Artists Emily and George Thompson are set to debut a joint exhibition titled “Double Feature: A Two-Person Show” at the historic Stover Mill Gallery in Erwinna, Pennsylvania. The exhibition juxtaposes Emily’s contemporary urban landscapes and architectural forms with George’s traditional landscape paintings, showcasing the creative dialogue between the couple who share a studio.
Seattle Public Schools has launched the 2026 Naramore Art Show, a long-standing annual tradition featuring over 200 artworks created by middle and high school students. Hosted at the Seattle Art Museum (SAM) Community Gallery, the exhibition includes a diverse range of media such as ceramics, digital art, photography, and sculpture. The event features both a physical installation running through May 31 and a virtual gallery to ensure wider accessibility for the community.
The Marion Art Gallery at Fredonia is presenting "Children of Grass: A Portrait of American Poetry," an exhibition featuring 50 photographic portraits and one video of prominent American poets by photographer B.A. Van Sise. Each portrait visually interprets a poem by its subject, creating a collaborative image. The exhibition runs from February 24 to April 15, with related events including a lecture by Van Sise and a poetry reading by former U.S. Poet Laureate Joy Harjo.
A new contemporary art gallery called Connelly Martin is opening with two locations: one in Austin, Texas, and another in Ketchum, Idaho, near the Sun Valley ski resort. Founded by Bailey Connelly and Lily Martin, the gallery will feature emerging and mid-career artists, with each location hosting five exhibitions annually. The Austin space opens February 13, followed by the Sun Valley location on July 11, and the gallery plans two pop-ups each year in different towns. The inaugural show in both spaces will be a group exhibition, including work by Austin textile artist Elizabeth Hohimer.
The Newport Art Museum is hosting "Everything is Change," the first solo museum exhibition of the late sculptor Bobby Anspach. Curated by Taylor Baldwin, Anspach's former MFA professor at RISD, the show features immersive installations from his *Place for Continuous Eye Contact* series, alongside a documentary by Julia Barrett Mitchell and a restorative space called "The Nature of Choice" designed by architect Lauren Rottet. The exhibition spans five rooms across two floors, with trained guides facilitating visitors' experiences of Anspach's kaleidoscopic, perception-altering works.
Minae Kim, a Seoul-based artist born in 1981, creates site-specific installations and sculptures that she describes as a 'ludicrous sculptural sitcom,' revealing the frustrations and contradictions of everyday life. She earned an MA in sculpture from the Royal College of Art in London and an MFA from Seoul National University, and her work has been exhibited internationally at venues such as Atelier Hermès in Seoul, Doosan Gallery in New York, and the Institute of Contemporary Arts in London. Kim was a finalist for the 2020 Korea Artist Prize and has received awards including the Doosan Yongang Artist Award and Bloomberg New Contemporaries.
La mostra dell’artista Marinella Senatore a Milano è una festa di nome e di fatto
Marinella Senatore's solo exhibition "FESTA!" opens at Mazzoleni's Milan space, marking both the artist's first show at the gallery and the gallery's 40th anniversary. The exhibition presents new works including sketches, drawings, and embroidered tapestries that reinterpret Baroque public celebrations as participatory, community-driven art. The tapestries, produced in collaboration with the Chanakya school in Mumbai, feature motifs from 17th- and 18th-century festivities—ephemeral architecture, light displays, and fireworks—transformed into contemporary banners that activate the gallery space.
The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.
The article is a personal reflection on the work and legacy of artist Henrike Naumann, who passed away in 2026. The author, a peer from West Germany, contrasts their own upbringing with Naumann's East German background, detailing how Naumann's practice critically examined the domestic interiors and built environments of post-war Germany to explore the social and political responsibilities embedded within everyday objects and art's role as "stage design" in a fascist-leaning society.
The article shares excerpts from Akira Kurosawa's memoir detailing the production of his 1950 film 'Rashomon.' It focuses on the director's meticulous location scouting in Kyoto and Nara, his struggle with studio executives who found the project difficult, and the evolving, grandiose mental image he developed for the film's central gate, based on his research into historical architecture and city plans.
How Much Did It Cost to Paint a Pompeii Room Egyptian Blue?
A new study has calculated the staggering cost of painting a room in Pompeii with Egyptian blue pigment. Researchers determined that covering the walls of a recently discovered "Blue Room," a sacred shrine, would have required between 2.7 and 4.9 kilograms of the prized synthetic pigment. Based on prices recorded by Pliny the Elder, this quantity of high-grade pigment would have cost between 50% and 90% of a Roman legionary's annual salary, highlighting it as an extreme luxury.
