Oliver Jeffers: Artist's first Belfast exhibition in more than 20 years

Artist and author Oliver Jeffers is holding his first exhibition in his hometown of Belfast in over 20 years. The show, titled "Disasters and Interventions," is on view at the Naughton Gallery at Queen's University and features a series of works where Jeffers inserts calamitous scenes—such as an oil tanker spill or an airship crash—into tranquil vintage landscapes, transforming calm into catastrophe. The project began when he found a discarded print in New York's Chinatown and began painting into it, eventually building a collection over 14 years that balances tragedy with a wry, thoughtful humor.

Exhibition Highlights Jewelry by 45 Female Artists

The Museum of Applied Arts Cologne (MAKK) in Germany is presenting an exhibition titled “From Louise Bourgeois to Yoko Ono: Jewellery by Female Artists,” featuring 101 pieces of jewelry created by 45 female artists. The show, which opened November 11 and runs through April 26, highlights works by well-known figures such as Yoko Ono and Louise Bourgeois, including Ono's yellow and white gold ring shaped like a vinyl disc inscribed with “Imagine Peace” and Bourgeois’ gold spider brooch and silver shackle neckpiece. The exhibition was curated by Lena Hoppe in collaboration with museum director Petra Hesse, and an accompanying book edited by the curators will be published by Arnoldsche Art Publishers in February 2026.

Komal Shah on ‘Making Their Mark’

Komal Shah discusses the exhibition "Making Their Mark: Works From the Shah Garg Collection" at Washington University in St. Louis' Kemper Art Museum. The show spans nearly eight decades and features nearly 70 artists, including Howardena Pindell, Joan Mitchell, Jaune Quick-to-see Smith, Katharina Grosse, Lorna Simpson, Sarah Sze, and Mary Weatherford. Shah, who established the collection with her husband Gaurav Garg, emphasizes the importance of celebrating women artists and challenging the notion that excellence is limited to men.

Comment | Fine balance: fairs up the exclusivity while appealing to younger clients

Art Basel Paris in October introduced a new ultra-exclusive preview called Avant Première, catering to top-tier galleries with seven- and eight-figure works, while some emerging exhibitors felt sidelined. Meanwhile, the fair's organizers dropped the term "VIP," renaming its dedicated department to "collector and institutional relations," as CEO Noah Horowitz explained that the term could be off-putting to a new generation of buyers. Parallel events like Trauma, a curatorial platform founded by artist Adrian Ghenie, and the Basel Social Club offered more inclusive, youth-driven alternatives, though they still maintained guest lists.

Artistic discs

Kolkata Ink Studio presented a group exhibition of graphic art at Gallery Charubasona, featuring 18 artists who each contributed two disc-shaped copperplates and matching prints. The works ranged from Manik Kumar Ghosh's clever double-disc brassiere to Partha Pratim Deb's absurd clownish figures, Laxma Goud's restrained goddess imagery, and Rm. Palaniappan's three-dimensional illusions. Other highlights included Siddhartha Ghosh's identity-less human figures, Sukla Poddar's environmental themes, and Swapnesh Vaigankar's archaeological inspirations. The exhibition was described as neat but lacking in challenge, with most works in monochrome and only faint touches of color.

This Is What Happens When an Art Auction Bidder Changes Their Mind

Auction houses are grappling with a rise in bidders attempting to back out of winning bids, often citing flimsy excuses like cats jumping on keyboards. Richard Wright, CEO of Rago/Wright, describes a 'cat button' on their website that locks the bid button to prevent accidental clicks, but some buyers still renege by blaming spouses or pets. The problem has worsened with online bidding, as remote participants may not grasp the binding nature of a winning bid. Houses like Freeman | Hindman and Eldred's require deposits and registration to mitigate risks, but defaults persist, with Wright estimating 1% of sales become problematic.

The Sky High Farm Biennial Cultivates Something Special

The Sky High Farm Biennial, curated by former Downtown art star Dan Colen, opened in a cold storage warehouse in Germantown, N.Y., featuring over 160 works by 50 artists across two floors. The exhibition is loosely themed around humanity's relationship with the natural world, with immersive installations by Anne Imhof (a maze of cider crates) and Rudolf Stingel (a mirrored floor requiring paper booties). Highlights include works by Nan Goldin, Thiago Rocha Pitta, Stephen Lichty, Carrol Dunham, Pia Camil, and Ann Craven. The show balances informal and polished elements, offering a breezy summer experience while serving as a thesis on artist community.

