Turner Prize-winning artist Keith Tyson is funding Oxford University's 400-year-old Savilian Professorship of Astronomy, a prestigious academic chair established in 1619. Tyson, whose work frequently engages with probability, orbital mechanics, and cosmic themes, is making a donation to support the position, merging his artistic practice with scientific patronage.
Photographer Matthieu Salvaing has released a new book celebrating the Camargue, a wild marshland region in southern France known for its unique landscape, wildlife, and salty culture. The book captures the area's dramatic light, white horses, flamingos, and traditional bull-rearing practices through Salvaing's distinctive photographic style.
Paradise, an exhibition at Stove Works in Chattanooga, Tennessee, curated by Graham Feyl and J. Sova, presents works by thirteen artists centered on queer futurity and abundance. The show features installations, sculptures, paintings, and textiles, including Lisa Waud's artificial flower installation 'tread/tender' (2026), Nicholas Elbakidze's erotic Meissenettes (2026), Brian Smith's beaded nets, Aaron McIntosh's quilted 'Invasive Queer Kudzu' (2015-ongoing), and works by Yu Yan, E. Saffronia Szanton Downing, Angie Jennings, Michael Childress, and Hannah Banciella. The exhibition transforms the former foundry into a space of playful, erotic, and joyful refusal, drawing on Audre Lorde's definition of the erotic as a source of power.
À la galerie Martel, Ugo Bienvenu dévoile ses dessins oniriques dans une expo gratuite
French artist Ugo Bienvenu presents his new exhibition "Futur antérieur" at Galerie Martel in Paris, featuring around twenty ink-on-paper drawings created during the marathon promotion of his debut animated feature film "Arco." The show offers an intimate glimpse into Bienvenu's creative process, where drawing serves as a necessary respite from the demands of filmmaking, blending childhood memories, mythology, and science fiction into dreamlike compositions.
The European Night of Museums returns on Saturday, May 23, 2026, with participating museums across Europe opening their doors for special evening hours. In Italy, the Ministry of Culture organizes extraordinary openings from 8 PM to midnight at the symbolic price of 1 euro, alongside events in theater, music, dance, literature, and cinema. Highlights include Rome's Notte dei Musei (16th edition) with civic museums open until 2 AM, Villa Adriana and Villa d'Este in Tivoli offering evening access and contemporary performances, and the Royal Savoy Residences in Piedmont featuring guided tours, exhibitions, and family activities.
Ecco di cosa parlerà la Biennale Architettura di Venezia 2027 dei curatori cinesi Lu Wenyu e Wang Shu
For the first time in the history of the Venice Architecture Biennale, two Chinese architects—Wang Shu (Pritzker Prize 2012) and Lu Wenyu—have been appointed as curators of the 20th International Architecture Exhibition, scheduled from May 8 to November 21, 2027. The duo, who co-founded Amateur Architecture Studio in 1997 and are partners in life and work, previously participated in the Biennale in 2010 under Kazuyo Sejima (receiving a Special Mention for their project "Decay of a Dome") and in 2016 under Alejandro Aravena. Their edition will follow the 2025 edition curated by Carlo Ratti and will be titled "Fare Architettura" (Doing Architecture), focusing on the coexistence of diversity in real reality.
Architetture, progetti e visioni. La storia del Santa Maria della Scala va in mostra a Siena
The Fondazione Antico Ospedale Santa Maria della Scala in Siena has launched a new regeneration project for the historic complex, 40 years after it ceased functioning as a hospital. The foundation, led by president Cristiano Leone and director Chiara Valdambrini, commissioned Luca Molinari Studio to analyze the original design by Guido Canali and coordinate a collaborative masterplan involving three international architecture firms: LAN Architecture, Odile Decq with Pangalos Feldmann Architectes, and Hannes Peer Architecture. An exhibition titled "Santa Maria della Scala. Architetture, progetti e visioni" will open on May 30, 2026, curated by Luca Molinari, showcasing the architectural plans and visions for the site.
