The Essential Works of Yin Xiuzhen

ArtAsiaPacific published a profile of Chinese artist Yin Xiuzhen, born in 1963 in Beijing, highlighting her career as a pivotal figure in Chinese contemporary art since the 1990s. The article revisits milestone works following the closing of her solo exhibition "Yin Xiuzhen: Heart to Heart" at London's Hayward Gallery, including early pieces like *Dress Box* (1995) and *Washing River* (1995). Yin emerged alongside the second wave of Chinese contemporary artists, including Yu Hong, Song Yonghong, Wang Jinsong, and her husband Song Dong, and was an early practitioner of what art historian Gao Minglu termed "Apartment Art." Her practice uses discarded clothing, household ephemera, and industrial materials to address urbanization, globalization, environmental crisis, and collective memory.

Valie Export, Avant-Garde Icon and Feminist Trailblazer, Dies at 85

Valie Export, the Austrian avant-garde artist known for her radical feminist performances, films, and sculptures, has died at age 85. Her gallery, Thaddaeus Ropac, announced her death, noting her groundbreaking work in the 1960s and 1970s introduced a new form of embodied feminism to Europe. Export, born Waltraud Lehner in Linz, Austria, changed her name in 1967 and became known for provocative works such as "Aktionshose: Genitalpanik" (1969) and "Tap and Touch Cinema" (1968–1971), which challenged voyeurism and the sexualization of women's bodies. She also co-founded the Austrian Filmmakers Cooperative in 1968 and was commissioned by the Austrian Broadcast Corporation for her film "Facing the Family" (1971).

At the Royal Museum of Fine Arts in Antwerp a major exhibition on Antony Gormley, with more than one hundred works

The Royal Museum of Fine Arts Antwerp (KMSKA) is hosting a major exhibition titled "Geestgrond" dedicated to British sculptor Antony Gormley, running from May 23 to September 20, 2026. Curated by Carolyn Christov-Bakargiev, the show features over 100 works made from diverse materials including clay, stone, wood, glass, bread, iron, lead, and steel. The exhibition places Gormley's sculptures in dialogue with the museum's historical collection, spanning from a 14th-century Flemish Crucifixion to works by James Ensor, Auguste Rodin, and Julio González. It also extends beyond the museum walls into the streets of Antwerp and along the Scheldt River, with works from the Domain and Weave Works series appearing in urban spaces.

New York Galleries: Openings and Closings (04/27-05/03)

Mary Lovelace O’Neal, Painter and Civil Rights Luminary, Dies at 84

Mary Lovelace O’Neal, a painter, educator, and Civil Rights activist, died on May 10 at age 84 in Mérida, Mexico. Known for her monumental canvases and inventive “lampblack” works, she moved fluidly between abstraction and figuration, using layers of black pigment to assert Blackness and presence. Her career included studies at Howard University and Columbia University, activism with the Student Nonviolent Coordinating Committee, and connections to the Black Arts Movement.

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Billionaire art collector and Citadel CEO Ken Griffin stated that the United States is “eroding” its brand due to economic policy changes during President Donald Trump’s first 100 days. Speaking at Semafor’s World Economy Summit on April 23, Griffin warned that the reputation and creditworthiness of US Treasuries are at risk, citing recent tariff-driven sell-offs of government bonds. He expressed concern about policy volatility undermining the goal of reshoring manufacturing and noted that investors using the euro as a reference have lost 20% of their value in four weeks. Griffin also voiced support for DOGE, the Department of Government Efficiency led by Elon Musk, which has recommended cuts to the National Endowment for the Humanities.

7 Artists to Watch at the New York Fairs This Weekend

The article highlights seven artists and presentations to watch at the New York art fairs this weekend, including Frieze, TEFAF, Independent, and NADA. Key highlights include Comme des Garçons' sculptural fashion display at Independent, Danish painter Eva Helene Pade's U.S. debut at Thaddaeus Ropac's TEFAF booth, and sold-out booths for Kelly Sinnapah Mary at James Cohan and Rachel Youn at G Gallery during Frieze. The piece notes that while no single viral spectacle dominates this fair week, a quieter but compelling mix of works and sales is drawing attention across venues.

Sift Through the Hundreds of Pacifiers, Graphic Tees, and Spoons in This NYC Couple’s Collection

Multidisciplinary artists Bobbi Salvör Menuez and quori theodor, a couple living in New York City, have built an extensive collection of everyday objects including T-shirts, cassette tapes, spoons, pacifiers, and playing cards sourced from sidewalks, thrift stores, and shoot sets. Their collecting practice is intuitive and deeply personal, driven by nostalgia, childhood memories, and their bond with each other, treating each object as a talisman or treasure rather than a financial investment.

