This Massachusetts Town Has The Biggest Heart

This article highlights Rockport, Massachusetts, as a town renowned for its creative spirit and historic art colony. It details the Rockport Art Association & Museum (RAA&M), founded in 1921, which supports about 250 artists and hosts over 40 exhibitions annually, including upcoming shows by emerging artists and Bradley Hendershot. The town also features the Shalin Liu Performing Arts Center, home to the Rockport Chamber Music Festival, and hosts annual festivals such as Motif No. 1 Day, Harvest Fest, and Christmas in Rockport, along with historic lighthouses like Thacher Island Twin Lighthouses.

Kinhouse Art Gallery and Residency is bringing artists to Fort Wayne

Kinhouse Art Gallery and Residency, founded by artists Kaylan Buteyn and Dana Caldera, has opened a new artist residency space in Fort Wayne, Indiana. The residency offers one-week stays in a colorful three-bedroom house with two studio spaces, providing a solitary and focused experience for visiting artists. The gallery and studio spaces are also part of the business, located in the 46808 area.

Gallery’s summer exhibition showcases five artists’ work

The Gallery at Penn College is hosting "Five Artists: Explorations and Conversations," a summer exhibition running June 4 through July 24, 2025. The show features works by five Pennsylvania-based artists—Meredith Eachus Armstrong, Elizabeth Z. Bennett, Jean E. Downing, Peggy Blei Hracho, and Cecilia J. Rusnak—who have met monthly for nearly a decade to critique and support each other's creative processes. Their shared commitment to using textiles as an essential element is evident across a range of techniques including hand and machine stitching, dyeing, printing, collage, and assemblage. A free public reception with a gallery talk is scheduled for June 8.

Culture meets commerce as new art gallery opens in Ferndale

Sophia Grace Gallery, a new art space founded by curator and artist Sophia Kidd, held its soft opening on May 17 in Ferndale. Artist He Gong attended and spoke with visitors at the event, which marks the realization of Kidd's decades-long dream to open a gallery bridging her experiences in China and her base in Bellingham.

Part 2 of Kingston Artists’ Showcase set to open in Market Wing Cultural Space

The City of Kingston has announced the opening of Part 2 of the Kingston Artists’ Showcase, a community-focused exhibition at the Market Wing Cultural Space inside Kingston City Hall. Opening May 21, 2025, and running through November 2025, this second installment features works by over 30 new local artists, including renowned artist Joanne Gervais and quilled artist Loreen Hynes. The showcase spans prints, paintings, textiles, and stained glass, selected through an open call, and follows Part 1 (October 2024–April 2025) which featured 31 artists. A free opening reception will be held May 28, 2025.

Trucha RGV planning art exhibit showcasing ‘issues in the 956’

Trucha RGV, an arts organization in the Rio Grande Valley, is planning an art exhibit that will focus on social and political issues affecting the 956 area code region of South Texas. The exhibition aims to highlight local concerns through visual art, providing a platform for community dialogue and expression.

Culture on canvas: Kyler Pahang, ’21, exhibits work at Henry Art Gallery and Wing Luke Museum

Kyler Pahang, a 2021 University of Washington graduate and current MFA student, is exhibiting his work in two Seattle venues. His thesis exhibition, part of the UW MFA and Master of Design show, runs at the Henry Art Gallery from May 24 to June 15, 2025. Additionally, two of his paintings are on view at the Wing Luke Museum in the exhibition “Lost & Found: Searching For Home,” which continues through September 2026. Pahang’s art focuses on Filipino culture, decolonization, and double consciousness, using imagery from Seattle-area Filipino barber shops and landscapes like “A Cry for Uran” to explore cultural identity.

Lumi Tan on How She Plans Frieze New York’s Focus Program

Lumi Tan, the curator of Frieze New York’s Focus program, discusses her approach to planning the section of the fair dedicated to emerging and underrepresented galleries. The article outlines her selection criteria, which prioritize conceptual rigor and diverse geographic representation, and highlights specific galleries and artists she has chosen for the upcoming edition.

Liu Dan’s Chinese ink art with Western influences on show in Hong Kong

Leading contemporary Chinese ink artist Liu Dan is holding his largest solo show to date at Phillips’ space in Hong Kong’s West Kowloon Cultural District. The selling exhibition, titled “Liu Dan: Morphogenesis,” features 26 Chinese ink and watercolour works created over four decades, with a focus on Taihu stone—a perforated limestone from Suzhou that has long inspired Chinese scholars. The centerpiece is “Taihu Rock aka ‘Yu Ling Long’ (from Yu Garden, Shanghai) (2024),” priced at HK$10 million (US$1.3 million), the highest in the show. The exhibition runs until May 12.