The Arkansas Museum of Fine Arts (AMFA) in Little Rock opens the 65th Young Arkansas Artists exhibition on Saturday, featuring 52 artworks selected by a panel of museum and art professionals. The exhibition expands to four works per grade, K-12, and includes a "Best in Class" award chosen by grand juror Celeste Alexander. The show runs through July 26 in the Robyn and John Horn Gallery, with free admission and related activities at the museum's Windgate Art School.
Hauser & Wirth will open a new gallery in Palo Alto, California, in spring 2026, marking its first location in Northern California and its third in the state. The gallery will occupy a historic post office building at 201-205 Hamilton Avenue, near Stanford University, offering 2,600 square feet of exhibition space, a bookshop, and a design overseen by architect Luis Laplace. The expansion follows the gallery's existing venues in Los Angeles and comes nearly a decade after its major downtown L.A. complex opened in 2016.
The Yale Art Gallery's fourth floor is hosting five concurrent exhibitions running through June, including solo shows by John Coplans, August Sander, Jes Fan, and Hans Hofmann, alongside a group exhibition of American Impressionism featuring artists like Mary Cassatt, John Singer Sargent, and Childe Hassam. The displays range from Coplans' intimate black-and-white self-portraits to Sander's sprawling photographic catalog of 20th-century German society, and from Fan's modern sculptures to Hofmann's bold abstract paintings.
The article reviews "Dispossessions in the Americas," a group exhibition at Wrightwood 659 in Chicago curated by Jonathan D. Katz and Eduardo Carrera. Featuring works from 1960 to 2025, the show examines colonial legacies in the Americas, focusing on the forced dispossession of land, culture, and language from indigenous, Afro-descendant, queer, and trans communities. The review critically questions how a polished, architecturally prestigious venue can coherently display art about socially voiceless communities without falling into voyeurism or fetishization of pain.
Gallery of Art 850 in Panama City, Florida, hosted the opening reception for 'The Color Blue' art exhibit on Thursday evening. The show is the second in a series of themed exhibits, following last year's 'The Color Red' which coincided with the RedFish Film Festival. Artists were invited to create works featuring shades of blue, and the exhibit includes 75 entries spanning paintings and sculptures, up from 63 last year.
Masure Gallery of Photography has opened in Fort Worth, Texas, as the city's only gallery dedicated exclusively to fine art photography. Founded through a partnership between gallery manager Simone Fischer and the co-owners of Fort Worth Camera, Jeff and CJ Masure, the space transforms a former event room into a white-walled exhibition venue with gallery-quality lighting. The gallery launched with "RED – A Bold Photography Exhibition," selected from nearly 200 open-call submissions requiring the color red, and now represents six local photographers: Walt Burns, Brooks Burris, Caroline Hanson, Chris Ireland, Felix Schilling, and K.P. Wilska. The first solo show, "Modern Exposure" by Walt Burns, opens June 4.
Hancock County Arts has unveiled its comprehensive schedule for 2026, featuring a diverse array of monthly exhibitions and community events at the Twenty North Gallery in Greenfield. The upcoming season includes themed showcases such as the "Black & White" exhibit, the annual "Visions of Hancock County" photography show, and specialized displays focusing on local student work and regional heritage.
Artist Ruben Ochoa has returned to the UC Irvine campus with "Class C," a mobile art gallery housed inside a converted 1985 Chevy delivery van. The pop-up exhibition features works by UCI-affiliated artists Sean Duffy, Beatrice von Rague Schleyer, and André Woodward, showcasing contemporary art within a space that mimics a traditional white-cube gallery. The project is presented in coordination with the exhibition "Breakdown/Breakthrough: Art and Infrastructure" at the Langson IMCA.
The Royal Scottish Academy (RSA) in Edinburgh is celebrating its bicentenary with its largest annual exhibition to date, running from May 9 to June 14, 2026. Curated by artist Annie Cattrell under the theme "In-Time," the landmark 200th edition features hundreds of works by artists and architects, including invited contributions from Martin Creed and Cathie Pilkington. The event also introduces several new major prizes, such as the Jack Vettriano Award, bringing the total prize fund to over £25,000.
