fernando amorsolo leon gallery art and antiquities

On June 7, Manila-based Léon Gallery Art and Antiquities held its Spectacular Mid-Year Auction, kicking off the gallery's 15th-anniversary celebrations. The sale featured modern and contemporary works by leading Filipino artists, including Fernando Zóbel, Juan Luna, and Vicente Manansala. A standout lot was Anita Magsaysay-Ho's *Water Carriers / Taga-igib* (1947), an egg tempera work that sold for over PHP 60 million (about $1.08 million). Another key highlight was Fernando Amorsolo's *The Burning of Manila* (1942), which set a record for the artist's wartime paintings at PHP 36.04 million ($645,460). The painting, from the collection of Don Enrique “EZ” Zóbel, had been on loan to the National Museum of Fine Arts, Manila, for about a decade before auction.

Exhibition | Byoung Cho, 'WHEN SPACE BECOMES PAINTING' at BB&M, Seoul, South Korea

BB&M gallery in Seoul presents "When Space Becomes Painting," a solo exhibition of leading Korean architect Byoung Cho, organized in partnership with Jiyoon Lee of SUUM Project. The show traces Cho's 30-year engagement with space across painting, installation, maquettes, and drawing, exploring how his architectural thinking translates onto canvas. Central to the exhibition is Cho's concept of "mahk," inspired by Korean traditional ceramic maksabal, embracing spontaneity and imperfection as a guiding philosophy. The exhibition shifts from viewing artworks to experiencing them, with paintings that function as performative inquiries into existence rather than static images.

Amorepacific Museum of Art Presents APMA, CHAPTER FIVE - FROM THE APMA COLLECTION

The Amorepacific Museum of Art in Seoul has launched "APMA, CHAPTER FIVE – FROM THE APMA COLLECTION," a major exhibition featuring approximately 80 works from its permanent holdings. Running from April 1 to August 2, 2026, the showcase includes a diverse array of paintings, sculptures, and installations by over 40 influential Korean and international artists. High-profile participants include Kiki Smith, Rose Wylie, Carol Bove, and Gala Porras-Kim, alongside Korean masters such as Nam June Paik, Lee Bul, and Haegue Yang.

gofundme created donation pages museums

GoFundMe created approximately 1.6 million donation pages for US nonprofits, including dozens of major art museums, without informing or obtaining consent from the institutions. Museums such as the Cleveland Museum of Art, the Baltimore Museum of Art, the Dallas Museum of Art, and the San Francisco Museum of Modern Art discovered these pages only when contacted by ARTnews. The pages were optimized for web searches and charged transaction fees, potentially diverting donations from the museums' own fundraising channels. After media coverage, GoFundMe apologized, switched to an opt-in model, and removed unclaimed pages.

israeli airstrike doha qatar risk of planning art basel fair

On Tuesday, Israel carried out a missile strike in Doha, Qatar, targeting senior Hamas leaders, with explosions reported in the Leqtaifiya neighborhood and smoke visible over the Katara cultural district. The strike comes as a shock to Qatar, which has built a reputation for stability and is home to major art institutions operated by Qatar Museums, including Mathaf: Arab Museum of Modern Art, the National Museum of Qatar, and the Museum of Islamic Art. Art Basel, which announced in May a partnership with Qatar Sports Investments and QC+ to launch Art Basel Doha in February 2026, said it is closely monitoring developments and remains committed to the fair's inaugural edition.

dealer oghenochuko ojiri jail sentence hezbollah financier

London art dealer Oghenochuko Ojiri has been sentenced to two years and six months in prison for failing to declare that he sold artworks to Nazem Ahmad, a collector sanctioned by the US government since 2019 for financing Hezbollah. Ojiri pleaded guilty in May to eight charges of failing to disclose potential terrorist financing under the Terrorism Act 2000, marking the first conviction under this specific offense. Evidence showed Ojiri researched Ahmad's identity, saved him as 'Moss Collector' in his contacts to obscure the relationship, and ignored a colleague's warning, all while continuing transactions to boost his gallery's reputation.

FYI Calendar: Arkansas Living Treasure Longhua Xu’s exhibit at Fort Smith RAM continues through June 21

The article is a calendar of arts and community events in the Fort Smith, Arkansas area, compiled by features writer Dustin Staggs. It lists dance and theater performances, plant swaps, life drawing classes, historical society events, and multiple art exhibitions. Among the visual art highlights are "Soul Taking Shape," an exhibition by Arkansas Living Treasure Longhua Xu at the Fort Smith Regional Art Museum (RAM) running through June 21, along with other shows at RAM and Arts On Main featuring works by local artists and student artists.

