How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

Mark Seidenfeld Sets Sail Into 'Uncharted Waters' With New Art Exhibition

Mark Seidenfeld, a Hamptons-based abstract painter, will present a solo exhibition titled "Uncharted Waters" at the newly renovated Corwith Homestead Tractor Barn, part of The Bridgehampton Museum in New York. The show runs from June 4 to June 21, 2026, and features paintings that transition from representational work into fully realized abstraction, exploring themes of depth, gesture, and discovery through layered and revised compositions.

Leepa-Rattner Museum of Art highlights dynamic spring exhibition season

The Leepa-Rattner Museum of Art in Tarpon Springs, Florida, has launched a dynamic spring 2026 exhibition season featuring four shows that highlight regional artists and student creativity. Exhibitions include "Richard Heipp: Reliquaries & Artifacts" (through July 26), which uses hyper-realistic paintings to explore how museums shape cultural memory; "Dallas Jackson: Unsung Heroes, The Fabric of America" (through June 14), a mixed-media tribute to overlooked community figures; and "David Anderson: Now and Again" (through June 14), presenting eight newly acquired works never before publicly exhibited. The season also includes student-focused programming from kindergarten through middle school.

Dallas' African American Museum reopens with iconic Sepia photo exhibit

The African American Museum in Dallas reopens on May 1 after temporary renovations, featuring the exhibition "People Who Make the World Go ‘Round: The Legacy of Sepia Magazine." The show highlights influential Black icons such as Aretha Franklin, Ray Charles, Maya Angelou, Dr. Martin Luther King Jr., and Thurgood Marshall through photographs from the museum's archive of over 40,000 images. Sepia magazine, founded in Fort Worth in 1946, chronicled Black life and culture for nearly four decades, offering a Southern perspective that rivaled national publications like Ebony and Jet.

Turkish artist Nilbar Gures brings defiance to 61st Venice Biennale

Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.

African Diaspora Art Museum of Atlanta revisits the works of W.E.B. Du Bois

The African Diaspora Art Museum of Atlanta (ADAMA) has opened a new exhibition revisiting W.E.B. Du Bois' groundbreaking "Exhibit of American Negroes" from the 1900 Paris World's Fair. Developed in partnership with The Atlanta Journal-Constitution (AJC), the show builds on a Black History Month project by reporter Mirtha Donastorg and photographer Natrice Miller, who revisited Du Bois' original data and photographs. The exhibition features contemporary portraits of Black Atlantans alongside historical images, asking what has changed and what has endured in Black American life over the past century.

Oman announces artist, concept for Venice Biennale

Haitham Al-Busafi will represent Oman at the 61st Venice Biennale, serving as both artist and curator. His installation, titled "Zinah," transforms the tradition of Omani silver horse adornment (Al-zaanah) into an immersive environment of sand, suspended metal, and collectively generated sound. Located in the Arsenale Artiglierie and commissioned by Oman's Ministry of Culture, Sports and Youth, the work was developed through a community workshop in Muscat where participants inscribed marks into silver forms. The exhibition runs from May 9 to November 22, 2025.

19 early-career artists, curators and students to benefit from professional development opportunity at Wales in Venice

The Arts Council of Wales has announced a 19-strong team of early-career artists, curators, and students who will travel to Venice this summer to support Wales' presence at the 61st International Art Exhibition – La Biennale di Venezia, running from May 9 to November 22, 2026. As part of the Invigilator+ programme, participants will spend at least one month in Venice acting as ambassadors for the Wales in Venice exhibition, an official collateral event. The exhibition, titled Sownd, is led by artists Manon Awst and Dylan Huw, jointly organized by Oriel Myrddin in Carmarthen and Oriel Davies in Newtown, with Steffan Jones-Hughes as Curator and Catherine Spring as Exhibition Project Director. The invigilators include Lily Tonkin Wells, Robert Oros, Ophelia dos Santos, Grace Springer, Cerian Wilshire Davies, Megan Evans, Howl Hubbard, Temeka Davies, Llyr Evans, Chloe Goodwin, Abby Pouslon, and Niamh O'Dobhain, while student team members come from Cardiff Metropolitan University, University of Wales Trinity St David, Wrexham University, and Aberystwyth University.

Museum Rietberg A Kind of Paradise Reframes Colonial Photography Narratives

The Museum Rietberg in Zürich has opened the exhibition 'A Kind of Paradise,' which critically reexamines colonial-era photography through the work of 20 contemporary artists from the global diaspora. The show is structured into four thematic sections—Shapeshifters, Confrontation, Care, and In the Photo Fantastic—and transforms archival images from tools of colonial power into sites of reinterpretation and resistance.

A Forum for African Voices Draws Inspiration From a Former Champion

The African Art in Venice Forum is continuing its mission of addressing the continent’s artistic needs, even as it mourns the loss of Koyo Kouoh, a key supporter. The forum, which draws inspiration from a former champion, aims to amplify African voices in the global art scene, particularly during the Venice Biennale.