Here’s What You Missed at MoMA PS1’s 50th Birthday Bash

MoMA PS1 held its annual gala on Tuesday night, celebrating the institution's 50th anniversary and honoring founding director Alanna Heiss and former MoMA Director Glenn D. Lowry. More than 500 guests attended the Surrealist-themed event, which featured artistic direction by the fashion and art collective Women’s History Museum, with stilt walkers, custom posters, performances, and DJ sets. Notable attendees included artists Wolfgang Tillmans and Camille Henrot, dealers Jeffrey Deitch, and musicians Swizz Beatz, along with museum leadership and collectors.

Chloë Sevigny, Hari Nef, and Mickalene Thomas Just Partied at the Brooklyn Artists Ball

The Brooklyn Museum hosted its annual Brooklyn Artists Ball on Tuesday evening, serving as the opening celebration for the "Iris van Herpen: Sculpting the Senses" exhibition. The event drew a crowd of artists, patrons, designers, and downtown figures, including event hosts Fabiola Beracasa Beckman, Sylvana Durrett, Jordan Roth, Lizzie Tisch, and Amanda Waldron; co-chairs Regina Aldisert, Megan Brodsky, Victoria Rogers, and Carla Shen; CULTURED Editor-in-Chief Sarah Harrelson; designers Iris van Herpen and Wes Gordon; musicians Peggy Gou and Swizz Beatz; artists Mickalene Thomas, Keisha Scarville, Paul Arnhold, and Miles Greenberg; writer Derek Blasberg; and gallerist Saam Niami. Highlights included a special performance by dancers from the New York City Ballet in winged costumes, an afterparty with DJs Swizz Beatz and Runna, and a site-specific photo booth by artist Keisha Scarville.

How Artist Iréne Norén Used Painting to Reclaim Her Relationship to Her Body

Artist Iréne Norén, who began painting just three years ago after a personal crisis, is now mounting her first solo gallery show in New York. Titled "Reliquary of the Body: Returning to Eden," the exhibition opens at Harper’s Chelsea and explores themes of shame, self-acceptance, and the female body, drawing on Catholic art historical imagery and Renaissance altarpiece structures. Norén started painting after an abortion while living in New York without a work visa, using art as a tool for emotional expression and confidence.

Fred Tomaselli Turns Newspaper Headlines Into Mulch at His New Show at James Cohan

Fred Tomaselli presents his new exhibition “Blooms Disrupted,” opening May 15 at James Cohan’s 48 Walker Street location in New York. The show features his signature densely layered resin paintings embedded with organic matter like leaves and pharmaceutical pills, alongside a new series of collages constructed from New York Times front pages. The anchor piece, *Month of August (evening)*, combines a geometric spiral of headlines with a photographic Mexican sunflower, while other works reference art-historical gardens such as Frederic Edwin Church’s estate. Tomaselli, a Brooklyn-based artist born in 1956, uses the garden as both subject and metaphor throughout the exhibition.

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Agosto Machado, a legendary downtown New York artist, archivist, and activist, died on March 21, 2026, at an estimated age in his 80s. The article recounts his life through a personal tribute, describing a drag performance in Chicago honoring him, and details his decades-long career as a street queen, Warhol-era fixture, and participant in the Stonewall uprising and first Gay Liberation March. Machado performed in Off-Off-Broadway plays, created solo shows, and amassed an extensive archive of ephemera, art, and photographs of his friends and community.

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The article presents a speed round of one-sentence reviews for current art exhibitions in New York's Chelsea and West Village neighborhoods, curated by the Critics' Table. Featured shows include Édouard Vuillard's "Early Interiors" at Skarstedt, Ralph Lemon's "From Out of Space" at Paula Cooper, "Art (by) Dealers" at White Columns, Nicola Tyson's "NEED" at Petzel, Anne Truitt's "Waterleaf" at Matthew Marks, Paul Chan's "Automa Mon Amour" at Greene Naftali, and a Robert Mapplethorpe exhibition at Gladstone, all running through April 2025.

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Cultured magazine highlights three emerging artists to watch during Frieze Los Angeles: Katelyn Eichwald, Nevine Mahmoud, and Casey Bolding. The article features interviews with each artist, discussing their upcoming presentations in LA, their creative processes, and how their life experiences inform their work. Casey Bolding, for example, discusses his exhibition "Bloodstream" at Karma Los Angeles and how his background in graffiti and faux finishing influences his paintings.

