A nostalgic art exhibition opened at the South End Museum in Nelson Mandela Bay, featuring canvas paintings that recreate historical black-and-white images of the former South End neighborhood. The exhibition and sale, organized by local framing company Frame Art and artist/trustee Michael Barry, showcases works primarily by Vincent Olivier, based on a collection amassed by the late Frame Art founder Salie Wackie.
The Contemporary Art Museum of Indianapolis (CAMi) is set to open its doors from May 1-3 in a renovated 125-year-old dairy barn in Garfield Park. Managed by the Big Car Collaborative, the 40,000-square-foot facility features six exhibition spaces, 18 artist studios, and various community hubs including a cafe and storefronts for local creative businesses. The opening weekend will feature the main exhibition “Campo de Resonancia” by Puerto Rican painter Ivelisse Jiménez, alongside sound installations and experimental documentaries.
Stained glass artists Kurt and Lorraine Wendling have officially opened The Gallery on Gambier in downtown Mount Vernon, Ohio. The new creative hub serves as the permanent home for their business, Wendling Glass Creations, while also showcasing the work of approximately 20 other artists specializing in mediums ranging from photography to oil painting. The space is designed as a multi-functional venue, incorporating a retail gallery, a custom framing center, and a dedicated classroom for art instruction.
Bluffton High School is set to host its annual senior art exhibition at Gallery 323, showcasing the creative achievements of its graduating class. The event kicks off with an opening reception on April 23, 2026, and will remain on public display through early May.
Artist Lucy Bailey is presenting a solo exhibition titled "Roots and Wings" at the Aiken Center for the Arts, running through April 29. The show features nearly 50 mixed-media works created on vintage early 20th-century infant gowns, exploring the complex origins of human identity through themes of genetics, genealogy, community, and nature. Bailey utilizes diverse materials—ranging from DNA-inspired patterns and family photographs to resin-dipped cicada wings—to symbolize the foundational "roots" of selfhood and the "wings" of individual expression.
The historic Rototāwai homestead in South Wairarapa, New Zealand, has officially opened a new public art gallery and cultural space. Facilitated by the Anna Bidwill Foundation, the site features Bidwill’s extensive private art collection housed within her restored childhood home. The opening ceremony, which included a traditional pōwhiri and an address by Minister for Arts, Culture and Heritage Paul Goldsmith, marks the culmination of a four-year restoration project since Bidwill repurchased the estate in 2020.
The DownEast National Juried Sculpture Exhibition is celebrating its 20th anniversary with a significant expansion of its public art footprint across Pitt County, North Carolina. Artist Jessica Bradsher took first place for her steel sculpture "Capriole," which will be displayed outside Wahl-Coates Elementary School of the Arts. The exhibition features both an indoor showcase at the Emerge Gallery and Arts Center and an outdoor component that has grown to 20 locations, including new sites in Ayden, Farmville, Winterville, and north of the Tar River.
Surrey Art Gallery in British Columbia will host a free art party on January 17, 2026, to launch its winter exhibition season. The event features the group exhibition "remember the earth, remember the sky," inspired by a Joy Harjo poem and focused on ancestral connections through land, air, and memory, with works by early-career artists and pieces from the gallery's permanent collection by Salish artists. Also opening are solo shows by Zachery Cameron Longboy ("HOST") and Atheana Picha, along with the exhibition "What Bodies Know" reflecting on lived experiences in Vancouver's Downtown Eastside. The evening includes artist talks, a piñata breaking, and hands-on artmaking workshops.
The University of Wolverhampton’s School of Art building, an eight-story Brutalist landmark completed in 1969, has been granted Grade II listed status by the UK Department for Culture, Media and Sport, saving it from demolition. The building hosted the first National Black Art Convention in 1982, a pivotal event in the British Black arts movement, and is closely tied to the Blk Art Group, whose founding members include Keith Piper, Marlene Smith, and Claudette Johnson. The listing follows a campaign against the university's redevelopment plans, supported by a petition with over 6,600 signatures.
The Lin Xiang Xiong Art Gallery officially opened in Penang, Malaysia, at The Light Waterfront in Gelugor, with a ceremony attended by the Governor of Penang, Tun Dato’ Seri DiRaja Ramli Ngah Talib, and Chief Minister Chow Kon Yeow. Founded by acclaimed artist Professor Lin Xiang Xiong, the gallery debuted with a private preview of "The Vicissitudes of Life," an exhibition of 99 artworks addressing war, pollution, and poverty. The event gathered artists, government officials, business leaders, and academics, highlighting Penang's ambition to become an international cultural destination.
