You can retrace the entire career of the legendary designer Alessandro Mendini in this exhibition in Verbania

Si può ripercorrere tutta la carriera del mitico designer Alessandro Mendini in questa mostra a Verbania

A new exhibition titled "Alessandro Mendini. COSE. Stanze come mondi" has opened at Villa Giulia in Verbania, Italy, running until September 27. Curated by art historian Loredana Parmesani, the show condenses the career of legendary designer Alessandro Mendini (1931–2019) into seven rooms, each centered on one of his iconic objects—such as the Poltrona di Paglia (1974) and the Poltrona di Proust (1978)—alongside 130 total pieces including drawings, paintings, and texts. The selection was made with Mendini's daughters Elisa and Fulvia, and the layout follows the villa's 19th-century plan, turning each space into a distinct chapter of his creative journey.

Body as Device. Guide and Reflection on the Performances of the Venice Biennale

Corpo come dispositivo. Guida e riflessione sulle performance della Biennale di Venezia

The article analyzes the role of performance art at the 2026 Venice Biennale, arguing that performance is no longer a rediscovered genre but a structurally institutionalized primary form of experience production. It examines how the body reemerges not as an alternative to image-based works but as an internal interruption of the artwork system, preventing closure and reintroducing instability. Key pavilions are discussed: Austria's Florentina Holzinger with "Sancta" draws on 1970s radical performance and feminist body art, creating an immersive environment of continuous movement; Belgium's Miet Warlop with "IT NEVER SSST" engages post-dramatic theater and postmodern dance repetition; Japan's Ei Arakawa-Nash with "Grass Babies, Moon Babies" activates Gutai avant-garde legacies through viewer interaction with soft dolls.

The Biennale releases the rules for voting on the Visitors' Lions while many artists and pavilions renounce competing for the prizes

La Biennale diffonde il regolamento per votare i Leoni dei Visitatori mentre molti artisti e padiglioni rinunciano a concorrere ai premi

The 61st Venice Biennale has opened to the public, introducing a controversial new voting system for the Golden Lions. After the entire jury resigned en masse on April 30, the Biennale decided to let the public decide the winners of the so-called "Leoni dei Visitatori" (Visitors' Lions). Voting is open from May 9 to November 22, 2026, and requires ticket holders to visit both main venues (Giardini and Arsenale) to receive a voting link. One vote per person is allowed for each of two categories: an artist in the main international exhibition "In Minor Keys" curated by Koyo Kouoh, and a national pavilion.

Art and politics: to take a stand or not? Nine artists and curators respond

Arte e politica: bisogna esporsi o no? Rispondono in 9 tra artisti e curatori

Nove tra artisti e curatori italiani rispondono alla domanda se l'arte debba esporsi politicamente, in un articolo pubblicato su Artribune. Marco Trulli, responsabile Cultura Arci e curatore, sostiene che l'arte non possa prescindere dal contesto storico e geopolitico, e che il mondo dell'arte debba mettere in discussione le connessioni tra istituzioni culturali, guerre e violenze sistemiche. Gabi Scardi, curatrice, rifiuta la categoria di 'arte politica' e invita gli artisti ad agire politicamente, citando esempi di padiglioni nazionali alla Biennale di Venezia (Turchia 2017, Israele 2015) come modelli di critica radicale dall'interno. Un altro contributo, legato al progetto 'Francesco 2026' per il Padiglione Internet a Venezia, propone una regola etica: l'arte deve minimizzare il danno alle persone più vulnerabili.

C’è un artista che ha deciso di vivere in povertà come un monaco francescano. La storia

Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.

Why Does Italy No Longer Qualify for the World Cup or the Biennials?

Perché l’Italia non si qualifica più né ai Mondiali né alle Biennali?

Artist Oscar Giaconia draws a provocative parallel between the decline of Italian football and the diminishing presence of Italian contemporary artists in major international forums like the Venice Biennale and Manifesta. He argues that both sectors suffer from a systemic failure to nurture young talent, characterized by a lack of strategic scouting, a preference for foreign trends, and a bureaucratic deafness that stifles growth.

April 2026 at the Theater: A Guide to Must-See Events in Italy (Including Dance)

Aprile 2026 a teatro: guida agli appuntamenti da non perdere in Italia (anche sulla danza)

Italy’s April 2026 performing arts season features a diverse lineup of major theatrical premieres and experimental adaptations. Highlights include the Italian debut of Annie Baker’s Pulitzer-winning 'Circle Mirror Transformation' directed by Valerio Binasco, and a dark comedy by Ariel Dorfman titled 'The Other Side' exploring the absurdity of war. Other notable productions include Armando Punzo’s non-traditional 'Cenerentola' (Cinderella) moving from a high-security prison setting to the Teatro della Pergola, and a dedicated retrospective for Daria Deflorian at Milan’s Piccolo Teatro.

