‘She had a fresh, informed eye’: mural depicting late Venice Biennale curator Koyo Kouoh displayed in lagoon city

A mural honoring Koyo Kouoh, the late curator of the 2025 Venice Biennale, has been unveiled in Venice. Created by US artist Derrick Adams, the collage titled "Heavy is the head that wears the crown" adorns the facade of the Palazzetto dello sport Giobatta Gianquinto near the Arsenale. Kouoh died on 10 May 2025 at age 57 after a cancer diagnosis. The tribute was organized by curator Francesco Bonami, who had invited Kouoh to join the jury for the 50th Venice Biennale in 2003.

‘We are complicit’: Austrian artist Florentina Holzinger’s immersive Venice Biennale pavilion brings apocalypse to the city

Austrian artist Florentina Holzinger has created 'Seaworld Venice,' an immersive and confrontational installation for the Austrian Pavilion at the 2024 Venice Biennale. The work explores climate change, technology, and a dystopian flooded future, drawing comparisons to the 1995 film 'Waterworld'—though neither Holzinger nor curator Nora-Swantje Almes had seen it. Known for extreme performance art involving nudity, blood, live piercing, and heavy machinery, Holzinger's previous works have caused audience members to faint or require medical treatment. The pavilion marks a significant platform for her radical, hybrid practice that blends theatre, dance, opera, and performance art.

What It Takes to Build the Venice Biennale

Three weeks before the Venice Biennale opens on May 5, the city remains a construction site, with the Giardini closed and parts of the Arsenale requiring special access. Artist Faustin Linyekula rehearses his performance *The Galeazze Project* in a 16th-century roofless complex, working with the existing gravel, natural light, and lagoon acoustics rather than imposing a structure. Geopolitical conflicts, supply chain disruptions, and the sudden resignation of the Biennale’s international jury via Instagram add pressure to the already challenging logistics of mounting the global exhibition.

‘It’s a world heritage site, but it’s my home’: the last resident of Casa Milà on life in Gaudí’s masterwork

Ana Viladomiu, a 70-year-old writer, is the last remaining tenant of Antoni Gaudí’s Casa Milà (La Pedrera) in Barcelona, a UNESCO World Heritage site that receives about a million visitors annually. She has lived in the luminous apartment since 1988, originally moving in with her then-husband Fernando Amat, owner of the iconic design store Vinçon. Viladomiu holds a rare renta antigua (fixed-rent contract) that allows her to stay until she or Amat dies, after which the not-for-profit foundation managing the building will take ownership. The rest of the building now houses offices and cultural event spaces.

Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

‘Still lots to talk about’: UK galleries team up to shine light on female artists

A new exhibition titled 'Making Her Mark' opens at Penlee House in Penzance, Cornwall, featuring works by prominent British female artists such as Tracey Emin, Barbara Hepworth, Laura Knight, Elizabeth Forbes, and Gillian Ayres. The show is a collaboration between Penlee House, Worcester City Art Gallery and Museum, and Kirkcaldy Galleries in Fife, Scotland, with each contributing more than 20 works. It is the first exhibition launched under Art Fund's £5 million 'Going Places' programme, which unites 20 museums across the UK over five years to share and celebrate their collections.

Final book in trilogy asks: What is the future of the art world?

Cultural strategist András Szántó has published the third and final volume of his trilogy on the future of museums, titled *What Is the Future of the Art World?*. The book features dialogues with a wide range of art-world figures—including gallerists José Kuri and Atsuko Ninagawa, collectors Alain Servais and Sylvain Levy, artists William Kentridge and Holly Herndon & Mathew Dryhurst, curator Fatoş Üstek, network scientist Albert-László Barabási, former Art Basel director Marc Spiegler, and Sheikha Al-Mayassa Al Thani—who discuss topics such as the definition of the art world, its rules, and its future trajectory. Szántó notes that there is no consensus on whether the art world is still expanding or entering a phase of slowdown, with different regions moving on divergent paths.

Collaged Denim Sculptures by Nick Doyle Unravel American Mythology

Brooklyn-based artist Nick Doyle creates large-scale wall sculptures using layered and bleached denim, exploring American mythology and its contradictions. His solo exhibition "Collective Hallucinations" at Perrotin features works such as stylized cacti, landscapes, tarot cards, and a fortune teller's shop, all rendered in denim. Doyle's practice began after finding a discarded roll of denim in 2018, which he saw as a metaphor for the complexities of American history, including slavery, masculinity, and Manifest Destiny.