The Preservation Society of Newport County is hosting "Full Circle" at the Rosecliff mansion, an exhibition that revisits the landmark 1974 outdoor sculpture show "Monumenta." The current display features scale models, preparatory drawings, and archival photographs of works by modern masters such as Claes Oldenburg, Alexander Calder, and Willem de Kooning. A significant portion of the show is dedicated to Richard Fleischner, whose site-specific earthwork "Sod Maze" remains the only original piece from the 1974 project still standing in its original Newport location.
The San Francisco neighborhoods of the Marina and West Portal are set to host "The Art of Place," a three-month exhibition featuring 24 local artists. Organized by Ingleside Gallery founder Shrey Purohit in partnership with the BarbCo real estate group, the fair will showcase cityscapes, sculptures, and photography across two commercial offices starting April 17. The initiative aims to integrate art into everyday community spaces, featuring works by artists like Sarah Horowitz and Rhonel Roberts that capture the unique geometry and secret views of the city.
The Chandler Gallery has launched its annual student exhibition, "We the People," showcasing creative works from students across seven regional schools. Running from April 4 through May 9, the show features a diverse range of young talent and will be celebrated with a public opening reception on April 10 that includes community activities and refreshments.
Art a path to conservation
Dunedin-based artist Clare Reilly is celebrating her 50th year of exhibiting with a practice that merges vibrant depictions of New Zealand’s native flora and fauna with active environmental advocacy. Her work, which frequently features birds in flight as symbols of spiritual uplift, serves as both a tribute to the natural world and a warning about habitat loss. Through her career, she has collaborated with her late husband Max Podstolski under the Primitive Bird Group banner and participated in hands-on conservation efforts, such as the tūī relocation project to Banks Peninsula.
Nuneaton Museum & Art Gallery is hosting "A Simple Line," a specialized exhibition dedicated to the history and craft of engraving. The show features a prestigious selection of works ranging from 17th-century Dutch masters like Gerard Douw to 18th-century Italian printmaker Giovanni Battista Piranesi and the celebrated English landscape painter J.M.W. Turner. Visitors can view rare pieces such as Turner’s mezzotint of Dunstanburgh Castle and architectural etchings of Pompeii, alongside a concurrent "Festival of Arts" showcasing local regional talent.
Contemporary painter Vanessa Johansson recently debuted her solo exhibition at the Sky Garden Penthouse in Gramercy Park, New York. Curated by Jenny Mushkin Goldman of Agency Esta, the show featured Johansson’s large-scale acrylic on canvas works, which utilize fluid, transparent layers to evoke the spiritual and visual language of mid-20th-century Color Field abstraction. Pieces such as the triptych 'Windows' and the diptych 'Flow State' demonstrate her intuitive approach to motion, buoyancy, and orbital forms.
The School of Art at Ball State University is hosting its 91st Annual Student Art Exhibition at the Ned and Gloria Griner Art Gallery. This competitive juried show features a diverse range of media and styles produced by the university's student artists. The event includes a reception and awards ceremony on February 21, 2026, to honor outstanding student achievements.
Curator and artist Kyle Herrington will deliver a juror's talk for the 91st Annual Student Art Exhibition at Ball State University on February 20, 2026. Herrington, an alumnus of the university and former Director of Exhibitions at the Indianapolis Art Center, selected the works for this competitive juried showcase, which features a diverse range of media and styles from the School of Art's student body.
The North House Gallery in Manningtree is set to host a solo exhibition featuring more than 40 works by artist Isabella Dyson. The show, titled "Isabella Dyson: Paintings," focuses on the transient nature of the sea and weather, utilizing a muted color palette and a mix of oil, acrylic, and pastel. The collaboration began serendipitously when the artist visited the gallery and showed her portfolio to the staff on her phone, leading to her immediate inclusion in a group show and this subsequent solo presentation.
A striking turtle-shaped art gallery, the Lin Xiang Xiong Art Gallery, has opened over the sea in Penang, Malaysia. Designed by Singaporean artist Lin Xiang Xiong, the eight-storey over-water museum at The Light Waterfront is the world's first of its kind, currently in its soft-opening phase. It houses four permanent galleries tracing Lin's six-decade career, plus a special exhibition titled "Picasso and Lin Xiang Xiong: A Dialogue Across Time" that pairs works by Pablo Picasso with Lin's own. The space also includes an Art Seed Garden for education and hosts international exhibitions and forums focused on peace and cross-cultural exchange.