A Botticelli painting, *The Virgin and Child Enthroned* (1470s), valued at £10.2 million, has been purchased by the Klesch Collection, a British private collection, after the UK government placed an export bar on the work in May 2025. The painting, which sold at Sotheby’s London in late 2024 for £9.7 million, will be loaned to the Ashmolean Museum in Oxford for three years, ensuring it remains in the UK.
The Museum of Modern Art in New York is launching the first major U.S. survey of Marcel Duchamp’s entire career in over fifty years, a landmark exhibition that will later travel to Philadelphia. Accompanying this resurgence of interest in avant-garde pioneers are two significant projects focused on women of the Surrealist movement: the publication of Alyce Mahon’s comprehensive new book on Dorothea Tanning and a specialized exhibition at London’s Freud Museum featuring Leonora Carrington’s 1940 painting 'Down Below'.
Shiva Zahed Gallery has opened in Istanbul’s Pera district, specifically dedicated to showcasing Iranian contemporary art. The gallery's inaugural exhibition, "Echoes," features works by the influential artist Fereydoun Ave and installation artist Shaqayeq Arabi. The opening was significantly delayed and reconfigured after civil unrest in Iran and a communication blackout prevented the founder from coordinating with the 20 emerging artists originally scheduled for the debut.
The Art Newspaper's 2025 survey of the world's 100 most visited art museums reveals a strong but uneven recovery from the pandemic, with total visits reaching over 200 million. New museums in the Middle East, East Asia, and major Western cities have been major hits with the public, driving significant attendance.
Art communities and heritage in Iran, moderate recovery in the art market, Sydney Biennale—podcast
The latest episode of The Week in Art podcast covers three main topics. First, it discusses the impact of the ongoing Middle East conflict on cultural communities and heritage sites in Iran and Lebanon, including damage to the Chehel Sotoun palace in Isfahan. Second, it analyzes the new Art Basel and UBS Global Art Market Report, which indicates a market recovery but reveals a complex picture. Third, it features a new installation by Indigenous American artist Cannupa Hanska Luger at the Sydney Biennale, consisting of ceramic dingo skulls, which has gained relevance following a recent tragedy in Australia.
A new installation by artist Cannupa Hanska Luger at the 2026 Biennale of Sydney features seven ceramic dingo skulls with whistles that create a howling sound. The work, titled "Volume III White Bay Power Station," was created before the artist learned of the death of a Canadian backpacker, Piper James, on K'gari (Fraser Island), a ruling for which found she drowned after a dingo attack.
The international jury for the Venice Biennale has collectively resigned just before the press preview, following their announcement that countries accused of crimes against humanity—specifically Israel and Russia—would be excluded from award consideration. The jurors did not provide an explicit reason for their resignation. Meanwhile, Russia's return to the 61st Venice Biennale will involve workarounds to comply with international sanctions, including restricted pavilion access. The article also highlights a widely-read essay by Hakan Topal on the financialization and 'administrification' of American art schools and academia.
Gagosian has announced that the inaugural exhibition at its new ground-level space at 980 Madison Avenue will feature the iconic "readymades" of Marcel Duchamp. Opening April 25, the show will showcase a series of 14 authorized replicas created in 1964 by Duchamp and dealer Arturo Schwarz, including famous works like "Fountain" and "Bicycle Wheel." The exhibition is timed to run concurrently with a major Duchamp retrospective at the Museum of Modern Art, the artist's first in the United States in over half a century.
The 22nd edition of SP-Arte has opened at the Oscar Niemeyer Pavilion in São Paulo, featuring 180 exhibitors. As Latin America’s largest art fair, the event continues to serve as a critical bridge for 'South-South' artistic relationships, drawing international curators like the Met’s Brinda Kumar. Despite a slightly smaller footprint than previous years, the fair showcases a robust selection of Brazilian talent alongside international galleries navigating the country's complex market.
Photographer Christopher Anderson has revealed the details behind his 2015 encounter with Jeffrey Epstein, whom he photographed for a cancelled New York magazine profile. Anderson describes a series of unsettling interactions, including Epstein's attempts to buy the image rights for $20,000 and the eventual dispatch of a "mafia-esque" intimidator to Anderson's studio to seize a hard drive. The photographer's email exchanges with Epstein’s staff were recently made public as part of the Department of Justice's release of the Epstein files.
The Guardian has published a comprehensive weekly entertainment guide covering cinema, gigs, art exhibitions, stage performances, and home entertainment options. The guide highlights new film releases like the adaptation of Enid Blyton's 'The Magic Faraway Tree' and the documentary 'Orwell: 2+2 = 5', major concerts from 5 Seconds of Summer, and art exhibitions featuring Estonian modernist Konrad Mägi and Scottish painter Joan Eardley.
The article provides a comprehensive weekly entertainment guide, highlighting upcoming cultural events across cinema, music, art, and stage. Key art recommendations include a major Frank Bowling exhibition at the Fitzwilliam Museum, a Hurvin Anderson survey at Tate Britain, and a drawing-focused exhibition from Bruegel to Rembrandt at Compton Verney.