Mafalda incontra Pimpa. A Roma il dialogo tra due autentiche icone del fumetto: intervista ai curatori
A new exhibition in Rome titled "Mafalda & La Pimpa" brings together two iconic comic strip characters for the first time. Created by Quino (1964) and Altan (1975) respectively, Mafalda and Pimpa represent different approaches to childhood: Mafalda critically questions adult society, while Pimpa explores a gentle, wonder-filled world. The show runs from May 14 to July 11 at the Instituto Cervantes, featuring over 120 original strips and plates, and is organized in collaboration with ARF! Festival and other partners. Curators Stefano Piccoli and Daniele Bonomo designed the exhibition to highlight both the contrasts and surprising analogies between the two beloved figures.
Intervista a Nina Wakeford del Padiglione Svizzero alla Biennale di Venezia 2026
Nina Wakeford, artist and curator of the Swiss Pavilion at the 2026 Venice Biennale, discusses the pavilion's project "The Unfinished Business of Living Together." The exhibition draws on two Swiss television broadcasts from 1978 and 1984—Telearena and Agora—in which gay, lesbian, and trans individuals spoke on national television. Rather than treating these as historical artifacts, Wakeford and her team (Gianmaria Andreetta, Luca Beeler, Miriam Laura Leonardi, Lithic Alliance, and Yul Tomatala) reactivate them as points of tension, creating a multimedia environment that explores unresolved issues of coexistence, visibility, and social difference.
New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.
Alfabeto di pane e amore per gli animali. La mostra di Uri Aran al Museo Madre di Napoli
Uri Aran's solo exhibition at the Museo Madre in Naples, curated by director Eva Fabbris, explores language, communication, and connection through a range of works including video, sculpture, and an edible alphabet made of bread. The show, titled "Untitled (I love love)" after a video work, invites viewers into a space where meaning is fluid and inclusive, challenging rigid linguistic structures. Key pieces include the video "Untitled (I love you)" (2012), where Aran addresses plastic animals, and "Untitled (Bread Library)" (2025), a bread alphabet that visitors can rearrange to create new messages.
The article announces Chiara Camoni's project "Con te con tutto" for the Italian Pavilion at the 61st Venice Biennale in 2026, curated by Cecilia Canziani. The project emphasizes relational and communal practices, rejecting the identity-driven rhetoric of national representation. It stems from a fifteen-year dialogue between artist and curator, incorporating workshops, shared readings, and collaborative works like "La Giusta Misura." The pavilion is conceived as an ecosystem of artworks, texts, and activations rather than a linear exhibition, with a catalog designed as a critical reader.
A Venezia apre al pubblico per la prima volta uno spazio inedito dell’Arsenale. Ospiterà performance
For the first time, the Galeazze—historically used for constructing the Serenissima fleet—will open to the public during the 2026 Venice Art Biennale on May 5 and 6. Artist and choreographer Faustin Linyekula has conceived a site-specific performance titled The Galeazze Project, activating the monumental, water-adjacent spaces of the Arsenale Nord. Collaborating with musician Heru Shabaka-Ra, Linyekula integrates the architecture into the performance, involving local performers and musicians. The project, conceived by Cosimo Ferrigolo and Dirk Bell and curated by Edoardo Lazzari, features scaffolding, platforms, and an irregular lighting system, inviting the audience to move freely and redefine the relationship between bodies and space.
Due anni fa la Russia cedette il suo padiglione in Biennale alla Bolivia. Una testimonianza da dentro
Two years ago, Russia ceded its national pavilion at the Venice Biennale to Bolivia, a move that artist Inés Fontenla experienced firsthand when she was invited by Bolivia to participate in the 2024 edition. Fontenla recounts how the pavilion's organization shifted after Bolivia's 2025 elections, with the curator replaced by the new Minister of Culture just one month before the opening. She realized Russia was using Bolivia as a front to re-enter the Biennale after closing its own pavilion in 2022 in protest of the Ukraine invasion, and she ultimately withdrew from the project to avoid being instrumentalized by a military power.