A New Art Exhibition Ponders the Perpetual Cycle of Urban Transition

The article reviews "Contemporary Ruin future visions," an exhibition at Drexel University's Leonard Pearlstein Gallery curated by artist Nancy Agati. The show explores the perpetual cycle of urban construction, demolition, and renewal, focusing on Philadelphia's evolving neighborhoods. Featured artists include Sophie White, who documents rapid gentrification in Fishtown/Kensington through plein-air gouache paintings, and Jennifer Johnson, whose sculptural maps trace the transformation of the Black Bottom area from 1725 to 2025. Joseph E. B. Elliott contributes photographs of decaying buildings, such as Saint Bonaventure Church and Richmond Generating Station, capturing ruins both past and present.

Chris Erik Thomas

Chris Erik Thomas has been appointed as the new editor of The Art Newspaper, taking over the role from previous editor Ben Luke. Thomas brings extensive experience in arts journalism, having previously served as an editor at Artsy and as a contributor to publications including The New York Times and Artforum. His appointment marks a leadership change at one of the art world's most influential trade publications.

IU Bloomington art galleries feature works from and about South Africa

Indiana University Bloomington's art galleries are presenting two exhibitions focused on South African and Indigenous visual culture. "Illusions of Identity: The Colonial Gaze," curated by student Joshua Sinnett at the Community Gallery in the Museum of Archaeology and Anthropology, contrasts early 20th-century photographs of Native Americans by Joseph K. Dixon with images of Indigenous South Africans by Alfred Duggan-Cronin, examining colonial perspectives. Concurrently, "Coloured Pots (Izinkamba kwamaKhaladi)" at University Collections at McCalla features contemporary ceramics by artist Fileve Tlaloc, who uses amaZulu pottery forms to explore her mixed-race ancestry and challenge colonial racial categories, displayed alongside historical amaZulu vessels.

Two Fort Worth Artists Join Forces for a New Western-Meets-Modern Exhibition at Bowie House

Two Fort Worth artists, Abigail Faye Jackson and Jacob Lovett, have joined forces for a new exhibition titled "West of Real" at Bowie House in Fort Worth, opening April 27. Jackson's works focus on charrería, the national sport of Mexico, using 23-karat gold leaf backgrounds to create a surreal, timeless atmosphere. Lovett's paintings depict cowboys on horseback riding into blank white canvases, using window-like compositions to invite introspection and blur the line between reality and imagination.

The Museum of the Surrender of Reims Reopens After a Year of Renovations

Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux

The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.

Pablo Diaz, directeur de Sciences Po Rennes : « L’acte II de l’INSEAC de Guingamp »

Pablo Diaz, director of Sciences Po Rennes, announces that the Institut national supérieur de l'éducation artistique et culturelle (INSEAC) in Guingamp has been transferred from the Conservatoire national des arts et métiers (Cnam) to Sciences Po Rennes as of January 1, 2026. The institute, which opened in 2021 and focuses on training, research, and resources for arts and cultural education, will now operate under public-sector governance with oversight from the French ministries of Culture, Education, and Higher Education. Diaz outlines plans to appoint a dedicated site director in Guingamp and establish a strategic orientation committee chaired by interministerial delegate Emmanuel Ethis, aiming to resolve past management and governance issues.

The Postal Museum recovers its name

Le Musée postal retrouve son nom

The Musée de La Poste in Paris has reverted to its original name, Musée postal, as part of a major rebranding effort. The institution, approaching its 80th anniversary, has introduced a new visual identity and aims to reposition itself within the Parisian cultural landscape, seeking to distance itself from the image of a corporate museum.

Emmanuel Étienne Takes the Helm of the Compiègne-Blérancourt Museums

Emmanuel Étienne prend les rênes des musées de Compiègne-Blérancourt

Emmanuel Étienne has been appointed as the director of the national museums and estates of Compiègne and Blérancourt. The 48-year-old architect and urban planner, a heritage architect trained at the École de Chaillot, succeeds Rodolphe Rapetti, who has retired. He will oversee the complex, which includes the Château and national estate of Compiègne with its three museums, as well as the estate and the Franco-American Museum of Blérancourt.

Florian Sitbon, New Deputy Mayor in Charge of Culture

Florian Sitbon, nouveau maire adjoint en charge de la culture

Florian Sitbon has been elected as the Deputy Mayor of Paris in charge of culture, cultural sovereignty, and free media. The appointment, confirmed on March 29, places a theater director and cultural advisor in a key political role overseeing the city's cultural policy.

Locky Morris, Liz Vitlin at Gertie

Locky Morris and Liz Vitlin are featured in a two-person exhibition at Gertie, a gallery space. The show presents a selection of works by both artists, documented through 59 images on the Contemporary Art Daily platform, though no text descriptions or curatorial statements are provided in the article.

Andrew Christopher Green at Can

The exhibition "Nachsommer" by artist Andrew Christopher Green is currently on view at Can in Vienna. Running from March 6 through April 16, 2026, the presentation features a series of new works, including untitled pieces from 2026, and is documented through a selection of images and video available via the Contemporary Art Library.

