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lacma declines to voluntarily recognize union formed by hundreds of workers

Hundreds of staff at the Los Angeles County Museum of Art (LACMA) voted to form a union, LACMA United, in association with AFSCME Cultural Workers United District Council 36, calling for higher wages, better benefits, and greater transparency. LACMA leadership declined to voluntarily recognize the union, opting instead for a National Labor Relations Board (NLRB) election, which is currently paused due to the federal government shutdown, effectively delaying the unionization effort. The union has filed with the California Public Employment Relations Board (PERB), asserting its status as public sector employees.

vaginal davis moma ps1

The article profiles artist Vaginal Davis and her exhibition "Magnificent Product" at MoMA PS1, which opened shortly after the author visited. Davis, born in 1961, is described as a transformative figure who repurposes fragments of popular culture—from classic Hollywood to gay porn—to create immersive, queer alternate realities. The show includes works like *The Wicked Pavillion* (with *Fantasia Library* and *Tween Bedroom*, both 2021) and a collaboration with Jonathan Berger titled *Naked on my Ozgoad: Fausthaus—Anal Deep Throat* (2024–ongoing). Davis's practice is characterized by a playful, femme-centered critique of mainstream culture, centering Black women and inverting traditional gazes.

lacma employees unionization effort

Employees at the Los Angeles County Museum of Art (LACMA) have formed a union called LACMA United in association with AFSCME Cultural Workers United District Council 36. In a letter dated October 29 addressed to museum leadership, a supermajority of eligible staff across departments requested voluntary recognition by November 5, citing wages that have not kept up with the rising cost of living and the need for fairer compensation, expanded benefits, and greater transparency. The effort comes ahead of the opening of LACMA's new Peter Zumthor–designed David Geffen Galleries, scheduled for next April.

artist jackie ferrara died by assisted suicide at 95 in switzerland

Jackie Ferrara, a New York-based artist known for her stacked-wood sculptures, died by physician-assisted suicide in Basel, Switzerland, on October 22 at age 95. She told the New York Times she had fallen twice in the past year and did not want to be dependent on anyone. Assisted suicide is legal in Switzerland even for those who are not terminally ill.

curators museum directors offer support in letter to louvre

Fifty-seven curators and museum directors, including Christophe Cherix of MoMA and Michael Govan of LACMA, signed an open letter published by Le Monde expressing solidarity with Louvre director Laurence des Cars following the theft of the museum's crown jewels. The letter emphasizes that museums are not immune to global violence and that such thefts represent a profound fear for museum professionals, while reaffirming that museums must remain open and accessible despite security risks.

wexner center staff sent no confidence letter director

Staff at the Wexner Center for the Arts at Ohio State University sent a letter of no confidence in executive director Gaëtane Verne to university officials on August 25, 2023, as reported by Columbus outlet Matter News. The letter, signed by 13 employees, alleges high turnover, organizational dysfunction, financial instability, and reputational harm under Verne's leadership. Specific complaints include a "red card" for financial turmoil, a $1 million capital project lacking transparency, and over $200,000 spent on exhibition catalogues without proper budgeting. Since Verne's appointment in November 2022, nearly 50% of staff have departed, and seven Foundation Board trustees have resigned. Ohio State is reviewing the letter, while Verne has defended her leadership as fostering a respectful workplace.

french culture ministry admits stolen louvre jewels valued at 102 m are not insured

Masked thieves stole jewels once belonging to Emperor Napoleon III and Empress Eugénie from the Louvre in a daylight smash-and-grab, using a furniture lift to access the first floor and cutting into display cases. The stolen items, including a diamond-encrusted brooch, diadems, necklaces, and the empress's crown (which was dropped during the escape), are valued at $102 million. French officials have admitted the loot is not privately insured, meaning the state will not be reimbursed if the items are not recovered. Louvre director Laurence des Cars blamed a "terrible failure" in security, offered her resignation (which was refused), and acknowledged staff did not detect the thieves soon enough.

creative australia khaled sabsabi grant venice controversy

Creative Australia has awarded Khaled Sabsabi a $100,000 grant under its Visual Arts, Craft and Design Framework, supporting a solo show at the Samstag Museum of Art in Adelaide in 2027. This comes after Sabsabi was controversially dropped as Australia’s Venice Biennale representative in February over past works, including one depicting Hezbollah leader Hassan Nasrallah, and claims that he favored boycotts of Israel. Creative Australia cited an “unacceptable risk to public support,” but widespread backlash led to the departure of senior leaders and, in July, the reinstatement of Sabsabi and his curator Michael Dagostino.

