Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.
Dr. Kurt A. Gitter, a pioneering retinal surgeon and world-renowned collector of Japanese art, has passed away at the age of 89 in New Orleans. Born in Vienna and having escaped the Holocaust as an infant, Gitter discovered his passion for Japanese culture while serving as a U.S. Air Force flight surgeon in the 1960s. Over several decades, he and his wife Alice Yelen Gitter amassed one of the most significant private collections of Edo-period paintings and self-taught American art in the Western world.
The Toledo Museum of Art will host a major exhibition titled 'Cursed! The Power of Magic in the Ancient World' from March 21 to July 5. The show features 75 objects spanning two millennia, including Egyptian artwork, Mesopotamian sculptures, and Greek and Roman relics, exploring themes like protective magic, communication with gods, and magic in daily life.
The Denver Art Museum has announced a major touring exhibition of Australian Indigenous Art, set to open in April 2026. The show is a collaborative effort organized by the National Gallery of Victoria and the National Gallery of Art in Washington, D.C., and will also travel to the Portland Art Museum and the Peabody Essex Museum.
William Skeet Jiggetts, a longtime art collector and trustee of several museums, founded the Museum of African American Art Collections (MAAAC) to celebrate Black collectors and display their private holdings. The organization's inaugural exhibition, “Collectors’ Life,” runs from Nov. 1 to Dec. 30 at Awbury Arboretum’s Cope House Gallery in Germantown, featuring works curated by local collectors including Diana Tyson, Stephanie A. Daniel, Vashti Dubois, Dr. Robyn Jones, and Adrian Moody. Two accompanying talks will explore portraiture and the evolving relationship between collectors and artists.
The article highlights a series of upcoming art exhibitions and festivals in Springfield, Illinois, running from late August through September 2025. Key events include the Springfield Art Association's 37th Annual Edwards Place Fine Art Fair, the solo watercolor exhibition “Perceptions of Nature” by Donald Landry at the Hoogland Center for the Arts, and the “NOIR V: Resilience” exhibition at the Illinois State Museum. Other featured shows include “Confluence” and “PLEIADES” at the SAA Collective, and the “Statewide: Illinois Artist Showcase” at the M. G. Nelson Gallery. The Fae Folk Art Collective also presents its fourth festival, Mythical Creatures, at Union Square Park.
Custom House Studios + Gallery in Westport, County Mayo, is presenting two art exhibitions opening July 24, 2025: a solo show by artist Sarah Wren Wilson and a group exhibition titled 'InHouse25'. Wilson's exhibition features abstract paintings that explore psychological space, perception, and the interplay between inner and outer worlds, using motifs like nets and the color blue to create an immersive, liminal experience. The exhibitions are supported by The Arts Council, Mayo County Council, and Pobal, and will run through August 17.
Kapiʻolani Community College’s Koa Gallery hosted "Crafting Voices," an exhibition showcasing student artwork from fine arts courses including drawing, painting, photography, sculpture, ceramics, metalwork, and design. Featured artists included Sophia Villalobos, Arthur Kastler, and Ava McIntyre, whose works explored themes of perception, personal influence, and everyday beauty. The show ran from April 24 to May 8 and marked many students' first public exhibition.
The Hanwha Culture Foundation is hosting a solo exhibition by artist Lim Young-Joo, titled 'The Late故', from May 15 to July 25 at Space Zero One in New York. The show features video and installation works that reinterpret themes of faith, anxiety, life, and death, including a centerpiece piece that reconfigures her previous major works and research from her residency. Lim Young-Joo won the 2025 Frieze Artist Award and was selected for the Korea Artist Prize by the National Museum of Modern and Contemporary Art, Korea.
The Museum of Art Pudong (MAP) in Shanghai has announced "Giorgio Morandi. Solo," the largest and most comprehensive exhibition of Giorgio Morandi in the 21st century, opening June 17 and running through October 2026. Presented with the Museo Morandi in Bologna, the show brings together over 200 works from 39 institutions and private collections worldwide, including more than 140 original artworks by the Italian painter, with over 120 shown in China for the first time. Highlights include Morandi's only known seascape, one of seven self-portraits, a never-before-exhibited portrait of his sister, and his personal star-wheel etching press on loan from descendants of his friend Francesco Bagnaresi.
Kazakhstan presents its third national pavilion at the Venice Biennale, titled 'Qoñyr Äulie: Immersion into Quiet Depths' by artist Ardak Mukanova. The exhibition, called 'Qoñyr: the Archive of Silence,' is housed at the Museo Storico Navale near the Arsenale entrance and transforms silence into a sensory landscape.