The Bad Bunny chairs taking over the art world

Edra Soto, a Puerto Rican artist based in Chicago, has created a series of plastic lawn chairs upholstered with the face of reggaetón superstar Bad Bunny, now on view in the exhibition "Dancing the Revolution: From Dancehall to Reggaetón" at the Museum of Contemporary Art Chicago. The chairs, part of Soto's broader practice transforming everyday Puerto Rican objects into art, also appear at the Kemper Museum of Contemporary Art in Kansas City and were shown at EXPO Chicago. The exhibition explores the visual history and political power of Caribbean music, highlighting Bad Bunny's role in the 2019 protests that led to the resignation of Governor Ricardo Rosselló.

Total Museum's 'Somebody Has to Collect It' examines collecting as a responsibility

The Total Museum of Contemporary Art in Seoul has opened "Somebody Has to Collect It," an exhibition featuring works from the collection of French art collectors Catherine and Renato Casciani. Running from April 30 to May 31, the show marks the couple's first major presentation in Korea and inaugurates the museum's new "Collector/tion" project, which reframes collectors not as buyers but as actors at the intersection of capital, memory, and value-making. The exhibition includes 22 artists and collectives, with a focus on video art addressing themes such as precarious labor, state violence, colonial inheritance, climate crisis, and queer intimacy. It is also an official program of the 140th anniversary of diplomatic relations between Korea and France.

Kansas City’s Nelson-Atkins Museum Welcomes World Cup Fans in 2026

The Nelson-Atkins Museum of Art in Kansas City has introduced a new exhibition, "Personal Best," designed to welcome international visitors during the 2026 FIFA World Cup. The exhibition blends fine art and athletics, connecting the global sporting event with Kansas City's cultural scene. The museum offers free general admission, making it an accessible attraction for soccer fans attending six matches at Arrowhead Stadium starting June 16, 2026.

Artist recreates snapshots of 1950s resort with colorful quilts, paintings at WAM

The Wichita Art Museum (WAM) is presenting a new exhibition by an artist who recreates snapshots of a 1950s resort using colorful quilts and paintings. The works draw on vintage photographs to evoke the leisure and social life of mid-century American resort culture, rendered in textile and paint.

The new art conglomerate: Pace Gallery, Emmanuel Di Donna and David Schrader join forces

Pace Gallery, Emmanuel Di Donna, and David Schrader have announced a joint venture to launch Pace Di Donna Schrader Galleries (PDS), a new entity focused on secondary market sales. The partnership, revealed on the eve of Art Basel Miami Beach, will operate from a new headquarters on Manhattan's Upper East Side, with equal partnership among the three. PDS will leverage Pace's global network of galleries in cities including Los Angeles, London, Geneva, Berlin, Seoul, and Tokyo. Di Donna, founder of Di Donna Galleries and former Sotheby's vice chairman, brings expertise in Surrealist, Modern, and post-war art; Schrader, a former Sotheby's head of private sales, adds auction-house experience. The venture is set to begin operations in early 2025, with Di Donna's team moving to the new space in summer 2026.

The more, the merrier: DPR Gallery newest creative space in area’s thriving art scene

DPR Gallery, a new contemporary art space, opened in downtown Lake Charles, Louisiana, with an inaugural exhibition titled "Rebirth" featuring works by internationally renowned artist Peregrine Honig. The gallery is owned by Paul Picheloup, alongside friends Derrick Guidry and Ryan Jett, and is named after their shared initials. Honig's exhibition explores femininity, identity, and cultural memory through classic fairy tales and folklore.

5 art exhibits in Kansas City you should catch this fall

Kansas City's fall art season features five notable exhibitions, including DeAnna Skedel's retrospective 'The Edge of Your Field' at the Bunker Center for the Arts, 'Animate Ground' at Gallery Bogart showcasing clay and pigment works by artists like Mónica Figueroa and Jo Archuleta, and 'The Mother And… Project' at Leedy-Voulkos Art Center, which explores mothering ethics through diverse artistic practices. Other highlights include exhibitions focusing on earth, land, motherhood, and the elements, offering a season of reconnection and self-reflection.

The V&A's David Bowie Centre opens this week—here's what visitors can expect to see

The David Bowie Centre opens on 13 September at the V&A East Storehouse in Stratford, east London, offering free timed-entry access to a 90,000-piece archive acquired from the Bowie estate. Lead curator Madeleine Haddon highlights discoveries like Bowie's paint palette and a framed photo of Little Richard, alongside an interactive installation tracing his influence on pop culture. The centre features nine rotating curated displays, including guest-curated ones by Nile Rodgers and The Last Dinner Party, and connects to the upcoming V&A East Museum exhibition 'The Music Is Black: A British Story'.