Un artista argentino inaugura a Torino le attività di un nuovissimo spazio dedicato alla fotografia
A new photography space called K! has opened in Turin's San Salvario district, inaugurated by Argentine artist Emilio Nasser with his exhibition "La Cornuda de Tlacotalpan." The space is the latest curatorial project of the Kublaiklan collective (Rica Cerbarano, Francesco Colombelli, Elsa Moro, Aleksander Masseroli Mazurkiewicz) and focuses on research, production, and education centered on the relational power of photography. Nasser's exhibition reinterprets a fading Mexican legend from Tlacotalpan by involving the local community in a collective reconstruction through drawings, transcriptions, and mud masks, resulting in a choral portrait of the mythical Cornuda creature.
Una fotografa italiana ha viaggiato in Palestina per documentare la crescita di due gemelle beduine
Italian photographer Monica Biancardi presents a nearly two-decade-long photographic project documenting the growth of two Bedouin twins, Sara and Sarah, in Palestine. The exhibition, titled 'Il capitale che cresce' (The Capital That Grows), opens at the MAN museum in Nuoro on April 24, 2026, and features black-and-white pigment prints from 2009 to 2023, alongside plexiglass maps and a travel video.
A Milano in questi giorni di Design Week è possibile visitare la mitica Villa Pestarini di Franco Albini. Le immagini
Villa Pestarini, the only private residence ever designed by the renowned Italian architect and designer Franco Albini, has opened to the public for the first time in 87 years. The opening is an exceptional event timed with the 2026 Milan Design Week, where the villa serves as one of the venues for the itinerant design platform Alcova.
Lebanese performance artist Rawya El Chab has debuted the second installment of her trilogy, "Crossing the Water," at The Brick in Brooklyn. The performance explores the collective trauma of the 1982 Israeli invasion of Lebanon and her family's subsequent flight to the Ivory Coast, blending personal memory with political satire and mythology. By embodying various roles—from suspicious neighbors to puppet-like politicians—El Chab navigates the complexities of life under military occupation and the persistent feeling of surveillance.
Mexican artist Elina Chauvet has accused Romanian news anchor Alessandra Stoicescu of plagiarizing her famous installation, "Zapatos Rojos" (Red Shoes). The dispute arose after Stoicescu organized a public intervention titled "Dragostea poartă pantofii roșii" outside the Romanian Athenaeum to mark new femicide legislation, featuring hundreds of red shoes in a manner nearly identical to Chauvet’s long-running global project. Chauvet claims this is the second time Stoicescu has co-opted her work without authorization or credit, following a similar incident in 2018.
Tutt’Italia riscopre Bice Lazzari. Dopo la mostra a Brera, ecco la seconda tappa alla Galleria Nazionale di Roma
The major retrospective "Bice Lazzari: The Languages of Her Time" has arrived at the Galleria Nazionale d’Arte Moderna e Contemporanea (GNAMC) in Rome following its debut at Palazzo Citterio in Milan. Curated by Renato Miracco and featuring over 200 works, the exhibition traces the Venetian artist’s journey from her early collaborations with architects to her late-career mastery of abstract painting. The show highlights her constant experimentation across various media, including textiles and jewelry, before she fully dedicated herself to painting in her fifties.
Il soft power dell’Italia in Cina grazie a due grandi mostre su Pompei e Palladio
The National Museum of China in Beijing is currently hosting two major exhibitions celebrating Italian cultural heritage: "Pompeii: An Eternal Discovery" and "Geometry, Harmony and Life: The Architecture of Andrea Palladio from Antiquity to Classicism." These exhibitions, marking the 55th anniversary of diplomatic relations between Italy and China, were inaugurated by Italian Culture Minister Alessandro Giuli. The Pompeii showcase traces 250 years of archaeological history using artifacts and multimedia, while the Palladio exhibition explores the Renaissance master’s influence on Western architecture and creates a cross-cultural dialogue with traditional Chinese building techniques.
