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Gabrielle Goliath's planned South African pavilion at the Venice Biennale was abruptly canceled by South African culture minister Gayton McKenzie. McKenzie claimed the cancellation was not due to the pavilion's focus on Israel's war in Gaza, but because a foreign nation attempted to purchase the work after the show. The Daily Maverick reported that the foreign entity was actually Qatar Museums, which had expressed interest in acquiring a video recording of Goliath's performance piece 'Elegy,' which addressed violence against women and queer people in South Africa and a genocide in Namibia. McKenzie's statement contradicted earlier reports that he had privately called the pavilion 'polarizing.'

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South Africa has canceled its pavilion at the Venice Biennale, which was to feature a performance by artist Gabrielle Goliath addressing the killings of women and queer people in South Africa, a German-led genocide in Namibia, and Israel’s war in Gaza. The performance would have included readings of poetry by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. South African Culture Minister Gayton McKenzie blamed an unidentified foreign nation for seeking to use the pavilion for "proxy power," and Israeli publication Ynetnews reported that nation is Qatar. McKenzie denied censorship, claiming a rift with the nonprofit Art Periodic South Africa over a foreign nation's offer to purchase artworks after the Biennale.

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The South African Ministry of Sport, Arts, and Culture has denied censoring its 2026 Venice Biennale pavilion after canceling a proposed artwork by artist Gabrielle Goliath on December 2. The work, part of Goliath's "Elegy" series curated by Ingrid Masondo, addressed sexual assault, femicide, the killings of women and queer people in South Africa, colonial-era genocide in Namibia, and included a tribute to Palestinian poet Hiba Abu Nada. Culture minister Gayton McKenzie initially called the piece "highly divisive" and linked to a polarizing international conflict, but a January 10 statement reframed the cancellation as a safeguard against foreign interference, alleging a foreign country attempted to fund or purchase the work to use the pavilion as a proxy for a geopolitical message about Israel's actions in Gaza.

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Syracuse University has paused admission for 20 undergraduate majors, including fine arts and digital humanities, in its College of Arts and Sciences as of late August 2025. The decision, announced at the first senate meeting of the 2025–26 academic year, has sparked faculty concern over a lack of input and perceived targeting of humanities programs. Vice Chancellor and Provost Lois Agnew instructed deans to conduct an academic portfolio review using nine-year enrollment data and financial metrics, leading to preliminary recommendations. The pause, expected to last one year, affects majors with 10 or fewer students, though classes will still be offered and graduate programs remain unaffected.

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Danielle SeeWalker, a Húŋkpapȟa Lakȟóta artist and citizen of the Standing Rock Sioux Nation, settled a lawsuit with Vail, Colorado, after the town canceled her artist residency in 2023. The cancellation followed her posting of a pro-Palestine painting titled "G for Genocide" on Instagram, which linked Palestinian and Indigenous liberation movements. The American Civil Liberties Union sued Vail on her behalf, alleging First Amendment violations. Under the settlement, SeeWalker may hold a powwow in Vail for five years, and the town will host a non-public community forum on Israel and Palestine involving Jewish, Palestinian, Muslim, and other community leaders.

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Aislan Pankararu, an Indigenous Brazilian artist and licensed physician, maintains a studio in São Paulo where he creates works that draw from his Pankararu heritage, medical training, and the Caatinga biome of northeastern Brazil. His practice includes clay-pigmented paintings, abstract forms evoking cellular structures and ritual designs, and series such as "Soil" (2024) and "Touch" (2024). After returning to drawing during his medical residency in 2019, Pankararu quickly gained recognition, participating in exhibitions at the Museu Nacional da República and Museu de Arte de São Paulo, and winning the prestigious PIPA Prize in 2024.

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London-based British-Guyanese artist Hew Locke expressed disappointment on Instagram after learning that the city of Ostend, Belgium, canceled a site-specific artwork commissioned late last year. The newly-elected city council cited insufficient public consultation before accepting Locke's proposal, which aimed to re-contextualize a statue of former Belgian King Leopold II—a ruler notorious for brutal colonial exploitation in the Congo. Locke offered to extend public consultation and reduce the installation from ten to five years, but received no response. The council's decision was announced without joint press release coordination, and Locke has had no further communication from them.