Calls for Artists: May 2026

Burnaway's May 2026 Calls for Artists roundup lists multiple opportunities with deadlines in early May. These include the Joan Mitchell Center's call for figurative works, the Michael P. Smith Fund for Documentary Photography for Gulf Coast photographers, the Center for Craft Teaching Artist Cohort offering $10,000 grants to mid-career craft artists, the Hopper Prize grants totaling $13,000, residencies at The Studios of Key West and Trillium Arts, and the National Performance Network Creation & Development Fund. Each opportunity has specific eligibility, fees, and deadlines ranging from May 3 to May 18, 2026.

A Show in Rome Sheds New Light on Francesca Woodman’s Haunting Images

A new exhibition in Rome offers fresh insight into the haunting and influential work of American photographer Francesca Woodman, who died by suicide at age 22. The show presents her ethereal, often unsettling self-portraits and other images, exploring the depth and enduring power of her brief but prolific career.

With ‘Sister Dreamer’ Park, Lauren Halsey Brings Her Heroes Home

Artist Lauren Halsey has unveiled a new installation titled 'Sister Dreamer' Park in South Central Los Angeles. The work features stone monuments that elevate familiar faces from the neighborhood, celebrating local heroes and community members. The installation is part of Halsey's ongoing practice of centering Black and brown communities in her art, using architecture and sculpture to create spaces of empowerment and memory.

Primitivism to Reinvent Art

Le primitivisme pour réinventer l’art

Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.

Robust Sales at Sotheby’s, Phillips Suggest Art Market Upswing

The May 19 evening sales at Sotheby’s and Phillips generated a combined $419.1 million, signaling a potential recovery in the contemporary and modern art market. Sotheby’s brought in $303.9 million—60% more than the previous year—led by a record-breaking $48.4 million Matisse, while Phillips achieved $115.2 million, more than double its 2025 sales. Both auctions saw high sell-through rates, with 98% and 100% of lots sold respectively. Notable lots included a $42.6 million Picasso, a $29.4 million van Gogh drawing, and strong performances by female artists like Lee Bontecou, Joan Mitchell, and Helen Frankenthaler.

Telfair Museums presents Impressionism and Modernity: French and American Painting opening May 15

Telfair Museums will present "Impressionism and Modernity: French and American Painting" at the Jepson Center for the Arts from May 15 through August 16, 2026. Organized for the museum's 140th anniversary, the exhibition brings together Telfair's collection of American Impressionist works with key French Impressionist paintings from the National Gallery of Art, Washington, D.C., featuring artists such as Edgar Degas, Alfred Sisley, and Vincent van Gogh. The show explores Impressionism's origins in France, its transatlantic influence, and its impact on American art and identity, with works addressing themes of modern life, leisure, the city, and nostalgia for nature.

A Napoli torna il Gallery Weekend tra Chiaia e centro storico: tante mostre e una nuova associazione di galleristi

The third edition of the Napoli Gallery Weekend is scheduled for May 22–24, 2026, spanning the Chiaia district and the historic center of Naples. This year’s key development is the formation of an association of organizing galleries—Acappella, Alfonso Artiaco, Andrea Ingenito Contemporary Art, Galleria Fonti, Gallerie Riunite, Galleria Tiziana Di Caro, Studio Trisorio, and Umberto Di Marino—aiming to coordinate openings, exhibitions, and special visits while strengthening the city’s contemporary art scene. Highlights include shows by Valentina Artone, Adam Pendleton and Antoni Tàpies, David Bowes, Edoardo Aruta, Martin Kippenberger at Galerie Gisela Capitain’s Naples space, Salvatore Emblema and Luisa Lambri, and a geopolitical group exhibition titled "Global Folklore."

New York's Art Week 2026 is underway. A guide to all the fairs to see in the city: Frieze and the others

È in corso l’Art Week di New York del 2026. La guida di tutte le fiere da vedere in città: Frieze e le altre

New York's spring Art Week is underway in mid-May 2026, anchored by two major fairs: Frieze New York (May 13–17) at The Shed, featuring about 70 galleries from over 25 countries, and TEFAF New York (May 15–19) at the Park Avenue Armory, celebrating its tenth edition with 88 galleries. Additional fairs include Independent Art Fair at Pier 36 (May 14–17) with 76 galleries and site-specific installations, and NADA New York at the Starrett-Lehigh Building (May 13–17), promoting emerging artists. The week also involves museums, cultural institutions, and galleries citywide.