british museum tudor heart henry viii

The British Museum has launched a high-profile fundraising campaign to acquire the Tudor Heart, a gold pendant from the early reign of Henry VIII, discovered by amateur metal detectorist Charlie Clarke in Warwickshire in 2019. The museum needs to raise £3.5 million ($4.6 million) by early next year to secure the piece, which features symbols of Henry VIII and Katherine of Aragon and is described as the only surviving Tudor jewelry of its kind. Actor Damian Lewis and historian Mary Beard are supporting the appeal, and the museum will host its first British Museum Ball on October 18 to further fundraising efforts.

upsilon gallery milan opening

Upsilon Gallery, founded by German-Argentine dealer Marcelo Zimmler, will open its first continental European location in Milan on November 18. The 200-square-meter space is situated near Via Monte Napoleone in the Quadrilatero fashion district, joining a wave of international galleries—including Thaddaeus Ropac, Cardi Gallery, and Robilant + Voena—that are betting on Milan's potential to become a global art capital. The inaugural exhibition features four canvases from Osvaldo Mariscotti's Valley series, with a bilingual catalogue edited by critics David Ebony and Alex Grimley, and coincides with twin shows in Upsilon's London and New York outposts.

museums prepare to close their doors government shutdown continues

As the U.S. government shutdown enters its third week, museums that had remained open are now closing. The National Portrait Gallery (NPG), part of the Smithsonian Institution, postponed its exhibition “The Outwin 2025: American Portraiture Today,” originally set to open October 18, after the Smithsonian’s surplus funds run out on October 11. The National Gallery of Art (NGA) closed on October 1, leaving two major works by Houston-based multimedia artist Dario Robleto—the film *Until We Are Forged: Hymns for the Elements* and the sculpture *Small Crafts on Sisyphean Seas*—inaccessible to the public.

cannupa hanska luger mascot jordan peele horror film him

Cannupa Hanska Luger collaborated with the filmmakers of the horror film *Him*, directed by Justin Tipping and produced by Jordan Peele, to create a sports mascot named “Tinsel Larry.” The mascot appears in the film as the symbol for the fictional San Antonio Saviors team. Luger worked with lead costume designer Dominique Dawson on the design, which evolved from a “Conquistador Larry” concept into a “razzle-dazzle rose gold glitter monster.” Luger explained on Instagram that the mascot incorporates Indigenous references as a deliberate commentary on the racist history of sports mascots, calling it “an act of reclamation.”

taylor swift fate of ophelia painting john everett millais

Taylor Swift's new album 'The Life of a Showgirl' includes a song titled 'The Fate of Ophelia,' which references the tragic character from Shakespeare's 'Hamlet.' The article draws a parallel between Swift's song and John Everett Millais's Pre-Raphaelite painting 'Ophelia' (1851–52), which depicts the character before her death. The Tate, which owns the painting, posted about the work to discuss the death of its model, Elizabeth Siddal, in 1862. Swift's album cover, showing her floating in water, has been compared to the Millais painting, but the song reimagines Ophelia's narrative with a happy ending tied to her relationship with Travis Kelce.

nazi looted painting argentina attribution investigation

A painting discovered in an Argentine home in August, initially attributed to 18th-century Italian painter Giuseppe Ghislandi and believed to be Nazi-looted art, has been called into question. Paolo Plebani, curator of the Accademia Carrara in Bergamo, Italy, told the Argentine newspaper Clarín that the work is actually by Giacomo Ceruti, another Northern Italian painter. The painting was previously owned by Jewish art dealer Jacques Goudstikker, who fled the Nazis, and later by former Nazi Friedrich Kadgien, whose daughters Patricia and Alicia owned the Mar del Plata home where it was found. Argentine authorities recovered the painting after placing the daughters and Patricia's husband under house arrest.

menachem begin grandson avinadav art exhibition israel

Avinadav Begin, grandson of former Israeli Prime Minister Menachem Begin, is currently exhibiting his latest abstract metal and steel works at Sheetrit & Wolf Contemporary Art Gallery in Tel Aviv. The pieces, which he describes as “openings, apertures,” are neither paintings nor sculptures but heavy hybrid forms weighing up to 220 pounds, resembling rubble and broken window frames. In interviews, Begin has emphasized his identity as an artist rather than a politician, distancing himself from the current Likud party leadership under Benjamin Netanyahu, while acknowledging the influence of the ongoing war and hostage crisis on his work.