From Bari to Genoa: Among the Current Exhibitions with Artbox on Sky Arte

Da Bari a Genova: tra le mostre del momento con Artbox su Sky Arte

The television program Artbox on Sky Arte, in its April 7th episode, features a tour of current art exhibitions across Italy. The episode spotlights a major exhibition of Flemish master Anthony van Dyck at Genoa's Palazzo Ducale, a solo show by Angolan artist Ana Silva at the GAMeC in Bergamo, and the contemporary programming at Bari's Pinacoteca Corrado Giaquinto, including an installation by local artist Pamela Diamante. The show also includes its regular segments: "Invito al viaggio," exploring the relationship between art and society through figures like Warhol and Banksy, and "Arte e vita in libreria," where critic Vincenzo Trione presents his new book.

tribeca film festival mierle laderman ukeles

Filmmaker Toby Perl Freilich has created a documentary titled "Maintenance Artist" about the pioneering artist Mierle Laderman Ukeles, known for her 1969 "Manifesto for Maintenance Art" and her decades-long role as the unsalaried artist-in-resident at the New York City Department of Sanitation. The film, which premieres at the Tribeca Film Festival, features archival footage, interviews with art historians and family, and documents Ukeles's process of curating her archives for the Smithsonian Archives of American Art, highlighting her iconic projects like "Touch Sanitation" (1979-80) and her ongoing work on Freshkills Park.

Artist Explores Desire, Power, And Objectification Through A BDSM Lens In New Solo Exhibition

Swedish-born, Brooklyn-based artist Helena Calmfors presents 'Floral Disciplines,' her debut solo exhibition at The Untitled Space gallery in New York, on view from October 23 to November 7, 2025. Curated by Indira Cesarine, the show features watercolors, photography, and performance that explore queer identity, eroticism, and power through the visual language of BDSM, blending floral imagery with fetish iconography to challenge patriarchal and heteronormative frameworks.

Dennis Potter’s TV legacy gets a radical retelling at Studio Voltaire

English artist Hilary Lloyd has opened a new exhibition at Studio Voltaire in London titled 'Very High Frequency,' which reimagines the life and work of playwright and television dramatist Dennis Potter. Through a series of short films featuring Potter's collaborators, including actors Gina Bellman, Alison Steadman, Richard E Grant, and producer Kenith Trodd, Lloyd constructs a theatrical biography that explores Potter's enduring influence. The exhibition eschews traditional formats, scattering monitors and screens in unexpected locations to mirror Potter's own blending of reality and fantasy, and incorporates footage from his iconic works such as 'The Singing Detective' and 'Pennies from Heaven.'

Nobody Can Handle Me: Brazil Rewrites the Pavilion as Living Memory.

Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.

david chichkan ukraine artist dead battle russia

David Chichkan, a Ukrainian artist known for his explicitly political and often censored work, has died at age 39. The Ukrainian culture ministry reported that his heart stopped after he was wounded in battle against Russian troops. Chichkan founded the Libertarian Club of Underground Dialectics in 2014 and staged provocative exhibitions, including one about the 2013–14 Maidan revolution that was vandalized by masked intruders. He enlisted in the Ukrainian Armed Forces in 2024 as a mortar operator, after being unable to serve earlier for health reasons, and continued to create art depicting antiauthoritarian soldiers until his death.

The Great Shitshow

Die große Shitshow

Florentina Holzinger has transformed the Austrian Pavilion at the Venice Biennale into a radical performance installation titled "Seaworld Venice." The piece features naked performers suspended from meat hooks, a performer ringing a bell while dangling upside down from a crane, a woman on a jetski circling inside a flooded pavilion, and a system where visitors are invited to urinate into portable toilets, with the waste processed and recirculated into the water. The work combines extreme physical stunts, nudity, and bodily fluids to create a visceral, immersive experience that has drawn long queues and stunned reactions from the art world.

Hilma af Klint en 2 minutes

Hilma af Klint (1862–1944) is profiled as a pioneering Swedish abstract artist who created a vast body of visionary, large-scale abstract paintings decades before Kandinsky, yet kept them secret during her lifetime. The article traces her life from a childhood steeped in science and nature, through her studies at the Royal Academy of Fine Arts in Stockholm, to her dual artistic practice: conventional landscapes and portraits for income, and radically abstract works guided by spiritualist séances and theosophical beliefs. She founded the group "The Five" with fellow female artists, and from 1906 onward produced the monumental series "Paintings for the Temple" (193 works), convinced she was channeling a higher force. She stipulated in her will that her abstract works not be revealed until 20 years after her death, and they were only rediscovered in the late 1960s.