UA Little Rock Kicks Off Fall Semester with New Exhibits

The University of Arkansas at Little Rock (UA Little Rock) has launched its fall semester by opening new art exhibits on campus. The exhibitions feature works by various artists and are intended to engage students and the local community with contemporary visual art.

‘Free art, with strings attached’: Zero Art Fair’s first edition in New York City puts a new spin on the old fair format

Zero Art Fair held its first New York City edition at the Flag Art Foundation, offering artworks for free under a novel contract system. Instead of paying upfront, collectors took home 179 works valued at $537,500 by presenting a paper card, with artists retaining certain rights. The fair, co-founded by artists William Powhida and Jennifer Dalton, involved over 300 applicants and 90 participating artists, with costs underwritten by Flag Art Foundation and Gagosian.

Arts of Africa

This article explores the deep history and cultural significance of Africa's artistic traditions, focusing on the continent as the cradle of human creativity. It traces the development of diverse cultures south of the Sahara over 160,000 years, highlighting how artists and workshops translated worldviews into enduring creations. The text also examines Africa's Atlantic Coast engagement from 1445 onward, detailing early European contact, trade agreements along the Gold Coast, and the forced exodus of captives during the transatlantic slave trade, which deprived the region of its productive youth.

Dive into Contemporary Art in Seoul, South Korea: Amorepacific Museum of Art Showcases Global and Korean Masters

The Amorepacific Museum of Art (APMA) in Seoul has established itself as a premier destination for contemporary art, featuring a diverse collection that bridges global masterpieces with traditional Korean aesthetics. The museum's current programming highlights its commitment to international dialogue, showcasing works by world-renowned artists alongside significant Korean historical artifacts and modern pieces.

Yoshitomo Nara's Work Sets Record for Highest Price in Domestic Korean Art Auction History

The work of artist Yoshitomo Nara, who represents Japanese contemporary art, has been sold at the hi..

Yoshitomo Nara’s 2016 painting "Nothing About It" has set a new record for the highest price ever achieved at a domestic South Korean art auction. Sold by Seoul Auction for 15 billion won (approximately $11 million), the work features the artist's signature wide-eyed child and surpassed its low estimate of 14.7 billion won. The same sale also saw Yayoi Kusama’s 2015 "Pumpkin" fetch 10.45 billion won, marking a historic session where multiple works exceeded the 10 billion won threshold.

Records for English painting and Fontana's cuts push the auction

Sotheby’s London kicked off the spring auction season with a robust modern and contemporary art evening sale, totaling £131.7 million and achieving a rare 100% sell-through rate. Despite global political uncertainty, the auction saw aggressive bidding for British post-war masterpieces and Italian avant-garde works. The event also marked the debut of Sotheby’s new commission structure, which lowers fees for high-value lots to incentivize larger transactions.

How Blue-Chip Art Markets Are Opening Up to New Collectors

The contemporary art market in 2025 is experiencing a paradox: traditional indicators show cooling, but online sales are booming and attracting new, younger collectors. According to the Art Basel and UBS Art Market Report 2025, online sales now account for 22% of dealer transactions, with 46% of online sales in 2024 going to first-time buyers—up from 35% the previous year. High-net-worth individuals increasingly prefer purchasing through digital channels like dealer websites or Instagram, and established collectors are also buying sight unseen. This shift is driven by greater access to authenticated limited editions and prints by blue-chip artists such as Andy Warhol, Jean-Michel Basquiat, Banksy, David Hockney, and Damien Hirst, offered by galleries like Calder Contemporary in London with transparent pricing and provenance.

artdiscovery launches insured authenticity guarantee

ArtDiscovery, a scientific art analysis firm with offices in London and New York, has launched what it calls the world's first insured authenticity guarantee for artworks. The service combines connoisseurship, provenance research, laboratory science, and proprietary AI, then backs the conclusion with an insurance policy from an A+ rated global insurer. If a certified attribution is later proven incorrect, the policy covers financial loss to the artwork's owner. The company's CEO, Denis Moiseev, and CFO, Steven Maslow, explained that the insured certificate is priced at 60 basis points of the certified value and travels with the artwork as a transferable warranty. The launch follows ArtDiscovery's acquisition by Hephaestus Analytical, a London-based tech company that uses AI, provenance research, and chemical analysis for authentication.

