," the show marks the first time her art has been displayed in the Netherlands. NGMA Director General Dr. Sanjeev Kishor Goutam loaned 48 masterpieces for the exhibition, which includes nearly 60 paintings and photographs exploring Sher-Gil’s life and philosophy. The exhibition runs from May 14 to September 20, 2026, at the Drents Museum in Assen.

Peter Frankopan unveils BRUSK museum's inaugural exhibition exploring Bruges history

Historian and author Peter Frankopan has curated the inaugural exhibition at BRUSK, a new museum in Bruges, Belgium. Titled "Bigger Picture: Connected worlds of Bruges 900-1550," the show explores the city's medieval role as a global hub for trade, culture, and politics, featuring over 250 objects from 90 lenders worldwide. A rare loan from the Vatican Library—a portrait of Byzantine Emperor Alexios I—is a highlight. The exhibition opens alongside a digital work by Refik Anadol and a fresco by Laure Prouvost.

Akron Art Museum transforms church’s stained glass windows into exhibit

The Akron Art Museum is presenting "Transfiguration: Rachel Libeskind and the Tiffany Window," an exhibition centered on a 137-square-foot stained glass window crafted by Frederick Wilson of Tiffany Studios in 1917. The window, originally installed at St. Paul’s Episcopal Church, was rescued after a 2018 fire destroyed the church. Developer Tony Troppe purchased the property in 2022, and Whitney Stained Glass Studio restored the panels. New York-based artist Rachel Libeskind created accompanying works that reframe the window as art rather than a devotional object, with the show running through July 5.

Walker Art Center Exhibition Breaks Down Sound Barriers

The Walker Art Center, in collaboration with the Whitney Museum of American Art, presents "All Day All Night," a survey of the past 15 years of work by Berlin-based deaf artist Christine Sun Kim. The exhibition, on view until August 30, spans three galleries and includes drawings, videos, participatory pieces, and site-specific installations such as charcoal music notes on floors and stairwells. Kim's early works from the 2010s explore sound waves and Deaf culture, while later pieces incorporate her experiences as a mother and partner, using infographics and ASL-inspired imagery to challenge assumptions about spoken versus signed language.

At this art show, kids make the rules

The Power Plant Contemporary Art Gallery in Toronto is hosting 'Colourful Parachutes: Imagining Alternative Futures Through the Power of Play,' a group exhibition that centers children as active participants rather than passive observers. Curated by Frances Loeffler, the show features interactive works by artists including Temitayo Ogunbiyi, Leisure (Meredith Carruthers and Susannah Wesley), Claire Greenshaw, Rivane Neuenschwander, Harold Offeh, Sassa Linklater, Tobias Linklater, and Robin Rhode, with installations that invite climbing, drawing, playing, and touching. The exhibition draws inspiration from a 1968 show at Moderna Museet in Stockholm that transformed the museum into an adventure playground.

Discover the Architecture of LACMA’s David Geffen Galleries at These Free Workshops with AIA Los Angeles

LACMA's new David Geffen Galleries, designed by Pritzker Prize-winning architect Peter Zumthor, are now open to the public. The building features a single-floor, sculptural form made of architectural concrete and glass, with natural light and transparency that encourages visitors to explore 6,000 years of art and culture. In collaboration with the American Institute of Architects Los Angeles, LACMA is hosting a series of free workshops on May 15-17, including guided walks, drawing sessions, and landscape tours, to help visitors engage with the building's architecture and design.

Brandywine Conservancy Unites Global Partners for $100 Million, 325-Acre Expansion

The Brandywine Conservancy & Museum of Art has announced a $100 million, 325-acre expansion project that will add new art galleries, classroom spaces, walking trails, and a nature preserve. The redesign, led by Tokyo-based Kengo Kuma & Associates and Philadelphia-founded Field Operations, will connect the museum to the historic homes and studios of Andrew and N.C. Wyeth, creating a unified campus. Construction is set to begin in spring 2027, with completion expected in fall 2029, and includes flood prevention measures following damage from Hurricane Ida in 2021.

