CULTURED's food editor Mina Stone asked over two dozen artists to name their essential foods, from comfort dishes to simple staples. Responses range from Aya Brown's rice (rooted in her Black American and Japanese heritage) to Rob Pruitt's Caesar salad, Kaws's cheese, and Armando Nin's Dominican breakfast Mangú, with many artists citing coffee, eggs, and nostalgic family meals.
Colette Thiebaud and Leon Barhoum founded Artmosphere, a nonprofit that delivers curated art education boxes called ARTicles to underserved schools across five U.S. states. Launched as a tribute to Thiebaud’s grandfather, the late artist Wayne Thiebaud, the organization recently received its largest donation from philanthropist Maria Manetti Shrem and has partnered with FOG Design+Art to debut a family program. The founders are now planning an event at Art Basel Miami called Confections & Connections for emerging collectors and patrons.
The John S. and James L. Knight Foundation has announced the five recipients of its 2026 Arts + Tech Fellowships. Administered by United States Artists, the program awards $50,000 in unrestricted funds to artists LIZN’BOW, Miguel Novelo, Rhonda Holbertson, Taeyoon Choi, and Wesley Taylor. These creators, based in California, Detroit, and Miami, utilize diverse technologies including computer vision, game engines, and custom code to explore the intersection of digital systems and human experience.
Jackie Andres, online editor of Colossal, writes an open letter to readers reflecting on Virginia Woolf's assertion that "thinking is my fighting." Andres connects this to contemporary concerns about declining literacy rates, the rise of AI tools like ChatGPT, doomscrolling, and "brain rot" that undermine critical thinking. She positions Colossal as a free, accessible resource for art education, noting that the publication has remained entirely free for 15 years, and highlights how educators and students use the site for lesson plans and learning.
An art exhibit at Florida International University's Graham Center piano lounge features 22 paintings that insert FIU's mascot Roary and campus landmarks into iconic works of art, such as Vermeer's "Girl with a Pearl Earring" and van Gogh's "Starry Night." Created by alumni and staff members Wendy X. Ordóñez and Oscar D. Hernandez using the Procreate software, the exhibit aims to blend campus pride with historic art while promoting student health and wellness services. The show, now in its second year, attracted 560 attendees at its opening and includes free merchandise featuring the designs.
The Bridge Chronicle published a guide to eight art galleries in Pune, India, highlighting venues such as Monalisa Kalagram, Darpan Art Gallery, Vida Heydari Contemporary (VHC), Raja Ravi Varma Art Gallery, Hindu Hriday Samrat Balasaheb Thackeray Cartoonist Art Gallery, Vesavar Art Gallery, Friday Art House, and Art2Day. Each gallery is described with its location, unique vibe, and reasons to visit, ranging from contemporary and conceptual spaces to those dedicated to traditional Indian art and political cartooning.
Kyrgyzstan has chosen artist Alexey Morosov to represent the country at the 61st Venice Biennale in 2026. His pavilion, curated by Geraldine Leardi, will feature a large-scale installation titled BELEK, which explores Kyrgyz nomadic heritage, water as a sacred resource, and the impact of Soviet-era hydro-engineering on the landscape.
Cultural institutions across Kenosha and Racine counties in Wisconsin have announced their exhibition schedules and public hours for the week of April 9, 2026. Featured venues include the Anderson Arts Center, the Carthage College Art Gallery, and the Kenosha Public Museum, which continues to showcase its permanent collection including "The Wisconsin Story" and "Mammoths at the Museum." Local galleries such as Lemon Street Gallery and OS Projects are also hosting open hours for the public to engage with regional contemporary art.
Albany Center Gallery (ACG) celebrated the grand opening of its new location at 48 N Pearl Street on January 16, 2026, with a ribbon-cutting ceremony attended by local officials, artists, and community members. The event featured the 21st Annual Members’ Show, juried by Kayla Carlsen of the Albany Institute of History & Art, showcasing work from 276 artists, with $2,000 in cash prizes awarded. The move from its previous Arcade Building location marks ACG's sixth relocation since 1977, expanding to a 6,600-square-foot space that includes flexible exhibition areas and a doubled youth education space.
Quel avenir pour les centres d’art ?
The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.
Surrey Art Gallery in British Columbia is hosting a series of events throughout May 2026, centered on the exhibition "In the Shadow of the Pavilions: Expo 86 and Contemporary Art." Highlights include a Family Art Jam on May 3, an artist talk with Leah Murray on May 7, a symposium titled "Expo Lines: Expo 86 and Contemporary Art" on May 9, and a curator’s tour with Jordan Strom on May 28. The events explore the artistic legacy of Vancouver’s 1986 world’s fair, which drew 22 million visitors, and feature works by over 50 artists including Bill Reid, Robert Davidson, Debra Sparrow, and Paul Wong.
