Bristol-based artist Lisa Stevens creates vibrant ceramic sculptures inspired by marine life. Her work features sea urchins, coral, and nudibranchs, transformed into unique pieces with colorful glazes and textures that often blend aquatic forms with celestial and anatomical references.
An Indonesian and Australian couple, Wiyoga Muhardanto and Hannah O’Flynn, have transformed a plot of land in Central Java into an eco-resort and creative hub called Yabbiekayu. The project includes a gallery, artist residencies, and workshops, aiming to foster a sustainable creative economy by connecting local artisans with international artists and designers.
Franco Bellucci's exhibition "Works (c. 2010–2018)" is on view at a. SQUIRE gallery in London. The show features his sculptures, which are composed of knotted, humble, and mass-produced materials like socks, bandages, cables, and plastic bags, reflecting a direct engagement with his immediate surroundings.
Artist Caroline Gueye presents 'WURUS', a new installation for the Senegal Pavilion at the 61st Venice Biennale. Curated by Massamba Mbaye, the work is a shifting field of brass and polymer bronze elements, using mirrors and light to create an environment where perception is contingent on the viewer's movement and position. The title invokes gold, opening onto histories of extraction, but the work deliberately resists singular meaning.
Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.
Artists Rhett Tsai and Chang-Ching Su have presented tandem projects at Chicago's Watershed Art & Ecology, inspired by a joint research trip to fishing villages on China's Huangqi Peninsula. Their works explore the practice of light-lure fishing, with Su creating photographic exposures using the green LED lights from squid-fishing boats and translating satellite fishing data into sculptural installations. Tsai's contributions include CGI films and a VR video that depict the rhythms and social realities of coastal communities, focusing on the Tanka boat-dwelling people.
Carla Acevedo-Yates has curated "Dancing the Revolution: From Dancehall to Reggaetón," a major exhibition at the Museum of Contemporary Art Chicago, which will be her final show before departing for a role on the Documenta 16 team in Germany. The exhibition, which occupies the museum's entire fourth floor through September 20, features over 40 artists and explores the social and political histories of Caribbean music genres.
Oman has chosen artist, architect, and curator Haitham Al Busafi to represent the country at the 61st Venice Biennale in 2026. Al Busafi will curate and present his own monumental installation, Zīnah, in the national pavilion, commissioned by the Omani Ministry of Culture, Sports and Youth. The work transforms a traditional Omani horse harness into an interactive spatial experience using sand, metal, and sound.
Luhring Augustine gallery in New York is presenting 'Beyond the Stars,' the first posthumous solo exhibition of the late Indian-born artist Zarina. The show features prints, collages, cast paper works, and sculptures spanning seven decades, focusing on themes of borders, displacement, and exile shaped by the Partition of India and her nomadic life.
Artist Khaled Sabsabi and curator Michael Dagostino discuss their project 'conference of one’s self' for the Australia Pavilion at the 61st Venice Biennale. Sabsabi explains how the work draws on the twelfth-century Sufi poem 'The Conference of the Birds' by Farīd al-Dīn ʿAṭṭār, mapping its seven spiritual valleys and adding an eighth level of 'wholeness and completeness'. He also reflects on his childhood in Lebanon, migration to Australia, and how his return to Lebanon in 2002 reconnected him with his Sufi lineage, which informs his artistic practice focused on memory, displacement, and social justice.
Vu[e]s de dos. Une figure sans portrait
The exhibition "Vu[e]s de dos. Une figure sans portrait" at Les Franciscaines in Deauville, running from February 28 to May 31, 2026, explores the artistic motif of figures seen from behind. Curated by director Annie Madet-Vache, the show was inspired by a small painting from the museum's own collection, André Hambourg's *L'Enterrement de Poincaré*. Unable to secure loans of iconic works such as those by Friedrich, Delacroix, Ingres, or Vermeer, Madet-Vache instead displays large black-and-white reproductions of these masterpieces alongside contemporary works they inspired, turning the absence of the originals into a conceptual strength.
Artist Nancy Lupo is preparing a new exhibition titled "Meow Meow Real Estate" at the Nicoletta Fiorucci Foundation in London. The show shares its name with a novel she is writing, both projects emerging from a period of personal displacement and a fixation on finding a home. The exhibition continues a trajectory of shows that serve as interconnected, physical manifestations of her literary and emotional exploration of place.
Haitham Al-Busafi will represent Oman at the 61st Venice Biennale, serving as both artist and curator. His installation, titled "Zinah," transforms the tradition of Omani silver horse adornment (Al-zaanah) into an immersive environment of sand, suspended metal, and collectively generated sound. Located in the Arsenale Artiglierie and commissioned by Oman's Ministry of Culture, Sports and Youth, the work was developed through a community workshop in Muscat where participants inscribed marks into silver forms. The exhibition runs from May 9 to November 22, 2025.