Sherman Fund Acquires Work by Emerging Artists for US Museums

The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.

REINTERPRETATIONS BY DEMIAN FLORES OF VIOLENCE MYTH AND REPRESENTATION

Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.

Libri d’arte. 7 novità in libreria tra saggi, racconti e fotografie

This article from Artribune presents seven new art book releases in Italy, all united by a common theme of bringing marginalized subjects back into focus. Featured titles include Johnny L. Bertolio's "L'ha scritto lei, ma…" which examines why female authors are excluded from Italian school curricula, and Carla Rossi's "Oltre i margini," a rigorous study of European female miniaturists from the Middle Ages to the Renaissance. Other works address queer representation in museums, children's voices on Gaza, photographic portraiture by Lorenzo Cicconi Massi, a collective volume on the Bertolucci family, and a theatrical project by Kepler-452 set in the central Mediterranean.

A review of the 2026 Venice Biennale without naming a single artist

Una recensione della Biennale di Venezia 2026 senza nominare neppure un artista

This review of the 2026 Venice Biennale describes an exhibition that overcame dire circumstances—the death of curator Koyo Kouoh early in preparations, losses of key artists, and international political controversies—to deliver a surprisingly joyful and engaging show. Titled "In Minor Keys," the Biennale features a well-conceived, flowing presentation across the Giardini and Arsenale that prioritizes beauty, craftsmanship, and hope over a punitive or documentary tone.

"Our regime does not represent our culture". Interview on the Belarusian project during the Venice Biennale

“Il nostro regime non rappresenta la nostra cultura”. Intervista sul progetto bielorusso durante la Biennale di Venezia

The article is an interview with Daniella Kaliada, curator of the Belarusian project "Official. Unofficial." presented at the Venice Biennale in the church of San Giovanni Evangelista. Organized by the Belarus Free Theatre, an independent underground group, the exhibition features site-specific paintings by Sergey Grinevich, a sound installation by Olga Podgayskaya, and large-scale sculptures by Vladimir Tsesler. The project includes a sphere of banned books crushed by a bulldozer, testimonies of recently released political prisoners, and sculptures made from prison bars, all addressing censorship and political trauma without direct representation of suffering.

Un nuovo centro culturale e residenza d’artista nasce in un’ex chiesa di Venezia

A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.

Literature Today: The Crisis of the Novel as a Symptom of Social Change

La letteratura oggi: la crisi del romanzo come sintomo di un cambiamento sociale

The article examines the perceived crisis of the novel as a literary form, tracing its historical rise alongside the bourgeoisie in the 17th and 18th centuries. It argues the novel functioned as a mirror for a coherent social class with shared values, serving as a device for collective representation. The form's foundational premise of a recognizable community began to fracture in the 20th century, particularly after World War II, as societies atomized and grand ideological narratives collapsed.

Doosan Yonkang Foundation Becomes First-Time Sponsor of Korean Pavilion at Venice Biennale

The Doosan Yonkang Foundation, the philanthropic arm of South Korean conglomerate Doosan, is sponsoring the Korean Pavilion at the 61st Venice Biennale for the first time. The pavilion, titled "Liberated Space: Fortress and Nest," runs from May 9 to November 22 at the Giardini park in Venice, and explores political events and historical transitions in Korean society from 1945 to the present. Participating artist Noh Hye-ri is an alumna of the foundation's Doosan Art LAB program, and artistic director Choi Binna serves as a supervisor of the Doosan Curator Workshop, highlighting the foundation's direct investment in nurturing artistic talent.

Mirror Silk Art Exhibitions

Shaniqwa Jarvis's solo exhibition 'Only Love Can Break Your Heart' opens at Public Gallery in London on 30 April 2026, featuring twelve works across silk, mirrored surfaces, aluminum, and collage. The show includes suspended silk panels in front of mirrors, floral imagery, portraiture, abstract compositions, a moving image work combining archival footage and recorded audio, and a second book titled 'GUTS' published by Super Labo with an introduction by curator Essence Harden.

‘Layers of Us’ show examines culture through art

Mothership Studios is hosting the opening reception and a brunch for the "Layers of Us" exhibition, featuring nine artists from Texas State University. The show explores the concept of culture through individual representation and community, using diverse media like video, painting, photography, and sculpture.

AKKA Venice Project: Beyond the Exhibition

Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.