A Roma la grande azienda Acea lancia la sua Fondazione per l’arte e la cultura. L’intervista
The Italian multi-utility giant Acea has officially launched the Acea Foundation, signaling a shift from being a mere cultural sponsor to an active producer and curator of cultural projects. Central to this initiative is the Acea Heritage Museum, which showcases the company’s 117-year history through a massive 12km historical archive and a rediscovered art collection valued at two million euros. The foundation aims to integrate art into corporate spaces, including a dedicated contemporary art section in its foyer and a focus on site-specific works by artist Gino Marotta.
A new report by Museum Hue reveals that over a third of surveyed museums and cultural centers founded and led by people of color in the Northeastern United States operate without any full-time staff. The study, which examined 38 institutions, found that 67% of smaller-budget organizations (with budgets under $500,000) lack full-time employees, with some operating on less than $100,000 annually and relying heavily on volunteers.
The New School announced plans to lay off 15% of its full-time faculty and staff by mid-June, a move driven by a projected $48 million deficit and a 20% enrollment decline since 2021. The cuts are part of a broader workforce reduction strategy that has already included voluntary buyouts. The restructuring will disproportionately affect the New School for Social Research and Eugene Lang College of Liberal Arts, which are undergoing major mergers and program discontinuations, while the Parsons School of Design faces fewer cuts.
A reporter set a $500 budget to explore the Affordable Art Fair in Chelsea, discovering that at that price point, collectors must focus on very small-scale works. The search yielded options like miniature pet portraits, tiny tulle and resin wall hangings, food-themed art, and small abstract paintings, though these pieces were often overshadowed by more prevalent, flashy pop art clichés that dominate the fair's visual landscape.
Archaeologists in Egypt have discovered the tomb of Prince Waserif Re, son of King Userkaf, founder of the Fifth Dynasty, at the Saqqara necropolis. The multi-chamber tomb features a 15-foot-tall pink granite false door inscribed with the prince's name and titles, a red granite offering table, and statues of Third Dynasty pharaoh Djoser, his wife, and ten daughters that were moved there during the Late Period. A black granite statue with hieroglyphic inscriptions from the 26th Dynasty suggests the tomb was reused nearly 2,000 years after its original construction. The joint Egyptian mission was led by the Supreme Council of Antiquities and the Dr. Zahi Hawass Foundation for Antiquities and Heritage.
A new wave of high-end art fairs is targeting luxury vacation destinations like St. Moritz, Mallorca, and the Hamptons, moving beyond traditional market hubs. These events, such as the inaugural St. Moritz Art Week and Art on the Island in Mallorca, are strategically timed for the summer and winter holiday seasons to directly engage wealthy collectors during their leisure time.
Irish comic artist and illustrator Niall Breen is debuting his Dog & Frog comic series in Singapore with a solo exhibition titled "Lazy Days with Dog & Frog" at Heartware Store & Gallery in Joo Chiat. Running from May 29 to July 26, 2026, the show features original artworks, merchandise such as blankets and picnic mats, and a special artist talk on May 30 where Breen will discuss his creative process and the global following his tender, everyday-life comics have attracted since 2018.
A traveling exhibition titled "Painting the Arkansas Parks" is on display at Arts On Main in Van Buren, Arkansas, through June 27. The show features artworks created outdoors that highlight the natural beauty and character of Arkansas's landscapes. The article also lists numerous other events and exhibitions in the region, including "In Full Color" showcasing pastel works, "Peeking Inside the Imagination" featuring student art from Southside High School, and "Soul Taking Shape" by Arkansas Living Treasure Longhua Xu at the Fort Smith Regional Art Museum. Additionally, the calendar includes theater performances, culinary classes, a plant swap, and a cycling festival.
Landor Australia partnered with the Museum of Contemporary Art Australia (MCA Australia) to create "Data Dreams: Art and AI," a landmark exhibition featuring ten international artists exploring art and artificial intelligence. Landor developed "Data Dreamscape," a generative identity system and interactive experience where visitors typed in dream memories, which AI transformed into unique artworks. The identity was applied across marketing, merchandise, and in-gallery applications, with approximately 3,000 visitors engaging with the tool during the exhibition's run.