A Wave of Japanese Art and Culture Immerses College of DuPage in ‘Floating World’ Exhibition

The Cleve Carney Museum of Art at the College of DuPage has opened "Hokusai & Ukiyo-e: The Floating World," an immersive exhibition exploring Japanese ukiyo-e art from the Edo period. The show features woodblock prints and scrolls, including Hokusai's iconic "The Great Wave Off Kanagawa," drawn from the collection of 19th-century Italian engraver Edoardo Chiossone. Many prints are on view in the U.S. for the first time. The exhibition extends beyond traditional display with an outdoor garden, manga and anime rooms, and a recreated Edo village built by the college's theater department.

At Kunsthalle Praha, Anna-Eva Bergman and Hans Hartung are reunited in art, as they were in life

Kunsthalle Praha has opened a dual exhibition, "Anna-Eva Bergman & Hans Hartung: And We’ll Never Be Parted," reuniting the two artists in art as they were in life. The show traces their youthful infatuation, creative partnership, divorce, and reunion, highlighting Bergman's neglected contributions to abstract art inspired by nature and Hartung's prominence in the Art Informel movement. Featuring paintings, sketches, archival material, and mutual gifts, it is billed as the first major museum exhibition to place the two in dialogue.

Face to face: at Pallant House Gallery, meet the artists who paint, draw and sculpt other artists

Pallant House Gallery in Chichester is presenting 'Seeing Each Other: Portraits of Artists,' an exhibition exploring how artists have portrayed one another from the early 20th century to the present. Featuring over 130 artists by at least 80 different hands, the show spans painting, sculpture, installation, photography, drawing, and printmaking, with works arranged chronologically to highlight artistic circles, friendships, rivalries, and collaborations. Highlights include multiple portraits of Francis Bacon by Lucian Freud and Maggi Hambling, candid photographs of Young British Artists by Johnnie Shand Kydd, and a new double portrait by Ishbel Myerscough and Chantal Joffe.

Is the art world’s big summer break a thing of the past?

As the art market continues to experience softer demand for a third summer, galleries in the US and the Americas are rethinking the traditional August break. Dealers like Wendi Norris (San Francisco), Omayra Alvarado-Jensen (Instituto de Visión, Bogotá and Manhattan), Pali Kashi (Europa, New York), and Davida Nemeroff (Night Gallery, Los Angeles) describe varied approaches: some remain open to meet traveling collectors, others close for weeks to regroup, and many launch offsite pop-ups to maintain momentum. There is no industry consensus, with decisions shaped by geography, cultural heritage, and collector migration patterns.

What Artists Sign Away

Artist and writer Sarah Hotchkiss recounts two personal experiences where galleries and residency programs used standard contracts to limit artists' rights. In the first, a new gallery refused to shorten a six-month consignment period after an exhibition, leaving her work in "contractual limbo" where she would owe the gallery half of any sale even if she found the buyer herself. In the second, a residency required her to waive moral rights under the Visual Artists Rights Act, protections that allow artists to prevent distortion and control attribution of their work.

Mexico to Divert Train Route After Cave Art Discovery

Archaeologists in Mexico discovered 16 pre-Hispanic paintings and petroglyphs along the planned route of a high-speed passenger train connecting Mexico City to Querétaro. The discovery, made in the state of Hidalgo, includes rock art dating from 4,000 years ago to the Postclassic period (900-1521 CE), with imagery linked to Aztec deities and the Toltec city of Tula. In response, President Claudia Sheinbaum announced the $8 billion train project will be rerouted to preserve the ancient site.

United Asian American Alliance hosts 3rd Annual AAPI Art Exhibit

The United Asian American Alliance hosted the 3rd Annual AAPI Art Exhibit at the Cinema Arts Centre in Huntington, a month-long showcase of Asian American creativity and heritage. Curated by artist Joan Kim Suzuki, the exhibition features works in painting, mixed media, photography, and textile that explore themes of memory, identity, migration, and belonging. The opening reception welcomed distinguished guests including Tracey Edwards, New York State NAACP Vice President, and actor Lisa Yang, a Golden Horse Award nominee.

What You Shouldn't Miss at Art Düsseldorf

Das sollten Sie auf der Art Düsseldorf nicht verpassen

The eighth edition of Art Düsseldorf is set to launch at the Areal Böhler with its most diverse lineup to date, featuring 119 galleries. This year's iteration marks a significant organizational shift with the appointment of Gilles Neiens as the fair's first Artistic Director, a role created to oversee the event's curatorial and programmatic direction. The fair continues to balance its strong regional roots in the Rhineland with an increasingly international selection of painting, sculpture, and experimental works.