Georg Baselitz, the influential German painter known for his inverted figures and raw, expressive style, has died at age 88. A pioneer of postwar German art, Baselitz gained international fame in the 1960s by turning his canvases upside down, forcing viewers to focus on form and paint rather than narrative. His work often grappled with the trauma of Nazi Germany and the divided nation's identity, making him a central figure in the Neo-Expressionist movement.
The Savannah College of Art and Design Museum of Art (SCAD MoA) is presenting "All in Your Head," a comprehensive exhibition of multimedia works by pioneering artist Laurie Anderson. The show spans Anderson's five-decade career, featuring installations, performances, and interactive pieces that explore themes of language, technology, and perception.
The article describes the author's evolving impression of the newly opened David Geffen wing at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor. Initially visiting at 11am, the author found the $724 million, 110,000 sq ft building to be a "dismal, dated, inelegant brute," with thick bronze windows, dark concrete slabs, and bunker-like galleries. However, returning at 4pm, the author experienced a transformation: golden afternoon light warmed the concrete, illuminated the interiors, and revealed the building as a "brilliant innovation and true gift to the city." The article details the building's 20-year design evolution, challenges including fossil discoveries on site, and Zumthor's public frustrations with the compromised details.
The Maude Kerns Art Center is currently hosting two concurrent exhibitions, "Witness: Earth & Sky" and "Consume & Dispose," curated by Liberty Rossel. The shows feature the work of four artists—Rich Bergeman, Amanda Thomas, Rolf Huber, and Jennifer Bucheit—whose practices converge on themes of environmental stewardship, colonial history, and social justice. From Bergeman’s infrared photography documenting indigenous Kalapuya lands to Thomas’s use of toxic mine drainage in her ceramic glazes, the works utilize specific materials and historical research to challenge viewers' perceptions of the landscape and industrial impact.
The College of New Jersey (TCNJ) Art Gallery has opened a new exhibition titled 'What Images,' curated by faculty member and artist John O'Connor. The show features works by nine contemporary artists—including John O'Connor, John Baldessari, and Penelope Umbrico—that examine the nature of image creation and consumption in an era of overwhelming digital proliferation.
The CU Art Museum at the University of Colorado Boulder has launched "Fairy Tales and the Power of Wonder," an exhibition that explores the dark and complex origins of folklore. Moving away from sanitized modern interpretations, the show features a diverse array of works including Jaro Hess’s "The Land of Make Believe," Don Ed Hardy’s "Sea Dragon," and rare illustrated books like William Wallace Denslow’s "Wonderful Wizard of Oz." The display utilizes early fantasy maps and historical artifacts to ground visitors in the "geography of the impossible."
The article is a personal essay by the author reflecting on the life and art of their father, Samuel Kahn (1927-2007), a self-taught artist and clinical psychologist who struggled with bipolar depression. A posthumous exhibition titled "Samuel Kahn, Ph.D. + Friends" opens on 29 January at the Gordon Art Galleries at Old Dominion University in Norfolk, Virginia, featuring around 50 of his wood-carvings, paintings, and sketches. The author describes how they once believed their father had wasted his life, but now sees his vibrant, untrained works as a source of joy and connection.
Digital artist Mike Winkelmann, known as Beeple, is presenting a new installation titled *Regular Animals* (2025) at Art Basel Miami Beach's Zero 10 digital art section. The work features robotic canines with hyper-realistic heads resembling tech billionaires Elon Musk, Jeff Bezos, and Mark Zuckerberg, as well as historical figures Pablo Picasso and Andy Warhol, and Beeple himself. Each robot costs $100,000 (in an edition of two plus one artist's proof), and all were sold during the VIP preview, except the Bezos piece. The robots excrete certificates of authenticity that include QR codes for purchasing accompanying NFTs, and they continuously photograph their surroundings, with images reinterpreted in the style of each dog's humanoid counterpart.
DATALAND, the world's first museum dedicated to AI art, has announced it will open in spring 2026 at the Grand L.A. complex in Downtown Los Angeles, a delay from its original 2025 target. Founded by artist Refik Anadol and his wife Efsun Erkılıç, the 25,000-square-foot venue will feature five galleries, including an Infinity Room that incorporates AI-generated scents drawn from the studio's Large Nature Model, trained on data from 16 rainforests. DATALAND will also partner with Google Arts & Culture for an artist residency program, selecting three artists for six-month collaborations culminating in public displays.
James Turrell, the renowned American artist known for his immersive light installations, continues to explore the perceptual and spiritual dimensions of light in his latest works. The article highlights his ongoing projects, including the monumental Roden Crater in Arizona, a volcanic crater transformed into a naked-eye observatory, and recent exhibitions that showcase his signature use of light as a medium. Turrell, now in his 80s, remains deeply committed to his artistic vision, pushing the boundaries of how viewers experience space and illumination.