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Blank Forms held its eighth annual gala at the Angel Orensanz Foundation on the Lower East Side, honoring artist Cosima von Bonin and vocalist Asha Puthli. The event transformed the historic former synagogue into a stage for experimental music and Cambodian cuisine, featuring performances by guitarists Brandon Ross and Melvin Gibbs, as well as Puthli herself, introduced by Pulitzer Prize-winning jazz saxophonist Henry Threadgill. Guests included curators Ruba Katrib and Jay Sanders, Brooklyn Rail Co-Founder Phong Bui, Amant’s Tobi Maier, gallerists from Matthew Marks and Gladstone, musicians Lizzi Bougatsos and Miho Hatori, writer Lucy Sante, and artists Amalia Ulman, Sylvie Fleury, and Rachel Rose.

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Bharti Kher presents "The Sun Splitting Stones" at Perrotin in Paris, on view through December 20, marking a significant return to painting after focusing on sculpture. The exhibition features works created during the Covid pandemic, including her "Weather Paintings" series on circular teak panels, which explore themes of intuition, cosmology, and the balance of masculine and feminine forces through spirals, triangles, and egg-like forms.

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Alex Katz presents a new body of work titled "White Lotus" at Gray Chicago, on view through September 20. The exhibition features large-scale portraits and cool, cinematic scenes inspired by a beach in Maine and Antonioni's *L'Avventura*, with only a superficial connection to the TV series *The White Lotus*. Katz, now in his late 90s, continues his seven-decade practice of prioritizing style over narrative, focusing on surfaces, garments, and glances. Concurrently, his work is also on view at SCAI Piramide in Tokyo, San Diego's Museum of Contemporary Art, and Gladstone Gallery will host a fall exhibition of his orange abstractions. The article includes an interview where Katz discusses his studio habits, influences (Fra Angelico, Veronese, Goya), and his resilience in the face of early career criticism.

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Amy Sillman, a 69-year-old abstract painter based in New York, is preparing for a new solo exhibition titled "Alternate Side (Permutations #1–32)" at Dia Bridgehampton, opening June 28. The show will feature a series of recently completed silkscreen and painted works, which Sillman describes as being like Sol LeWitt's line forms but less structured. She plans to paint the gallery walls herself, creating an improvised backdrop for the works. The article also discusses her recent institutional survey "Oh, Clock!" at the Kunstmuseum Bern and Ludwig Forum Aachen, where she curated selections from their collections and painted the walls on a whim.

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This article from Cultured magazine covers multiple art-related stories, including a profile of restaurateur Keith McNally's memoir, a list of must-see museum exhibitions in New York for spring, a review of Mary Abbott's overlooked Abstract Expressionist work now on view at Schoelkopf Gallery, a feature on Salman Toor's major new exhibition "Wish Maker" at Luhring Augustine, and a discussion on designing more empathetic museums. It also includes a beauty and fashion trends piece with creative nominations.

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Salman Toor's largest exhibition to date, "Wish Maker," opened May 2 across Luhring Augustine's Chelsea and Tribeca galleries in New York. The Chelsea space features new paintings, while the Tribeca show is the artist's first dedicated presentation of works on paper. The two-venue presentation is Toor's first major New York showing since his solo exhibition at the Whitney Museum of American Art in 2020, which launched him to art stardom. The article includes an interview conducted by CULTURED contributor Adam Eli, where Toor discusses his creative process, his attachment to finished paintings, and how his need to come out as queer through painting drove the development of his distinctive style.

Lucy Liu Paints the ‘Emotional Truth’ of Family Memories

Lucy Liu, best known for her acting career in films like "Kill Bill" and the TV series "Elementary," is currently presenting a new exhibition of paintings titled "Hard Feelings" at Alisan Fine Arts in New York. The show features works that explore family memory and personal history, including pieces like "Family Portrait" (2016) and newer, more gestural paintings such as "What Stays" (2023) and "Hourglass" (2026). Liu, who studied at the New York Studio School from 2004 to 2007, uses layered and obscured imagery to reflect the unstable, fragmentary nature of memory, drawing on family photographs and her own childhood experiences following her father's death.

New fund helps museums make purchases at Frieze New York

The Sherman Family Foundation Acquisition Fund has launched at Frieze New York, providing $50,000 annually to help US museums acquire works from the fair's Focus section, which features solo stands by galleries under 12 years old. In its first year, the Baltimore Museum of Art acquired works by Reika Takebayashi, Seba Calfuqueo, and Joanne Burke, while the Brooklyn Museum acquired two works by Bettina (Bettina Grossman). Each artist also receives an unrestricted $5,000 award.