The Musée de La Poste becomes the "Musée Postal" once again

Le musée de La Poste redevient le « musée postal »

The Musée de La Poste in Paris has rebranded itself as the "Musée Postal," reclaiming its original 1946 name as it approaches its 80th anniversary. Alongside a new visual identity featuring a blue and white "M" logo, the institution is shifting its focus from a strictly corporate museum to a "museum of society" with a more universal outlook. Under the leadership of director Guillaume Goy, the museum aims to modernize its permanent collection and recover its pre-pandemic attendance figures, targeting 150,000 annual visitors.

A Strong Gust of Wind Disrupts the Mundane in ‘Jour de Vent’

A team of six graduates from the École des Nouvelles Images in Avignon has released 'Jour de Vent' (Windy Day), a sweeping animated short film that captures a transformative moment in a public park. The narrative follows a diverse cast of characters—ranging from a businessman to a picnicking family—whose mundane routines are abruptly upended by a powerful gust of wind. This meteorological disruption serves as a catalyst for themes of surrender and human connection, mirroring a fluid production process where the filmmakers finalized the story's conclusion just days before completion.

Fort Smith museum unveils two new art exhibitions on May 15

The Fort Smith Museum of History will open two new exhibitions on May 15. 'The Art of the Brick' features large-scale sculptures by contemporary artist Nathan Sawaya, built entirely from LEGO bricks, while 'The Art of Native American Basketry' showcases a collection of woven baskets from regional tribes.

Why Italy's cultural wealth never really enters public accounts and budgets?

Perché la ricchezza culturale italiana non entra mai davvero nei conti e nei bilanci pubblici?

Italy has exceeded the European Commission's structural adjustment path by 0.1 percentage points of GDP, reopening fiscal scrutiny. Amid this debate, the article highlights a deeper issue: Italy's immense cultural heritage is drastically undervalued in public accounts. For example, the Pompeii Archaeological Park is recorded at just €48.9 million, the Colosseum at under €15 million, and the Uffizi at about €2 billion—figures based on outdated 2002 ministerial criteria that bear no relation to actual economic or cultural worth. The State General Accounting Office, with the University of Roma Tre and EU technical assistance, has proposed a new methodology to value cultural assets by discounting their future net financial flows, including direct revenues and indirect tourism-related returns.

New fair for women-led galleries to launch during London's Frieze Week

India Rose James, founder of Soho Revue, is launching Echo Soho, a boutique art fair exclusively for female-led galleries, during Frieze Week in London. The fair will run from 16 to 19 October at Artist’s House on Manette Street, featuring 12 exhibitors, a bar, a concept store, and events including workshops, performances, and a prize from Soho House. Confirmed participants include Pipeline, Gillian Jason Gallery, and Awita, with affordable booth prices starting at £850.

Pepperdine Closes Exhibit Featuring “Overtly Political” Art

Pepperdine University in Malibu, California, closed the exhibition “Hold My Hand In Yours” at the Frederick R. Weisman Museum of Art on October 6, after artists discovered their works had been removed or altered for being “overtly political.” The show, curated by museum director Andrea Gyorody, explored the imagery of hands in relation to labor and care. One artist found her video turned off at the university’s request, and a sculpture was modified to hide text reading “Save the Children” and “Abolish ICE.” The affected artists requested their pieces be removed, and others withdrew in solidarity. University officials cited a policy to avoid overtly political content consistent with its nonprofit status, and offered apologies while honoring compensation agreements.

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The National Endowment for the Humanities (NEH) has awarded $75.1 million to 84 projects in its first grant round since President Donald Trump dismissed nearly all members of the National Council on the Humanities. The largest grants—$10 million each—went to the University of Texas at Austin and the Foundation for Excellence in Higher Education (FEHE), with other significant awards to the Abigail Adams Institute, Grand Central Atelier, and the Museum of the American Revolution. Many funded projects emphasize American exceptionalism, classical philosophy, civics, and Western canonical texts, reflecting the Trump administration's conservative priorities.