Oregon artist Sherrie Wolf opens a new exhibition of large-scale still life paintings at the Pendleton Center for the Arts on August 21, 2025. The show features works from the collection of Jordan D. Schnitzer and his family foundation, marking the center's eighth collaboration with the foundation and its first showcasing an Oregon artist. Wolf will attend the opening reception, and a coffee table book of her retrospective will be available for purchase.
The article explores Madagascar's burgeoning contemporary art scene, centered on Hakanto Contemporary, a non-profit art space in Antananarivo founded by artist Joël Andrianomearisoa. It highlights the group exhibition "Lamba Forever Mandrakizay," featuring 21 Malagasy artists reflecting on the traditional lamba textile, and the innovative culinary-art fusion by chef Lalaina Ravelomanana. The piece also mentions the Musée de la Photo, founded in 2018, which preserves Malagasy photographic heritage.
Sotheby’s, Christie’s and Phillips raised a combined $1.27bn from their May 2025 marquee auctions of Modern and contemporary art in New York, an 8% decline from the same period last year, according to data from London-based auction analysts Pi-eX. The highest-priced lot, Alberto Giacometti’s 1955 bronze bust *Grande tête mince (Grande tête de Diego)*, estimated at $70m, failed to sell, while Andy Warhol’s *Big Electric Chair* (1967), valued at $30m, was withdrawn before Christie’s auction to avoid a similar fate. The downturn is attributed to geopolitical uncertainty under Donald Trump’s presidency, including tariffs announced on April 2, which have unsettled buyer confidence.
Three art exhibitions opened simultaneously at Kochi’s Durbar Hall Art Gallery on June 27, 2025. The shows include 'The Whispering Walls' by C. Unnikrishnan, featuring kiln-baked soil blocks that explore indigenous folklore; 'Liminal Continuities' by Abhijith Udayan, an introspective look at sabbaticals; and 'Axiomatic Ipso Facto' by Sajeesh Pallikkara, which examines the intersection of dream and reality. The exhibitions were inaugurated by painter Riyas Komu and MLA P V Sreenijan.
An annual art exhibition featuring works by incarcerated individuals in Arizona sold 200 pieces on May 16, raising over $18,000 for a scholarship at Arizona State University. The show, titled "{Ink}arcerated: Creativity within Confinement," displayed more than 400 artworks and drew approximately 600 visitors to a vacant retail space at the Arizona Center in downtown Phoenix. Organized by ASU criminology professor Kevin Wright, the event has raised a cumulative total of more than $70,000 since its launch in 2017, with this year's proceeds marking the largest single-show amount to date. A second public sale is scheduled for June 6 during Phoenix's First Fridays art walk.
The article revisits Christo and Jeanne-Claude's iconic 1983 "Surrounded Islands" project in Miami's Biscayne Bay, where they wrapped 11 small islands in hot pink plastic. It describes how the spectacle drew global attention and marked a turning point for Miami, which was then struggling with crime and a negative image. The piece also notes that the couple's work is being seen again in Florida, New York, and Germany, with a related exhibition at NSU Art Museum Fort Lauderdale.
Stephen J. Campbell, a professor of art history at Johns Hopkins University, has published a new book titled *Leonardo da Vinci: An Untraceable Life*, which he frames as an "anti-biography." The book aims to dismantle the mythology surrounding Leonardo da Vinci, arguing that the fragmentary archival record has led to speculative and often outlandish theories that portray him as a solitary genius ahead of his time. Campbell repositions Leonardo within the artistic and intellectual context of late 15th- and early 16th-century Europe, critiquing how media, the art market, and popular culture have commercialized his legacy.
The third week of the University's 2025 art studio senior thesis exhibitions opened on April 9, 2025, at the Ezra and Cecile Zilkha Gallery, featuring works by eight seniors: Kerri Bel, Beatrice Campomori Garuti, Olivia Gomez, Vicky Gong, Will Hardison, Aleah Hurwitz, Ava Liberace, and Alp Yücel. The exhibition spans diverse mediums and themes, including Vicky Gong's "Ether," which explores technology, intimacy, and alienation through material and affect; Will Hardison's "The Sand Remembers the Waves," a monotype series about memory and landscape; and Alp Yücel's "Obstructed View," a sculptural installation that challenges visual perception and physical movement through the gallery space.
The Art Museum at the University of Toronto has opened a new exhibition titled "Land. Sea. Sugar. Salt.: Terrestrial and Aquatic Contemplations of the Caribbean." The show features works by contemporary artists from the Caribbean and its diaspora, exploring the region's complex geography, layered histories, and cultural intersections through themes of land, water, and the legacies of colonial industries like sugar production.