interest in asian art strong despite challenges art market

The autumn edition of Asia Week New York is underway, with auction houses reporting strong interest in Asian art despite broader economic challenges. Bonhams kicked off the week with sales totaling $7.3 million, including Chinese ceramics and snuff bottles, though it offered 47% fewer lots than last year. Top results included a blue-and-white jar selling for $1.75 million and a pair of famille rose dishes for $1.5 million. Christie’s sold a Vasudeo S. Gaitonde painting for $2.35 million and a Tyeb Mehta work for nearly $2 million. New US tariffs under the Trump administration have added uncertainty, particularly for cross-border consignments and purchases.

martin beck environments art

Martin Beck has created a new body of artwork inspired by the *Environments* series of LPs, which debuted in 1969 and featured long-duration nature sounds and aural abstractions. The works are on view at the Aldrich Contemporary Art Museum in Ridgefield, Connecticut, through October 5, and include wall works, video, and an exhibition design that explores how the records were marketed as lifestyle accessories and productivity aids. Beck first encountered the series through a friend's lecture at Columbia University and became fascinated by its blend of utopian vision and commercial hype.

tate reports budget deficit critics respond

Tate Modern, the world's most visited modern and contemporary art museum, reported a budget deficit six months ago, prompting critics to blame its programming and curatorial strategies for declining foot traffic. While domestic attendance has recovered to 95% of pre-Covid levels, international visitors have dropped significantly—down 39% at Tate Modern, 32% at Tate Britain, and nearly 40% at Tate St Ives. Tate Liverpool remains closed until 2027. Research from The Art Newspaper's annual visitor report, however, points to external factors such as Brexit, socioeconomic shifts, and the cost-of-living crisis as key drivers of the decline, particularly among young European visitors aged 16 to 24.

protestors visit the whitney after cancelation of pro palestine performance

On Friday, May 23, arts and culture workers protested at the Whitney Museum in New York following the museum's cancellation of a pro-Palestine performance titled "No Aesthetics Outside My Freedom: Mourning, Militancy, and Performance" by artists Fadl Fakhouri, Noel Maghathe, and Fargo Tbakhi. The protest, organized by Writers Against the War on Gaza, took place during the museum's Free Friday Night event, with demonstrators unfurling a Palestinian flag and a banner reading "Creativity Does Not Have to Rely on Death," distributing brochures demanding the removal of board members with ties to Israel, and calling out museum leadership for censorship. The performance, originally scheduled for May 14 as part of the Whitney's Independent Study Program, was canceled after museum leadership viewed a recording of its initial presentation at the Poetry Project, citing concerns that it "valorized specific acts of violence" and singled out community members based on belief systems.

thomas kinkade foundation responds dhs morning pledge post

The Thomas Kinkade Family Foundation has publicly condemned the Department of Homeland Security (DHS) for using Kinkade's painting *Morning Pledge* in a July 1 social media post on X that included the phrase “Protect the Homeland.” The foundation stated it did not authorize the use of the artwork and that the post promotes division and xenophobia, which is antithetical to its mission. It has requested the post's removal and is consulting legal counsel. This follows similar complaints from artist Morgan Weistling, whose painting *New Life in A New Land* was used by DHS without permission, and criticism over DHS's use of John Gast's *American Progress* (1872), owned by the Autry Museum of the American West.

ucca centre for contemporary art allegedly withheld wages

The UCCA Center for Contemporary Art in Beijing allegedly withheld staff wages for six months from January to June, according to the South China Morning Post. The institution, founded by the late Belgian collectors Guy and Myriam Ullens in 2007, has faced financial challenges including lower ticket sales, higher international freight costs, stricter rental demands from its landlord in Beijing's 798 Art District, and difficulty collecting payments from international partners. Its Shanghai branch, UCCA Edge, has seen no activity since June after an exhibition co-presented with the Saudi Ministry of Culture. Director Philip Tinari acknowledged a difficult year for museums in China, citing a slower consumer economy, and said the UCCA is working on long-term funding solutions.

wesley lepatner met museum trustee dead

Wesley M. LePatner, a newly elected trustee of the Metropolitan Museum of Art in New York, was among four people killed by a gunman in a Midtown office building on Monday. LePatner was a senior managing director at Blackstone, where she served as global head of its Core+ Real Estate division and CEO of the Blackstone Real Estate Income Trust. She had just been elected to the Met’s board in February and was previously a member of the Met’s Friends of European Paintings group.

johanna burton director ica philadelphia departs moca la

Johanna Burton, director of the Museum of Contemporary Art (MOCA) in Los Angeles, has been appointed the next director of the Institute of Contemporary Art (ICA) Philadelphia, effective November 1. She succeeds Zoë Ryan, who left in January to lead the Hammer Museum in Los Angeles. Burton, who joined MOCA in 2021 after leading the Wexner Center for the Arts, stabilized the institution following a period of turmoil, reinstating its annual gala, securing major gifts, and hiring senior curator Clara Kim.