We Spent a Week Quarantined on an Uninhabited Island with 80 Artists

A journalist from Colossal spent a week on an uninhabited island in the Balearic Islands with nearly 80 artists for a residency program called Quarantine, conceived by artist Carles Gomila. Participants follow a rigorous, opaque schedule of talks, workshops, and mentorship sessions, with phones and internet banned, and must stay on the island from early morning until late evening. The April 2026 edition, themed "Tears in Rain" after a Blade Runner monologue, began with a theatrical tour by an actor playing Captain Horacio Hollynwood, who introduced the historic Lazaretto of Mahón, an 18th-century fortress and infirmary.

Meet The Canadian Artist Behind The Mirrored Mannequins That Transformed The 2026 Met Gala

The Metropolitan Museum of Art's 2026 Costume Institute exhibition, titled "Costume Art," will feature special mannequins with mirrored steel heads created by Toronto-born, Dubai-based artist Samar Hejazi. The mannequins, designed in collaboration with Curator in Charge Andrew Bolton, represent differently sized and abled bodies and replace traditional faces with reflective surfaces to disrupt the conventional presentation of fashion. Hejazi attended the Met Gala wearing a gown by Palestinian designer Zaid Farouki and described the project as a meaningful collaboration aimed at fostering empathy and self-reflection.

May art guide: Exhibitions in Dayton, Cincy, Columbus and more

May’s art guide highlights several exhibitions across Dayton, Cincinnati, and Columbus, including "The Future of Female" at the Dayton Society of Artists, a juried show exploring women-identifying artists' perspectives; "At This Moment" at the Main Library's 2nd Floor Gallery, reflecting on contemporary life; "Teresa Olavarria: Lichen" at The Contemporary Dayton, featuring works in vitreous enamel and bronze; and a color-themed collaborative exhibition at the Edward A. Dixon Gallery in partnership with Dayton Collaboratory. The guide also features a 35mm film series by photographer Jake Schneider documenting Greenville’s Swinging 8’s Square Dance Club.

Inside Richie Shazam’s Debut Solo Show in Texas

Multidisciplinary artist Richie Shazam has launched her debut solo exhibition, "I Was Never Meant to Survive This," at the McLennon Pen Co. gallery in Austin, Texas. The show features 39 new works that blend photography, sculpture, and set design, utilizing found objects, hair, and flowers alongside Shazam’s own body as a primary subject. The collection represents a deeply personal exploration of her Guyanese heritage, trans identity, and the community that has supported her journey from New York City to the international stage.

Picasso’s most radical work returns through Bedri Baykam’s Istanbul exhibition

Turkish artist Bedri Baykam has launched a major solo exhibition titled “Baykam on Picasso: Les Demoiselles Revisited” at Piramid Sanat in Istanbul. Following its debut at Galerie S/Beaubourg in Paris, the show centers on a multi-layered reinterpretation of Pablo Picasso’s 1907 masterpiece, "Les Demoiselles d’Avignon." The exhibition features a mix of paintings and immersive installations, including a conceptual Turkish bath and historical recreations of brothels in Paris and Istanbul, all designed to bridge the gap between Western modernism and Eastern influences.

Social Malpractice in the Age of Cultural Compliance

Artist Ed Woodham reflects on the evolution and co-option of socially engaged art, using his own projects like 'The Keepers' protests and the Art in Odd Places initiative as examples. He describes a troubling trend where the language and strategies of social practice art, once used to challenge systems, are now being adopted by developers, corporations, and institutions for branding, place-making, and community engagement initiatives that often operate within the very economic structures driving displacement and eroding public space.

Ronald Rose-Antoinette is the new Max Stern Curator at the Ellen Art Gallery

Ronald Rose-Antoinette has been appointed the new Max Stern Curator at Concordia University’s Leonard & Bina Ellen Art Gallery. A Concordia graduate with a BFA, MA in film studies, and PhD in humanities, Rose-Antoinette has over 20 years of experience studying, working, and collaborating at the university. His role includes curating the SIGHTINGS exhibition series, developing public programming, and overseeing the gallery’s permanent collection of more than 1,800 works, primarily by Canadian artists. He describes his return as a "homecoming" and emphasizes a curatorial vision focused on decolonial practices, cross-cultural work, and intersectional approaches.

Wadsworth Atheneum showcases Connecticut’s role in nation’s founding ahead of America 250

The Wadsworth Atheneum Museum of Art in Hartford is launching a series of major exhibitions to commemorate the 250th anniversary of the United States. Key highlights include the "Radical Roots" exhibition, which explores Connecticut’s pivotal role in the development of American democracy, and a collaborative project with the Amistad Center for Art and Culture titled "Framing American Democracy." These showcases utilize the museum's vast collection of 50,000 works to trace the nation's history from the 1600s to the present day.