The southernmost contemporary art fair in Italy is about to debut in the town of Fiuggi

Sta per debuttare nella cittadina di Fiuggi la fiera d’arte contemporanea più a sud d’Italia

A new contemporary art fair called ArteFiuggi is set to debut in September 2026 in Fiuggi, a small town in Lazio, south of Rome. Organized by Nicola Monti, son of renowned dealers Pio Monti and Liliana Maniero, the fair aims to become the southernmost art fair in Italy. It will be held at the Fiuggi Convention Centre, designed by Studio Valle and previously host to the 2024 G7, and will offer included hospitality for exhibitors at two local hotels.

Tony Cokes “SM BNGR2” at FELIX GAUDLITZ, Vienna

Tony Cokes' solo exhibition "SM BNGR2" at FELIX GAUDLITZ in Vienna centers on club culture as a space for celebrating life through love, desire, queerness, music, art, aesthetics, and moving bodies. The show de-marginalizes club culture by examining its significance for subcultures, activist movements, and political resistance through the lens of writers and academics.

How the National Gallery of Art Used Video to Take an Exhibition Beyond Its Walls

The National Gallery of Art's production studio created a multi-platform video strategy around its 2025 traveling retrospective of artist Elizabeth Catlett. The centerpiece was a documentary following contemporary artist LaToya Hobbs as she created a new linocut portrait of Catlett's granddaughter, Naima Mora, using high-resolution time-lapse filmmaking. The project was presented at the Museum Digital Summit 2026 by a team including Sarah Turner, Chad Lawrence, Adam Enatsky, Karla Carnewal Torallas, and Amelia Mylvaganam.

브루클린뮤지엄: 패션디자이너 아이리스 반 페르펜전 'Iris van Herpen: Sculpting the Senses'(5/16-12/6)

The Brooklyn Museum will present the North American debut of "Iris van Herpen: Sculpting the Senses" from May 16 to December 6, 2026. The exhibition features over 140 haute couture creations by Dutch fashion designer Iris van Herpen, displayed alongside contemporary art, design objects, and scientific artifacts. It explores her fusion of traditional craftsmanship with cutting-edge technology, sustainability, and themes from nature and science. The show first opened at the Musée des Arts Décoratifs in Paris in 2023 and has traveled to QAGOMA, ArtScience Museum Singapore, and Kunsthal Rotterdam. The Brooklyn presentation coincides with the museum's annual Brooklyn Artists Ball, where Van Herpen will be honored.

Loveland artist brings colorful, bold florals to new Fort Collins gallery exhibit

Loveland artist Annie O'Brien Gonzales, who specializes in bold, colorful floral paintings, is featured in 'The Bright Side' exhibition at The Lincoln Center in Fort Collins, Colorado. The show, which runs until June 12, includes her expressive acrylic and mixed-media works alongside pieces by Laura Merage, Tricia Soderberg, and Randall Steinke. O'Brien Gonzales, a former labor and delivery nurse and medical professor who became a full-time artist in 2004, will also teach a floral still life workshop at The Gardens on Spring Creek on May 31.

Maine: A Force Within American Art (1890-2026) At Farnsworth Art Museum

The Farnsworth Art Museum in Rockland, Maine, has opened a year-long exhibition titled "Maine: A Force Within American Art (1890-2026)" in honor of America's 250th anniversary. The show presents 150 works across media, highlighting the state's artistic legacy from the late 19th century to the present. It features leading modernists such as Marsden Hartley, John Marin, Charles Demuth, and Georgia O'Keeffe, who found inspiration in Maine's landscapes, as well as contemporary artists like Theresa Secord. The exhibition is curated by Jaime DeSimone and Francesca Soriano, in collaboration with multiple institutions including the Ellis-Beauregard Foundation and Skowhegan School of Painting and Sculpture.

How Dayanita Singh Organized a Major Show in Venice Without Institutional Funding

Dayanita Singh has organized a major exhibition titled "ARCHIVIO" at the State Archives of Venice, marking the first time the institution has opened its doors to the public for an art show. The exhibition, which runs until July 31, features collapsible wooden pillars covered with black-and-white photographs that explore Singh's 25-year relationship with Italy and her broader engagement with archival documents from both Italy and India. Singh achieved this without major institutional funding, instead relying on a "friendship economy" of bartering, negotiation, and individual patrons, and even arranged for local art students to serve as docents in exchange for professional mentorship.