The exhibition 'Beading Métis Resurgence' at the University of Winnipeg's Gallery 1C03 showcases the work of renowned Métis artist Jennine Krauchi alongside four emerging Red River Métis beadworkers she has mentored. Curated by gallery director Jennifer Gibson and history professor Cathy Mattes, the show features Krauchi's centerpiece work 'The Lady'—a beaded coat, muff, hat, and boots—and explores beadwork as contemporary art, cultural knowledge, and intergenerational practice. The exhibition runs until July 10 and includes a table and chairs evoking the kitchen-table lessons where Krauchi passed down her skills.
DePaul University senior Christa Baclia-an has created a micro-art gallery inside a rented commuter locker (No. 121) in the Schmitt Academic Center, called “Locker Room.” The project rotates exhibitions every two weeks and is open to students and passersby. It was launched in response to the planned closure of the DePaul Art Museum (DPAM) due to budget cuts, and features work from both DePaul students and international artists, such as London-based Lee Tzur. The initiative is part of a growing DIY art scene on campus, with students curating shows and fostering community engagement in unconventional spaces.
The Metropolitan Museum of Art in New York City is drawing record crowds in spring 2026 with its latest exhibitions, including newly restored ancient artifacts. The article, written by travel editor Elena Müller, positions The Met as a top cultural destination for American travelers, highlighting its location on Manhattan's Upper East Side, its Beaux-Arts architecture, and its proximity to Central Park. It also covers the museum's founding in 1870, its expansion into a neoclassical landmark on Museum Mile, and its role as a cornerstone of New York's cultural landscape.
The Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts (PAFA) have announced a major collaborative exhibition titled "A Nation of Artists," set to open in April 2026. Featuring over 1,000 works spanning three centuries, the show will integrate paintings, sculptures, and decorative arts, including more than 120 pieces from the prestigious Middleton Family Collection. The exhibition is designed to coincide with the United States' 250th anniversary and the reopening of PAFA’s Historic Landmark Building.
The Turkish government has enacted a new law allowing the central state to seize historic properties from local municipalities, specifically targeting sites originally endowed to Ottoman-era foundations. This legislation directly impacts Istanbul, where Mayor Ekrem İmamoğlu’s administration has spent years restoring nearly 1,000 heritage sites and converting neglected spaces into vibrant museums, libraries, and contemporary art venues. Critics argue that the state-run General Directorate of Foundations lacks the expertise to manage these cultural hubs and may instead lease them out or close them entirely.
The American Folk Art Museum in New York is presenting "An Ecology of Quilts: The Natural History of American Textiles," an exhibition of 30 quilts from its collection of over 600 pieces. Co-curators Austin Losada and Emelie Gevalt highlight the materials and labor behind the quilts, including indigo dye and cotton, while featuring works by Malissia Pettway of Gee's Bend and Japanese artist Tomie Nagano, the only living artist in the show.
Pace Gallery, Emmanuel Di Donna, and David Schrader have announced a joint venture to launch Pace Di Donna Schrader Galleries (PDS), a new entity focused on secondary market sales. The partnership, revealed on the eve of Art Basel Miami Beach, will operate from a new headquarters on Manhattan's Upper East Side, with equal partnership among the three. PDS will leverage Pace's global network of galleries in cities including Los Angeles, London, Geneva, Berlin, Seoul, and Tokyo. Di Donna, founder of Di Donna Galleries and former Sotheby's vice chairman, brings expertise in Surrealist, Modern, and post-war art; Schrader, a former Sotheby's head of private sales, adds auction-house experience. The venture is set to begin operations in early 2025, with Di Donna's team moving to the new space in summer 2026.
El Camino College Art Gallery is hosting an exhibition titled "Kieva Campbell: The Sister I Never Met," featuring paintings by artist Kieva Campbell that tell the story of her sister April Savino, a teen runaway who struggled with depression and died by suicide in 1987. The show, on view through spring 2026, includes workshops and interactive stations led by participant Carrie Lockwood, who presents a coloring book called "A Book About Me" to help visitors explore emotions. The exhibition aims to address youth mental health through art.
A new Otis College Report on the Creative Economy, titled "In the Shadow of the Pandemic Cliff," was presented at the Getty Center in Los Angeles. The report, prepared by Westwood Economics and Planning Associates, analyzes financial data from 2011 to 2023 for nonprofit cultural organizations in Los Angeles County, including museums, art schools, and performing-arts groups. It reveals that while revenues for these nonprofits surged by 47% during the early pandemic years due to special relief funding, that support has since faded. By 2023, 60% of surveyed organizations reported less public funding and 51% saw declines in private donations, a trend the report calls the "Covid cliff."