Two new photography exhibitions in Houston explore the past and future of image-making. At Moody Gallery, a retrospective titled "MANUAL — The Collaboration of Ed Hill & Suzanne Bloom, 1974-2024" honors the legacy of the groundbreaking photographic duo MANUAL, co-founded by Ed Hill and the late Suzanne Bloom, who passed away in 2025. The show, closing April 25, features works inspired by art history, literature, and nature, including pieces referencing Paul Cézanne and Walt Whitman. Meanwhile, at Rice University's Moody Center for the Arts, the group exhibition "Imaging After Photography" (through May 9) examines the intersection of photography and artificial intelligence, featuring artists like Trevor Paglen, Refik Anadol, and Joan Fontcuberta, and raising questions about bias in datasets and algorithms.
Artist Andy Gillis of Troy will present an exhibition titled "The art of dots in acrylic," featuring his intricate mandala paintings, at the Starworks Cafe and Taproom in Star. The show opens with a free reception on April 30 and will remain on view through July 30.
Artist Fritz Horstman has opened a solo exhibition titled 'Folded Worlds,' featuring his Folded Cyanotypes and a new series of Folded Palladiums. These camera-less photographic works are created by exposing folded, chemically coated paper to sunlight or UV light, resulting in abstract images that suggest crystalline landscapes and architectural forms.
Art Week nordiche: Stoccolma è capitale dell’arte europea per una settimana. L’intervista
Stockholm is hosting the Stockholm Art Week from April 21-26, transforming the city into a hub for contemporary art. The event features a citywide program of exhibitions across museums, galleries, and independent spaces, including a retrospective of textile artist Anna Casparsson at Moderna Museet, a photography show by Lotta Antonsson at Fotografiska, and an outdoor bronze sculpture installation by Italian artist Davide Rivalta. The week also coincides with the 20th anniversaries of two major Nordic art fairs, Market Art Fair and Supermarket Art Fair, which are moving to new venues.
A previously unknown sculpture by Alexander Calder, titled 'Stabile-mobile' (1974), will be auctioned by Oger – Blanchet at Hôtel Drouot in Paris on May 22. The small, kinetic work, estimated to sell for €80,000–€120,000, was a gift from the artist to an archivist at the French National Museum of Modern Art and has remained with her family for 50 years.
The Laurel Arts League announced the winners of its inaugural Community-Wide Art Contest during a ceremony at the Lauren Rogers Museum of Art. First-grader Libby Morgan from Laurel Christian School was among the honorees, celebrated for her first-place win.
The Fondation Louis Vuitton in Paris is presenting a major retrospective of Alexander Calder's work, titled "Calder. Rêver en Équilibre" ("Calder. Dreaming in Balance"). The exhibition, marking the 50th anniversary of the artist's death and the centenary of his first arrival in France, features nearly 300 works, including his iconic mobiles and stabiles.
Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.
A local artist known as MTB Artwork is launching a solo exhibition of new acrylic paintings on cardboard on June 27, 2026, at a renovated flat and shop space on Kingsley Park Terrace in Northampton. The artist began painting in 2020 as a therapeutic activity and has since sold over 400 pieces internationally.
The Museum of Contemporary Art Chicago has opened 'Dancing the Revolution: From Dancehall to Reggaetón,' a major exhibition exploring dance as a political language. It features over forty artists working across installation, video, sculpture, and sound, tracing the cultural trajectories of dancehall and reggaetón from the Caribbean diaspora to global contexts.
Photographic artist Clara Chiu is presenting her debut solo exhibition, 'Water's Awakening,' at Gallery Lane Cove. The show, curated by Miguel Olmo, features abstract photographic works focused on water, exploring its fleeting forms and movement to question perception and offer contemplative sanctuary. The exhibition runs from May 13 to June 6, 2026.
Gallery Weekend Berlin, one of Europe's most significant contemporary art events, is set to take place from May 1-3, 2026. Over 50 selected galleries across the city will simultaneously open new exhibitions, featuring works by established and emerging international artists, with free admission to most venues. The event transforms Berlin into a decentralized, walkable open-air gallery.
The Southwick Cultural Council is hosting its 25th Annual Fine Art Exhibition Show and Sale at Town Hall on April 26-27. The event features over 40 artisans, with works in oils, acrylics, watercolors, wood carvings, sculpture, photography, and mixed media, most of which are for sale. A jury process selects participants, and the event includes live music and a display by the Southwick Historical Society.
Unpublished Africa has launched an open call for African photographers to submit work exploring the theme of leadership in their local contexts. The initiative seeks visual narratives that reflect everyday, creative, and collective expressions of leadership across the continent's diverse communities and environments.
The Cameron Art Museum in Wilmington, North Carolina, will present Andy Warhol's 1966 installation 'Silver Clouds' from June 19 through September 27. The interactive work, featuring reflective, helium-filled forms that float and respond to movement, will be on view longer than the museum's broader summer exhibition, 'Fresh Air: Inflatable Sculptures,' and includes a member preview and opening celebration.
Artist Pia Hinz creates sculptures of tools and objects from construction and farming sites using stained glass, transforming items like hammers, screws, and tractor doors into fragile, light-filled artworks. Her work, developed during a 2024 residency at La Menuiserie 2, subverts the utilitarian nature of these forms, exploring the interplay between strength and vulnerability, and questioning the use value and narrative potential of everyday objects.
Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.