For the People: Lubbock’s First Friday Art Trail Engages Thousands of Art-Goers Each Month

Lubbock’s First Friday Art Trail (FFAT), now in its 22nd year, has grown from a small gathering of a few dozen attendees to regularly drawing thousands to the downtown arts district each month. In October 2025, the Louise Hopkins Underwood Center for the Arts (LHUCA) distributed 6,000 wristbands before running out. The event features exhibitions, open studios, craft vendors, music, hands-on activities, drinks, and food trucks, with streets closed to traffic and visitors moving on foot or by trolley. The trail began organically in August 2004, spearheaded by artist Steve Teeters of St. Eligius Studio, and was inspired by a First Friday event in Corpus Christi.

Dries Verhoeven on Representing the Netherlands at the 61st Venice Biennale

Dries Verhoeven will represent the Netherlands at the 61st Venice Biennale (2026) with a new work titled *The Fortress*, installed in the Dutch Rietveld Pavilion in the Giardini. The 25-minute performance piece transforms the sunlit pavilion into a darkened bunker, featuring a raw vocal composition using only false vocal cords. Verhoeven describes the work as a meditation on transition and self-preservation, reflecting a Western society caught between its enlightened self-image and a dark vision of the future. The piece responds to geopolitical unrest outside the Biennale grounds and is designed to be melancholic and confrontational, contrasting with the main exhibition's theme, *In Minor Keys*.

The Interview: Gabrielle Goliath

Gabrielle Goliath, a South African artist, created the performance work "Elegy" in 2015 after hearing a father mourn his daughter, Ipeleng Christine Moholane, who was raped and murdered. The piece features seven operatic women sustaining a single note in relay for an hour, evolving over a decade into a series of iterations that address systemic violence and grief. In January 2026, South Africa's Minister of Sport, Arts and Culture, Gayton McKenzie, cancelled Goliath's presentation of the latest version of "Elegy" at the 61st Venice Biennale, which was to include tributes to victims in South Africa, Namibia, and Gaza, including journalist Hiba Abu Nada. Goliath refused to alter the work, took legal action, and will now show it independently at the Chiesa di Sant'Antonin in Venice, while the official South African Pavilion will remain empty for the first time since 2011.

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

Lawsuit Alleges DOGE Cancelled $349,000 HVAC Grant to Museum after ChatGPT Flagged It As DEI

The High Point Museum in North Carolina had a $349,000 federal grant to replace its HVAC system canceled after staff at the Department of Government Efficiency (DOGE) used ChatGPT to evaluate the proposal. According to a federal lawsuit, the AI chatbot flagged the climate-control project as related to diversity, equity, and inclusion (DEI) initiatives, leading to its termination, despite the grant's stated purpose of preserving the museum's collection.

art kye christensen knowles young artist

Kye Christensen-Knowles, a 32-year-old figurative painter based in New York, is featured in Cultured's 2025 Young Artists list. A recent solo exhibition at Lomex in New York showcased his range, from unnerving contemporary society portraits to epic science-fiction scenes. His work is also on view in a group show at the Warehouse, a private museum in Dallas. In an interview, he discusses his readymade work "Painting" (2019–23), a studio rug covered in accumulated paint, and cites influences such as Vito Acconci and Louise Bourgeois.

Not Just the Biennale: What to See in Venice in Spring 2026 Among Galleries, Independent Spaces, and Special Projects

Non solo Biennale: cosa vedere a Venezia nella primavera 2026 tra gallerie, spazi indipendenti e progetti speciali

The article highlights a curated selection of exhibitions to see in Venice during spring 2026, beyond the main shows of the 61st Venice Biennale. It features projects in galleries, independent spaces, and historic venues, including a group show titled "Waves" at Casa Sanlorenzo with works by Alexander Calder and Lucio Fontana, a video installation by Ieva Lygnugarytė at Oratorio dei Crociferi, a Judy Chicago survey at Galleria Alberta Pane, a solo show by Hanna Rochereau at Mare Karina, and a Barry X Ball retrospective at the Abbey of San Giorgio Maggiore.

Mario Ceroli on display in Florence: forty works at Tornabuoni Arte

The Tornabuoni Arte gallery in Florence is hosting "Mario Ceroli. Myth and Matter," an anthological exhibition featuring forty sculptures and installations by the Roman artist Mario Ceroli. The show traces his career from the 1960s to 2000, including his iconic wooden silhouettes, works inspired by Leonardo da Vinci's Vitruvian Man, and pieces referencing Greek myth and the Riace Bronzes. The exhibition runs until May 29 at the gallery's Lungarno Benvenuto Cellini 3 location.