The Meadows Gallery at the University of Texas at Tyler has announced an open call for its 41st Annual International Exhibition, scheduled to run from January 20 to February 27, 2026. Interdisciplinary artist Alicia Eggert, an associate professor at the University of North Texas, will serve as juror. Artists over 18 may submit up to three two-dimensional works created within the last three years, with a $35 fee. Entries are due November 12, 2025, and selected works may be purchased for the university's permanent collection.
The Qianlong Garden in Beijing's Palace Museum (Forbidden City) has reopened to the public after a 25-year, $20 million conservation project in partnership with the World Monuments Fund (WMF). The 1.6-hectare garden, built between 1771 and 1776, features 27 buildings with elaborate decorations including rare silk trompe l'oeil murals, jade inlays, and bamboo thread marquetry. The restoration began with the Juanqinzhai pavilion in 2002 and was completed in 2008, followed by work on three other structures. The project also involved recreating traditional materials and techniques that had fallen out of practice.
The University of Montana's Montana Museum of Art and Culture (MMAC) will present three solo exhibitions by Montana artists this fall: Sara Mast's "Standing in the River" (opening Oct. 16), Manette Rene Bradford's "Unsettled Lands" (opening Nov. 13), and a posthumous show for Rand Robbin (opening Dec. 4). The exhibitions span painting, glass sculpture, collage, drawing, and printmaking, with each artist offering a distinct perspective on landscape, nature, and Montana's artistic traditions.
Florida State University Museum of Fine Arts (MoFA) has opened "Water Ways: Indigenous Ecologies and Florida Heritage," an exhibition examining Indigenous relationships with water through historical artifacts and contemporary art. Curated by Elizabeth A. Cecil, the show features works by Harold García V (El Quinto), Samboleap Tol, and Wilson Bowers, alongside ancient cypress dugout canoes, ceramics, tools, and a mask from the New Orleans Museum of Art. The exhibition runs from September 18, 2025, to March 14, 2026, with accompanying events including artist talks, a symposium, and a book club.
A roundup of fall 2025 open calls for artists across Georgia, including metro Atlanta, Decatur, Augusta, Marietta, and Valdosta, lists nine juried exhibitions, public art commissions, and holiday markets with deadlines from August to October 2025. Opportunities range from pet-inspired 2D art and contemporary Southeastern fiber arts to Latinx heritage shows, native flower-inspired sculptures, portraiture, Halloween-themed works, and eccentric art, sponsored by local arts councils, libraries, and cultural centers.
The Fairfield University Art Museum has announced its 2025-26 exhibition season, featuring three shows tied to the United States semiquincentennial. Two exhibitions open in fall 2025: "Stitching Time: Social Justice Collaboration Quilts Project" and "Give Me Life: CPA Prison Arts Program," showcasing art by incarcerated individuals from Louisiana State Penitentiary and York Correctional Institution; and "Monuments: Commemoration and Controversy," organized by The New York Historical, examining public monuments as sites of debate over national identity and race. In spring 2026, the museum will present "For Which it Stands…," curated by Executive Director Carey Mack Weber, focusing on depictions of the American flag across the last century.
The City of Las Vegas is partnering with the future Las Vegas Museum of Art (LVMA) to present a contemporary art exhibition titled "Family Album" at the newly unveiled Las Vegas Civic Center Art Gallery. Organized by the Los Angeles County Museum of Art (LACMA), the show features family photographs from over 20 intergenerational artists, including Dannielle Bowman and Janna Ireland, and runs from September 4, 2025 through January 9, 2026. This marks the first public-facing program for LVMA, which has been in development since 2023 and is expected to break ground on a $150 million facility in Symphony Park as early as 2026, with a projected 2028 opening.
The Southern Vermont Arts Center (SVAC) will break ground in June on a $14.5-million, 12,000-square-foot addition to its historic Yester Building in Manchester, Vermont, with completion expected in June 2026. The new wing will house the Lyman Orton Collection, "For the Love of Vermont," featuring over 250 pieces of art from the 1920s to the 1960s, alongside contemporary exhibitions and traveling shows. The project also includes an ADA elevator, climate-controlled storage, an outdoor space, a roof terrace, and expanded dining at the curATE Cafe.
Michel-Ange authentique
Jean-René Gaborit, former head of Sculptures at the Louvre, has published a major new book, "Les Sculptures de Michel-Ange. Le vrai, l'incertain et le faux," which rigorously examines the authenticity of works attributed to Michelangelo. The 500-page volume, based on fifty years of study, categorizes the master's sculptural corpus into works of certain authenticity, lost-and-found pieces that spark debate, sculptures executed by others after his designs, and works mistakenly attributed due to stylistic similarities.
The Hilliard Art Museum in Lafayette, Louisiana, has opened a new exhibition titled "Andy Warhol: Plus One," featuring works by Andy Warhol drawn from the museum's own permanent collection. The exhibit showcases Warhol's photographic and screenprint pieces, exploring themes of intimacy, observation, and voyeurism in the artist's life and practice.