Tiny Cranach Painting That Vanished During WWII Returns to Dresden

A miniature portrait of Friedrich III (Frederick the Wise) by Lucas Cranach the Elder, missing since World War II, has been returned to the State Art Collections of Dresden, Germany. The painting was last documented in May 1945 in a limestone quarry shelter near Pockau-Lengefeld before vanishing. It resurfaced in 2024 when consigned to Parisian auction house Artcurial, whose provenance investigation revealed a matching inventory number from 1722–1728. The Dreyfus family in France, the modern owners, returned the work after negotiations and a financial agreement. It is now on view at the Coin Cabinet of the Royal Palace in a special exhibition marking the 500th anniversary of Friedrich III's death, and will later be permanently displayed in the Semper Gallery.

Shirin Neshat's Venice exhibition explores identity, exile and a social media tragedy

Shirin Neshat presents a new film trilogy, *Do U Dare!*, at the 16th-century Palazzo Marin in Venice alongside the Biennale. The work explores exile, fractured identity, and power through a female protagonist whose public isolation transforms into empowered expression in private. The trilogy is directly inspired by the story of Nasim Aghdam, an Iranian American known as the 'YouTube Shooter,' who in 2018 attacked YouTube's headquarters before taking her own life. Neshat interprets Aghdam's double life as a recluse and a social media star, focusing on the unstable boundary between self and performance in digital culture.

The US pavilion's curator on the controversial choice of Alma Allen for the Venice Biennale

The US pavilion at the Venice Biennale has selected Alma Allen, a Utah-born, Mexico-based sculptor, as its representative artist—a controversial and surprising choice given his relative obscurity compared to past pavilion artists. The selection process was unusually fraught: the first artist chosen was dropped before official announcement, and the announcement was delayed by the US government shutdown. The pavilion's curator, Jeffrey Uslip, discusses the exhibition titled "Call Me the Breeze," which will feature Allen's sculptures in stone, bronze, and wood that appear to defy their own weight, emphasizing artistic autonomy despite the State Department's framing of the choice as showcasing "American excellence."

Alma Allen’s US Pavilion Is One of the Emptiest Shows at the Venice Biennale

Alma Allen represents the United States at the 2026 Venice Biennale with a subdued, apolitical exhibition inside the US Pavilion. The show features roughly 25 sculptures—mostly in bronze, wood, and stone—many titled "Not Yet Titled," and deliberately avoids overt political messaging. This marks a stark departure from the previous two US pavilions, curated by Simone Leigh (2022) and Jeffrey Gibson (2024), which directly confronted colonialism and empire. The Trump administration’s call for proposals explicitly asked for work that "reflects and promotes American values," and Allen’s presentation has been criticized as safe, unremarkable, and lacking the incisive edge of contemporary American art.

Artist Mel Kendrick Is Mining New Possibilities From Wood and Color

American artist Mel Kendrick, who began his career in the early 1970s integrating Minimalism and architecture, presents his ninth solo exhibition at David Nolan Gallery in New York. Titled “Mel Kendrick: Tilt,” the show runs through June 6, 2026, and features new and recent wood sculptures alongside older works, including pieces like *Walnut Shelf* (2026), *Gemstone* (2026), and *Yellow Drum* (2025). Kendrick works without pre-planning, allowing the material to guide his process, and treats color as a material with its own weight, inspired by Gothic and medieval architecture.

Art Dealers Try Their Hand as Artists in This Unusual Exhibition

White Columns, New York’s oldest alternative nonprofit art space, has launched a unique fundraising exhibition titled “Art (by) Dealers.” The show features works created by over 90 art dealers and gallery professionals rather than the artists they represent. Organized by Kathy Huang and Will Leung, the exhibition presents uniform 12-by-9-inch works priced at $500 each, sold anonymously to benefit the nonprofit's programming.

'It was my job to create the view': US artist Liza Lou on making colourful works in her windowless warehouse

American artist Liza Lou discusses her recent shift in practice, moving from her famous large-scale bead installations to a new body of work that fuses oil painting with glass beads. After years of collaborative work in South Africa and focusing on monochrome tones, Lou has returned to a solitary studio practice in a windowless warehouse in the San Fernando Valley. This new phase is defined by a "headlong love affair with colour," inspired by the hallucinatory palette of the Mojave Desert and a transition from logical drawing to a more intuitive, freestyle process.