Prominent local artist Renee Matheson, owner and curator of Aurora Matheson Fine Art Gallery in downtown Penticton, has opened a seasonal satellite gallery at Frog City Café inside Linden Gardens in Kaleden, British Columbia. The Aurora Matheson Satellite Gallery at Frog City Café launched on July 30 with over 200 artworks from 35 artists, including Ron Gladdish, Siya Ghaffari, and Kindrie Grove. Matheson spent six weeks curating the space, which features moveable walls built by café co-owner David, and offers a range of styles from Impressionism to Indigenous work, with prices from under $100 to thousands of dollars. The gallery will remain on site through October.
The Museo Egizio di Torino has launched ME-Scripta, a new research center dedicated to the study, restoration, and digitization of ancient Egyptian written sources, including papyri, ostraca, and Coptic bindings. Funded by a €3 million grant from the Fondazione CRT, the center will operate under the direction of Susanne Töpfer and employ a dedicated team of curators, collaborators, a data manager, and an apprentice. ME-Scripta will pursue three major projects: reassembling and studying papyri from Assiut and Gebelein, analyzing ostraca, and restoring 17 Coptic bindings, with a goal of launching an integrated digital platform by 2034.
A federal judge has ordered an immediate halt to the construction of a new ballroom at the White House's East Wing, a project initiated by former President Donald Trump. Judge Richard J. Leon's injunction stops all work except for safety and security measures, ruling that the president lacks the authority to undertake such a construction on federal property without explicit approval from Congress.
Peter Licht, a German musician, author, and playwright, appears as a guest on the 82nd episode of the "Fantasiemuskel" podcast, where he discusses his view of the world as a sound phenomenon. He reflects on his 2006 song "Lied vom Ende des Kapitalismus," which preceded the 2008 financial crisis, and explores how language, fear, and utopian moments manifest through sound in his work—whether in pop songs, theater pieces, or novels. Licht also describes a recent "problem-solving show" at Schauspiel Köln, where audience members submit problems that are collectively sung, turning singing into an act of resistance and community-building.
Die Biennale muss offen bleiben – auch für Russland
The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.
Artspace Gallery in Richmond, Virginia, has announced a juried art exhibition titled "250 Years of Expression: Freedom, Dissent and the American Voice," running from May 22 to July 18, 2026. The show features over 30 artworks in video, photography, sculpture, and mixed media, selected by juror Diego Sanchez, an artist and educator. An opening reception and juror talk will take place on May 22, with a Fourth Friday reception on June 26. Concurrently, the gallery will present "Of, By, For," an exhibition of works from Artspace artists' studios in the Elisabeth Flynn Chapman Gallery.
Fifty-one students from Wallace Consolidated Elementary School and Tatamagouche Regional Academy displayed their artwork in a group show at The Fraser Art Gallery in Tatamagouche, Nova Scotia. The exhibition featured individual and class projects, including a collage inspired by the Artemis II moon flyby and a sculptured monster garden. The opening reception included remarks from gallery president Jackie Robertson, who thanked volunteers and sponsor PharmaChoice, and noted the importance of early art exposure.
Medicine Hat artist Poul Nielsen, 78, is exhibiting his work in Venice, Italy, as part of the exhibition 'Anima Mundi (Rituals)' held in conjunction with the Venice Biennale. Nielsen, who has shown his art in around 100 solo and collaborative exhibitions across decades, began his international career with a show in Copenhagen in 2000 and has since exhibited in England, the United States, and China. His current series, 'Atmospheric Possibilities,' was started around 2015 after his retirement from teaching at Medicine Hat College, where he helped develop a pioneering program merging fine art and graphic design.
Pavlina Vagioni's exhibition *Oikeiōsis*, presented by the Hellenic Diaspora Foundation at the Venice Biennale, takes its name from a Stoic concept about recognizing belonging and expanding care outward. The show is structured in two rooms: the first, named Neikos (strife), features a fragmented plexiglass cube that reflects visitors in multiplied form, evoking separation. The second, Philotes (harmony), contains warm rock-salt seats and a layered vocal soundscape that activates the Tartini effect—a psychoacoustic phenomenon where two frequencies produce a phantom third tone, symbolizing collective kinship. The salt seats will physically change over the Biennale's six-month run, accumulating the memory of each visitor.
Belfast's murals, long used as tools of political expression and territorial marking during the Troubles, are gradually changing. Research shows that three-quarters of the most intimidatory murals in the loyalist Shankill area have disappeared since 1998. Newer murals commemorate figures like Queen Elizabeth II and King Charles III, while non-sectarian artistic murals—including tributes to murdered journalist Lyra McKee—are appearing across the city. However, some paramilitary-linked murals persist, and a 2024 incident saw a wall in north Belfast rebuilt and its threatening imagery repainted, reflecting ongoing tensions and the complex politics of 'conflict transformation' funding.
Zero Degrees Art Gallery in Marquette, Michigan, is hosting a retirement celebration and reception for long-time resident artist Bill Hamilton. Hamilton, who has been a fixture at the gallery since 2021 and previously showcased work at the Michigamme Moonshine Gallery, will have his art featured in a final exhibition throughout April and May.