The Spiritual Ear: On Daniel Heller-Roazen’s Far Calls

The article is a critical review of Daniel Heller-Roazen's new book, 'Far Calls: On Omens, Slips, & Epiphanies.' It examines the book's central thesis, which explores the historical and philosophical concept of a 'spiritual ear'—the interval between speaking and hearing where language escapes its intended meaning, giving rise to omens, slips of the tongue, and epiphanies. The review traces Heller-Roazen's genealogical investigation from ancient divinatory practices to modern psychoanalysis, highlighting his argument that linguistic accidents hold prophetic potential.

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Jersey City officials have announced plans to repurpose the site originally intended for the Centre Pompidou’s North American satellite into affordable housing and community space. Mayor James Solomon, who recently took office facing a $250 million budget deficit, confirmed the city is collaborating with Kushner Real Estate Group on the Artwalk Towers development at 808 Pavonia Avenue. This move effectively closes the chapter on the ambitious French-American cultural partnership that was officially canceled last month.

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Plans for a Centre Pompidou satellite museum in Jersey City have been officially canceled. The project, first announced in 2021, would have been the Paris museum's only North American outpost, but faced years of political opposition and funding disputes, culminating in the newly elected mayor declaring the project dead.

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Iwan and Manuela Wirth, owners of the global art gallery Hauser & Wirth, have relocated their permanent residency from the United Kingdom to Switzerland, where the gallery’s holding company is based. The move was registered in documents filed with Companies House this month, and the gallery confirmed to the Financial Times that the decision was for personal reasons, unrelated to tax law changes. Despite the relocation, the Wirths plan to open a new London location in 2026, and their UK gallery reported a 13 percent drop in turnover to £144 million in 2023.

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Regional arts organizations across the United States are speaking out against recent cuts by the National Endowment for the Arts (NEA). The Trump administration proposed budget cuts that would effectively eliminate the agency by 2026, prompting the NEA to cancel many of its 2025 grants. A collective of U.S. Regional Arts Organizations issued a joint statement urging Congress to restore grant funding and maintain bipartisan support for the NEA. The cancellations also affect humanities councils in 56 states and jurisdictions, which expected about $65 million from the National Endowment for the Humanities (NEH) out of its $210 million annual budget. Three humanities organizations are currently suing the NEH and the Department of Government Efficiency (DOGE) over the dismantling.

At Kohei Nawa’s studio, the world is seen through glass bubbles

Japanese sculptor Kohei Nawa has launched his first solo exhibition in Los Angeles at Pace Gallery, titled "Photon Camp." The show features 20 new works from his renowned "PixCell" and "Prism" series, which utilize glass beads and light refraction to transform everyday objects—ranging from taxidermied animals to consumer electronics—into pixelated, magnified sculptures. The artist operates out of Sandwich, a sprawling Kyoto-based creative hub housed in a former sandwich factory that employs a team of 50 across art, design, and architecture.

Take a walk on the wild side with the Haas Brothers' fantastical new show

The Museum of Arts and Design (MAD) in New York has opened "Uncanny Valley," a major exhibition dedicated to the Los Angeles-based duo Nikolai and Simon Haas. The show features 85 works spanning 15 years of their practice, showcasing their signature blend of art, furniture, and craft through zoomorphic sculptures and kooky forms. Organized in collaboration with the Cranbrook Art Museum, the exhibition places these physical objects against surreal, algorithmically-generated backdrops that explore the intersection of human craftsmanship and digital technology.

Review: “The Things We Carry” at Un Grito Gallery

The exhibition "The Things We Carry" at Un Grito Gallery serves as the centerpiece for the 2026 Contemporary Art Month (CAM) Perennial in San Antonio. Curated by Casie Lomeli and Leslie Moody Castro, the show features eight artists including Matt Rebholz, whose vibrant, alien-like landscapes subvert traditional Western imagery, and Tina Linville, who presents tactile sculptures composed of salvaged materials and concrete. The exhibition is part of a larger city-wide initiative spread across five artist-run spaces.

New exhibition at Trenton City Museum: African American Abstractions

The Trenton City Museum at Ellarslie has launched "African American Abstractions," a major exhibition featuring the works of James E. Dupree, Femi J. Johnson, and Kenneth J. Lewis. Curated by Janis Purcell, the showcase spans three galleries and explores the intersection of vibrant color, form, and cultural narrative. The exhibition is supported by public programming, including an abstract art workshop and an artists' roundtable discussion.