NICOLÁS GÓMEZ ECHEVERRI: “LA TRASCENDENCIA DEL MUSEO ES VULNERABLE A LA IMPOSICIÓN DE MODAS POR PARTE DEL ALGORITMO”

Nicolás Gómez Echeverri, director of the Unidad de Artes y Otras Colecciones at the Banco de la República de Colombia, reflects on the challenges facing museums in Iberoamérica in an interview published for International Museum Day. He oversees institutions including the Museo de Arte Miguel Urrutia (MAMU), the Museo Botero, and the Casa de Moneda. Gómez Echeverri describes the museum as a "radar" that captures decentralized artistic practices and integrates them into collective narratives, while emphasizing the need for mediation, public debate, and long-term cultural projects amid economic constraints and the pressures of digital immediacy.

The Body Is Art

The Metropolitan Museum of Art has published an article titled "The Body Is Art." The content appears to focus on the human body as a subject within art, likely exploring representations and interpretations of the body in the museum's collection.

The 81st May Show fills Mansfield Art Center with Ohio creativity

The 81st May Show has opened at the Mansfield Art Center in Ohio, featuring over 100 works selected from nearly 600 submissions by guest juror Wendy Earle, curator of the Akron Art Museum. The exhibition, which runs through the end of May, showcases a diverse range of mediums from Ohio artists aged 16 to their late 80s. Awards include the Fred "Fritz" Culler Award for Best of Show to Bradley Wallace for "Venus 1K Views," the Mechanics Bank Award of Excellence to Barbara Morejon and Luanne Bole-Becker, and the Jeff McBride & Maura Teynor Emerging Artist Award to high school senior Katerina Prykodko.

You told us want you want to see in our arts coverage. We heard you

During the Milwaukee Art Museum’s annual Art in Bloom event, the Journal Sentinel gathered feedback from hundreds of attendees and digital survey respondents about what they want from arts coverage. The new arts and culture reporter, who wrote the article, outlines the key requests: more advance event coverage (especially free, family-friendly, and hands-on activities), support for smaller and underground art scenes, profiles of local artists including youth, coverage of overlooked art forms like graffiti and fabric arts, and diverse representation of Latino, women, LGBTQ+, and immigrant artists.

Local artist to feature at one-day-only Calgary art gallery

Local Strathmore artist Emmeline Keeling will participate in the one-day Obsidian Art Show at the Calgary Chinese Cultural Center. She is among over 50 artists selected for the event, which is organized by the Public Display Agency to connect artists with gallery owners from Webster Galleries, The New Gallery, and Gallery Underground.

New gallery opens with nod to North Bay’s artistic past

Bloch Bauers Gallery of Fine Art has officially opened in downtown North Bay, Ontario, at 222 McIntyre St. W. The new space features regional, Indigenous, and Inuit art, along with works from private estates and consignments. The opening event included speeches, a ribbon cutting, and the unveiling of the "Lawrence Nickle Collection." A self-portrait by longtime local art teacher Ernest "Ernie" Taylor drew particular attention from attendees, including Nipissing MPP Vic Fedeli and Mayor Peter Chirico, who praised the gallery's connection to the city's artistic heritage. Co-owner and curator Joey Nadeau noted the months of preparation behind the opening and emphasized the importance of showcasing Indigenous art, including works by painter Stephen Snake.

A Shift in Void – Exhibition of Abstracts

Sameksha Gallery in New Delhi presents 'A Shift in Void', a group exhibition curated by Yamini Telkar featuring six contemporary artists—Rashmi Khurana, Savya Jain, Prateek Gupta, Megha Madan, Aman Kumar Bavaria, and Sweeta Rai—who explore abstraction through diverse materials and visual languages. The show runs until 31 May 2026 at the gallery's space within the Sanatan IILM Centre for Arts and Ideas.

The boundary between inner world and reality in Gak Yamada's photography on show in Friuli

Il confine tra mondo interiore e realtà nella fotografia di Gak Yamada in mostra in Friuli

Japanese artist Gak Yamada's exhibition 'Cosmic Prayer' is on view until June 14 at Die Gelbe Wand, a new exhibition space in Pordenone, Italy, which will be the Italian Capital of Culture in 2027. The show traces Yamada's shift from photography as representation to an experiential medium, featuring series such as 'HIGAN' (where urban landscapes dissolve), 'Red' (where chemical decomposition reveals dominant red tones), and the latest 'Flower of the Universe,' inspired by cosmic connectivity. Yamada, who once abandoned photography entirely to paint, immerses prints in water to alter their chemical stability, with Fujifilm papers dissolving quickly and Kodak papers slowly, producing varied chromatic and material effects.

New exhibition created by three talented artists comes to Waterford amid major success

A joint painting exhibition titled 'Creations of a Colourful Mind' by three artists—Marja van Kampen, Olivia O’Keeffe, and Martina Furlong—has opened at The Old Market House Arts Centre in Dungarvan, Waterford. The national touring exhibition, which previously appeared in counties Cork, Clare, Tipperary, Wicklow, Wexford, and Laois, marks the trio's tenth collaborative show, following their success at the Tramore Coastguard Cultural Centre last spring.