The Los Angeles County Museum of Art (LACMA) is preparing to open its new $720m David Geffen Galleries, a massive undulating concrete structure designed by Pritzker Prize-winning architect Peter Zumthor. Spanning Wilshire Boulevard, the new building adds 110,000 square feet of gallery space and 3.5 acres of public parkland, marking the completion of a two-decade capital project led by Director Michael Govan. The facility will house the museum’s permanent collection, which has been largely out of public view for seven years, and features innovative exhibition strategies such as hanging artworks directly onto concrete walls.
"Es hat niemals eine unpolitische Venedig-Biennale gegeben"
The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.
Hat die Neue Nationalgalerie Gefühle?
The Kunsthalle Bremen has opened "Remix. Photographie – Fiktion und Wahrheit," an exhibition drawn from its permanent collection that explores the tension between reality and artifice in photography. The show traces a lineage from Heinrich Zille’s unvarnished turn-of-the-century street scenes to the objective industrial typologies of Bernd and Hilla Becher, eventually moving into the postmodern manipulations of the Düsseldorf School, including works by Thomas Ruff and Thomas Struth.
The 25th Biennale of Sydney, titled "Rememory" and curated by Hoor Al Qasimi, features 143 works by 83 artists and collectives from 37 countries across five venues. The exhibition explores marginalized, fragmented, and repressed histories, drawing on Toni Morrison's concept of 'rememory' as a space between remembering and forgetting. Key works include Tuan Andrew Nguyen's film on Vietnam War trauma, Basel Abbas and Ruanne Abou-Rahme's immersive installation on Palestinian displacement, Khalid Albaih's photographs of Sudan, and Massinissa Selmani's drawings on Algerian socialist building projects.
Qui est Yto Barrada, représentante de la France à la Biennale de Venise avec une œuvre-monde ?
Yto Barrada, the artist representing France at the 2026 Venice Biennale, has created a multidisciplinary installation titled "Saturne" for the French Pavilion. The work centers on textiles and natural dyeing, weaving together themes of postcolonial history, migration, craft transmission, and the symbolism of Saturn—from its astronomical mystery to its mythological role as the devourer of children. The installation features wool curtains, Aubusson tapestry, goat skins, wasp-nest sculptures, masks, muzzles, a color chart, and video, all housed in a renovated pavilion designed with the help of numerous artisans. Barrada, born in Paris in 1971 and raised in Tangier, founded the Cinémathèque de Tanger and later The Mothership, a research center focused on textiles and natural dyes. The exhibition is curated by Myriam Ben Salah.
The 2025 Outsider Art Fair in New York City, featuring 68 exhibitors at the Metropolitan Pavilion, showcased a vibrant range of work by self-taught and autodidactic artists. The event was marked by strong sales and enthusiastic attendance, serving as an egalitarian counterpoint to more traditional blue-chip art fairs.
The Congolese Plantation Workers Art League (CATPC), an artist collective based at a plantation in the Democratic Republic of Congo, has released a toolkit titled "Seven Easy Steps for Museums to Liberate the Plantations that Funded Them." The toolkit urges major museums—including London's Tate Britain, Cologne's Ludwig Museum, the Stedelijk Museum in Amsterdam, and the Van Abbemuseum in Eindhoven—to acknowledge and rectify their historical reliance on plantation wealth and exploited labor. CATPC presented the toolkit at a restitution conference at the Wereldmuseum in Amsterdam, organized with the Mondriaan Fund. The collective, founded in 2014, creates art from chocolate and has exhibited internationally, including at the 2024 Venice Biennale and the 2017 Armory Show.
P.P.O.W. gallery has taken on representation of artist Owen Fu, while Nicola Vassell Gallery now represents Na Kim, known for her book covers and paintings. Jessie Washburne-Harris has been named Global Director at White Cube, overseeing the gallery's U.S. growth. Chris Sharp Gallery added Mark A. Rodriguez to its roster, and Berry Campbell took on the estate of Louisa Chase. Mexico City dealers Misa Yamaoka and Yuna Cabon launched an artist residency program at Third Born gallery. The article also reports that combined evening sales at Christie's, Phillips, and Sotheby's in Hong Kong totaled $136 million, a significant drop from $208.6 million last fall, and highlights the rising market interest in 17th-century artist Michaelina Wautier.
The Armory Show has announced its 2025 exhibitor list, featuring over 230 galleries set to participate in the fair from September 5–7 at the Javits Center in New York, with a VIP preview on September 4. This edition marks the first under new director Kyla McMillan, who has introduced a revised floor plan, a new section called Function organized by dealer Ebony L. Haynes, and a reconfiguration of the large-scale works Platform section led by Souls Grown Deep. More than 20 exhibitors are returning after a hiatus, including White Cube and Andrew Kreps, while 55 galleries are participating for the first time, such as Skarstedt and Megan Mulrooney.