ASU Art Museum exhibit features Chicana artist Carmen Lomas Garza

The Arizona State University Art Museum is set to open "Carmen Lomas Garza: Picturing the Familiar" this May, a retrospective dedicated to the 76-year-old Chicana artist and author. The exhibition highlights Garza’s career-long commitment to documenting South Texas and Mexican-American life through paintings, prints, and children's book illustrations. Her work focuses on intimate, everyday scenes—from domestic interiors to community celebrations—that were heavily influenced by her involvement in the Chicano movement.

Sarasota Art Museum exhibition highlights 40-year career of Janet Echelman

Sarasota Art Museum presents "Radical Softness," a retrospective exhibition spanning visual artist Janet Echelman's 40-year career. The show features her signature large-scale mesh sculptures suspended in cities worldwide, including the temporarily closed "Bending Arc" in St. Petersburg, alongside full-scale pieces and scale models. Echelman's work originated from a 1997 Fulbright lectureship in India, where lost paints led her to create art with fishing nets. The exhibition also includes her computer-programmed sculptures, which calculate angles, weight, and wind forces.

Barbican Immersive announces 2026 exhibition from Liam Young

Barbican Immersive, the touring exhibition arm of London's Barbican Centre, has announced its 2026 exhibition "In Other Worlds," the first UK solo show by artist, director and BAFTA-nominated producer Liam Young. The exhibition will debut at the Barbican Centre from 21 May to 6 September 2026 as part of the Barbican's Summer season, before touring internationally. It features films, costumes, props, miniature models, comics, tapestries, and soundscapes that imagine hopeful futures amid environmental and technological challenges. Highlights include the world premiere of Young's film "World Machine" (2026), which envisions an AI-powered planetary supercomputer, alongside earlier works such as "Planet City" (2021), "The Great Endeavour" (2023), and "After the End" (2024).

Participants withdraw from Chicago Architecture Biennial over sponsor’s investment in weapons manufacturer

Nine participants in the Chicago Architecture Biennial (CAB), which opened on September 19, have withdrawn in protest over exhibition sponsor Crown Family Philanthropies' investment in General Dynamics, a military contractor supplying weapons to the Israeli military. A letter signed by 22 individuals, collectives, and firms—nearly half of whom also withdrew—argues that the sponsorship contradicts the biennial's mission of addressing architecture's role in shaping a collective future. The biennial's sixth edition, titled SHIFT: Architecture in Times of Radical Change, is led by artistic director Florencia Rodriguez. Participants had raised concerns last month, and organizers clarified that Crown Family funds support education programming, not the exhibition itself, which the letter calls "even more painful" given the destruction of schools in Gaza.

'Radical' female ceramicists share their stories at the Ackland Art Museum

On August 27, the Ackland Art Museum at the University of North Carolina hosted a panel titled "Artist Conversation: Radical Ceramicists in North Carolina," featuring three female ceramicists: Hitomi Shibata, Isys Hennigar, and Jessica Dupuis. The event was part of programming around the museum's exhibition "Radical Clay," which highlights work by female Japanese ceramicists. Panelists discussed the historical marginalization of women in ceramics—Shibata noted that in 1990s Japan, studios refused to hire women, while Hennigar explained that until the early 20th century in North Carolina, female artists were only allowed to be decorators, not master ceramicists. The conversation also explored how ceramic pieces reflect their geographic origins and the importance of local artistic communities, such as Seagrove, N.C., which has the largest community of potters in the U.S.

The NMWA Honors 50 Years of the Women’s Studio Workshop

The National Museum of Women in the Arts (NMWA) is honoring the 50th anniversary of the Women’s Studio Workshop (WSW) in Kingston, NY, with an exhibition titled "A Radical Alteration: Women’s Studio Workshop as a Sustainable Model for Art Making." Curated by Maymanah Farhat, the show runs through September and features over 40 objects—including artists’ books, zines, ephemera, and archival materials—dating from 1974 to 2024. The exhibition highlights WSW’s history as a feminist arts organization that supports women, trans, intersex, nonbinary, and genderfluid artists, with a focus on book arts and marginalized communities.

The Situation of the National Museum of Natural History

La situation du Muséum national d’Histoire Naturelle

The New Museum in New York is undergoing a significant physical and institutional expansion, signaling a new chapter for the contemporary art landmark. This 'change of scale' involves architectural developments designed to increase exhibition space and enhance the visitor experience, reflecting the institution's growing influence in the global art scene.