Smithsonian’s First Major Exhibit Of African LGBTQ+ Art On Display Through August

The National Museum of African Art, part of the Smithsonian Institution, has opened "Here: Pride and Belonging in African Art," its first major exhibition dedicated to African LGBTQ+ art. Featuring 60 works by artists from over a dozen countries across Africa and its diaspora, the show includes paintings, sculptures, textiles, photography, film, and video. Co-curated by Serubiri Moses and Kevin D. Dumouchelle, the exhibition highlights collaboration, joy, and lived experience, with artists such as Zanele Muholi, Toyin Ojih Odutola, Rotimi Fani-Kayode, Jim Chuchu, Ṣọlá Olúlòde, and Leilah Babirye. Originally scheduled to open in May 2025 to coincide with WorldPride in Washington, the exhibition was postponed to January 2026 due to a Smithsonian budget situation, but ultimately opened as planned.

Want a taste of the 'old' New York? Pay a visit to Club Rhubarb

Club Rhubarb, a nomadic art project founded by artist-turned-curator Tony Cox, has opened its third location in a two-floor house across from the New Museum in New York. The current exhibition, 'I am so pretty,' features the mixed-media works of artist Brock Enright, including paintings built with wood, acrylic, foam, and found objects, as well as video works and an installation of altered electronic guitars. The show also includes a bathroom installation called 'BBC Brocks Bijou Cinema,' screening Enright's short films from the 2000s that document his former business of staging fake kidnappings for clients.

Maine art museums overflow with summer exhibits

Maine's art museums are presenting a packed summer season with numerous exhibitions, including the collaborative show "By Design: The Worlds of Betsy James Wyeth" organized by the Colby College Museum of Art, Farnsworth Art Museum, and Brandywine Museum, which explores the design influence of Andrew Wyeth's wife. Other highlights include the largest survey of Carl Spinchorn at the Ogunquit Museum of American Art and Bates College, "Shadow of the Eagle" at the Abbe Museum examining Native American perspectives on the Revolutionary War, and retrospectives of Phyllis Graber Jensen and Spindleworks Art Center at Bates College and Bowdoin College respectively. The Center for Maine Contemporary Art features new abstract sculptures by Bianca Beck, while Colby Museum also presents "Imagining an Archipelago" focusing on art from Cuba, Guam, the Philippines, Puerto Rico, and their diasporas.

How the Arts Club of Chicago Stays Contemporary in its Second Century

The Arts Club of Chicago, founded in 1916, continues to balance its historic legacy with contemporary relevance under executive director and chief curator Janine Mileaf. The club, which gave Pablo Picasso his first solo institutional exhibition in the U.S. in 1923 and hosted figures like Gertrude Stein and John Cage, now operates as both a public space and a private membership club. Mileaf’s programming emphasizes Dada and surrealist roots while showcasing experimental, site-specific works, including a recent installation by Korean artist Haegue Yang. The club maintains a close relationship with Chicago’s arts community, aiming to expose audiences to challenging and surprising art.

The Art of Transparency: Reiko Sudō’s Textile Innovation for LACMA

The Los Angeles County Museum of Art (LACMA) commissioned Tokyo-based textile designer Reiko Sudō to create custom curtains for its new David Geffen Galleries, which feature floor-to-ceiling glass windows. Sudō developed sputter-plated chrome textiles—in matte and gloss finishes—that are both transparent and light-protective, solving the challenge of shielding light-sensitive artworks while preserving panoramic views of the surrounding city. The textiles, produced by Sudō’s company NUNO, are now installed as curtains and will also appear in her retrospective "Textile Alchemy: The Art of Reiko Sudō and NUNO" at LACMA opening September 20, 2026.

What does a painting sound like? The Clyfford Still Museum has lots of ideas.

The Clyfford Still Museum in Denver is opening a multisensory exhibition called "Still in Sound" on May 16, curated by Bailey Placzek and British artist Ben Coleman. The exhibition pairs the museum's vast collection of abstract expressionist works with sound-driven experiences. Additionally, the museum commissioned a world-premiere symphony, James Clarke's "Symphony No. 2," which will be performed by the Colorado Symphony at Boettcher Concert Hall on May 7. The program also includes music that inspired Still himself, such as works by Beethoven and Mahler, drawn from the artist's personal record collection.