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A controversy erupted on the Reddit forum r/Art after Brooklyn-based digital artist Hayden Clay Williams posted his work *Clear Boundaries* (2025) and mentioned in a comment that prints were available. This violated the subreddit's strict anti-self-promotion rules, leading a moderator to permanently ban Williams and delete all his past posts. Williams shared the exchange on X, where it gained 11 million views, sparking widespread backlash. Users spammed the forum with the word "print" and pressured the moderators, who eventually resigned en masse, leaving the subreddit frozen and without new posts for a week.

ancient limestone face carving discovered controversial maya train project excavation 1234761994

Archaeologists working on the controversial Maya Train project in Mexico's Yucatán Peninsula have discovered a 2,000-year-old limestone face carving. The 18-inch-tall sculpture, featuring deep-set eye sockets, a flat nose, and a cleft lip, was found in Sierra Papacal near Mérida during construction of the Mérida-Progreso Railway Bypass. The carving was attached to the foundation of an ovoid building with a west-facing entrance, suggesting it served as a ceremonial marker. Mexico's National Institute of Anthropology and History (INAH) is overseeing the excavation of 15 other nearby structures, and the artifact will be transported to a laboratory for conservation.

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Tenured University of South Dakota art professor Michael Hook, who faced termination for social media comments about the killing of conservative activist Charlie Kirk, has been reinstated after dropping his lawsuit. Hook posted remarks on September 10 calling Kirk a "hate-spreading Nazi" after the activist was shot dead, then apologized and deleted the post. South Dakota political leaders including Governor Larry Rhoden called for his firing, and USD placed Hook on administrative leave on September 12. Hook sued the university and the South Dakota Board of Regents on September 23, arguing his comments were protected by the First Amendment. Students organized a petition with nearly 22,000 signatures supporting his reinstatement. On October 3, USD president Sheila Gestring withdrew the termination notice, citing Hook's apology and employment record. Hook then dismissed the lawsuit as moot.

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The Mütter Museum in Philadelphia, a medical history institution that has faced controversy over its handling of human remains, announced a new policy on August 19 for exhibiting its collection. The policy shifts focus toward the lives of patients and changes in medical history, developed through the two-year Postmortem Project involving focus groups and public meetings. The announcement follows backlash after former executive director Kate Quinn removed online exhibits in June 2023 as part of an ethical review, and subsequent staff departures.

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A small protest of fewer than 50 demonstrators, organized by the Catalan National Assembly and joined by former Catalan president Laura Borràs and ANC president Lluís Llach, gathered outside the National Art Museum of Catalonia (MNAC) on Monday morning as Aragonese technicians arrived to inspect a set of contested 13th-century Romanesque murals. The murals, originally from the Sijena Monastery, were ordered returned by Spain’s Supreme Court after more than a decade of litigation, concluding that the original religious order never lawfully transferred ownership after the works were removed in 1936 following a fire during the Spanish Civil War. The inspection team, led by restorer Natalia Martínez de Pisón, began with less fragile sections using photogrammetry to assess transport viability, while MNAC officials warn that moving the more delicate frescoes could cause irreversible damage and plan to formally contest the execution order on conservation grounds.

murujuga rock art australia receives unesco world heritage status 1234747309

UNESCO has granted World Heritage status to Murujuga, an ancient Aboriginal rock art site in Western Australia's Pilbara region, despite concerns about its vulnerability to emissions from nearby gas and fertilizer plants. The site contains over 1 million petroglyphs, including the oldest known depiction of a human face, dating back up to 50,000 years. Indigenous groups campaigned for two decades for protection, and the Australian government nominated the site in 2023. However, the Karratha Gas Plant, operated by Woodside Energy, sits on the nominated land, and ICOMOS had warned that emissions pose a risk to the rock art. The UNESCO designation was unanimous, but an amendment was added requiring Australia to continue monitoring industrial impact.

Navajo Nation: the fight for cultural survival – photo essay

The Navajo Nation is currently navigating a complex struggle to preserve its cultural heritage against the lingering effects of colonial-era boarding schools and the modern pressures of social media and urbanization. While elders like Virginia Brown recount the trauma of forced assimilation and language suppression, a new generation is grappling with a decline in Navajo fluency, which UNESCO now classifies as a vulnerable language. Despite these hurdles, community members are utilizing local schools and traditional practices to reclaim their identity.

From car parks to piers: the 2026 Australian Urban Design awards celebrate utilitarian architecture

The 2026 Australian Urban Design Awards have been announced, celebrating projects that prioritize pragmatic, community-focused design over sculptural spectacle. Winners include the Campbelltown station commuter car park in Sydney, praised for its civic dignity and greenery; the St Kilda pier redevelopment in Melbourne, which balances engineering with tourism and penguin habitat protection; and Balam Balam Place in Brunswick, a cultural landscape honoring Indigenous history.