Camille Lemoine’s Portrait of Home and Belonging in Rural Scotland

Photographer Camille Lemoine presents a series titled 'Down Tower Road,' capturing the intimate landscapes and rhythms of rural life in Baldernock, Scotland. The work focuses on the atmospheric moorland, rolling fields, and the relationship between the female body and the natural environment, aiming to evoke a sense of deep connection and aliveness.

Ben Zank’s Portraits Teeter Between Surrealism and the Mundane

New York-based photographer Ben Zank's work, characterized by faceless subjects in ordinary settings evoking uncanny emotions, was featured in an outdoor installation at the Festival Cargo Les Photographiques in Saint-Nazaire, France. His large-scale reproductions were affixed to wooden pallets and brick walls, blending minimalist, earth-toned portraits with the festival's sparse grounds.

Restrained Emotions Simmer in Shinsuke Inoue’s Tender Wood Sculptures

Japanese artist Shinsuke Inoue creates small, emotionally resonant wood sculptures of human figures. His practice began about ten years ago when he carved a likeness of his child, sparking a dedicated focus on figurative woodcarving that captures universal human essence rather than specific portraits.

"Bloom Beyond Sight" , 2026

Bonu Deji's painting "Bloom Beyond Sight" (2026) is being offered for sale through Art R us gallery in Naples, Florida. The acrylic and oil on canvas work, sized 25 × 31 inches, is priced at US$1,400 and comes with a certificate of authenticity. Deji, a Nigerian artist born in 2003 and based in Lagos, creates figurative works exploring poverty, labor, resilience, and human dignity. The piece was exhibited in 2026 at Art R us's breakout exhibition of the artist and previously in the 2025 group show "Faces of Us" at The Zebra Gallery.

London artist’s new exhibition captures quiet beauty of Southwestern Ontario’s back roads

London, Ont.-based artist Craig Guthrie has opened a new solo exhibition titled *Outskirts: Landscapes From the Road* at LAB 203 inside the TAP Centre for Creativity. The show, running from May 12 to June 6, 2026, features quiet, soft-hued paintings inspired by photographs Guthrie took while driving rural roads around the London region. Many works were shot from inside his vehicle to evoke the feeling of traveling through the landscape, capturing the overlooked beauty of fields, hydro lines, and back roads that lie between destinations.

‘MANA’ Exhibit to showcase the richness of Masungi through art - Pressenza

The National Commission for Culture and the Arts (NCCA) invites the public to 'MANA', a contemporary art exhibition organized by the Silaw Artist Collective at the NCCA Gallery in Manila from May 7 to 30, 2026. Curated by Eghai Roxas, the show features works by 15 artists including Melvin Culaba, Henri Cainglet, and Derick Macutay, exploring the tension between commodification and environmental conservation, with a focus on the Masungi Georeserve landscape.

αMプロジェクト2025‒2026「立ち止まり振り返る、そして前を向く vol.5 飯川雄大｜デコレータークラブ：すべて違う姿」 @ gallery αＭ

gallery αM in Tokyo is presenting the fifth edition of its αM Project 2025–2026 series, titled “Stop, Look Back, Face Forward. vol.5 Takehiro Iikawa: Decorator Crab－No Two Alike,” running from April 11 to June 13, 2026. The exhibition features works by artist Takehiro Iikawa, including pieces such as “Decorator Crab – Arrangement, Adjustment, Circulation” (2026) and “Decorator Crab – New Audience” (2026), with guest curator Aki Otsuki, a curator from the Ashiya City Museum of Art and History.

From war zones to the White House: Christopher Anderson’s photography

Christopher Anderson, a photographer known for his work in war zones, has shifted his focus to capturing intimate and emotional moments, including assignments at the White House. His approach emphasizes connecting viewers with feelings that transcend factual data, reflecting a broader evolution in his photographic practice.

UMPI Reed Art Gallery presents exhibition by Maine artist Ferris

The University of Maine at Presque Isle's Reed Art Gallery will host an exhibition by Maine-based artist Norajean Ferris titled "Global Scream: Voices within Oppression" from June 5 to August 7, 2025. An opening reception and a closing reception, both free and open to the public, will be held on the respective dates. Ferris's work combines intuitive material engagement with political and social commentary.

Eye opening: Artist speaks through the eyes in his artwork

Alexandre Emmanuel Henrique, a Brazilian-born artist now living in Cary, North Carolina, has a solo exhibition titled "BraFro" at the Waterworks Visual Arts Center in Salisbury. The show is part of the gallery's larger exhibit "ART from ALL Perspectives." Henrique's paintings explore his family history, particularly the story of his great-grandmother, who was enslaved in Brazil after being brought from Africa. The works use eyes as a central motif to convey emotion and narrative, ranging from sorrow to joy, with titles like "Sorrow" and "Once Upon a Time." Henrique works primarily in oils, and many pieces were created specifically for this exhibition.