is spains sistine chapel of romanesque art at risk

The Spanish Supreme Court has ordered the return of the Sijena Murals, 12th-century Romanesque frescoes known as the "Sistine Chapel of Romanesque Art," from the National Art Museum of Catalonia (MNAC) in Barcelona to their original monastery in Huesca, Aragon, by June 25. However, the MNAC is resisting the move, arguing that transporting the fragile, fire-damaged murals poses a "real risk of irreparable damage." The museum has requested more information about the destination and conditions at the Sijena monastery, and has suggested a longer timeline for the return of particularly delicate sections, while the Sijena City Council has proposed installing the works elsewhere if necessary.

100 massive elephant sculptures beverly hills

The Great Elephant Migration, a public art project featuring 100 life-size elephant sculptures, has concluded its cross-country journey in Beverly Hills, California. The sculptures, crafted by Indigenous artisans of the Coexistence Collective in India from the invasive lantana camara weed, represent real elephants from the Nilgiri Biosphere Reserve and the Sheldrick Wildlife Trust. The herd traveled 5,000 miles via electric trucks, making stops in Newport, New York, Miami, Houston, Jackson Hole, and Montana, before arriving at Beverly Gardens Park. The artworks are for sale, with prices ranging from $8,000 to $22,000, and sales have exceeded $3 million, with proceeds supporting 22 conservation NGOs.

my wifes lovers cat painting

Carl Kahler's 1891 painting *My Wife's Lovers*, a monumental portrait of 42 cats commissioned by San Francisco millionaire Kate Birdsall Johnson, has resurfaced in popularity thanks to social media and a record-breaking sale at Sotheby's in 2016, where it fetched $826,000—more than double its high estimate. The article details Kahler's background as a horse-racing painter from Austria, his three-year stay at Johnson's Buena Vista Castle sketching her feline menagerie, and the painting's debut at the 1893 Chicago World's Fair. Johnson, an eccentric art collector and philanthropist, owned hundreds of cats and named the work after her late husband's nickname for them.

diana de rosa

A rediscovered Baroque painting by 17th-century Neapolitan artist Diana de Rosa, titled *Salome with the Head of Saint John the Baptist*, sold for £317,500 ($436,086) at Sotheby’s Old Masters and 19th Century Paintings sale in London on July 2, more than quadrupling its high estimate. The work, previously unknown to scholars, set a new auction record for the artist and was described by Sotheby’s specialist Elisabeth Lobkowicz as a powerful image comparable to Caravaggio’s treatment of the same subject.

khaled sabsabi reinstatement

Artist Khaled Sabsabi and curator Michael Dagostino have been reinstated to lead Australia’s pavilion at the 61st Venice Biennale, following an independent review of Creative Australia’s decision to drop them in February 2025. The initial removal came after right-wing politicians raised allegations of antisemitism against Sabsabi, whose work often addresses Islamophobia and Arab identity, particularly his 2007 video "You" featuring Hezbollah leader Hassan Nasrallah. The reversal follows resignations, boycotts, and widespread protests from the Australian arts community.

laocoon vatican michelangelo forgery

On January 14, 1506, Florentine architect Giuliano da Sangallo and Michelangelo Buonarroti witnessed the excavation of the Laocoön Group, a monumental ancient marble statue unearthed in a Roman vineyard. The sculpture, depicting the Trojan priest Laocoön and his sons battling serpents, was quickly acquired by Pope Julius II and installed in the Vatican, where it remains today at the Museo Pio-Clementino. However, art historian Lynn Catterson controversially proposed in 2005 that the statue is not an ancient artifact but a forgery created by Michelangelo himself, citing evidence such as a drawing of a torso resembling the statue's back, bank records of Michelangelo's marble purchases, and his history of producing forgeries like the lost Sleeping Cupid.

cleveland museum of art acquires giambologna

The Cleveland Museum of Art has acquired Giambologna's marble sculpture *Fata Morgana* (ca. 1572), believed to be the last marble work by the Flanders-born Italian Mannerist in private hands. The piece, which depicts a nude woman emerging from a grotto, was originally commissioned by banker Bernardo Vecchietti and remained with his family for 200 years before being sold in 1775. It was misattributed for centuries until London dealer Patricia Wengraf correctly identified it at a 1989 Christie's auction, purchasing it for £715,000. The museum acquired the sculpture for an undisclosed price, making it only the second Giambologna marble in the U.S. and one of just three outside Italy.