Romanesco in a Max Mara Coat

Romanesco im Max-Mara-Mantel

Evelyn Taocheng Wang's first institutional solo exhibition in Italy, "Sweet Landscape," opens at the Museion in Bolzano. The Chinese-born, Rotterdam-based artist presents silk paintings, pastel canvases, and painted garments that probe the region's complex history beneath its idyllic Alpine scenery. Works such as "Frog Princess Checks Her Smartphone in front of Window of August Macke’s Hat Shop" (2026) and "Ancient Roman bust for Sale" (2026) blend local food motifs, cultural translation, and hybrid identity, questioning who gets to write history and how landscapes are perceived through secondhand experiences.

In Pictures: The Highlights of the 2026 Venice Biennale

En images : les grands moments de la Biennale de Venise 2026

The 2026 Venice Biennale, titled "In Minor Keys" and curated by Koyo Kouoh, opened on May 9, 2026, at the Arsenale and Giardini venues. Kouoh, who died suddenly in May 2025 at age 57, conceived the event as a counterpoint to global noise and fury, inviting visitors to slow down and tune into minor tonalities. The exhibition features works addressing colonial memory, slavery, and Gaza, with a team of four curators executing her vision. Highlights include Maria Magdalena Campos-Pons's tribute to Kouoh and Toni Morrison, Hala Schoukair's installation, and Gabrielle Goliath's "Elegy," alongside collateral shows like the Dries van Noten Foundation at Palazzo Pisani Moretta and the Victor Pinchuk Foundation's "Still Joy – from Ukraine into the World."

What Is the 2026 Met Gala Exhibit “Costume Art” All About?

The Metropolitan Museum of Art's Costume Institute will unveil its 2026 exhibition, “Costume Art,” on May 4, 2026, coinciding with the Met Gala. Curated by Andrew Bolton, the show explores the relationship between fashion and the human body, juxtaposing garments like Rei Kawakubo's bulbous Comme des Garçons ensemble with artworks such as Hans Bellmer's “La Poupée” and Albrecht Dürer's “Adam and Eve.” Mannequins cast from real bodies and mirrored heads by artist Samar Hejazi will enhance the immersive experience. The exhibition runs from May 10, 2026, to January 10, 2027, in the new Condé M. Nast Galleries.

Yu-Chi Lyra Kuo Shares a Vision for the Future of Art, Technology, and Creativity

Yu-Chi Lyra Kuo, an entrepreneur, investor, Harvard-educated lawyer, former Princeton academic, and board member of the Shed, shares her vision for integrating frontier technologies like artificial intelligence and robotics into the art world. She argues that these tools can enhance human creativity rather than replace it, drawing on her early experiences with Asian antiquities and her pioneering work in blockchain, including co-founding OpenSea 2.0. The article, based on an interview with CULTURED, traces her journey from collecting a jade gourd as a child to advising tech companies and joining the board of the Shed, a Bloomberg-backed cultural center in Hudson Yards.

Member Previews: Willem de Kooning Drawing (Thurs)

The Art Institute of Chicago is offering members exclusive preview access to "Willem de Kooning Drawing" from June 11–13, 2025, before it opens to the public. This is the first exhibition to comprehensively examine de Kooning's drawing practice, featuring works from across his career—from his earliest drawings to late calligraphic paintings—and marks the museum's first solo presentation of the artist since 1969.

Landmark Exhibition at the Smithsonian American Art Museum Unites U.S. Bicentennial Photography Surveys for the First Time

The Smithsonian American Art Museum will present "Much Here Is Beautiful: Photography Surveys of the U.S. Bicentennial," a landmark exhibition opening September 18, 2026, that brings together for the first time photography surveys created through a federally funded grant program by the National Endowment for the Arts (NEA) around the 1976 U.S. Bicentennial. Featuring 225 photographs by more than 70 photographers, the show draws on the museum's holdings and collections nationwide, including previously unseen works, and places them in the context of federal survey photography dating back to the 19th century.

Here Are the Seven Booths We’re Beelining to at NADA’s 2026 New York Edition

The 12th edition of NADA New York is now open through May 17 at the Starrett-Lehigh building in Chelsea, featuring 120 galleries and nonprofit spaces from around the world. The fair emphasizes intimacy and scale, with presentations ranging from wrestling-scene paintings by Ursula Dilley to miniature landscapes stitched onto shirt cuffs by Chang Suyung, alongside collaborations rooted in regional craft traditions and psychedelic excess. Cultured magazine highlights seven must-see booths, including solo shows by Douglas Rieger and Loucia Carlier, and a transatlantic dialogue between Saenger Galería and COHJU.