Artnet News journalist Annie Armstrong recounts her emotional experience at Art Basel Miami Beach, where she desperately sought to see Julie Curtiss's painting "Mary With the Medela" (2024), a portrait of a woman using a breast pump. As a new mother balancing work and pumping, Armstrong felt a deep personal connection to the work but arrived at the White Cube booth moments after it had been sold and removed from view, leaving her in tears.
Wohin am Wochenende?
Major international exhibitions and events are launching this week, headlined by a massive Marcel Duchamp retrospective at the Museum of Modern Art in New York, the first of its scale in the U.S. since the 1970s. In Milan, Cao Fei debuts a research-heavy project at Fondazione Prada exploring the intersection of high-tech agriculture and tradition, while Berlin’s Georg Kolbe Museum recovers the legacy of British constructivist Marlow Moss. Additionally, the inaugural Art Cologne Palma Mallorca art festival opens in Spain, attempting to stimulate the market during a challenging economic period.
A diplomatic dispute has emerged between Japan and New Zealand over a proposed bronze statue in Auckland commemorating 'comfort women' forced into sexual slavery by the Japanese military during WWII. Japan’s ambassador warned that the memorial, donated by the Korean Council for Justice and Remembrance, could damage international relations, while the Japanese embassy labeled the project part of an 'anti-Japan' movement.
Christie’s has announced that it will auction works from the personal collection of the late legendary dealer Marian Goodman during its May marquee sales in New York. The collection is headlined by seven paintings by Gerhard Richter, including the iconic 1982 work *Kerze (Candle)*, which carries an estimate of $35 million to $50 million. The total group of works from Goodman’s Manhattan home is expected to realize approximately $65 million.
Qatar has announced details for its inaugural contemporary art quadrennial, Rubaiya Qatar, set to launch in November alongside Frieze Abu Dhabi. Organized by Qatar Museums, the event will feature over 50 artists and new commissions, with a major exhibition titled 'Unruly Waters' curated by Tom Eccles, Ruba Katrib, Mark Rappolt, and Shabbir Hussain Mustafa. Confirmed artists include Lawrence Abu Hamdan, Sophia Al Maria, Mohamed Bourouissa, and Lydia Ourahmane. Additionally, a previously unpublicized pavilion dedicated to Gerhard Richter will open within the quadrennial. Separately, revelations from the Epstein files show ties between Jeffrey Epstein and the San Francisco Museum of Modern Art, including a donated artwork and potential financial backing for a piece by Neri Oxman. A small Michelangelo drawing of a foot sold at Christie's for $27.2 million, setting a new auction record.
David Hockney has publicly criticized plans to loan the Bayeux Tapestry to the British Museum, calling the move 'madness' and warning that the fragile medieval embroidery could be damaged during transport. Meanwhile, Maria Balshaw is stepping down as director of Tate, citing a sense of mission accomplished after nearly a decade leading the institution, during which she championed female artists and will co-curate a Tracey Emin exhibition before departing. Other headlines include Kosovo selecting Brilant Milazimi for the Venice Biennale, Donald Trump eyeing a site for his 'Garden of American Heroes,' and the Asian Art Museum in San Francisco hosting a second Baby Rave event.
Frieze New York opened on a warm Wednesday morning, with a packed spring art week schedule that saw the fair and TEFAF's US edition separated by just 24 hours. The VIP day was animated with strong sales, including Jeff Koons's *Hulk (Tubas)* reportedly selling for $3 million at Gagosian, which presented the artist's first collaboration since he left the gallery in 2021. Other notable sales included works by Liza Lou, Joan Snyder, David Salle, and Adam Pendleton, with Pace Gallery selling all six of Pendleton's paintings within hours. Galleries reported a slower but deliberate pace of buying, with collectors taking more time to make decisions.
Jeff Koons's latest exhibition at Gagosian Gallery in New York features his new series of large-scale porcelain and stainless-steel sculptures, including the centerpiece *Aphrodite* (2016–21), an eight-and-a-half-foot-tall nude. The show marks Koons's first solo presentation in New York in seven years and follows a turbulent period in his career, including record auction sales, a move to Pace Gallery and back to Gagosian, and two lawsuits. Critic Christopher Garcia Valle panned the works as unstimulating and banal, arguing they fail to awe viewers despite their technical ambition and massive scale.
As the fall auction season returns to New York, Christie’s and Sotheby’s are preparing for evening sales amid an uneven art market. The article reveals key consignors behind major lots, including a Frida Kahlo painting from 1931, estimated at $6–8 million, owned by Miami-based Francisco and Fiorella Pérez Díaz, and three French Post-Impressionist works from the collection of the late Argentine patron Nelly Arrieta de Blaquier. The market context includes underwhelming results at Art Basel in Switzerland but strong attendance at Frieze London and Art Basel Paris, with collectors showing willingness to spend only on exceptional, well-priced works.