Austin's iconic graffiti wall has returned with the grand opening of the HOPE Outdoor Gallery's new 18-acre site in Southeast Austin on December 17, 2025. The original wall near Lamar Boulevard was removed six years ago, and the new location near Austin Bergstrom International Airport features a 6,000-square-foot open-air gallery, community art park, murals by local artists, a cafe, rooftop bar, art supply shop, and spaces for programming and vendors. The space is free, open to the public, and all-ages, with a ribbon-cutting attended by District 2 City Council member Vanessa Fuentes.
Lagos, Nigeria's largest city, has been transformed into an "open-air gallery" for its first-ever street art festival, which opened on Wednesday and runs through December 15. The festival features murals by Nigerian and international artists, including Ashaolu Oluwafemi, Babalola Oluwafemi, and Ottograph, displayed on Ozumba Mbadiwe Avenue in Victoria Island. Artists aim to bring art directly to the community, telling stories of Lagos's vibrancy, resilience, and culture, with themes of joy, partying, and pride symbolized by motifs like the peacock.
Dubai's Dubai International Financial Centre (DIFC) has been transformed into an open-air sculpture park featuring over 50 artworks placed across walkways, plazas, and open spaces. The exhibition, titled 'Enduring Forms,' includes notable pieces such as Jerzy Kędziora's 'Pearl’s Guardian,' Elena Rede's 'We The Future,' and works by Unus Safardiar, Anna Chekh, Mert Ege Kose, and Ayla Turan. The sculptures are integrated into the daily environment of offices, cafes, and restaurants, creating a seamless blend of art and urban life. The park is free to visit and will remain on display until May 2026.
Hong Kong gallery De Sarthe has announced it will relocate to a larger 10,000-square-foot space in the Wong Chuk Hang neighborhood, opening September 20th in Vita Tower within the city’s Southside art district. The new gallery will feature separate exhibition areas for contemporary art and 20th-century masterworks, marking a major expansion as the gallery celebrates its 15th anniversary in Hong Kong. Founder Pascal de Sarthe emphasized the continued importance of physical gallery spaces for meaningful dialogue between artists and audiences, even in a digital age.
Artist Pebofatso Mokoena opened his latest exhibition, "Diamond Dust Apostrophes," at The Blue House in Parkwood on July 19, hosted by David Krut Projects. The show draws on his recent residency in Oranjemund, Namibia, where the landscape, history, and soundscapes influenced his creative direction. During the residency, Mokoena began creating ink drawings on A4 paper while waiting for oil paints, a limitation that shaped the exhibition's meditative tone. He also collaborated with fellow resident Ericke Tjiueza, using music—particularly the album "Floating Points" by Pharoah Sanders and the London Symphony Orchestra—as a tool to understand the town. The exhibition marks a shift from his 2020 solo show "Internal Probes," which focused on Johannesburg's urban chaos, toward stillness and reflection.
The City of Perth (Boorloo) is celebrating NAIDOC Week 2025 from 6 to 13 July, marking 50 years of honoring Aboriginal and Torres Strait Islander voices, culture, and resilience. The 2025 theme, 'The Next Generation: Strength, Vision & Legacy,' is highlighted through a NAIDOC Week Exhibition at Council House Foyer (7 July–15 August), featuring works from emerging and established artists, supported by Mossenson Galleries and the Janet Holmes à Court Collection. Events include an Artist in Conversation with Tyrown Waigana on 9 July, the National NAIDOC Awards Ceremony on 5 July, and cultural performances by Wadumbah. Other city-wide events include the Goologoolup NAIDOC Screenings and the Wangening Bardip – Healing Stories Through First Nations Art exhibition.
Crit Club, a roving debate series founded by artist and curator Cem A., reimagines the traditional art-world panel discussion by staging face-to-face debates between two figures in a sporting-style arena, complete with absurdist interludes by athletes. Last month, the series invited journalist and art critic to Dubai in collaboration with Alserkal Avenue to debate the motion "Are art fairs relevant?" against artist-turned-dealer Umer Butt, founder of Grey Noise gallery. The debate forced participants to switch sides mid-way, emphasizing that the goal is not to reach a definitive answer but to explore false binaries.
A Russian drone strike on the historic center of Lviv, Ukraine, on March 24 damaged multiple buildings, including the 17th-century Bernardine Monastery, a UNESCO World Heritage site. At least 27 people were injured in the attack, which saw drones hit the area of St. Andrew's Church, part of the monastery complex.
The Guardian's weekly photo feature presents 20 images capturing global events from March 2026. The selection documents intense conflict in the Middle East, including Israeli military actions in the West Bank and Lebanon, attacks on energy infrastructure in the UAE, and violent clashes with worshippers in Jerusalem during Ramadan. It also shows scenes from a blackout in Havana and the Oscars ceremony.