The MEGA Fair-Exhibition Opens in a Former Milanese Factory: Photos and 5 Must-See Booths

In ex fabbrica di Milano ha aperto la mostra-fiera MEGA. Tutte le foto e 5 stand da non mancare

The third edition of MEGA Art Fair has opened in Milan, relocating to SPAZIO PROFUMO, a former perfume factory in the Barona district. Running from April 15 to 25, 2026, the event strategically bridges Milan Art Week and Design Week, featuring over 30 international exhibitors from Europe, Latin America, and Asia. Eschewing traditional booth structures, the fair utilizes a cohesive curatorial layout that integrates industrial archaeology with contemporary practices, including a dedicated video program and a section titled 'City of Glass.'

Art exhibits abound this fall at Pitt State

Pittsburg State University's Art Department is hosting a series of free exhibitions in its two galleries at Porter Hall this fall. Featured shows include Katie Petersen's "Centripetal: The Return to the Self" (Sept. 3–Oct. 10) at the Harry Krug Gallery, exploring balance and health through pastel colors and x-ray imagery; Diane Bronstein's "Unreal city" at the University Gallery, blending vintage photography with embroidery to address climate change; "Seeded: Art After Investment" (Oct. 15–Nov. 10) showcasing faculty and student works made possible by grant funding; and Jason Tanner Young's "Finder" (Oct. 22–Dec. 15), a sculpture exhibition examining the relationship between objects and memory. All exhibits and receptions are free and open to the public.

The Death of the Art School

In a faculty meeting at Purchase College in New York, an administrator referred to students as "consumers," prompting the author to reflect on the pervasive corporatization and "administrification" of American higher education. The article argues that this language reflects a broader restructuring of universities as businesses, where students are customers, knowledge is a product, and faculty are service providers. It cites data showing that between 1976 and 2011, non-faculty professional positions grew by 369% while tenure-track faculty grew by only 23%, and at Purchase College, administrator salaries rose over 45% from 2016 to 2024 while assistant professor salaries rose just 14%, with inflation at 31%.

The Forgotten of Art: The Story of Artist Valeria Alberti

I dimenticati dell’arte. La storia dell’artista Valeria Alberti

Valeria Alberti (1930-2011), a courageous, rebellious, and nonconformist Italian artist, had a brief but intense career before disappearing from the art world. Recent research by scholar Manuel Barrese reconstructs her trajectory as the only woman in a circle of artists and intellectuals around poet Emilio Villa and the Galleria Appia Antica. Alberti debuted in 1957 alongside Alberto Sartoris, collaborated with ceramist Mario Molli, and created painted panels for the transatlantic liners Leonardo Da Vinci and Michelangelo. She exhibited at Galleria Ferro di Cavallo and Galleria Azimuth, and received Piero Manzoni's Certificate of Authenticity No. 26 in 1961. Her later work included geometric metal sculptures, but she ultimately vanished from the art scene.

La grande artista Carla Accardi e l’arte italiana sono da record nell’asta da Dorotheum a Vienna

Dorotheum opened its Contemporary Week in Vienna on May 19, 2026, with modern and contemporary art sales that achieved strong results, particularly for Italian artists. Carla Accardi set a new auction record when her 1986 triptych *Fonda Notte Pieno Giorno* sold for €520,000, while works by Piero Dorazio, Emilio Vedova, Marino Marini, and Gino Severini also far exceeded their estimates. Top lots included Claude Monet’s *Waterloo Bridge* (€611,000) and Mikuláš Medek’s *Too Deep a Sleep V* (€546,000).

The Milan fair dedicating an entire day to reflecting on the state of Italian art: 8 straight hours of conversations

A Milano la fiera che dedica un’intera giornata per riflettere sullo stato dell’arte italiana: 8 ore filate di conversazioni

The debut edition of Paris Internationale in Milan, scheduled for April 2026 at Palazzo Galbani, will feature a marathon eight-hour symposium titled "Aperto Italia." Organized in collaboration with the Fondazione Nicola Trussardi and curated by Massimiliano Gioni, the event brings together 35 international galleries and a significant roster of Italian artists. The program is designed as a continuous cycle of conversations to address the current state of contemporary art in Italy, paying tribute to the late Flash Art publisher Giancarlo Politi.

Korean modern masters lead K Auction’s May sale

K Auction will hold its May sale on May 27 at its headquarters in Sinsa-dong, Seoul, offering 83 works by Korean modern and contemporary masters with a combined estimated value of around 10.4 billion won. Highlights include Suh Do-ho's large-scale installation "Cause & Effect" (estimated 280 million to 600 million won), Kim Whan-ki's untitled 1969 painting from his New York period (estimated 780 million to 1.5 billion won), and Yoo Young-kuk's abstract landscape "Mountain" from 1988 (estimated 400 million to 800 million won). The sale also features works by Dansaekhwa artists Yun Hyong-keun, Park Seo-bo, and Lee Ufan, alongside contemporary artists Angel Otero, Anna Park, and Woo Kuk-won.