London National Gallery’s deficit bombshell, Simon Schama on birds and art, Vilhelm Hammershøi—podcast

The National Gallery in London has announced unexpected and significant budget cuts, including potential staff reductions, due to a projected deficit of £8.2 million for the upcoming year. This financial crisis comes as a surprise following the recent completion of a major building project and the announcement of another ambitious expansion planned for the 2030s.

The Kimbell Art Museum presents The Holy Sepulcher: Treasures From the Terra Sancta Museum, Jerusalem

The Kimbell Art Museum in Fort Worth is presenting 'The Holy Sepulcher: Treasures From the Terra Sancta Museum, Jerusalem,' an exhibition of opulent 17th-century liturgical objects from the Church of the Holy Sepulcher. The collection, featuring gifts from European rulers like King Louis XIII of France and King Philip IV of Spain, includes gold, silver, and jewel-encrusted pieces such as vestments, a throne, and a sanctuary lamp, and is on view from March 15 to June 28.

‘I think of immersion as a state of perception’: Lawrence Lek on his exhibition at the Bass Museum of Art in Miami Beach

London-based multimedia artist Lawrence Lek presents his latest work, NOX Pavilion, at the Bass Museum of Art in Miami Beach during Miami Art Week. The installation is part of his ongoing fictional universe NOX ("nonhuman excellence"), which imagines a rehabilitation program for rogue self-driving cars. This year alone, Lek has staged NOX-related works at Tate Modern, the Hammer Museum, and Goldsmiths Centre for Contemporary Art, demonstrating his growing international presence. In an interview, Lek discusses how his practice spans architecture, video, gaming, and music, treating immersion as a critical state of perception rather than mere spectacle.

London's National Gallery announces £750m fundraising drive towards new wing and expanded collection

London's National Gallery has announced a £750m fundraising drive, called Project Domani, to expand its collection into the 20th and 21st centuries and build a new wing on the site of St Vincent House, north of the Sainsbury Wing. Around half the target has already been pledged, including two record £150m donations from the Crankstart foundation and the Julia Rausing Trust. A shortlist of six architectural firms—including Foster + Partners, Kengo Kuma and Associates, and Selldorf Architects—has been released to design the extension, with a final choice expected by April and the wing opening in the early 2030s.

Lina Ghotmeh: ‘Museums should go beyond conservation to foster exchange, reflection and critical thinking’

In February 2025, Beirut-born, Paris-based architect Lina Ghotmeh won the competition to oversee the remodelling of the Western Range of the British Museum, a series of galleries comprising one-third of the historic London institution. Her project team includes conservation specialists Purcell and engineers Arup. Ghotmeh, known for her human-centred, sustainable approach and her 'archaeology of the future' methodology, has previously designed the Stone Garden tower in Beirut and the 2023 Serpentine Pavilion in London. She also holds commissions for a contemporary art museum in AlUla, Saudi Arabia, a Venice Biennale pavilion for Qatar, and the Bahrain Pavilion for Expo 2025 Osaka.

A Stunning New Italian Restaurant Inspired By Classic Paintings Has Opened In The National Gallery For Picturesque Dining

Acclaimed Italian chef Giorgio Locatelli and his wife Plaxy have opened a new restaurant called 'Locatelli' and an espresso bar named 'Bar Giorgio' in the National Gallery's refurbished Sainsbury Wing in London. The openings on May 10 mark the completion of a two-and-a-half-year Bicentenary renovation project of the wing. The menu and decor draw inspiration from the gallery's surroundings and the works of Caravaggio, featuring Italian classics and seasonal dishes. Bar Giorgio offers Italian coffee and maritozzi pastries, aiming to bring Italian coffee culture to gallery visitors.

World Famous Buffalo Bill Western Art Show And Sale Opens For 44th Year

The 44th Buffalo Bill Art Show and Sale opened at the Buffalo Bill Center of the West in Cody, Wyoming, with over $20,000 in art sold on the first evening. The show features 104 paintings from 104 artists, valued at over $1.25 million, displayed until the live auction on September 19. A Buy-It-Now Sale offers 63 smaller pieces donated by artists, providing immediate purchasing opportunities alongside the main exhibition of contemporary Western art.